Reggie Jackson

Reginald Martinez “Reggie” Jackson (born May 18, 1946) is an American former professional baseball right fielder who played 21 seasons for the Kansas City / Oakland Athletics, Baltimore Orioles, New York Yankees, and California Angels of Major League Baseball (MLB). Jackson was inducted into the National Baseball Hall of Fame in 1993.
Jackson was nicknamed “Mr. October” for his clutch hitting in the postseason with the Athletics and the Yankees. He helped Oakland win five consecutive American League West divisional pennants, three consecutive American League pennants and three consecutive World Series titles, from 1971 to 1975. Jackson helped New York win four American League East divisional pennants, three American League pennants and two consecutive World Series titles, from 1977 to 1981. He also helped the California Angels win two AL West divisional pennants in 1982 and 1986. Jackson hit three consecutive home runs at Yankee Stadium in the clinching game 6 of the 1977 World Series.
Jackson hit 563 career home runs and was an American League (AL) All-Star for 14 seasons. He won two Silver Slugger Awards, the AL Most Valuable Player (MVP) Award in 1973, two World Series MVP Awards, and the Babe Ruth Award in 1977. The Yankees and Athletics retired his team uniform number in 1993 and 2004. Jackson currently serves as a special advisor to the Yankees.
Reginald Martinez Jackson is one of six children from Wyncote, Pennsylvania. When he was six, his parents divorced, and Jackson grew up with his father, Martinez, who was in jail for bootlegging when Reggie graduated from Cheltenham Township High School in 1964. Jackson was a four-sport varsity athlete in high school; at Arizona State he played both baseball and football. After his sophomore season, the Kansas City Athletics, with the No. 2 pick of the 1966, draft selected him. He played for the As, both in Kansas City and in Oakland from 1967-1975, who traded him to Baltimore in April 1976.
A free agent the following year, he signed a four-year contract with the New York Yankees. Jackson moved to the California Angels in 1982, where he played for five seasons. He finished his career with the team where he started, playing the 1987 season with the Oakland As. In Jackson’s tenure with four American League franchises and all except the Orioles, the teams won at least two division titles with him on their roster. His Oakland teams won three consecutive World Series championships, the only organization other than the Yankees to three-peat, and his Yankee teams earned back-to-back titles in 1977-78. When he was with the Angels, California twice came within a victory of its first pennant and World Series appearance.
He holds the major league career record for most league championship series played (11) most games (45) most at-bats (163) and the American League records for most RBIs (20) most hits (37) and most singles (24) in LCS play. But it was in the World Series that he received the nickname, “Mr. October.” Playing in five World Series and 27 games, Jackson batted .357 with 10 home runs and 24 RBI’s. He also holds the career slugging percentage record of .755, and holds or shares nine World Series records that contain the phrase “home run.”
Voted to the American League All-star team 14 times Jackson finished his career with 1551 runs, 2584 hits, 463 doubles, 49 triples, 1702 RBI’s, and 563 home runs. In his first year of eligibility, Jackson was named on 396 of the 423 ballots and elected to the Baseball Hall of Fame. On August 1, 1993, he was the only player to be inducted into the Hall on that day. Currently, Jackson lives in California; he connects with younger players regularly and is an executive with Upper Deck.

