FEELING THE FORCE WITH THE LEGENDARY FORCE M.D.’s

Have you ever had your partner say “Baby Let Me Love U”? Well, there is a group called The Force M.D.’s, which is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, “Tender Love” and “Love is a House”. They are considered major forerunners of the new jack swing. The band was originally named The L.D.s, and then became the Force MCs, but ultimately preferred the name Force M.D.’s, which stood for Musical Diversity. Though the group was not quite always as recognizable as other New York R&B acts when it first started, they were among the first R&B vocal groups to intermix doo-wop-affected singing with and sometimes over hip-hop beats. The group was composed of brothers Stevie D., Antoine “T.C.D.Lundy, and Rodney “Khalil” Lundy, along with their uncle Jessie Lee Daniels. (Later, friends “Trisco” Pearson and Charles “Mercury” Nelson from the Marines Harbor projects in Staten Island, NY joined the group.) They performed at different venues such as BB Kings, and the Eve Ultra lounge until this day their hit songs are still being played on the radio. Three of the group’s members died within five years of each other: Nelson suffered a fatal heart attack in 1995; former collaborator DJ Dr. Rock died suddenly of natural causes in 1996; and in 1998, Antoine Lundy died of Lou Gehrig’s disease. Trisco Pearson died on September 16, 2016, of an undisclosed illness. But that does not stop the group from performing worldwide. The Force M.D.’s are still standing strong after all these years; you can see them at an up coming performance in June at BB Kings in Manhattan. Did I tell there is new music on the way? Check out their new single Don’t Rush now available on iTunes. May the Force be with you.

Written Jewels 78

 

 

SOB’s Jam Master Jay’s Birthday Celebration

Last night was another incredible hip hop moment in my life. Something else for the vault, something to definitely share way in the future when I’m old and grey. LOL! Downtown at the infamous SOB’s was the birthday celebration of Run-D.M.C.‘s very own Jam Master Jay. So many legends under one roof and so much love as well. Dope performances by Naughty by Nature, ONYX, Parish Smith of EPMD, and Mr. Cheeks, which was a surprise to me. I knew it was him on the stage but I needed to overhear someone say his name to verify it. Besides the performances, dope DJ’s like the legendary DJ Hollywood, Grand Wizard Theodore and none other like the “koolest” one himself, Kool DJ Red Alert and I was introduced to ScratchMasta Jazzy G, and JMJ son DJ. Jam Master JSon. That’s all I can remember but he definitely did his thing during sound check. I noticed a lot of people came there with a fresh pair of Adidas on or some kinda merchandise with Run-D.M.C. or Jam Master Jay and not to mention, I met both JMJ’s nephews and cousins, they’re cool too. Looking forward to more nights like this.

Malik “ Phife Dawg” Taylor Street Dedication Ceremony

    • phife22
      Someone in the crowd yells, “Can I Kick It?” The crowd yells back, “yes, you can!!”
      Words cannot describe the energy of the crowd. I overheard one of the Politicians
      say that they have never seen such a large crowd at a street sign dedication
      ceremony. Nothing but love is what Malik “Phife Dawg” Taylor was shown at the street
      dedication ceremony on 192nd  and Linden Blvd where he grew up. Represent, represent is what the remaining members of the Tribe did. Q-Tip and Jarobi spoke to the crowd and took pictures with the fstreet lineans, as they anticipated the unveiling of the new street sign. Hundreds of family members, friends, and fans packed the street as the dee jay played A Tribe Called Quest  music.Celstreet lineebrities on hand included Craig G., Consequence, Busta  Rhymes, Curt Flirt, Hurricane, Cool V, The Disco TwinsPow  wow, Kangol Kid, Big Jeff, and Mr. Walt (Da BeatMinerz).  Memories of Phife were shared by his mom, Cheryl Boyce-Taylor , Senator Leroy   Comrie, and Peter Rosenburg of Hot 97. Some people laughed, others cried, and we all prayed. The show of support for the family was overwhelming.
      “See, I’m not the one to be taken advantage of, and if you really think about it, I got nothin’ but love.”street line
      Linden Blvd represent,  represent
       A Tribe Called Quest represent, represent.”street line
       Malik “Phife Dawg” Taylor

      Gone too soon…..Your Legacy Lives on…..Your Impact will last a Lifetime

      Malik “Phife Dawg’’ Taylor may you continue to Sleep In Beats…
    street line     Written  By Venus Mizell

