Michael Deering: The Enduring Legacy of Mikey D

Michael Deering, known to the hip-hop world as Mikey D, Mikey Destruction, and Playboy Mikey D, is a significant figure in the evolution of East Coast hip-hop, particularly recognized for his aggressive lyrical style and his pivotal role in the group The Main Source. His career spans decades, marked by collaborations, group affiliations, and a consistent presence within the hip-hop community.

Before his tenure with The Main Source, Mikey D was a member of the rap group The L.A. Posse. This early affiliation provided him with foundational experience in the burgeoning hip-hop scene of the 1980s. While specific details of The L.A. Posse’s output are often overshadowed by his later work, their existence underscores Mikey D’s early immersion in the craft of rhyming and performance (The Encyclopedia of Hip Hop Culture). The L.A. Posse’s work, though perhaps less commercially successful than some of their contemporaries, contributed to the diverse soundscape of early hip-hop, allowing Mikey D to hone his distinctive vocal delivery and lyrical approach.

Mikey D’s most prominent role in hip-hop came with his integration into the critically acclaimed group The Main Source. This transition occurred under significant circumstances following the departure of the group’s original emcee and producer, Large Professor. The Main Source, initially comprised of Large Professor, Sir Scratch, and K-Cut, had established itself as a formidable force in hip-hop with their debut album, (Breaking Atoms). Large Professor departed in 1992. It was in this transitional period that R&B singer Jeff Redd played a crucial role in connecting Mikey D with the group. Redd, without Mikey D’s prior knowledge of the specific group, facilitated this connection, leading to Deering accepting the invitation to join The Main Source and fill the void left by Large Professor.

The result of this new lineup was the album Fuck What You Think, released in 1994. This album marked a significant stylistic shift for The Main Source, largely due to Mikey D’s distinct lyrical approach. His aggressive delivery and often confrontational subject matter contrasted with Large Professor’s more introspective and observational style, yet it maintained the group’s reputation for intricate rhymes and hard-hitting beats. The album, while not achieving the same commercial success as Breaking Atoms, is recognized by hip-hop connoisseurs as a testament to Mikey D’s ability to adapt and contribute meaningfully to an established group’s legacy (Hip Hop America).

Mikey D’s connection with LL Cool J is a notable aspect of his career, highlighting his standing within the Queens hip-hop community. Both artists emerged from the vibrant Queens scene, a hotbed of hip-hop innovation in the 1980s. While specific collaborative tracks or extensive joint projects between Mikey D and LL Cool J are not widely documented, their shared origins and mutual respect within the industry are evident. LL Cool J, a pioneer in his own right, often championed artists from his borough, and Mikey D’s aggressive style resonated with the raw energy that characterized much of early Queens hip-hop (From the Planet of Brooklyn: The Story of Hip-Hop’s Golden Age).

Mikey D’s “aggressive rap style” is a defining characteristic of his artistry. This style is marked by a forceful vocal delivery, often delivered with a rapid-fire cadence and a commanding presence. His lyrics frequently tackle themes of street life, lyrical prowess, and social commentary, delivered with an intensity that demands attention. This aggressive approach, while sometimes perceived as confrontational, is rooted in the competitive nature of early hip-hop, where lyrical battles and displays of verbal dexterity were paramount. It is a style that emphasizes conviction and raw emotion, setting him apart from many of his peers (The Concise Encyclopedia of Hip Hop).

Despite his aggressive lyrical persona, Mikey D is widely regarded by his hip-hop peers as possessing a “positive nature.” This dichotomy between his on-mic intensity and his off-mic demeanor is a common trait among many respected emcees. Within the hip-hop community, respect is often earned not just through lyrical skill but also through character and genuine camaraderie. Mikey D’s ability to maintain positive relationships and earn the admiration of his peers speaks to his professionalism and authentic personality.

His appearance on Soul Train, a seminal American music-themed television show, further cemented his presence in popular culture. Soul Train provided a crucial platform for hip-hop artists to reach a wider audience, showcasing their music and performance skills. Mikey D’s appearance on the show, whether with The L.A. Posse or The Main Source, would have exposed his aggressive style and lyrical talent to a national audience, contributing to his growing recognition within and beyond the hip-hop community.

In recent years, Mikey D has continued to contribute to the hip-hop landscape, demonstrating the enduring nature of his artistry. His new album, Legends Don’t Die, serves as a testament to his longevity and continued relevance. The title itself reflects a conscious acknowledgment of his place within hip-hop history and his refusal to fade into obscurity. This album, like his earlier work, showcases his distinctive flow and lyrical prowess, proving that his aggressive style remains potent and impactful. Legends Don’t Die allows Mikey D to connect with both long-time fans and new listeners, solidifying his status as a respected veteran in the genre.

Mikey D’s journey from the streets of Queens to his current status as a hip-hop legend is a narrative of perseverance, talent, and adaptability. His contributions to The L.A. Posse and, most notably, The Main Source, along with his consistent lyrical output and respected standing among his peers, underscore his significant impact on hip-hop culture.


Don Cornelius

Don Cornelius was born on this date in 1936. He was a Black television show host and producer.

Donald Cortez Cornelius was born in Chicago in 1936. After high school, he sold insurance before becoming one of the early employees of Chicago’s WVON radio. During that time as a radio journalist inspired by the American Civil Rights movement, Cornelius recognized that in the late 1960s there was no television venue in America for Soul Music.

It was here where Cornelius introduced many Black musicians to a larger audience as a result of their appearances on the Soul Train television show a program that was both influential among African Americans and popular with a wider audience. As a writer, producer, and host of Soul Train, Cornelius was instrumental in offering wider exposure to Black musicians like James Brown, Aretha Franklin, and Michael Jackson, as well as creating opportunities for talented dancers that would presage subsequent television dance programs. Cornelius said, “We had a show that kids gravitated to.”

Besides his smooth and deep voice, Cornelius is best known for the catchphrase that he used to close the show: “… and you can bet your last money, it’s all gonna be a stone gas, honey! I’m Don Cornelius, and as always in parting, we wish you love, peace, and soul!”

The nationally syndicated dance/music franchise Soul Train, which he hosted from 1971 to 1993. After Cornelius’s departure, it was shortened to “…and as always, we wish you love, peace, and soul!” and was used through the most recent new episodes in 2006. Another introductory phrase he often used was: “We got another sound comin’ out of Philly that’s a sure ‘nough dilly”.

Cornelius sold the show to MadVision Entertainment in 2008. The 2008 Soul Train Music Awards ceremony was not held due to the WGA strike and the end of Tribune Entertainment complicating the process of finding a new distributor to air the ceremony and line up the stations to air it. The awards show was moved in 2009 to Viacom’s cable channel (formerly BET J), which now airs Soul Train in reruns.

Cornelius appeared at the 2009 BET Awards to present The O’Jays with the 2009 BET Lifetime Achievement Award. On October 17, 2008, Cornelius was arrested at his Los Angeles home on Mulholland Drive on a felony domestic violence charge. He was released on bail. Cornelius appeared in court on November 14, 2008, and was charged with spousal abuse and dissuading a witness from filing a police report. Cornelius appeared in court again on December 4, 2008, and pleaded not guilty to spousal abuse and was banned from going anywhere near his estranged wife, Victoria Avila-Cornelius, who had filed two restraining orders against him.

On March 19, 2009, he changed his plea to no contest and was placed on 36 months of probation. On February 1, 2012, police responding to a report of a shooting found Cornelius at his home at around 4 a.m. He was pronounced dead of a gunshot wound at 4:56 a.m. at Cedars-Sinai Medical Center.

Written by Dianne Washington