Looks Like a Job For…: The 25th Anniversary

The man that we all once knew in the beginning was a smooth talking, ladies lover with a slight touch that could make a woman melt in her seat or sweep her off her feet but then as time goes on, there’s a new side of this man that shows a more aggressive, street side. He went from suits and gold jewelry to tied up bandanas, baggy hoodies and jeans and more hardcore raps and beats. On May 25th, 1993, that man we all know as Big Daddy Kane, released his fifth album “Looks Like a Job For…” A more streetwise, hardcore album that appeared to the homies on the block with a bottle of 40 oz. in their hands and a cigarette on top of their ear. This was a more rawer side of Kane that showed that he wasn’t just some sellout, Hollywood, Black man who had forgotten where he came from. Besides the singles, tracks like “Rest In Peace”, “Brother Man, Brother Man”, & “‘Nuff Respect” were all great examples of Kane’s much rawer raps and style. It was a completely big step away from the early Kane that hip hop fans are used to. Some might have thought he was only just trying to stay relevant by changing his style to fit in and not seem too dated but as a true Kane fan, it’s a sign of versatility and not just another “ladies man” album. The title alone represents his responsibility as an MC to flip the script and show a different side but many questioned if he has gone backwards instead of forwards. He came out flashy and then became more street and regular ‘round-the-way. It was definitely another job well done by the Kane. 

