Tag: Slick Rick

Slick Rick

Richard Martin Lloyd Walters (born January 14, 1965); better known as Slick Rick, Rick The Ruler and MC Ricky D, is a British-American rapper. He has released four albums: The Great Adventures of Slick Rick (1988), The Ruler’s Back (1991), Behind Bars (1994) and The Art of Storytelling (1999). His music has been sampled and interpolated over 600 times, in over 35 songs by artists including Eminem, Beyoncé, Mariah Carey, The Beastie Boys, TLC, Nas, Miley Cyrus, Kanye West, Black Star, The Notorious B.I.G., Snoop Dogg, MC Ren, Montell Jordan and Color Me Badd. In the process, Walters has become the most-sampled hip-hop artist ever. Many of these songs based on Slick Rick samples went on to become hit singles. He’s been a VH-1 Hip Hop Honors honoree, and About.com ranked him No. 12 on their list of the Top 50 MCs of Our Time, while The Source ranked him No. 15 on their list of the Top 50 Lyricists of All Time. He has acted and cameoed in 10 movies and videos.Walters was born and raised in the southwest London district of Mitcham, to a British-Jamaican family. He was blinded in the right eye by broken glass as an infant. In 1976, he and his family migrated to the United States, settling in the Baychester area of the Bronx. At Fiorello H. Laguardia High School of Music & Art, where he majored in visual art, Rick met Dana Dane. The pair became close friends and formed The Kangol Crew, performing at school contests, parks and local hole-in-the-wall clubs.At a 1984 talent showcase he entered, Rick met Doug E. Fresh. Impressed by Rick’s talent, Doug made him a member of his Get Fresh Crew (which also included DJs Chill Will and Barry Bee). Doug’s beatbox and Rick’s fresh flow turned “The Show”/”La Di Da Di” into an international anthem that turned rap music on its head and became the launching pad for “Hip Hop’s greatest storyteller.”His career began in late 1985; Walters first gained success in the rap industry after joining Doug E. Fresh’s Get Fresh Crew, using the stage name MC Ricky D. He was featured on the single “The Show” and its even more popular B-side, “La Di Da Di”, which featured Walters’ rapping over Doug E. Fresh’s beatbox. Both tracks gained some mainstream attention, they appeared on Top of the Pops and Soul Train with the Get Fresh Crew. Reflecting on the double-sided gem in Rolling Stone magazine, Roots drummer and Tonight Show bandleader Ahmir “Questlove” Thompson said, “Point blank: Slick Rick’s voice was the most beautiful thing to happen to hip-hop culture […] Rick is full of punchlines, wit, melody, cool cadence, confidence and style. He is the blueprint.”In 1986, Slick Rick joined Russell Simmons’ Rush Artist Management and became the third artist signed to Def Jam Records, the leading rap/hip-hop label at the time. Collaborating with his friend, DJ Vance Wright, Walters produced his solo debut, The Great Adventures of Slick Rick, which came out in 1988 on Def Jam. The album was very successful, reaching the No. 1 spot on Billboard’s R&B/Hip-Hop chart. It also featured three charting singles: “Children’s Story”, “Hey Young World”, and “Teenage Love”. The release is known for its storytelling and vocal characterizations. “With the combination of Rick’s Dick Van Dyke-on-dope accent and his unique narrative style, the record was an instant classic,” wrote critic Matt Weiner. “Each of Rick’s songs was an amusing, enthralling story that lasted from the first groove to the last.”In 1989, Walters’ mother, Veronica, hired his first cousin, Mark Plummer, as his bodyguard. By 1990, Plummer had become a liability, having tried numerous times to extort