Written by Dianne Washington

Sugar Ray Leonard

Ray Charles “Sugar” Leonard (born May 17, 1956) is an American former professional boxer, motivational speaker, and occasional actor. Often regarded as one of the greatest boxers of all time, Leonard was part of “The Fabulous Four” a group of boxers who all fought each other throughout the 1980s, consisting of himself, Roberto Durán, Thomas Hearns and Marvin Hagler. “The Fabulous Four” created a wave of popularity in the lower weight classes that kept boxing relevant in the post-Muhammad Ali era. Leonard was also the first boxer to earn more than $100 million in purses, won world titles in five weight divisions, including a run as the undisputed welterweight champion, and defeated future fellow International Boxing Hall of Fame inductees Hearns, Durán, Hagler, and Wilfred Benítez. Leonard was named “Boxer of the Decade” in the 1980s.
Leonard, the fifth of seven children of Cicero and Getha Leonard, was born in Wilmington, North Carolina. He was named after Ray Charles, his mother’s favorite singer. The family moved to Washington, D.C., when he was three, and they settled permanently in Palmer Park, Maryland when he was ten. His father worked as a supermarket night manager and his mother was a nurse. He attended Parkdale High School, Leonard was a shy child, and aside from the time he nearly drowned in a creek during a flood in Seat Pleasant, Maryland, his childhood was uneventful. He stayed home a lot, reading comic books and playing with his dog. His mother said: “He never did talk too much. We never could tell what he was thinking. But I never had any problems with him. I never had to go to school once because of him.”
Leonard started boxing at the Palmer Park Recreation Center in 1969. His older brother, Roger, started boxing first. Roger helped start the boxing program, urging the center’s director, Ollie Dunlap, to form a team. Dave Jacobs, a former boxer, and Janks Morton volunteered as boxing coaches. Roger won some trophies and showed them off in front of Ray, goading him to start boxing.
In 1972, Leonard boxed in the featherweight quarterfinals of the National AAU Tournament, losing by decision to Jerome Artis. It was his first defeat. Later that year, he boxed in the Eastern Olympic Trials. The rules stated that a boxer had to be seventeen to box in international competition, so Leonard, only sixteen, lied about his age. He made it to the lightweight semifinals, losing a disputed decision to Greg Whaley, who took such a beating that he wasn’t allowed to continue in the trials and never boxed again.
Sarge Johnson, assistant coach of the U.S. Olympic Boxing Team, said to Dave Jacobs, “That kid you got is sweet as sugar”. The nickname stuck. However, given his style and first name, it was probably only a matter of time before people started calling him Sugar Ray, after the man many consider to be the best boxer of all time, Sugar Ray Robinson. In 1973, Leonard won the National Golden Gloves Lightweight Championship, but lost to Randy Shields in the lightweight final of the National AAU Tournament. The following year, Leonard won the National Golden Gloves and National AAU Lightweight Championships. Leonard suffered his last two losses as an amateur in 1974. He lost a disputed decision to Anatoli Kamnev in Moscow, after which, Kamnev gave the winner’s trophy to Leonard. In Poland, Kazimierz Szczerba was given a decision victory over Leonard, even though he was dominated in the first two rounds and dropped three times in the third. Leonard won the National Golden Gloves and National AAU Light Welterweight Championships in 1974. The following year, he again won the National AAU Light Welterweight Championship, as well as the Light Welterweight Championship at the Pan American Games.