Patty LaBelle

Patricia Louise Holte-Edwards (born May 24, 1944), better known under the stage name Patti LaBelle, is a renowned Grammy Award-winning American singer, author, and actress who has spent over 50 years in the music industry. LaBelle spent 16 years as lead singer of Patti LaBelle and the Bluebelles, who changed their name to Labelle in the early 1970s and released the iconic disco song “Lady Marmalade”.
LaBelle started her solo career shortly after the group disbanded in 1977 and crossed over to pop music with “On My Own”, “If You Asked Me To”, “Stir It Up”, and “New Attitude”. She has also recorded R&B ballads such as “You Are My Friend”, “If Only You Knew”, and “Love, Need and Want You”.
LaBelle possesses the vocal range of a soprano. Due to her musical legacy and influence, she has been inducted into the Grammy Hall of Fame, the Hollywood Walk of Fame, the Apollo Hall of Fame, and the Songwriters’ Hall of Fame. The World Music Awards presented her with the prestigious Legend Award. LaBelle has sold over 50 million records worldwide.
Patricia Louise Holte was born in Philadelphia, Pennsylvania, on May 24, 1944. Her father, Henry Holte (alternatively, Holt), was a railroad worker and lounge singer. Her mother, Bertha Holte, was a domestic and housewife. Patti was third of four daughters (Vivian, Barbara, and Jacqueline). She recalls having a happy childhood but said her parents had an unhappy marriage. When she was twelve, her parents split up and Bertha Holte raised her daughters as a single mother. Her mother later adopted Claudette Grant, who would become one of Patricia’s closest friends.
Despite her shyness, she was known for her gifted voice even as a child. After first joining her church choir at ten, she sang her first solo at the Beulah Baptist Church at twelve. Growing up, Holte listened not only to gospel, but jazz and rhythm and blues. By her teens, “Patsy”, as friends and family called her, also began listening to doo-wop and was encouraged to form a girl group in the late fifties. In 1958, she formed The Ordettes with three other friends. The following year, when two members of the group dropped out, singers Nona Hendryx and Sarah Dash, from a former rival group, joined them. Eventually with Cindy Birdsong included in the lineup by 1961 and with respected music impresario Bernard Montague managing them, the group gained a reputation around Philadelphia and soon caught the eye of a record scout, who introduced them to Newtown Records president Harold Robinson.
After hearing Holte’s voice during an audition, Robinson, who nearly ditched the group due to their looks — he allegedly thought Holte was “too plain and dark” to lead a singing group – agreed to sign the group, renaming them The Blue Belles (the name would simply be “The Bluebelles” by the mid‑1960s), after a Newtown subsidiary label.
Not long after that, the group made a hit single, “I Sold My Heart to the Junkman”, though the song was recorded by another girl group, the Chicago-based The Starlets. This led to a lawsuit by a manager of the group and its record label boss, later resulting in the group winning $5,000 in damages. “I Sold My Heart to the Junkman” eventually reached the Billboard’ top 20. Despite this credited success, the group could not follow up with any other hit. The Blue Belles supported themselves by constantly touring including an appearance at the Apollo Theater.
In 1963 a record label executive sued Harold Robinson for use of the name “Blue Belles”, since another group was using the name. As a result, Robinson gave Holte the nickname, Patti La Belle (La Belle is French for “the beautiful one”) and the group’s name was altered to “Patti La Belle and Her Blue Belles”. A year later, the group left Newtown switching over to Cameo-Parkway Records. Their first hit for Cameo-Parkway was the top-40 hit “Down the Aisle (The Wedding Song)”. Their follow-ups included “You’ll Never Walk Alone” and “Danny Boy”.
In 1965 Atlantic Records president Ahmet Ertegun signed the group to the label, working with the group for a year. The group issued their first studio album (as Patti LaBelle and the Bluebelles) entitled Somewhere Over the Rainbow in 1966. While they had a modest pop-charted hit with “All or Nothing” and its b‑side, a pop cover of Judy Garland’s “Over The Rainbow”, the group was not as successful as the label predicted. In 1967, their second release, Dreamer, issued two singles, “Take Me For A Little While” and the Curtis Mayfield standard “I’m Still Waiting”. In the middle of touring for that album, Cindy Birdsong suddenly left the group to join The Supremes, replacing Florence Ballard. The remaining trio of LaBelle, Nona Hendryx and Sarah Dash struggled with subsequent recordings and by 1970, Atlantic had dropped the group from its roster, as had longtime manager Bernard Montague, who had by now focused his full energy on more successful Philly groups such as The Delfonics and The Stylistics.
After almost signing a management deal with Frankie Crocker and Herb Hamlett, the group settled on British manager Vicki Wickham (producer of the UK pop show Ready, Steady, Go!) after Dusty Springfield had mentioned signing them. Wickham advised the group to perform in London and work on a brand new image and sound. LaBelle would later have disagreements with Wickham over changes often saying in interviews that she liked things the way they were. This led to some musical disagreements between LaBelle and Nona Hendryx.
In late 1970, the group returned to the United States changing their name to Labelle and signing a contract with MCA imprint, Track Records. Wickham then had the group open for rock group The Who. In 1971 the group released their debut, Labelle. The record mixed harder-edged soul music with rock music elements, a marked departure from the doo-wop sound of the Blue Belles. The album failed to catch on, as did their 1972 follow-up, Moon Shadow. The group, however, did find success singing alongside Laura Nyro on her acclaimed album, Gonna Take a Miracle. The group would tour with Nyro off and on for the next couple of years.
In 1973 Wickham had the group signed to RCA Records, in Chicago where they recorded the Pressure Cookin’ album. In the middle of recording, LaBelle gave birth to her only child, Zuri. While promoting the album opening for The Rolling Stones, Wickham advised the group to adapt the same flamboyant costumes of rock artists such as T. Rex, Elton John, and David Bowie. Soon, their own stage entrances started to take a life on its own, at one point the group members flew into the concert stage, while singing. Despite this change in direction, their third album failed to become a success. However, a scout for Epic Records advised the group to sign with them in 1974 at the end of the Rolling Stones tour.