money from the artist. Plummer was fired and, unsatisfied with his severance package, tried to rob Walters on numerous occasions and also threatened to kill the rapper and his mother. When Walters found bullet holes in his front door, he bought guns for protection. On July 3, 1990, Walters spotted Plummer in his neighborhood, and fired at least four shots. One bullet hit Plummer; another caught a passerby in the foot. Neither suffered life-threatening injuries.He eventually pleaded guilty to two counts of attempted murder and other charges, including assault, use of a firearm, and criminal possession of a weapon. The rapper called it an act of self-defense. He spent five years in prison, two for the then-second-degree attempted-murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the U.S. He was released from prison in 1997After being bailed out by Russell Simmons, Walters recorded his second album, The Ruler’s Back, released in 1991. Despite peaking at No. 29 on the Billboard 100, the album received mixed reviews and wasn’t as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviewed Walters while he was imprisoned on Rikers Island.Walters’ third studio album (the fourth for Def Jam) Behind Bars was released in 1994, while he was still incarcerated. It was met with lukewarm sales and reviews. Behind Bars peaked at No. 11 on the Billboard Top R&B/Hip-Hop Albums chart, and No. 51 on the Billboard 200.Walters remained with the Def Jam label, and on May 25, 1999, released a fourth album, The Art of Storytelling. Generally considered the authentic follow-up to his 1988 debut, The Art of Storytelling was an artistically successful comeback-album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg. The Los Angeles Times announced it as the “triumphant return of rap’s premier yarn-spinner,” calling the song “2 Way Street” “a much-needed alternative to rap’s misogynistic slant.” It charted higher than any of Slick Rick’s prior releases: No. 8 on the Billboard 200; No. 1 on the Top R&B/Hip-Hop Albums chart.After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported under a law allowing deportation of foreigners convicted of felonies. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003. In October 2006, the Department of Homeland Security began a new attempt to deport Walters back to the United Kingdom, moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.On May 23, 2008, New York Governor David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges. The governor was pleased with his behavior since the attempted murders. Slick Rick has volunteered his time to mentor kids about violence.Walters married his wife Mandy Aragones in April 1997, four years after the couple met at a Manhattan nightclub. The performer has two children, Ricky Martin Lloyd Santiago and Lateisha Walters, from a previous relationship. He and his wife have donated about a dozen items from his collection to the Smithsonian National Museum of African American History and Culture.Slick Rick and the Soul Rebels Brass Band collaborated on June 21, 2012 in Washington, D.C. at the historic Howard Theatre which re-opened in April 2012.In 2014, Rick participated in Will.i.am’s “Trans4M” concert, which raised more than $2.4 million for the music producer’s i.am.angel Foundation.In addition, Rick recently was a Mixx Cares Humanitarian Award recipient.On April 15, 2016, Rick was granted U.S. citizenship, remarking, “I am so proud of this moment—and so honored to finally become an American citizen.” He will also retain his UK citizenship.On November 2, 2018, Rick released the single “Snakes Of The World Today”.