New blogger. Nina Fayli

STREET LINE

Hi my name is Nina Fayli I’m a new blogger for Street Line. I’m an actress/model. I’ve been in Law & Order SVU, Gotham, Blue Bloods, billions, The Get Down, PPRESSED.  I’ve modeled for African American Brides, and Permission to name a few. Follow me @NinaFayli on TWITTER and INSTAGRAM

The King of Pop: Happy Birthday Michael Jackson

They call him the King of Pop, they call him the greatest entertainer to ever walk the planet earth, he touched hearts all over the world, he made women faint at his concerts, he has a huge catalog of music that goes back to the 70’s and his name is Michael Jackson. Michael Jackson is an iconic artist that inspires a whole lot or artists that exist today, not just in singing and dancing but entertaining period. Every Black household, cookout, birthday party, wedding, has Michael Jackson’s music, whether it’s “Thriller”, “Off the Wall”, “Dangerous” or even music from The Jacksons like their “Destiny” or “Triumph” albums. When you’re listening to a Jacksons album or song or a Michael Jackson album or song, you can’t help but to mimic Michael’s mannerisms and dance moves, especially the classic Moonwalk dance that he premiered on Motown 25 while performing his smash hit “Billie Jean” in 1983. Let’s not forget the classic bio pic movie about the Jacksons starring Angela Bassett, playing Michael’s mother, Katherine, in 1992. Angela, as usual, does an amazing job playing that role. Growing up, my mom would play The Jacksons while she cleaned up around the house, their music was from the 70’s and 80’s and here I was, a 2 year old running around singing these songs. Til this day, their music is still amazing to me and I always loved their harmonies and how instrumental it was. “Destiny” is my personal favorite Jacksons album but my all time favorite Michael Jackson song is “I Can’t Help It” from his 1979 album “Off the Wall.” Also, how incredibly dope Michael Jackson music videos were? Off the chain yo! I personally didn’t care for the extra long concepts and short films and stuff, that was annoying to me, except “Thriller” but when the music finally comes on Michael is doing his thing. Another magical thing about Michael were his live performances. His live performances were just as dope as the music videos. We didn’t know what to expect so you couldn’t miss a Michael Jackson performance. Now music, we would be here for days talking about his catalog. “Off the Wall” was very disco-ish but a classic, “Thriller” was more on the pop side, the early MTV days when they weren’t playing music videos from Black artists and I believe “Billie Jean” was the first music video played on MTV by a black artist. “Bad”, Mike had a new image, people found out he had a skin disease called vitiligo. It’s when the skin loses it’s original skin color but in blotches all over the body. Michael was still loved though, he had the same spark and magic. Then there was the 90’s and there was “Dangerous”, which is my favorite Michael Jackson era. That “Remember the Time” video is my all time favorite Michael Jackson music video. I loved the whole Egyptian ruler theme where Eddie Murphy and beautiful model Iman were the king and queen and Magic Johnson was one of the servants. That choreography was bananas yo! I try to learn that whole dance til this day. LMAO! Then we have the “HIStory” Michael. This was when Michael became more political and was speaking about the injustices and his unfair treatment in the world by the government and the media. “Scream” with his sister Janet is too legendary. That’s another favorite Michael Jackson video of mine. Me and my sister always acted like we were in that video, jumping on the furniture, dancing everywhere, we pretended to have an audience and everything, that’s the Michael Jackson effect right there. “HIStory” is my favorite Michael Jackson album because the songs were powerful, unapologetic, strong, emotional and raw all at the same time. Michael didn’t give a fuck! That’s why they banned the “Scream” video back then. Songs like “Tabloid Junkie”, “D.S.”, “Earth Song”, “Money”, “Stranger In Moscow” and the best song to me on the album is “They Don’t Care About Us.” These songs were the answers to everything. Michael was giving it to the people raw and uncut and of course there was the remix album in 1997 called “Blood On the Dance Floor: HIStory In the Mix.” Me and my sister ran that CD to the death! Those remixes had a flavor of hip hop, R&B, pop and dance and the entire thing was banging from beginning to end but after that, nobody heard another album from Michael until 2001’s “Invincible.” To me that was his last REAL album because the posthumous music wasn’t all that. They should’ve just left it at “Invincible.” I remember when “You Rock My World” came out. They ran that video to death on MTV. Chris Tucker foolish ass was his hilarious self as usual in the video and of course in classic Michael Jackson fashion, it was a short film and lots of dancing all over a woman he was chasing, just like “The Way You Make Me Feel.” Let’s not forget about the remix featuring Jay-Z. When you live in the hood where people are selling bootleg CD’s off the street, you come across some underground dope shit and I loved that remix. I personally liked the remix better. That was a street joint only found on mixed CD’s provided by DJ’s. Songs like “Butterfliez”, “Cry”, “Heaven Can Wait”, “Break of Dawn”, “The Lost Children” and “Whatever Happens”, this was another dope Michael Jackson album but it’s underrated to me, people didn’t appreciate this joint. It’s been seven years since Michael passed and we all still feel the pain of his loss. It’s like a cut trying to heal but it’s healing incorrectly. It gets re opened on the day of his death and his birthday but we all love Michael very much. He’s moonwalking and singing in a new and better place. Happy Birthday and rest in peace King. We love you and miss you. Hee Hee!