Later that year, Labelle issued their most acclaimed album, Nightbirds. In October 1974, the group made history by becoming the first pop group to perform at the Metropolitan Opera House. In late December, Epic issued the single “Lady Marmalade”. Within six months, the record became a smash hit and reached number 1 on the Billboard Hot 100, the group’s first to do so. This helped their album sell over a million copies. Their fame was so massive during this time that they made the cover of Rolling Stone magazine later in 1975.
Later in 1975, the group issued their follow-up, Phoenix, which did not quite catch on as fast though it was critically raved. They had a little more success with the Chameleon album in 1976, with the songs “Get You Somebody New” and “Isn’t It A Shame”; the latter song Patti LaBelle would say was “the last record we ever did together”. Despite her success, LaBelle was not pleased at the group’s direction and by late 1976, neither LaBelle, Dash, nor Hendryx could agree on a musical direction. Following a concert in Baltimore in December 1976, LaBelle advised the others to break up.
LaBelle released her self-titled album in 1977 on Epic. The record was a critical success, with the highlights being the dance singles “Joy To Have Your Love” and “Dan Swit Me”, and the pop-R&B ballad “You Are My Friend”, a song she and her husband co‑wrote. Her subsequent follow-ups, however, 1978’s Tasty, 1979’s It’s Alright with Me, and 1980s Released, failed to be as successful. Though well-established in some circles, LaBelle never followed her live performance success with hit records, which was often the case with the Bluebelles. In 1981, she was switched to the CBS subsidiary, Philadelphia International Records, issuing the album The Spirit’s In It.
LaBelle found success outside music, performing in the Broadway revival of Your Arms Too Short to Box with God, with Al Green. However, the play was criticized for what critics felt was vocal showboating by Green and LaBelle, criticism that LaBelle did not take lightly. In 1982 she recorded the Grover Washington ballad “The Best Is Yet To Come”, which led to her first top-20 R&B hit and her first Grammy nomination in the spring of 1983. Later that year, LaBelle appeared in the PBS-produced play Working. In October 1983, the mid-tempo love song “If Only You Knew” was released. The parent album, I’m In Love Again, was released the following month. In January 1984, “If Only You Knew” reached number-one on the Hot R&B Singles chart, where it stayed for four weeks. The song became LaBelle’s first charted hit on the Billboard Hot 100 as a solo artist, reaching the lower regions of the top fifty, peaking at number 46. The success of that single and its similar-sounding follow-up, “Love, Need and Want You”, which reached number 10 on the R&B chart, helped I’m in Love Again reach gold in the United States.
Later in 1984, LaBelle appeared in her first film, A Soldier’s Story. In the fall of 1984, LaBelle recorded the songs, “New Attitude” and “Stir It Up”, later issued for the soundtrack of Beverly Hills Cop, released in December 1984. The soundtrack became a hit, thanks to the releases of “New Attitude” and “Stir It Up”. The former single reached as high as number 17 on the Hot 100 and was number 1 on the Hot Dance Club Songs chart in the spring of 1985, introducing LaBelle to pop audiences. In 1985 LaBelle left Philadelphia International signing a lucrative contract with MCA. PIR issued the final contractual LaBelle album, Patti. The album was not successful.
LaBelle garnered headlines in 1985 for her showstopping performances, first at Motown Returns to the Apollo where she opened the show with Joe Cocker singing You Are So Beautiful in which she received very high praise. In the same show she engaged in the so-called “infamous mic toss” between her and Diana Ross during the show’s finale, to the Foreigner song, “I Want to Know What Love Is”. LaBelle later alleged that Ross grabbed the microphone away from LaBelle following her taking over the lead, though someone else gave LaBelle another microphone where she finished singing. That same year, LaBelle was accused again of showboating, after singing in the finale of Live Aid to “We Are the World” so loud that she sounded as the only audible singer. Due to this press, she was given her own television special later that fall. Because of these performances, Patti gained even more mainstream popularity culminating in the release of LaBelle’s eighth album, 1986’s Winner in You, which peaked at number 1 on the Billboard 200 on the strength of the pop hit “On My Own”, a duet with singer Michael McDonald. The song became LaBelle’s first number-1 hit since “Lady Marmalade” and her highest-selling album. Winner in You eventually sold a million copies, becoming platinum. It remains her best-selling album. LaBelle took a break in 1988, re-emerging with Be Yourself, in 1989. The album went gold thanks to LaBelle’s soft rock ballad, “If You Asked Me To”, which also was the song for the final credits in the James Bond film Licence to Kill. In 1989 LaBelle also sang the role of “The Acid Queen” in The Who’s star-studded performance of TOMMY in Los Angeles.
Her 1991 album, Burnin’, resulted in LaBelle’s first Grammy win in 1992 for Best Female R&B Vocal Performance, an honor she shared with noted singer Lisa Fischer. This was the first instance of a ‘tie’ in Grammy history and caused controversy. Burnin’ spawned three top ten hits on Billboard’s R&B chart and also went on to sell half a million copies, becoming her third gold album. Her 1994 album, Gems and 1997 follow-up, Flame, also were certified gold and LaBelle’s 1990s singles, “The Right Kinda Lover” and “When You Talk About Love” hit number 1 on the dance charts. She won a second Grammy in 1998 for her live album, One Night Only! Following the announcement of the end of her marriage to her husband, Armstead Edwards, who also dismissed himself as LaBelle’s manager after more than 20 years, LaBelle released the ballad-heavy When A Woman Loves album in 2000. She would not release another album until, after signing with the Def Jam Records imprint, Def Soul Classics, she released Timeless Journey, in 2004. The album became her highest-charted album in eighteen years. In 2005 a follow-up album, Classic Moments, was released. Shortly after, LaBelle left Def Jam Records in 2006 over a public dispute with Antonio “L.A.” Reid. She released her first gospel album, The Gospel According to Patti LaBelle on the Bungalo label, the album later peaking at number 1 on Billboard′s gospel album chart. She returned to Def Jam in 2007 and released her second holiday album, Miss Patti’s Christmas. As of 2011, LaBelle has yet to release a new solo album. In 2008, LaBelle briefly reunited with Nona Hendryx and Sarah Dash as Labelle on the group’s first new album in over thirty years, Back to Now.