Written Dianne Washington

Slick Rick

Richard Martin Lloyd Walters (born January 14, 1965); better known as Slick Rick, Rick The Ruler and MC Ricky D, is a British-American rapper. He has released four albums: The Great Adventures of Slick Rick (1988), The Ruler’s Back (1991), Behind Bars (1994) and The Art of Storytelling (1999). His music has been sampled and interpolated over 600 times, in over 35 songs by artists including Eminem, Beyoncé, Mariah Carey, The Beastie Boys, TLC, Nas, Miley Cyrus, Kanye West, Black Star, The Notorious B.I.G., Snoop Dogg, MC Ren, Montell Jordan and Color Me Badd. In the process, Walters has become the most-sampled hip-hop artist ever. Many of these songs based on Slick Rick samples went on to become hit singles. He’s been a VH-1 Hip Hop Honors honoree, and About.com ranked him No. 12 on their list of the Top 50 MCs of Our Time, while The Source ranked him No. 15 on their list of the Top 50 Lyricists of All Time. He has acted and cameoed in 10 movies and videos.Walters was born and raised in the southwest London district of Mitcham, to a British-Jamaican family. He was blinded in the right eye by broken glass as an infant. In 1976, he and his family migrated to the United States, settling in the Baychester area of the Bronx. At Fiorello H. Laguardia High School of Music & Art, where he majored in visual art, Rick met Dana Dane. The pair became close friends and formed The Kangol Crew, performing at school contests, parks and local hole-in-the-wall clubs.At a 1984 talent showcase he entered, Rick met Doug E. Fresh. Impressed by Rick’s talent, Doug made him a member of his Get Fresh Crew (which also included DJs Chill Will and Barry Bee). Doug’s beatbox and Rick’s fresh flow turned “The Show”/”La Di Da Di” into an international anthem that turned rap music on its head and became the launching pad for “Hip Hop’s greatest storyteller.”His career began in late 1985; Walters first gained success in the rap industry after joining Doug E. Fresh’s Get Fresh Crew, using the stage name MC Ricky D. He was featured on the single “The Show” and its even more popular B-side, “La Di Da Di”, which featured Walters’ rapping over Doug E. Fresh’s beatbox. Both tracks gained some mainstream attention, they appeared on Top of the Pops and Soul Train with the Get Fresh Crew. Reflecting on the double-sided gem in Rolling Stone magazine, Roots drummer and Tonight Show bandleader Ahmir “Questlove” Thompson said, “Point blank: Slick Rick’s voice was the most beautiful thing to happen to hip-hop culture […] Rick is full of punchlines, wit, melody, cool cadence, confidence and style. He is the blueprint.”In 1986, Slick Rick joined Russell Simmons’ Rush Artist Management and became the third artist signed to Def Jam Records, the leading rap/hip-hop label at the time. Collaborating with his friend, DJ Vance Wright, Walters produced his solo debut, The Great Adventures of Slick Rick, which came out in 1988 on Def Jam. The album was very successful, reaching the No. 1 spot on Billboard’s R&B/Hip-Hop chart. It also featured three charting singles: “Children’s Story”, “Hey Young World”, and “Teenage Love”. The release is known for its storytelling and vocal characterizations. “With the combination of Rick’s Dick Van Dyke-on-dope accent and his unique narrative style, the record was an instant classic,” wrote critic Matt Weiner. “Each of Rick’s songs was an amusing, enthralling story that lasted from the first groove to the last.”In 1989, Walters’ mother, Veronica, hired his first cousin, Mark Plummer, as his bodyguard. By 1990, Plummer had become a liability, having tried numerous times to extort money from the artist. Plummer was fired and, unsatisfied with his severance package, tried to rob Walters on numerous occasions and also threatened to kill the rapper and his mother. When Walters found bullet holes in his front door, he bought guns for protection. On July 3, 1990, Walters spotted Plummer in his neighborhood, and fired at least four shots. One bullet hit Plummer; another caught a passerby in the foot. Neither suffered life-threatening injuries.He eventually pleaded guilty to two counts of attempted murder and other charges, including assault, use of a firearm, and criminal possession of a weapon. The rapper called it an act of self-defense. He spent five years in prison, two for the then-second-degree attempted-murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the U.S. He was released from prison in 1997After being bailed out by Russell Simmons, Walters recorded his second album, The Ruler’s Back, released in 1991. Despite peaking at No. 29 on the Billboard 100, the album received mixed reviews and wasn’t as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviewed Walters while he was imprisoned on Rikers Island.Walters’ third studio album (the fourth for Def Jam) Behind Bars was released in 1994, while he was still incarcerated. It was met with lukewarm sales and reviews. Behind Bars peaked at No. 11 on the Billboard Top R&B/Hip-Hop Albums chart, and No. 51 on the Billboard 200.Walters remained with the Def Jam label, and on May 25, 1999, released a fourth album, The Art of Storytelling. Generally considered the authentic follow-up to his 1988 debut, The Art of Storytelling was an artistically successful comeback-album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg. The Los Angeles Times announced it as the “triumphant return of rap’s premier yarn-spinner,” calling the song “2 Way Street” “a much-needed alternative to rap’s misogynistic slant.” It charted higher than any of Slick Rick’s prior releases: No. 8 on the Billboard 200; No. 1 on the Top R&B/Hip-Hop Albums chart.After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported under a law allowing deportation of foreigners convicted of felonies. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003. In October 2006, the Department of Homeland Security began a new attempt to deport Walters back to the United Kingdom, moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.On May 23, 2008, New York Governor David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges. The governor was pleased with his behavior since the attempted murders. Slick Rick has volunteered his time to mentor kids about violence.Walters married his wife Mandy Aragones in April 1997, four years after the couple met at a Manhattan nightclub. The performer has two children, Ricky Martin Lloyd Santiago and Lateisha Walters, from a previous relationship. He and his wife have donated about a dozen items from his collection to the Smithsonian National Museum of African American History and Culture.Slick Rick and the Soul Rebels Brass Band collaborated on June 21, 2012 in Washington, D.C. at the historic Howard Theatre which re-opened in April 2012.In 2014, Rick participated in Will.i.am’s “Trans4M” concert, which raised more than $2.4 million for the music producer’s i.am.angel Foundation.In addition, Rick recently was a Mixx Cares Humanitarian Award recipient.On April 15, 2016, Rick was granted U.S. citizenship, remarking, “I am so proud of this moment—and so honored to finally become an American citizen.” He will also retain his UK citizenship.On November 2, 2018, Rick released the single “Snakes Of The World Today”.