In 1976, Leonard made the U.S. Olympic Team as the light welterweight representative. The team also included Leon and Michael Spinks, Howard Davis, Jr., Leo Randolph, Charles Mooney, and John Tate. Many consider the 1976 U.S. team to be the greatest boxing team in the history of the Olympics. Leonard won his first four Olympic bouts by 5–0 decisions. He faced Kazimierz Szczerba in the semifinals and won by a 5–0 decision, avenging his last amateur loss. In the final, he boxed the great Cuban knockout artist Andrés Aldama, who scored five straight knockouts to reach the final. Leonard landed several good left hooks in the first round. In the second, he dropped Aldama with a left to the chin. Late in the final round, he again hurt Aldama, which brought a standing eight count from the referee. With only a few seconds left in the fight, a Leonard combination forced another standing eight count. Leonard was awarded a 5–0 decision and the Olympic Gold Medal. Afterward, Leonard announced, “I’m finished…I’ve fought my last fight. My journey has ended, my dream is fulfilled. Now I want to go to school.” He was given a scholarship to the University of Maryland, a gift from the citizens of Glenarden, Maryland. He planned to study business administration and communications.
He finished his amateur career with a record of 145–5 and 75 KO’s.
Juanita Wilkinson, Leonard’s high school girlfriend, told him she was pregnant in the summer of 1973. They decided to have the baby but marriage would be put off until after the Olympics in 1976. Leonard would continue to pursue his Olympic dream while she and the baby, Ray Charles Leonard, Jr., lived with her parents. When Leonard boxed in the Olympics, he had a picture of Wilkinson taped to his sock.
Shortly before the Olympics, Wilkinson had filed an application to receive $156 a month in child support payments from Prince George’s County. She named Leonard as the father and the county’s state attorney’s office filed a civil suit against Leonard to establish paternity and get support payments for the child. Leonard learned of the suit several days after returning home from the Olympics. The headline in the Washington Star read, “Sugar Ray Leonard Named in Welfare Dept. Paternity Suit”
Wilkinson went to the Olympics to watch Leonard box, but she did not tell him about the suit and never asked him for any money. “I didn’t feel like being bothered by all those complications by asking him for any money for support”, she said. Leonard pledged he would support his son, even if he had to scrap plans to attend college.
Leonard had hoped to get lucrative endorsements following his gold medal win, but the negative publicity from the paternity suit chased off any big commercial possibilities. To make matters worse, his father was hospitalized with meningitis and his mother suffered a heart attack. With neither parent able to work, with his child and the mother of his child to support, and without any endorsement opportunities, Leonard decided to become a professional boxer.
When Leonard decided to turn professional, Janks Morton introduced him to Mike Trainer, a friend of his who was an attorney. Trainer talked 24 of his friends and clients into underwriting Leonard’s career with an investment of $21,000 to be repaid within four years at 8% interest. Trainer then made Leonard the sole stockholder in Sugar Ray Leonard, Inc. Angelo Dundee, Muhammad Ali’s trainer, was brought in to be Leonard’s trainer and manager. Many of the people being considered wanted absolute control and a cut somewhere near the manager’s traditional 33%. Dundee had a different proposition. Although he would prescribe the training procedures, he would leave the day-to-day work to Dave Jacobs and Janks Morton. He would also choose Leonard’s opponents. For his services, Dundee would get 15% of Leonard’s purse.
Leonard made his professional debut on February 5, 1977 before a crowd of 10,270 at the Civic Center in Baltimore, Maryland. He was paid $40,044 for the fight. His opponent was Luis “The Bull” Vega, whom he defeated by a six-round unanimous decision.After the fight, Leonard paid back his $21,000 loan to the investors.
In his fourteenth professional fight, Leonard fought his first world-ranked opponent, Floyd Mayweather, who was ranked seventeenth. The fight took place on September 9, 1978. Leonard won by a tenth-round knockout. A month later, Leonard defeated his old amateur nemesis Randy Shields by a ten-round unanimous decision.
On August 12, 1979, Leonard knocked out Pete Ranzany in four rounds to win the NABF Welterweight Championship. The following month, he made his first title defense against Andy Price. Many felt that Price would give Leonard a tough fight, but Leonard took him out in the first round, advancing his record to 25–0 with 16 knockouts