 

Just Plain Ol’ MARY!


On this day in 1999, Mary J. Blige aka The Queen of Hip Hop Soul, released her fourth self titled album called “Mary.” I remember vividly that summer when the album came out like it was yesterday. I was 5 years old and I spent that entire summer at my auntie’s house in Virginia with my sister and cousins. Whenever we watched TV, my older cousin used to watch music videos all day from MTV Jams. I remember seeing Lauryn Hill’s “Doo Wop (That Thing)”, Ginuwine’s “So Anxious” and Mary J. Blige’s “All That I Can Say” music videos the most. I am a huge Mary J. Blige fan, the same way I’m a ATCQ fan. I have every Mary J. Blige album, music videos downloaded and saved on my flash drive, magazines, books, posters and a VHS tape from back in 2008. I’ve been a fan of Mary since I was 2 years old and even my family can tell the stories about me being a Mary fan as a kid. Those stories amaze me still to this day but anyways, back to this album. “All That I Can Say”, the very first joint on the album and the first single released from this album was a great way to start the album off right. Compared to Mary’s first three albums, this album was more R&B/soul with that Gap Band, Earth, Wind & Fire, Stevie Wonder vibe than the usual hip hop vibe Mary is known for in her sound. To me it’s like her “Share My World” album only more R&B so the evolution in Mary’s career was a perfect one. “All That I Can Say” was written and produced by Lauryn Hill and she even sings background on it too. It’s a very dope song with a “I’m gonna have a good day” kinda vibe and the music video was something different from Mary too. She presents a whole new femininity side of her that wasn’t seen before. The whole time in the video, she’s dreaming of searching for her man by walking down the street vibing in her usual Mary vibe, singing and doing her little nods and rocking, then she’s all over billboards and street lights with these red balls flying around everywhere on Times Square-42nd Street, then she’s in a dress on an escalator going to the sky and then there’s skyscrapers, the sky and she’s walking on cloud 9 literally towards a man whose just standing there and then she wakes up bugged out about the dream and it ends. This video was in heavy rotation on MTV Jams back in 1999. “Sexy” is the second joint on the album featuring The Lox’s very own Jadakiss. This is the only song on the album with a hip hop vibe and the song takes inspiration from Michael Jackson’s 1979 joint “I Can’t Help It”, which is my all time favorite Michael Jackson song from his album “Off the Wall.” The song talks about making love. The third song “Deep Inside” and the second single released from this album, is a joint about Mary wanting acceptance for who she is and not the superstar. It was only right that Elton John appears playing piano on the song because the song samples from his song “Bennie and the Jets.” The music video was dope too. She’s on tour, she walks backstage and sees these “demons” everywhere. Then she’s walking down the street, drops her jacket and appears in an all white outfit with a fur vest. Then the best part is when she busts out into a dance sequence in all red with backup dancers to her underground hit “Sincerity” featuring Nas and DMX. That song can be found on the limited edition of this album. Then she sings the rest of “Deep Inside” and the video ends with “M-J-B” and a walk off. “Beautiful Ones” the fourth song on the album. I absolutely love the vibe of this song. Everything about it to the beat, the chorus and harmonies, that song I can say low key had a hip hop vibe too cause the beat has this bass in it that’s strong if you have the right speakers to listen to that joint. “I’m In Love”, the fifth song on the album and a remake that was originally done by The Gap Band. Mary puts her own raspy and rawness twist to it. If you have the original “Mary” album release, “Time” is the sixth joint but if you have the limited edition, it’s “As” a classic remake with George Michael and originally done by Stevie Wonder. The video is just George and Mary with their thousands of doppelgängers all over the club. “Time” is hands down my favorite joint on the album. To me this is Mary’s most conscious record. She talks about drugs and crime in the black communities all over America and preaches that people should stop the violence and come together but I can’t forget to mention how sick and wicked the beat is. It reminds of me bugs crawling, when you watch a beetle crawl just like in the cartoons, it has this sound effect and that’s what the beat reminds me of. “Memories”, the seventh joint, this is my second favorite on the album. The harmonies match the beat so well. Mary took her vocal stacking to the next level on this album to me and I get goosebumps. “Don’t Waste My Time”, the eighth joint featuring the Queen of Soul. Aretha Franklin. Both Mary and Aretha battle it out on this song about a man whose wasting his woman’s time by being with her knowing that he still has feelings for another woman. “Not Lookin'”, the ninth joint featuring K-Ci Hailey of Jodeci. This is an awkward song because both Mary and K-Ci were together back in the early 90’s during her “What’s the 411?” and “My Life” days. Mary is basically telling him off about his “mack daddy” ways and avoids him trying to woo her and get back with her but she wasn’t having it. LOL! “Your Child”, the tenth joint and the third single. Mary tells a story about a man’s infidelity and having a baby by another woman and the music video was spot on perfect for the song. “No Happy Holidays”, the eleventh joint, Mary talks about being with a man who never spends his holidays with her. She spends the holidays alone while he’s out maybe with family. The twelfth joint, “The Love I Never Had”, Mary talks about having feelings for a man she can’t have. “Give Me You”, the thirteenth joint and final single. This was my favorite when I was younger but “Time” replaced it instead. This song is about Mary wanting her man to give her his all, meaning love and affection and not materialistic things. Michael Jordan appears in the music video and last but not least Mary’s remake of the classic “Let No Man Put Asunder.” What a great way to end the album with a classic 70’s dance track that was originally done by First Choice. To me, this album reflected a more sensitive side of Mary. She got rid of the “homegirl” attitude and hip hop sounds for the big ballads. I would rank this album maybe fifth or sixth on my first to last list of Mary J. Blige albums.