Written by Dianne Washington

SLICK RICK

Richard Martin Lloyd Walters (born January 14, 1965); better known as Slick Rick, Rick The Ruler and MC Ricky D, is a British-American rapper. He has released four albums: The Great Adventures of Slick Rick (1988), The Ruler’s Back (1991), Behind Bars (1994) and The Art of Storytelling (1999). His music has been sampled and interpolated over 600 times, in over 35 songs by artists including Eminem, Beyoncé, Mariah Carey, The Beastie Boys, TLC, Nas, Miley Cyrus, Kanye West, Black Star, The Notorious B.I.G., Snoop Dogg, MC Ren, Montell Jordan and Color Me Badd. In the process, Walters has become the most-sampled hip-hop artist ever. Many of these songs based on Slick Rick samples went on to become hit singles. He’s been a VH-1 Hip Hop Honors honoree, and  ranked him No. 12 on their list of the Top 50 MCs of Our Time, while The Source ranked him No. 15 on their list of the Top 50 Lyricists of All Time. He has acted and cameoed in 10 movies and videos.

Walters was born and raised in the southwest London district of Mitcham, to a British-Jamaican family. He was blinded in the right eye by broken glass as an infant. In 1976, he and his family migrated to the United States, settling in the Baychester area of the Bronx. At Fiorello H. Laguardia High School of Music & Art, where he majored in visual art, Rick met Dana Dane. The pair became close friends and formed The Kangol Crew, performing at school contests, parks and local hole-in-the-wall clubs.

At a 1984 talent showcase he entered, Rick met Doug E. Fresh. Impressed by Rick’s talent, Doug made him a member of his Get Fresh Crew (which also included DJs Chill Will and Barry Bee). Doug’s beatbox and Rick’s fresh flow turned “The Show”/”La Di Da Di” into an international anthem that turned rap music on its head and became the launching pad for “Hip Hop’s greatest storyteller.”

His career began in late 1985; Walters first gained success in the rap industry after joining Doug E. Fresh’s Get Fresh Crew, using the stage name MC Ricky D. He was featured on the single “The Show” and its even more popular B-side, “La Di Da Di”, which featured Walters’ rapping over Doug E. Fresh’s beatbox. Both tracks gained some mainstream attention, they appeared on Top of the Pops and Soul Train with the Get Fresh Crew. Reflecting on the double-sided gem in Rolling Stone magazine, Roots drummer and Tonight Show bandleader Ahmir “Questlove” Thompson said, “Point blank: Slick Rick’s voice was the most beautiful thing to happen to hip-hop culture […] Rick is full of punchlines, wit, melody, cool cadence, confidence and style. He is the blueprint.”

In 1986, Slick Rick joined Russell Simmons’ Rush Artist Management and became the third artist signed to Def Jam Records, the leading rap/hip-hop label at the time. Collaborating with his friend, DJ Vance Wright, Walters produced his solo debut, The Great Adventures of Slick Rick, which came out in 1988 on Def Jam. The album was very successful, reaching the No. 1 spot on Billboard’s R&B/Hip-Hop chart. It also featured three charting singles: “Children’s Story”, “Hey Young World”, and “Teenage Love”. The release is known for its storytelling and vocal characterizations. “With the combination of Rick’s Dick Van Dyke-on-dope accent and his unique narrative style, the record was an instant classic,” wrote critic Matt Weiner. “Each of Rick’s songs was an amusing, enthralling story that lasted from the first groove to the last.”

