The Brothers Johnson were an American funk and R&B band consisting of American musicians and brothers George (“Lightnin’ Licks”) and Louis E. Johnson (“Thunder Thumbs”). They achieved their greatest success from the mid-1970s to early 1980s, with three singles topping the R&B charts (“I’ll Be Good to You”, “Strawberry Letter 23”, and “Stomp!”).
Guitarist/vocalist George and bassist/vocalist Louis formed the band Johnson Three Plus One with older brother Tommy and their cousin Alex Weir while attending school in Los Angeles, California. When they became professionals, the band backed such touring R&B acts as Bobby Womack and the Supremes. George and Louis Johnson later joined Billy Preston’s band and wrote selections for his albums Music Is My Life and The Kids & Me before leaving his group in 1973. In 1976, the Brothers covered the Beatles’ song, “Hey Jude”, for the musical documentary All This and World War II.
Quincy Jones hired them to play on his LP Mellow Madness, and recorded four of their songs, including “Is It Love That We’re Missing?” and “Just a Taste of Me”.
After touring with various artists including Bobby Womack and Billy Preston, they were hired by Quincy Jones for a tour in Japan and produced their debut album Look Out For #1, released in March 1976 (#9 US) Their Right on Time album was released in May 1977 and reached number 13 on the Billboard Hot 200. Blam!! came out in August 1978 and reached number 7 on the Billboard 200.
Two of the duo’s songs were featured on the soundtrack of the 1976 film Mother, Jugs & Speed and one on the 1997 film Jackie Brown. The instrumental track “Thunder Thumbs and Lightnin’ Licks” refers to the brothers’ nicknames. “Get the Funk Out Ma Face” was cowritten with Quincy Jones.
Their popular album Light Up The Night was released in March 1980 and rose to #5 on the Billboard 200. It was number 46 on the “Top 100 LPs of 1980” list in Rolling Stone. The brothers self-produced the subsequent album, Winners; released in July 1981, it only reached #48 on the Billboard 200.
Among their most popular songs are “I’ll Be Good to You” (Billboard Hot 100 #3 in 1976) which prominently featured Syreeta Wright, “Strawberry Letter 23” (Hot 100 #5 in 1977, originally recorded by Shuggie Otis), “Ain’t We Funkin’ Now” (1978), and “Stomp!” (Hot 100 #7 and Hot Dance Music/Club Play #1 in 1980). Their styles include funk, and R&B ballads. Each album also included at least one instrumental cut that would either be considered light jazz (“Tomorrow”, 1976; “Q”, 1977; “Streetwave”, 1978; “Smilin’ On Ya”, 1980; “Tokyo”, 1984) or funk (“Thunder Thumbs & Lightnin’ Licks”, 1976; “Brother Man”, 1977; “Mista’ Cool”, 1978; “Celebrations”, 1980).
The duo split up in 1982 to pursue separate projects.
In 1984 the brothers reunited in the recording studio. The resulting Leon Sylvers-produced LP, Out of Control, did not equal their past success, but it did garner them another R&B hit with “You Keep Me Coming Back”. They teamed up again in 1988 to record Kickin’, the title track of which (“Kick It to the Curb”) was a collaboration with their then-neighbor Irene Cara. Although “Kick It to the Curb” became a minor hit, the album’s success was even more limited.
Between the two albums, both George and Louis released their aforementioned solo material and also appeared on Street Shadows, an album by keyboardist/arranger David Diggs, who had provided horn and string arrangements for Winners, Blast!, and Louis’ Passage. “Last Night”, Streets opening track showcases George’s bass-guitar playing. He previously showed his bass skills on tracks like “Teaser” from Winners and “The Great Awakening” from Blast, the same way Louis shows his guitar skills on the duo’s various compositions.
Also during this time, the band’s song “Tomorrow” (originally an instrumental on the B-side of “Get The Funk Out Ma Face”) was recorded with vocals by Tevin Campbell for Quincy Jones’ Back on the Block release in 1989. This album also included Jones’ hit remake of the Brothers Johnson’s “I’ll Be Good to You”, featuring Ray Charles and Chaka Khan.
Besides the brothers’ brief appearance in Japan around 1994 and George guest-appearing at a Graham Central Station concert in Japan (including a released double-CD), the duo launched an expanded US tour in 2002 which got positive, wide exposure. It was visited by many fans and various artists in the entertainment business. Along with a website and discussion-forum, online visitors could share their experiences of the shows by wandering through the Land of Ladies and reliving Funkadelia’s heyday. A few years later, a combi-release of live-CD + DVD was released under the name Strawberry Letter 23: Live.
In 2006, Louis gave a duo-show with a drummer on the Poetry in Motion 1 Festival in Maryland. In late 2007 George performed with his own band at a Detroit festival, including a persona called Sir Nose. These days George performs with a special band, an initiative of Michael Henderson that includes Adina Howard, Cherrelle, Ray Parker Jr., and others.
Louis Johnson was found dead at his home in Las Vegas, May 21, 2015. The cause of death was gastrointestinal bleeding of the esophagus.
On June 25, 2019, The New York Times Magazine listed The Brothers Johnson among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
Written by Dianne Washington