Following her roles in A Soldier’s Story and Sing, LaBelle won a recurring role as Kadeem Hardison’s mother on the hit show, A Different World. In 1992 following her success on the sitcom and responding to the success of rapper Will Smith’s Fresh Prince of Bel-Air, LaBelle starred in her own sitcom, Out All Night. The show was cancelled after only 19 episodes. In 1993 she earned a star on the Hollywood Walk of Fame and two years afterwards, performed at the Super Bowl half-time show. For a period, LaBelle’s theme song for The Oprah Winfrey Show, entitled “Get With the Program”, proved to be popular along with its catchphrase. In 2002, LaBelle appears in the 44th Grammy Awards ceremony in a performance of the new version of “Lady Marmalade”, with Christina Aguilera, Lil’ Kim, Mýa and Pink. In 2003, LaBelle participates in the tribute organized by the Spanish Television network Telemundo to the Cuban singer and legend of the Latin music Celia Cruz, singing with Gloria Estefan. In 2003 she starred in her own lifestyle show, Livin’ It Up With Patti LaBelle, which aired for three years on the TV-One channel. In 1996 LaBelle issued her autobiography, Don’t Block the Blessings. She released her first of five cookbooks in 1997, and in 2006, released the book Patti’s Pearls. In addition, LaBelle began to sell collections of spices, lipstick and even wigs on her website. Her wig collection, Especially Yours, was sold for some time but has since stopped.
On September 14, 2010, LaBelle made a return two decades after her last Broadway performance to star in the award-winning musical Fela![8] about Afrobeat legend Fela Anikulapo-Kuti. LaBelle replaced Tony Award-nominee Lillias White as Fela’s mother, Funmilayo Ransome-Kuti, and remained with the production through the end of its run on January 2, 2011. On May 23, 2011, LaBelle appeared on “Oprah’s Farewell Spectacular, Part 1” the first show in a series of three shows constituting the finale of The Oprah Winfrey Show, singing “Over the Rainbow” with Josh Groban. LaBelle was honored with the Lifetime Achievement Award at the BET Awards on June 26, 2011.
She performed for President Barack Obama at the 9/11 tribute, singing “Two Steps Away”. She received a standing ovation, after she walked away from the microphone and continued to be heard. On December 21, 2011, she appeared on an episode of the Bravo television series Top Chef, surprising the ten remaining chefs after their “Quickfire” challenge. A shortened version of “Lady Marmalade” was in the broadcast, which was filmed in Austin, Texas. She then served as a guest judge on the episode. On January 2, 2012, she performed “The Star-Spangled Banner” at the NHL Winter Classic between the New York Rangers and Philadelphia Flyers at Citizens Bank Park. In February 2012, LaBelle honored Mariah Carey singing Carey’s hit single “Hero” at that year’s BET Honors.
In August 2013 the singer performed the socially conscious track What Can I Do For You on the Tonight Show with Jay Leno which included the high profiled guest Barack Obama.
In October 2013 Mariah Carey took the stage at the 2013 Black Girls Rock! event to honor Patti LaBelle with the evening’s Living Legend award.
Patti LaBelle and Aretha Franklin headlined the “Women of Soul: In Performance at the White House” concert hosted by First Lady Michelle Obama at the White House, recorded March 6, 2014. Melissa Etheridge, Janelle Monáe, Ariana Grande, Tessanne Chin, and Jill Scott also performed.
A longtime resident of Philadelphia, LaBelle currently lives in the Philadelphia suburb, Wynnewood, Pennsylvania. In 1969, she married Armstead Edwards. In July 1973, their first and only child, Zuri Kye Edwards, was born. In the late 1970s, Labelle and Edwards adopted two teenage boys, Stanley and Dodd, the children of their next-door neighbor, after their mother died of cancer. Following the death of her youngest sister Jackie Padgett, the couple raised Padgett’s teenage children. Following the disbanding of the group Labelle in 1976, Edwards, who was a schoolteacher, took over as his wife’s manager. In 2000, the couple announced their separation. Their divorce was finalized in 2003. LaBelle’s son Zuri has since taken over as her manager.
Her youngest sister Jackie Padgett became president of her sister’s fan club in the early 1980s. When Jackie later died of lung cancer in 1989, Patti dedicated her 1991 album, Burnin’, to Jackie and filmed the video for “If You Asked Me To” a day after her funeral. Her two other sisters, Vivian and Barbara predeceased Jackie. LaBelle was diagnosed with diabetes in 1995. Prior to her marriage to Edwards, LaBelle was once engaged to The Temptations singer Otis Williams, breaking it off owing to conflicting schedules.
In June 2011, a West Point cadet filed a civil suit against LaBelle after he was allegedly assaulted by her bodyguards at Bush Intercontinental Airport, Houston, in March. Houston police department is reviewing the conduct of officers responding to the incident after they posed for photographs with the singer, and have also filed assault charges against members of her entourage and warrants were issued. In August 2011, the cadet, who had initially been suspended from West Point for his involvement in the altercation, was allowed back in West Point. LaBelle has countersued, alleging the cadet was drunk and using racial slurs.
In November 2011, LaBelle was sued by a woman named Roseanna Monk, from New York, after LaBelle allegedly hurled insults at her for allowing her then 18-month-old daughter to walk steps away from her at an apartment lobby that LaBelle was renting during her appearance on Fela! in November 2010. According to the lawsuit, after Monk reportedly told LaBelle it was none of her business as to why the child was “scampering”, she allegedly threw water at Monk and her child.
As lead singer of the idiosyncratic group Labelle, Patti LaBelle has been called one of the pioneers of the disco movement due to singles such as “Lady Marmalade” and “Messin’ With My Mind”. In turn, “Lady Marmalade” has been also called one of the first mainstream disco hits (Jones and Kantonen, 1999). Rolling Stones Magazine includes LaBelle in its 100 Greatest Singers List, citing her as an influencing factor to “generations of soul singers” including Luther Vandross, Alicia Keys, Beyoncé, Mary J. Blige and Christina Aguilera. Other singers who have been inspired by Patti LaBelle include Ashford & Simpson, Celine Dion, Donna Summer, SWV, Coko, Tanya Blount, Jennifer Hudson, Jody Watley, Macy Gray, Mariah Carey, Martha Wash, Paula Abdul, Fantasia Barrino, Whitney Houston, and Ariana Grande as well as Oleta Adams, and Regina Belle.