In 1989, Walters’ mother, Veronica, hired his first cousin, Mark Plummer, as his bodyguard. By 1990, Plummer had become a liability, having tried numerous times to extort money from the artist. Plummer was fired and, unsatisfied with his severance package, tried to rob Walters on numerous occasions and also threatened to kill the rapper and his mother. When Walters found bullet holes in his front door, he bought guns for protection. On July 3, 1990, Walters spotted Plummer in his neighborhood, and fired at least four shots. One bullet hit Plummer; another caught a passerby in the foot. Neither suffered life-threatening injuries.

He eventually pleaded guilty to two counts of attempted murder and other charges, including assault, use of a firearm, and criminal possession of a weapon. The rapper called it an act of self-defense. He spent five years in prison, two for the then-second-degree attempted-murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the U.S. He was released from prison in 1997

After being bailed out by Russell Simmons, Walters recorded his second album, The Ruler’s Back, released in 1991. Despite peaking at No. 29 on the Billboard 100, the album received mixed reviews and wasn’t as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviewed Walters while he was imprisoned on Rikers Island.

Walters’ third studio album (the fourth for Def Jam) Behind Bars was released in 1994, while he was still incarcerated. It was met with lukewarm sales and reviews. Behind Bars peaked at No. 11 on the Billboard Top R&B/Hip-Hop Albums chart, and No. 51 on the Billboard 200.

Walters remained with the Def Jam label, and on May 25, 1999, released a fourth album, The Art of Storytelling. Generally considered the authentic follow-up to his 1988 debut, The Art of Storytelling was an artistically successful comeback-album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg. The Los Angeles Times announced it as the “triumphant return of rap’s premier yarn-spinner,” calling the song “2 Way Street” “a much-needed alternative to rap’s misogynistic slant.” It charted higher than any of Slick Rick’s prior releases: No. 8 on the Billboard 200; No. 1 on the Top R&B/Hip-Hop Albums chart.

After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported under a law allowing deportation of foreigners convicted of felonies. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003. In October 2006, the Department of Homeland Security began a new attempt to deport Walters back to the United Kingdom, moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.

On May 23, 2008, New York Governor David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges. The governor was pleased with his behavior since the attempted murders. Slick Rick has volunteered his time to mentor kids about violence.

Walters married his wife Mandy Aragones in April 1997, four years after the couple met at a Manhattan nightclub. The performer has two children, Ricky Martin Lloyd Santiago and Lateisha Walters, from a previous relationship. He and his wife have donated about a dozen items from his collection to the Smithsonian National Museum of African American History and Culture.

Slick Rick and the Soul Rebels Brass Band collaborated on June 21, 2012 in Washington, D.C. at the historic Howard Theatre which re-opened in April 2012.

In 2014, Rick participated in Will.i.am’s “Trans4M” concert, which raised more than $2.4 million for the music producer’s i.am.angel Foundation.

In addition, Rick recently was a Mixx Cares Humanitarian Award recipient.

On April 15, 2016, Rick was granted U.S. citizenship, remarking, “I am so proud of this moment—and so honored to finally become an American citizen.” He will also retain his UK citizenship.

On November 2, 2018, Rick released the single “Snakes Of The World Today”.

Written by Dianne Washington

Slick Rick

Richard Martin Lloyd Walters (born January 14, 1965); better known as Slick Rick, Rick The Ruler and MC Ricky D, is a British-American rapper. He has released four albums: The Great Adventures of Slick Rick (1988), The Ruler’s Back (1991), Behind Bars (1994) and The Art of Storytelling (1999). His music has been sampled and interpolated over 600 times, in over 35 songs by artists including Eminem, Beyoncé, Mariah Carey, The Beastie Boys, TLC, Nas, Miley Cyrus, Kanye West, Black Star, The Notorious B.I.G., Snoop Dogg, MC Ren, Montell Jordan and Color Me Badd. In the process, Walters has become the most-sampled hip-hop artist ever. Many of these songs based on Slick Rick samples went on to become hit singles. He’s been a VH-1 Hip Hop Honors honoree, and About.com ranked him No. 12 on their list of the Top 50 MCs of Our Time, while The Source ranked him No. 15 on their list of the Top 50 Lyricists of All Time. He has acted and cameoed in 10 movies and videos.