Leonard fought Wilfred Benitez for the WBC Welterweight Championship on November 30, 1979, at Caesar’s Palace in Las Vegas, Nevada. Leonard received $1 million and Benitez, a two-division champion with a record of 38–0–1, received $1.2 million.
It was a highly competitive and tactical battle. In the first round, Leonard rocked Benitez with a left hook that came off a jab and right cross. Late in the third, Leonard dropped Benitez on the seat of his pants with a stiff left jab. More embarrassed than hurt, Benitez got up quickly.
Benitez started to do better in the fourth, slipping numerous punches and finding the range with his right hand. “I wasn’t aware I was in a championship early because I hit him so easy”, Leonard said. “But then he adjusted to my style. It was like looking in a mirror”.
In the sixth, there was an accidental clash of heads, which opened a cut on the forehead of Benitez. Blood flowed down his forehead and the bridge of his nose but stayed out of his eyes.
Leonard landed the harder punches and had Benitez hurt several times late in the fight, but Leonard couldn’t put him away. Benitez was very slick. “No one, I mean no one, can make me miss punches like that”, Leonard said.
Going into the final round, Leonard led by scores of 137–130, 137–133, and 136–134. The two went toe-to-toe in the fifteenth. Late in the round, Leonard dropped Benitez with a left. He got up, but after a few more punches, the referee stopped the fight. The time was 2:54 of round fifteen.
The Boxing Writers Association of America and The Ring named Leonard “Fighter of the Year” for 1979.
Leonard made his first title defense in Landover, Maryland, on March 31, 1980. His opponent was Dave “Boy” Green. The British challenger had a record of 33–2. In the fourth round, Leonard knocked Green out with a devastating left hook. Leonard called it “the hardest single punch I ever threw.”
On February 15, 1982, Leonard defended the unified title against Bruce Finch, the WBC fourth-ranked contender. Leonard knocked him out in the third round. Leonard’s next fight was scheduled to be against Roger Stafford on May 14, 1982, in Buffalo, New York. While training, Leonard started to see floaters. He went to a doctor and discovered that he had a detached retina. The fight was cancelled, and Leonard had surgery to repair the retina on May 9, 1982.
On November 9, 1982, Leonard invited Marvin Hagler and other boxing dignitaries to a charity event in Baltimore, Maryland to hear him announce whether he would continue his career. Standing in a boxing ring with Howard Cosell, the master of ceremonies, Leonard announced his retirement, saying a bout with Hagler would unfortunately never happen. Leonard maintained his eye was fully healed, but that he just didn’t want to box anymore.
Missing the limelight and the competition, Leonard announced in December 1983 that he was returning to the ring. Leonard boasted that he would have a couple of ten-round bouts and then take on Milton McCrory, Donald Curry, Durán, Hearns and finally Hagler. This decision was met with a torrent of criticism from fans and the media, who felt Leonard was taking unnecessary risks with his surgically repaired eye
A bout with Philadelphia’s Kevin Howard, who was 20–4–1, was scheduled for February 25, 1984. The fight was postponed when Leonard had minor surgery on his right eye to fix a loose retina. This latest eye problem further fueled the flames of those who opposed Leonard’s comeback.
Before the fight with Howard, Dave Jacobs rejoined Leonard’s team in a limited role. Jacobs had quit in 1980, disagreeing with Leonard’s decision to have an immediate rematch with Durán.
Leonard and Howard fought on May 11, 1984, in Worcester, Massachusetts. Howard knocked Leonard flat on his back in the fourth round. It was the first knockdown of Leonard’s professional career. Leonard came back to stop Howard in the ninth round, but the stoppage was disputed, with some feeling that the referee stopped the fight prematurely. Leonard was ahead on all three scorecards at the time of the stoppage. At the post-fight press conference, Leonard surprised everyone by announcing his retirement again, saying he just didn’t have it anymore.