Written by Dianne Washington

Heavy D

Heavy D was born on this date in 1967. He was an African American Hip Hop/Rap artist.
Born Dwight Arrington Myers in Mandeville, Jamaica, the son of Eulahlee Lee, a nurse, and Clifford Vincent Myers, a machine technician. His family moved to Mount Vernon, New York, US in the early 1970s. In 1987, Heavy D & The Boyz, the group that he fronted, was the first act signed to Uptown Records, the record company started by Andre Harrell. The group enjoyed widespread fame in the early 1990s, and scored prominent cameos on hit songs with Michael Jackson and Janet Jackson. Heavy D also appeared on the theme songs for the popular sketch comedy shows “In Living Color” and “MadTV,” and later went on to run Uptown, the record label on which he’d spent much of his career.
But tragedy found the group at the beginning of its commercial success. Troy Dixon, a member of the group known as Trouble T Roy, died in an accident after a show when he fell from an exit ramp. Dixon’s death was the inspiration for Pete Rock & C.L. Smooth’s “They Reminisce Over You (T.R.O.Y.).” Heavy D was name-checked on the Notorious B.I.G.’s first hit single, “Juicy,” in which Biggie Smalls remembered growing up and wanting the kind of fame enjoyed by rap pioneers like Heavy D and Salt ‘N Pepa. A young Biggie Smalls appeared on Heavy D’s 1992 album “Blue Funk.” Heavy D, the rapper whose real name is Dwight Arrington Myers, is dead at the young age of 44.
He was known for heavyset physique, his dancing and tongue-twisting rhymes. Beverly Hills police told the Associated Press that Heavy D died in a Los Angeles hospital November 8th 2011 after collapsing at his condominium building. Heavy D’s death came almost a month after a comeback performance at the 2011 BET Hip-Hop Awards, when he performed a medley of his best-known singles, among them “Nuttin’ But Love,” “Is It Good to You” and “Now That We Found Love.” On Twitter, he was known for posting affirming messages. His final tweet appeared early the morning he died.
Written by Dianne Washington

George Edward Hurrell

George Edward Hurrell (June 1, 1904 – May 17, 1992) was a photographer who contributed to the image of glamour presented by Hollywood during the 1930s and 1940s.
Born in the Walnut Hills district of Cincinnati, Ohio, Hurrell originally studied as a painter with no particular interest in photography. He first began to use photography only as a medium for recording his paintings. After moving to Laguna Beach, California from Chicago, Illinois in 1925 he met many other painters who had connections. One of those connections was Edward Steichen who encouraged him to pursue photography after seeing some of his works. Hurrell also found that photography was a more reliable source of income than painting. His photography was encouraged by his friend aviator Pancho Barnes, who often posed for him. He eventually opened a photographic studio in Los Angeles.
In the late 1920s, Hurrell was introduced to the actor Ramon Novarro, by Pancho Barnes, and agreed to take a series of photographs of him. Novarro was impressed with the results and showed them to the actress Norma Shearer, who was attempting to mould her wholesome image into something more glamorous and sophisticated in an attempt to land the title role in the movie The Divorcee. She asked Hurrell to photograph her in poses more provocative than her fans had seen before. After she showed these photographs to her husband, MGM production chief Irving Thalberg, Thalberg was so impressed that he signed Hurrell to a contract with MGM Studios, making him head of the portrait photography department. But in 1932, Hurrell left MGM after differences with their publicity head, and from then on until 1938 ran his own studio at 8706 Sunset Boulevard.
Throughout the decade, Hurrell photographed every star contracted to MGM, and his striking black-and-white images were used extensively in the marketing of these stars. Among the performers regularly photographed by him during these years were silent screen star Dorothy Jordan, as well as Myrna Loy, Robert Montgomery, Jean Harlow, Joan Crawford, Clark Gable, Rosalind Russell, Marion Davies, Jeanette MacDonald, Anna May Wong, Carole Lombard and Norma Shearer, who was said to have refused to allow herself to be photographed by anyone else. He also photographed Greta Garbo at a session to produce promotional material for the movie Romance. The session didn’t go well and she never used him again.
In the early 1940s Hurrell moved to Warner Brothers Studios photographing, among others Bette Davis, Ann Sheridan, Errol Flynn, Olivia de Havilland, Ida Lupino, Alexis Smith, Maxine Fife, Humphrey Bogart and James Cagney. Later in the decade he moved to Columbia Pictures where his photographs were used to help the studio build the career of Rita Hayworth.
He left Hollywood briefly to make training films for the First Motion Picture Unit of the United States Army Air Forces. When he returned to Hollywood in the mid-1950s his old style of glamour had fallen from favour. Where he had worked hard to create an idealised image of his subjects, the new style of Hollywood glamour was more earthy and gritty, and for the first time in his career Hurrell’s style was not in demand. He moved to New York and worked for the advertising industry where glamour was still valued. He continued his work for fashion magazines and photographed for print advertisements for several years before returning to Hollywood in the 1960s.
After 1970, his most prominent work was as a photographer for album covers. He shot the cover photos for Cass Elliot’s self-titled album (1972), Tom Waits’ Foreign Affairs (1977), Queen’s The Works (1984), Midge Ure’s The Gift (1985) and Paul McCartney’s Press to Play (1986).
Hurrell died from complications from bladder cancer shortly after completing a TBS documentary about his life, in which he stated that all of his friends are gone, he doesn’t know anyone here anymore. He died on May 17, 1992.
Since his death, his vintage works have continued to appreciate in value and examples of his artistic output can be found in the permanent collections of numerous museums around the world.