Walters was born and raised in the southwest London district of Mitcham, to a British-Jamaican family. He was blinded in the right eye by broken glass as an infant. In 1976, he and his family migrated to the United States, settling in the Baychester area of the Bronx. At Fiorello H. Laguardia High School of Music & Art, where he majored in visual art, Rick met Dana Dane. The pair became close friends and formed The Kangol Crew, performing at school contests, parks and local hole-in-the-wall clubs.

At a 1984 talent showcase he entered, Rick met Doug E. Fresh. Impressed by Rick’s talent, Doug made him a member of his Get Fresh Crew (which also included DJs Chill Will and Barry Bee). Doug’s beatbox and Rick’s fresh flow turned “The Show”/”La Di Da Di” into an international anthem that turned rap music on its head and became the launching pad for “Hip Hop’s greatest storyteller.”

His career began in late 1985; Walters first gained success in the rap industry after joining Doug E. Fresh’s Get Fresh Crew, using the stage name MC Ricky D. He was featured on the single “The Show” and its even more popular B-side, “La Di Da Di”, which featured Walters’ rapping over Doug E. Fresh’s beatbox. Both tracks gained some mainstream attention, they appeared on Top of the Pops and Soul Train with the Get Fresh Crew. Reflecting on the double-sided gem in Rolling Stone magazine, Roots drummer and Tonight Show bandleader Ahmir “Questlove” Thompson said, “Point blank: Slick Rick’s voice was the most beautiful thing to happen to hip-hop culture […] Rick is full of punchlines, wit, melody, cool cadence, confidence and style. He is the blueprint.”

In 1986, Slick Rick joined Russell Simmons’ Rush Artist Management and became the third artist signed to Def Jam Records, the leading rap/hip-hop label at the time. Collaborating with his friend, DJ Vance Wright, Walters produced his solo debut, The Great Adventures of Slick Rick, which came out in 1988 on Def Jam. The album was very successful, reaching the No. 1 spot on Billboard’s R&B/Hip-Hop chart. It also featured three charting singles: “Children’s Story”, “Hey Young World”, and “Teenage Love”. The release is known for its storytelling and vocal characterizations. “With the combination of Rick’s Dick Van Dyke-on-dope accent and his unique narrative style, the record was an instant classic,” wrote critic Matt Weiner. “Each of Rick’s songs was an amusing, enthralling story that lasted from the first groove to the last.”

In 1989, Walters’ mother, Veronica, hired his first cousin, Mark Plummer, as his bodyguard. By 1990, Plummer had become a liability, having tried numerous times to extort money from the artist. Plummer was fired and, unsatisfied with his severance package, tried to rob Walters on numerous occasions and also threatened to kill the rapper and his mother. When Walters found bullet holes in his front door, he bought guns for protection. On July 3, 1990, Walters spotted Plummer in his neighborhood, and fired at least four shots. One bullet hit Plummer; another caught a passerby in the foot. Neither suffered life-threatening injuries.

He eventually pleaded guilty to two counts of attempted murder and other charges, including assault, use of a firearm, and criminal possession of a weapon. The rapper called it an act of self-defense. He spent five years in prison, two for the then-second-degree attempted-murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the U.S. He was released from prison in 1997

After being bailed out by Russell Simmons, Walters recorded his second album, The Ruler’s Back, released in 1991. Despite peaking at No. 29 on the Billboard 100, the album received mixed reviews and wasn’t as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviewed Walters while he was imprisoned on Rikers Island.

Walters’ third studio album (the fourth for Def Jam) Behind Bars was released in 1994, while he was still incarcerated. It was met with lukewarm sales and reviews. Behind Bars peaked at No. 11 on the Billboard Top R&B/Hip-Hop Albums chart, and No. 51 on the Billboard 200.

Walters remained with the Def Jam label, and on May 25, 1999, released a fourth album, The Art of Storytelling. Generally considered the authentic follow-up to his 1988 debut, The Art of Storytelling was an artistically successful comeback-album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg. The Los Angeles Times announced it as the “triumphant return of rap’s premier yarn-spinner,” calling the song “2 Way Street” “a much-needed alternative to rap’s misogynistic slant.” It charted higher than any of Slick Rick’s prior releases: No. 8 on the Billboard 200; No. 1 on the Top R&B/Hip-Hop Albums chart.