Street LineWritten by Jay-Doggz

Happy Birthday Ali Shaheed Muhammad!

Ali Shaheed Muhammad, 1/4 of A Tribe Called Quest, 1/3 of Lucy Pearl (with Raphael Saadiq of Tony! Toni! Toné! and Dawn of En Vogue), and 1/3 of the production team The Ummah with Q-Tip and the late great J Dilla. Ali Shaheed was always my favorite member of ATCQ because he was very laid back and cool. Nobody knows his business, nobody knows his next moves, I call him “The Mystery Man” cause you don’t even know whether or not he produced one of your favorite joints unless you buy someone’s album and read this credits. Speaking of credits, I just found months ago that he did “Brown Sugar” for D’Angelo back in 1995 for his debut album with the same title. I also remember reading somewhere that D’Angelo is one of Ali’s favorite singers. I had already mentioned in the 20th anniversary edition blog of ATCQ’s fourth album “Beats, Rhymes & Life” that ATCQ is my favorite hip hop group, so today I took a little trip down to Queens on Linden Boulevard and 192nd Street to visit the ATCQ mural. That mural came about because of one of the members of this hip hop group on Facebook I’m apart of called “Hip Hop Discussion Group.” Shoutouts to them for making this happen. It was a long ride out there from The Bronx. LMAO! I wore my custom made ATCQ t-shirt, a pair of plain black shorts and my fresh Air Force Ones sneakers, all white of course. I finally get to the mural and I was immediately blown away but the experience for me coulda been a whole lot better if I had someone to go with me, preferably another Tribe fan, that would’ve been dope. I took pictures, I recorded a video of me walking past the entire wall until I met this man standing nearby watching me named Terrence. He was cool and was nice enough to take a pic of me in front of the mural holding up 2 Tribe vinyls I own. I shook his hand, thanked him and went on my way back Uptown. All day on the train I was listening to Tribe, zoning out, having creative thoughts, getting inspired and thinking about what life would’ve been back in 1990 for me. I was listening to their debut album “People’s Instinctive Travels and the Paths of Rhythm” mostly. I always had this fantasy of hanging out with Tribe, even with Phife. I always considered Q-Tip my older brother, just because me and him share the same zodiac sign, we’re both an Aries. I would get tips from Q-Tip about how the industry is and how to survive it, Ali would show me his techniques on the turntables, Phife would be talking shit and cracking jokes and Jarobi would be cheffin’ up a bomb ass meal. That was my biggest fantasy but don’t tell the guys. Man do I miss Phife though. Cool ass guy he was. Rest In Phife and Happy Birthday Ali Shaheed. ATCQ 4 Ever!!!!

BIV10: Happy Birthday Michael Bivins!