Written by Dianne Washington

Loretta Elizabeth Lynch

Loretta Elizabeth Lynch (born May 21, 1959) is an American attorney who served as the 83rd Attorney General of the United States, appointed by President Barack Obama in 2015 to succeed Eric Holder. Previously, she held the position for United States Attorney for the Eastern District of New York under both the Clinton (1999–2001) and Obama administrations (2010–15). As U.S. Attorney, Lynch oversaw federal prosecutions in Brooklyn, Queens, Staten Island and Long Island.

Lynch graduated from Harvard Law School in 1984. She then practiced law in New York and became a federal prosecutor in 1990, rising to become head of the Eastern District office. She later returned to private law practice, until she again became the top district prosecutor. From 2003 to 2005, she served on the board of the Federal Reserve Bank of New York.

On November 8, 2014, President Barack Obama nominated her to succeed Eric Holder as Attorney General. On February 26, 2015, the Judiciary Committee of the United States Senate recommended her confirmation by a 12–8 vote, with all Democrats of the committee and three Republicans in favor. On April 23, 2015, Lynch was confirmed by the Senate by a 56–43 vote, making her the second African-American, the second woman, and the first African-American woman to be confirmed for the position. She was sworn in as Attorney General on April 27, 2015.

Written by Dianne Washington

Notorious B.I.G. aka Biggie

On this date, we mark the birth of Notorious B.I.G. in 1972, an African American rap singer and entertainer.
Christopher Wallace (his name at birth) grew up in the tough district of Bedford-Stuyvesant, Brooklyn, New York. He soon graduated to a life of selling drugs and acting as a teenage lookout. He first rapped under the name Biggie Smalls, as part of the neighborhood group the Old Gold Brothers. He also made his own demo recording, a copy of which was eventually sent to Mister Cee, Big Daddy Kane’s DJ. The demo ended up at The Source, America’s best selling rap periodical, which gave it a great review.
This attracted the attention of Sean “Puffy” Combs, who signed him. Having now adopted the stage name Notorious B.I.G., Wallace made his recording debut in 1993, backing Mary J. Blige on “Real Love.” He also made a guest appearance on Supercat’s “Dolly My Baby.” His first solo effort was “Party and Bullshit,” included on the soundtrack to the movie Who’s The Man. His debut album followed in 1994. “ Ready To Die” became a major hit thanks to the inclusion of singles such as “Juicy”, “One More Chance” and “Big Poppa”, the latter a US Top 10 hit which was voted Billboard “s rap single of the year. He received a number of end-of-year awards in The Source, as the album achieved platinum sales.
B.I.G. went to the UK to support R. Kelly at Wembley Stadium in London, and also was a guest on Michael Jackson’s HIStory — Past, Present and Future Book 1. However, despite his elevation to such exalted company, Notorious B.I.G. never left his roots (the ghetto) behind. He formed M.A.F.I.A. with some of his former hustler colleagues, releasing an album, “Conspiracy,” in 1995. He was also involved in sundry episodes involving violence, such as a fracas with a promoter in New Jersey and his attempt to take a baseball bat to autograph hunters (for which he received a 100 hours” community service sentence). He was also involved in a running feud with rapper 2Pac, who was convinced of B.I.G.’s involvement in a 1994 robbery in which he was injured.
Their disagreement soon festered into a bitter feud between the east and west coast American rap scenes. When 2Pac was murdered, B.I.G.’s non-attendance at a rap peace summit in Harlem was widely criticized. Instead, he began work on a second album, entitled, prophetically, Life after Death. Its cover featured the rapper standing next to a hearse with the license plate B.I.G. He never lived to see its official release. He was gunned down after leaving a party in California on March 9, 1997. Subsequent guess indicated that his murder was in retaliation for Pac’s killing.
Released three weeks later, “Life after Death” went straight to the top of the US charts. In 1999, he was back in the charts with “Born Again,” a motley collection of unreleased material.