Written by Dianne Washington

Janet Jackson

Janet Damita Jo Jackson (born May 16, 1966) is an American singer, songwriter, dancer and actress. Known for sonically innovative, socially conscious, and sexually provocative records, elaborate stage shows, and high-profile television and film roles, she has been a prominent figure in popular culture for over 30 years.
The youngest child of the Jackson family, she began her career with the variety television series The Jacksons in 1976 and went on to appear in other television shows throughout the 1970s and early 1980s, including Good Times and Fame. After signing a recording contract with A&M Records in 1982, she became a pop icon following the release of her third studio album Control (1986). Her collaborations with record producers Jimmy Jam and Terry Lewis incorporated elements of rhythm and blues, funk, disco, rap, and industrial beats, which led to crossover success in popular music. In addition to recognition for the innovation in her records, choreography, music videos, and prominence on radio airplay and MTV, she was acknowledged as a role model for her socially conscious lyrics.
In 1991 Jackson signed the first of two record-breaking multimillion-dollar contracts with Virgin Records, establishing her as one of the highest paid artists in the industry. Her debut album under the label, Janet (1993), saw her develop a public image as a sex symbol as she began to explore sexuality in her work. That same year, she appeared in her first starring film role in Poetic Justice; she has continued to act in feature films. By the end of the 1990s, she was the second most successful recording artist of the decade. The release of her seventh studio album All for You (2001) coincided with a celebration of her impact on popular music as the inaugural MTV Icon. After parting ways with Virgin she released her tenth studio album, Discipline (2008), her first and only album with Island Records. In 2015 she partnered with BMG Rights Management to launch her own record label, Rhythm Nation, and released her eleventh studio album Unbreakable the same year.
Having sold over 100 million records, Jackson is one of the best-selling artists in the history of contemporary music. She has amassed an extensive catalog, with singles such as “Nasty”, “Rhythm Nation”, “That’s the Way Love Goes”, “Together Again” and “All for You”; she holds the record for the most consecutive top 10 hits on the US Billboard Hot 100 singles chart by a female artist with 18. In 2016, Billboard placed her number seven on its list of the Hot 100 All-Time Top Artists, and in 2010 ranked her fifth among the “Top 50 R&B/Hip-Hop Artists of the Past 25 Years”. In December 2016, the magazine named her the second most successful dance club artist of all-time. One of the world’s most awarded artists, her longevity, records and achievements reflect her influence in shaping and redefining the scope of popular music. She has been cited as an inspiration among numerous performers.

Written by Dianne Washington

Raphael Saadiq

Raphael Saadiq /səˈdiːk/ (born May 14, 1966) is an American singer, songwriter, musician, and record producer. Saadiq has been a standard bearer for “old school” R&B since his early days as a member of the multiplatinum group Tony! Toni! Toné! He has also produced songs for such artists as Joss Stone, D’Angelo, TLC, En Vogue, Kelis, Mary J. Blige, Ledisi, Whitney Houston, Solange Knowles and John Legend.

Written by Dianne Washington

Sammy Davis Jr.

On this date in 1990, Sammy Davis Jr., actor, dancer, singer and world class entertainer dies in Beverly Hills, California at age 64. Davis, born in Harlem, was a member of the popular and notorious Hollywood Rat Pack. He also held starring roles in a host of Broadway musicals and motion pictures.
Written by Dianne Washington

It’s Dark And Hell Is Hot: The 20th Anniversary

As the 90’s were slowly coming to an end, hip hop was in a place where it was shiny, glittery, and downright Hollywood. With it’s shiny suits and dresses, fancy cars and jewelry, big smiles and alcohol, all it took was for one guy from Yonkers to come along and redirect hip hop back to it’s roots in the streets. With his rough exterior and vulnerable lyrics and big attitude, Earl Simmons aka DMX not only brought hip hop back to the streets but he was the first artist in hip hop to release two number 1 albums in the same year. On May 12th, 1998, DMX released his debut album “It’s Dark And Hell Is Hot.” With four singles out, DMX was the new face and voice for the streets, the ghetto, the first to be the voice for vulnerable black men in hip hop since Treach from Naughty By Nature. Giving us stories of pain, abuse, struggle, drugs, violence, and sex, while staying true to his higher faith. Just like his hometown natives, Mary J. Blige and The LOX, he also gives that same gritty, street, raw emotion, pain and truth in his music. “Get At Me Dog”, “Stop Being Greedy”, “Ruff Ryders’ Anthem”, and “How’s It Goin’ Down” featuring Faith Evans were all big hits for Simmons. 20 years later, Simmons is known as one of hip hop’s most treasurable artists. One of those artists that stayed true to hisself an where he comes from, despite the troubles with the law, drugs, and alcohol. With an acting career and also party hits underneath his belt, DMX is a certified legend in this hip hop biz.