After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported under a law allowing deportation of foreigners convicted of felonies. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003. In October 2006, the Department of Homeland Security began a new attempt to deport Walters back to the United Kingdom, moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.

On May 23, 2008, New York Governor David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges. The governor was pleased with his behavior since the attempted murders. Slick Rick has volunteered his time to mentor kids about violence.

Walters married his wife Mandy Aragones in April 1997, four years after the couple met at a Manhattan nightclub. The performer has two children, Ricky Martin Lloyd Santiago and Lateisha Walters, from a previous relationship. He and his wife have donated about a dozen items from his collection to the Smithsonian National Museum of African American History and Culture.

Slick Rick and the Soul Rebels Brass Band collaborated on June 21, 2012 in Washington, D.C. at the historic Howard Theatre which re-opened in April 2012.

In 2014, Rick participated in Will.i.am’s “Trans4M” concert, which raised more than $2.4 million for the music producer’s i.am.angel Foundation.

In addition, Rick recently was a Mixx Cares Humanitarian Award recipient.

On April 15, 2016, Rick was granted U.S. citizenship, remarking, “I am so proud of this moment—and so honored to finally become an American citizen.” He will also retain his UK citizenship.

On November 2, 2018, Rick released the single “Snakes Of The World Today”.

Written by Dianne Washington

The Great Adventures of Slick Rick: The 30th Anniversary

The year was 1988. One of the greatest years in hip hop history. A year full of some of hip hop’s greatest albums to ever drop and reinvent the the culture at a time when hip hop was still on the rise. One of those albums was Slick Rick’s “The Great Adventures of Slick Rick.” The day was November 1st, 1988. 30 years ago we seen this young, fresh and fly dude with huge gold chains and gold grills in his mouth rock the mic to tell some of the greatest stories in his music that hip hop has ever seen and heard while keeping us rocking at parties to “Mona Lisa” And “Children’s Story.” We originally knew him as MC Ricky D when he appeared alongside with Harlem’s own Doug E. Fresh on “La Di Da Di” before the album. With a five mic rating and being ranked as one of rap’s greatest 100 albums by The Source, topping the charts for only five weeks, and “Children’s Story” being ranked as number 61 on VH1’s 100 Greatest Hip Hop Songs in 2008, there’s no denying the impact that Slick Rick had on the game. Even giving birth to future storytellers like Biggie Smalls, Nas And Ghostface Killah, just to name a few. 30 years later, MC Ricky D is still killing it at shows all over and still one of the freshest to ever do it too. The adventures are only beginning and this storybook will forever be timeless and golden and told still in another 30 years. 

The World’s Greatest Entertainer: The Legacy of Doug E. Fresh

Doug E. Fresh is one of hip hop’s greatest entertainers to ever lived. With such an amazingly and dope ability to beatbox, he still kills at every show he attends. He definitely lives up to his name the “Human Beatbox.” I was fortunate to see him live twice. The first time was at a Krush Groove reunion show at B.B. Kings on 42nd Street back in 2012 I think it was and the second time was recently back in May during Bronx Week uptown, here in the Bronx. Of course, when Doug E. shows up, Slick Rick is not too far behind. Literally, it was the one of the greatest hip hop shows I’ve ever been too. Performing hit after hit, beatboxing non stop, straight for like 5 minutes as he keeps his energy to continue killing it on the mic, Doug E. definitely holds it down and puts on a great show. Never a dull moment. The history of Doug E. Fresh starts back in 1984 when he began as a solo artist on Enjoy Records. Shortly after that, he teamed up with two DJ’s Barry Bee and Chill Will and a newcomer MC who goes by MC Ricky D, later becoming Slick Rick, and together they are the Get Fresh Crew. A year later, “The Show” and “La Di Da Di” was released. Both joints are to be considered hip hop’s earliest classics. Later on, Slick Rick eventually left the crew to pursue a solo career with Def Jam and released “The Great Adventures of Slick Rick”, which is a top 10 hip hop album for me personally and Doug E. and the rest of the crew released two albums back to back. 1986’s “Oh, My God!” and 1988’s “The World’s Greatest Entertainer.” Both albums are written to be hip hop classics and they’re both are out of print and are rare to find nowadays. It would be great to actually find it. Not giving up hope. Another main single from Doug E. is “Keep Risin’ To The Top.” One of my all time favorites and samples from Keni Burke’s song with a similar title. Another personal favorite of mine. Doug E. then returns in 1992 after a hiatus to release “Doin’ What I Gotta Do.” It didn’t have the same success as his first two albums but it did release a single called “Bustin’ Out (On Funk).” A year later, Doug E. comes back with “I-ight (Alright)” and “Freaks” with Lil’ Vicious. In 1995, Doug E. reunites with Slick Rick for a joint album called “Play” with the single “Where’s Da Party At?”, which is also a favorite. With only a list of maybe 10 big hits since the 80’s, Doug E. Fresh still continues and manages to kill shows like he did back then. Never a dull moment at a Doug E. show, it’s impossible. I’m just glad to able to witness greatness not once, but twice and they were both moments I’ll never forget.