Written by Dianne Washington

Fats

Thomas Wright (“Fats”) Waller grew up in a Harlem household where his father was a Baptist preacher and his mother played piano and organ. He took up the piano at age six, playing in a school orchestra led by Edgar Sampson. After his mother died when he was 14, Waller moved into the home of pianist Russell Brooks, where he met and studied with James P. Johnson, Carl Bohm, and the famous pianist Leopold Godowsky. Waller made his first record at age 18, “Birmingham Blues”/Muscle Shoals Blues” in 1922.
He backed various blues singers and worked as house pianist and organist at rent parties and in movie theatres and clubs. He began to attract attention as a composer at this time, forming a most fruitful alliance with lyricist Andy Razaf that resulted in three Broadway shows in the late ’20s, “Keep Shufflin’,” “Load of Coal,” and “Hot Chocolates.” Waller’s most significant early records for Victor were a series of brilliant 1929 solo piano sides of his own compositions like “Handful of Keys” and “Smashing Thirds.” After finally signing an exclusive Victor contract in 1934, he began the long-running, prolific series of records with his Rhythm, which won him great fame and produced several hits, including “Your Feet’s Too Big,” “The Joint Is Jumpin’,” and “I’m Gonna Sit Right Down and Write Myself a Letter.”
He began to appear in films like “Hooray for Love” and “King of Burlesque” in 1935 while continuing regular appearances on radio dating back to 1923. He toured Europe in 1938, made organ recordings in London for HMV, and appeared on one of the first television broadcasts. Well aware of the popularity of big bands in the 1930s, Waller tried to form his own, but they were short-lived. Into the 1940s, Waller’s touring schedule of the U.S. escalated; he contributed music to the films (including a memorable stretch of Stormy Weather where he led an all-star band that included Benny Carter, Slam Stewart, and Zutty Singleton).
As a composer and improviser, his melodic invention rarely flagged, and he contributed fistfuls of joyous yet paradoxically winsome songs like “Honeysuckle Rose,” “Ain’t Misbehavin’,” “Keepin’ Out of Mischief Now,” “Blue Turning Grey Over You” and the extraordinary “Jitterbug Waltz” to the jazz repertoire. While every clown longs to play Hamlet, as per the cliché, Waller did have so-called serious musical pretensions, longing to follow in George Gershwin’s footsteps and compose concert music. It was not to be, due to the racial barriers of the first half of the 20th century.
Waller influenced a long line of pianists, including Count Basie, Teddy Wilson, Art Tatum, Thelonious Monk, Dave Brubeck, and countless others. His impact has been truly profound. Years of draining alimony squabbles, plus overindulgence, and, no doubt, frustration over not being taken more seriously as an artist began to wear him down. Waller was returning to New York City from Los Angeles, after the smash success of Stormy Weather, and after a successful engagement at the Zanzibar Room, in Santa Monica California, during which he had fallen ill. the Santa Fe Chief train for the long trip back to New York. He never made it, dying of pneumonia aboard the train during a stop at Union Station in Kansas City on December 15, 1943.
More than 4,000 people attended his funeral in Harlem, which prompted Dr. Adam Clayton Powell Jr., who delivered the eulogy, to say that Fats Waller “always played to a packed house.” Afterwards he was cremated and his ashes were scattered, from an airplane piloted by an unidentified World War I black aviator, over Harlem. One of his surviving relatives is former Georgia Tech Yellow Jacket and current Baltimore Ravens tight end Darren Waller, who is Fats’ paternal great-grandson.

Written by Dianne Washington

Ron Isley

Ronald Isley ( May 21, 1941) is an American recording artist, songwriter, record producer, and occasional actor. Isley is better known as the lead singer and founding member of the family music group the Isley Brothers.
Isley was born the third of six brothers (O’Kelly Isley, Jr., Rudolph Isley, Ronald, Vernon Isley, Ernie Isley, Marvin Isley) to Sallye Bernice (Bell) and O’Kelly Isley, Sr. Ronald, like many of his siblings, began his career in the church. He began singing at the age of three, winning a $25 war bond for singing at a spiritual contest at the Union Baptist Church. By the age of seven, Ronald was singing on-stage at venues such as the Regal Theater in Chicago, alongside Dinah Washington and a few other notables.
By his early teens, he was singing regularly with his brothers in church tours and also first appeared on TV on Ted Mack’s Amateur Hour. In 1957, sixteen-year-old Ronald and his two elder brothers O’Kelly, 19 and Rudy, 18, moved to New York, recording doo-wop for local labels before landing a major deal with RCA Records in 1959, where the trio wrote and released their anthemic “Shout”. By the summer of 1959, the Isley family had moved from Cincinnati to a home in Englewood, New Jersey.
For much of the Isley Brothers’ duration, Ron Isley would remain the group’s consistent member of the group as well as the lead vocalist for most of the group’s tenure with sporadic lead shares with his older brothers. In 1969, Ron and his brothers reformed T-Neck Records in a need to produce themselves without the control of record labels, forming the label shortly after ending a brief tenure with Motown. In 1973, the group’s style and sound drastically changed following the release of the 3 + 3 album where brothers Ernie Isley and Marvin Isley and in-law Chris Jasper permanently enter the brothers’ lineup, writing the music and lyrics to the group’s new sound. The younger brothers had been providing instrumental help for the brothers since the late 1960s. By the mid-1970s, Ronald was living in Teaneck, New Jersey.
After Kelly Isley’s death in 1986 and Rudy Isley’s exit to fulfill a dream of ministry in 1989, Ronald has carried on with the Isley Brothers name either as a solo artist or with accompanying help from the group’s younger brothers, much more prominently, Ernie Isley. In 1990, Isley scored a top-ten duet with Rod Stewart with a cover of his brothers’ hit “This Old Heart of Mine (Is Weak for You)”, and in 2003 Ronald recorded a solo album, Here I Am: Bacharach Meets Isley, with Burt Bacharach. In addition, Ron Isley became a sought-after hook singer for R&B veteran R. Kelly, and hip-hop acts such as Warren G, 2Pac and UGK.
Ronald released his first solo album Mr. I on November 30, 2010. The album includes the first single “No More” It debuted at number 50 on the Billboard 200, selling 22,243 copies. It was his first solo album to crack that chart.
In 2010, Isley received a “Legend Award” at the Soul Train Music Awards.
In 2013, Ronald released his second solo album This Song Is For You sign labels eOne. The album includes the first single “Dinner and A Movie”. Second single, Premiere Song “My Favorite Thing” wrote, features and produced singer, Kem. Ronald received a nominees Independent R&B/Soul Artist Performance, at the Soul Train Music Awards.
In 2014, Ronald made a cameo appearance in the music video for Kendrick Lamar song “i”.
In 1993, Isley married producer/composer/singer Angela Winbush in Los Angeles, California. They quietly divorced in early 2002. When Winbush received chemotherapy following her ovarian cancer diagnosis, Isley was by her side giving her his support in her recovery. He has older children with various women, including daughters Tawanna and Trenisha. In 2004, while in London, Isley suffered a mild stroke, which halted an Isley Brothers tour there. In September 2005, Isley made headlines when he married background singer Kandy Johnson (of the duo JS/Johnson Sisters), who is 35 years his junior. Their son, Ronald Isley, Jr. was born in January 2007. In 2007, it was reported Isley had kidney problems. He still lives in St. Louis