Mary Wells

Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American singer who helped to define the emerging sound of Motown in the early 1960s. Along with the Supremes, the Miracles, the Temptations, and the Four Tops, Wells was said to have been part of the charge in black music onto radio stations and record shelves of mainstream America, “bridging the color lines in music at the time.”
With a string of hit singles composed mainly by Smokey Robinson, including “Two Lovers” (1962), the Grammy-nominated “You Beat Me to the Punch” (1962) and her signature hit, “My Guy” (1964), she became recognized as “The Queen of Motown” until her departure from the company in 1964, at the height of her popularity. She was one of Motown’s first singing superstars.
Born in Detroit, Mary Esther Wells began singing at the age of ten. In 1961 when she was about 18, she approached Berry Gordy (Motown Records founder) and convinced him to record her version of the song “Bye Bye Baby.” That recording, released as a single that year began a long and prosperous career with Motown. She became famous for her solo vocals, touring the world with the Motown Revue.
Smokey Robinson wrote and produced her biggest Motown hits “Two Lovers,” “You Beat Me to the Punch,” and “The One Who Really Loves” You all made the Top Ten in the early ’60s, and “My Guy” hit the number one spot in mid-1964. Wells also recorded with the Supremes, the Temptations, and Smokey Robinson. In 1964, she left Motown, signing a number of contracts with other labels, including Twentieth Century Fox Records, Atco, and Jubilee, but she never achieved the same success that she had in her hometown. Wells was married for a while to Cecil Womack, and in the 1970’s stopped performing to raised her four children.
Wells resumed her career in 1978, doing nightclub acts and was featured on Motown’s 25th anniversary television show in 1983. In 1990 Wells, a smoker, was diagnosed with terminal cancer of the larynx. This unfortunate turning point in her life was a financial disaster for her. To cover her medical expenses she sold her home in Los Angeles and had to resort to support from the fledging Rhythm and Blues Foundation. Mary Wells died July 26, 1992.

Written by Dianne Washington

Stevie Wonder

This date marks the birth of Stevie Wonder in 1950. He is an African American singer and songwriter, who had his first success on the Motown label at age 13.
He was born Steveland Morris in Saginaw, MI. Blind since infancy, Wonder began playing the piano at the age of 4 and was a proficient singer and instrumentalist by the age of 13, when his first hit, “Fingertips Part 2” in 1963, was released by Motown, at which time he was given his professional name. He produced the albums “Signed, Sealed and Delivered” (1970) and “Where I’m Coming From” (1971), the latter written entirely by Wonder and his wife, Syreeta Wright.
On the album “Music of the Mind” (1972) he used modern recording technology to allow him to play most of the instrumental accompaniments. Wonder experimented with synthesizers and was one of the first musicians to make extensive use of electronic music in Black American song. A multi-instrumentalist, Wonder plays the piano, synthesizer, talk box, harmonica, congas, drums, bongos, bass guitar, organ, melodica, and clarinet. “Talking Book” (1972), an album on which he played all the instruments and sang all the vocal parts, contained the hit singles “You Are the Sunshine of My Life,” and “Superstition,” and he won several Grammy Awards for “Talking Book” and his next album, “Innervisions “in 1973.
The same year he survived a near-fatal automobile accident. More Grammy Awards followed for the albums “Songs in the Key of Life” (1976), which contains the hit song “Sir Duke,” a celebratory tribute to American jazz composer Duke Ellington; and “In Square Circle” (1985). Wonder’s other albums include “Looking Back” (1977); “Hotter than July” (1980); “Characters” (1987); “Jungle Fever” (1991); the sound track to a motion picture by American director Spike Lee; and “Conversation Peace” (1995). In 1996 Wonder won three more Grammy Awards: for best male rhythm-and-blues vocalist, best song, and for lifetime achievement.
Wonder has also been active in such social causes as the anti-apartheid movement, Mothers Against Drunk Driving, and the Retinitis Pigmentosa Foundation. An advocate of Black civil rights, Wonder spearheaded the effort to institute a national holiday in honor of the birthday of clergyman and civil rights activist Martin Luther King, Jr.
A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than 30 U.S. top ten hits and won 25 Grammy Awards (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song, and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize. American music magazine Rolling Stone named him the ninth greatest singer of all time. In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.[80]
He has had ten U.S. number-one hits on the pop charts as well as 20 R&B number one hits, and has sold over 100 million records, 19.5 million of which are albums; he is one of the top 60 best-selling music artists with combined sales of singles and albums. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica and Clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African-American musician to win an Academy Award for Best Original Song, which he won for his 1984 hit single “I Just Called to Say I Love You” from the movie The Woman in Red.
Wonder’s “classic period” is generally agreed to be between 1972 and 1977. Some observers see in 1971’s Where I’m Coming From certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period. Some determine Wonder’s first “classic” album to be 1972’s Music of My Mind, on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album.[84] Others skip over early 1972 and determine the beginning of the classic period to be Talking Book in late 1972, the album in which Wonder “hit his stride”.
His classic 1970s albums were very influential on the music world: the 1983 Rolling Stone Record Guide said they “pioneered stylistic approaches that helped to determine the shape of pop music for the next decade”; Rolling Stone’s 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90; and in 2005, Kanye West said of his own work, “I’m not trying to compete with what’s out there now. I’m really trying to compete with Innervisions and Songs in the Key of Life. It sounds musically blasphemous to say something like that, but why not set that as your bar?”