I Used to Love H.E.R.: An Ode to Hip Hop!

Dear Hip Hop,

I was 17 years old, it was the beginning of my senior year in high school. At that time I was young, naive, afraid, a coward, very insecure, I had no sense of direction or understanding, I was in the darkest place of my life and I was going through a lot of shit, fighting every single day to get to a new place, trying to figure out who I was. The only thing that got me through those tough times was music. I grew up on music, I breathed, walked, talked, ate, and slept music, that’s all I know more than anything else. I was a heavy music fan and lover, especially hip hop and R&B. During the beginning of my senior year, a very close friend of mine introduced me to a place I never knew existed. This place was a place filled with MC’s, not rappers, MC’s/poets, DJ’s, breakdancers, producers and graffiti artists, this was a place that had the perfect hip hop scene. Noticed how I said MC’s and not “rappers” is because they actually tore the place down with their incredible talent and had so much control and respect on the mic. At this time, I started getting to know everyone and everyone was cool and amazingly talented. I had been exposed to hip hop growing up but this was it for me, this sealed the deal for me. That’s when I finally understood what hip hop culture was all about. It was about unity, having fun, being peaceful, conscious, expressing your experiences and stories through art in order to reach a certain audience that reflected our environment and it definitely started to leave a huge influence on me and it showed in my attitude and my appearance. I can’t forget to mention that this place I was introduced to was an underground, low key spot here in the South Bronx on East 149th Street right around the corner from White Castle before they got rid of it. Ever since then, hip hop took a huge effect and toll on me. I started to dress differently, my mindset is different, my outlook on life is different and slowly but surely my life is beginning to change and get better, I was seeing the light. I went from the R&B Ne-Yo and Bruno Mars look in argyle sweater vests and Prada shoes to the Big Daddy Kane, Slick Rick, Run-D.M.C., Kid N’ Play, Wu-Tang Clan look with the high top fade, Doc Marten boots, overalls, gold rope chain, baggy jeans and hoodies and Timbaland boots. Everything about me was different, my look, my walk, talk, style, attitude and I was getting stopped in the middle of the street getting complimented and respected for it. Fast forward to now in 2016, I’m 22 years old, I know exactly who I am and where I’m going and I definitely can’t forget where I come from. Being from the South Bronx, I feel it is my responsibility to keep this culture alive but that sounds “old”, “not relevant”, “corny” and “stuck in the old days” to those who don’t care about this culture or understand it. Thank you DJ Kool Herc for creating the greatest soundtrack of my life. Thank you Run-D.M.C. for teaching me how to rock a fresh pair of Adidas, thank you Big Daddy Kane for teaching me how not to be a half stepper and to have a high top whose rule, thank you LL for teaching me how to appreciate our “around-the-way” girls and not to call them out their names for having long nails, extensions in their hair, and bamboo earrings with at least 2 pair, thank you A Tribe Called Quest for teaching me self righteousness and teaching me that I can definitely “kick it” too, thank you Kid N’ Play for teaching me what a real house party looks like, and thank you Mary J. Blige for giving us R&B singers a place in the hip hop community. We may not have a dope rhyme to spit but we are just as down too. Hip hop may not be the same and it’s always gonna evolve and Black music is Black music and it’s all good but everyday I try not to get too salty about her hanging out with the Trap niggas……. *Shrugs* Thank you hip hop for being the love of my life. Peace and One Love.