Written by Dianne Washington

Cher

Cher (born May 20, 1946 as Cherilyn Sarkisian is an American singer and actress. Sometimes called the Goddess of Pop, she has been described as embodying female autonomy in a male-dominated industry. She is known for her distinctive contralto singing voice and for having worked in numerous areas of entertainment, as well as adopting a variety of styles and appearances during her six-decade-long career.
Cher gained popularity in 1965 as one-half of the folk rock husband-wife duo Sonny & Cher after their song “I Got You Babe” reached number one on the American and British charts. By the end of 1967, they had sold 40 million records worldwide and had become, according to Time magazine, rock’s “it” couple. She began her solo career simultaneously, releasing in 1966 her first million-seller song, “Bang Bang (My Baby Shot Me Down)”. She became a television personality in the 1970s with her shows The Sonny & Cher Comedy Hour, watched by over 30 million viewers weekly during its three-year run, and Cher. She emerged as a fashion trendsetter by wearing elaborate outfits on her television shows.
Written by Dianne Washington

Malcolm X

This date marks the birthday of Malcolm X. in 1925. He was an African American activist leader who articulated concepts of race pride and Black Nationalism in the early 1960s.
Malcolm Little (his name at birth), El-Hajj Malikel-Shabazz (his Muslim name) was from Omaha, Nebraska. Growing up in Lansing, Michigan, Malcolm saw his house burned down at the hands of the White supremacist Ku Klux Klan. Two years later his father was murdered, and Malcolm’s mother was placed in a mental institution. Malcolm spent the following years in detention homes, and in his early teens he moved to Boston to live with his sister. In 1946, while in prison for burglary, he was converted to the Nation of Islam; this sect professed the superiority of Black people and the inherent evil of Whites.
Released from prison in 1952, Malcolm went to Nation of Islam headquarters in Chicago, met the sect’s leader, Elijah Muhammad, and embraced its rigorous asceticism. He changed his last name to “X,” a custom among Nation of Islam followers who considered their family names to have originated with White slaveholders. Malcolm X was sent on speaking tours around the country and soon became the most effective speaker and organizer for the Nation of Islam. He founded many new mosques and greatly increased the movement’s membership. In 1961, he founded Muhammad Speaks, the official publication of the movement.
He was eventually assigned as minister of the important Mosque Number Seven in New York City’s Harlem area. Speaking with bitter eloquence against the white exploitation of Black people, Malcolm developed a brilliant platform style, which soon won him a large and dedicated following. He derided the civil-rights movement and rejected both integration and racial equality, calling instead for Black separatism, Black pride, and Black self-dependence. He advocated violence (for self-protection) and appeared to many to be a fanatic.
Many civil-rights leaders at the time rejected this style of leadership. Malcolm X described the assassination of President John F. Kennedy as a “case of chickens coming home to roost,” an example of the kind of violence that Whites had long used against Blacks. Malcolm’s success had by this time aroused jealousy within the Black Muslim hierarchy, and, in response to his comments on the Kennedy assassination, Elijah Muhammad suspended Malcolm from the movement. In March 1964, Malcolm X left the Nation of Islam and announced the formation of his own religious organization.
As a result of a pilgrimage he took to Mecca in April 1964, he modified his views of Black separatism, declaring that he no longer believed Whites to be innately evil and acknowledging his vision of the possibility of world brotherhood. In October 1964, he reaffirmed his conversion to orthodox Islam. Growing hostility between Malcolm’s followers and the rival Black Muslims manifested itself in violence and threats against his life. He was shot to death at a rally of his followers at a Harlem ballroom on February 21, 1965. Three Black Muslims were convicted of the murder.
After his assassination, the widespread distribution of his life story, “The Autobiography of Malcolm X” (1965) made him an ideological hero, especially among Black youth.

Written by Dianne Washington