Written by Dianne Washington

Lena Horne

MY GIRL, MS. LENA. GOD BLESS YOU SIS, AND KNOW I GOT YOU ALWAYS AS A DIRECT DESCENDENT OF THE ANCESTORS. SLEEP IN ETERNAL PEACE.
I would be remiss if I didn’t acknowledge the 8th anniversary of Ms. Lena’s death on Mothers Day, 2010.
I had the pleasure of meeting and sitting with Ms. Lena for hours, just because she saw me passing by her dressing room at Xenon when she assisted in giving the benefit for the Negro Ensemble Company, and wanted to tell me that ‘I was a pretty baby.’ She invited me in and we talked for most of that evening. Rest well Ms. Lena, with all my love.

Written by Dianne Washington

30 Years: The Legacy of Al B. Sure!

Once upon a time, he was a star football player. Denied a scholarship to pursue a music career. Today he is known for being one of R&B’s biggest stars during the late 80’s new jack swing era. He started when he won a talent showcase and was hand picked by Quincy Jones as the winner and then got offered a deal with Warner Bros. Records by Benny Medina. He worked with Quincy Jones on “The Secret Garden”, he sang background for Heavy D. & The Boyz and then finally started working on his debut album, which took only 6 months to do. With a little bit of direction and production from Teddy Riley, his debut album was finally completed. With the first single called “Nite And Day”, his popularity quickly rose and on May 3rd, 1988, Al B. Sure! released his debut album called “In Effect Mode.” Besides “Nite And Day”, “If I’m Not Your Lover” and “Off On Your Own (Girl)” were also the singles released from the album. The album sold more than 2 million copies and it was Top Billboard smash hit. Winning Grammy’s, American Music Awards, and a Best New Artist award, Al was the fresh new guy on the R&B scene that drove the ladies wild. With an album that only had 8 songs, Al had a soft, high pitch, smooth voice that drove the ladies insane. An 8 track album that was filled with love and party/dance songs and a Spanish version of “Nite And Day” included. Al B. Sure! is also responsible for writing and producing for others and even helped the careers of Faith Evans, Usher, Dave Hollister, Jodeci, Tevin Campbell, and Case. 30 years later, “In Effect Mode” is still appreciated and loved by true R&B/New Jack Swing fans around the world. Timeless music that still makes people feel so good about love and life.