Michael Bivins, 1/6 of the supergroup New Edition and 1/3 of the illest hip hop and R&B group, Bell Biv DeVoe, the man behind Boyz II Men and 702, the man behind all of the business moves and aspects of his groups and the man behind BIV 10 Records. Mike Bivins was always someone I personally looked up to when it comes to being a business man. He seems to have the golden touch cause everything he contributed to the music world was dope not to mention that both New Edition and Bell Biv DeVoe have always been my favorites. BBD’s 1990 debut album “Poison” is definitely a banger from beginning to end and one of my personal favorite albums of all time. I watch BBD music videos on YouTube and study their fashion and dance moves. These guys were hard but smooth at the same time, they had all the dope gear, the spray painted overalls, the gore tex boots, the illest fades and haircuts with dope designs and Ricky’s voice over those strong new jack swing and hip hop beats was and is still incredible to me. Their latest joint “Run” samples from Biggie Smalls’ 1997 joint “Hypnotize” and it’s a banger. They still have it and haven’t lost their touch at all. Thank you Mike and the entire New Edition for being so inspiring to me. Team NE 4 Life! Happy Birthday Mike!

Alert: Human Sex Trafficking!

 



Public service announcement!

Good morning to you all, I wanna do a little something different, something to bring attention to what’s costing our young girls and women their lives here in the Bronx. So I’m up early, as usual, scrolling through my Instagram and I see about three or four posts in a row about kidnapping and human sex trafficking that’s going on in the Bronx. They mentioned that this is going on in Riverside. The point is that to all you young girls and women out there in the Bronx, please careful. If you’re walking down the street by yourself, please be super aware of your surroundings, either turn your music down in your headphones or don’t wear headphones at all. They’re catching these girls by randomly calling their phones and telling them that they’re being recommended for a job. BLOCK THAT NUMBER IF YOU GET THIS CALL! Then they’re telling these girls someone else’s full name that they know and then asking them to come in for an interview, DO NOT DO IT! That’s just they’re way of capturing these girls. Once again, ladies please be safe, stay aware and be careful.

How Ya Like Me Now?: Happy Birthday Kool Moe Dee! 🎈

It was 1987 when Kool Moe Dee asked “How Ya Like Me Now?” in his braggadocios kinda way that was in your face and showed lots of confidence with a tad bit of cockiness. It was also in 1987 when the cover photo of his album with the same title, had him rocking a fresh all white fit with a Jeep Wrangler behind him and a Kangol hat tucked underneath one of the wheels of the jeep. That Kangol represented the brief beef he had with LL Cool J, who is my all time favorite 80’s rapper and a HUGE inspiration for me when it comes to fashion. Another classic from Moe Dee like “Wild Wild West” is a joint that I grew up on. How crazy is it that a 22 year old like myself was growing up on Kool Moe Dee? LOL! But I did and it was dope! It was even more dope when I actually met Kool Moe Dee four years ago in Harlem on Convent Avenue, as mentioned in the song, which is my stepfather’s neighborhood. Every year in August, on Convent, they throw this big hip hop event called “Da Hill Reunion” where they have basketball games, street dances, people having cookouts in the park, fresh to def in their new gear, kids running up and down the playground and of course, my favorite part is when the DJ is cutting it up on the 1’s and 2’s spinning good music all day. street lineSome recent stuff with a new twist on it and of course some old school too and rappers come to the reunion to perform and show love. Kool Moe Dee and L.A. Sunshine are the main ones who be at the reunions. To those who don’t know about L.A. Sunshine, he was a part of the hip hop group The Treacherous Three along with Moe Dee and DJ Easy Lee. They had joints like “Feel the Heart Beat”, “Action” and another joint they did with Spoonie Gee called “The New Rap Language.” Doug E. Fresh comes to the reunion sometimes too. When I met Moe Dee four years ago, he was extremely cool, like I expected and at that time, I wasn’t rocking a high top fade and a vintage/retro look, I was slowly getting to that point but not until a year after that. I loved going to those reunions growing up but lately it hasn’t been the same for the simple fact that it feels dead and doesn’t have the same exciting energy it used to have also, gentrification. All of these out of town white folk moving into the neighborhood are calling the cops at 8 or 9 o’clock at night when everyone is still rocking and having fun. They call the cops on us to stop the music because we’re “making too much noise.” Maybe I’ll be returning to the reunion this year just to see what’s it like and maybe I’ll run into Kool Moe Dee again, that’ll be dope forreal!

Written by Jay-Doggz

Street Line