Tag: R&B

Release Some Tension: The 20th Anniversary

After two successful albums, SWV returns right away with a third album that was completely different. Their 1992 debut album “It’s About Time” showcased them as the “around the way” girls with the golden voices bopping their heads and dancing in baggy clothes with long nails from The Bronx and Brooklyn. Their sound was new jack swing and heavy New York hip hop boombap with a combination of their soothing and beautiful voices on a love song with a little bit of rapping and playfulness that represented how strong their bond was as sisters who have finally made it out the hood. Four years later, their 1996 sophomore album “New Beginning” was a more softer side of the group. Way more ballads and left their home girl looks for the more feminine look in high heels and fur coats and then a year later, right after, on August 13th, 1997, the group released their third album “Release Some Tension.” This album was more of a combination of the two previous albums before because there are both hip hop vibes and love ballads at the same time. The only difference is that this album had way more collaborations and features than the other two. All of the guest appearances were hip hop. Diddy, Foxy Brown, Redman, Lil’ Cease, Missy Elliott, Lil’ Kim, E-40 and Snoop Dogg all appeared on the album. All of the singles released were a hit and definitely a banger, the entire album is a masterpiece to me personally. “Can We” originally appears on the soundtrack to the “Booty Call” movie starring Jamie Foxx, Tommy Davidson, Tamala Jones and Vivica Fox. “Someone” features a small rap from Diddy and is sampled from Biggie’s “10 Crack Commandments.” “Lose My Cool” is a very cool song featuring Redman. It’s funny because he sings along towards the end of the song which gave it a more “homey” feel to the track and of course Redman is being himself and could do no wrong and the final single “Rain” balances the album’s singles out with a slow ballad. The music video guest stars Tyrese. Besides the singles, the title track song and “When U Cry” are my top favorites on the album. It’s a classic that’s under appreciated to me. It holds a special place to me when it comes to girl group albums because I grew up on it so I know the album very well. It’s an album I grew up hearing all the time. 20 years later, I still appreciate this album like I did as a kid. Very nostalgic, takes me back to when I was 3. Happy to be here to see this joint turn 20 and to see Coko, Lelee and Taj still doing their thing. They’re a legendary girl group, a top 5 girl group for me personally.

What’s The 411?: The 25th Anniversary

25 years ago, the woman we all know and love today was once a girl who was straight from the projects in Yonkers, New York, also known as the Schlobahm Projects. She signed her deal with Uptown Records at the age of 18 when she recorded a demo tape at a shopping mall after her stepfather overheard the tape. Her stepfather heard the tape and handed the tape to another artist named Jeff Redd who was also signed to Uptown Records and the tape landed in the hands of André Harrell who was the CEO of the label. After being blown away and amazed with this young girl’s voice that was full of joy, pain, grit and soul, she was signed. She goes by the name Mary J. Blige aka The Queen of Hip Hop Soul. Mary started on the label as a backup singer for Father MC in the early 1990’s until she got in the studio with a guy who called “Puffy” who we all know today as Sean “Diddy” Combs, one of hip hop’s biggest moguls, and together both Mary and Puffy created something magical that made history in Black music. On July 28th, 1992, Mary released her debut album “What’s The 411?” Before the album was released, her very first single, which was an underground hit at hip hop clubs and events, was on the 1991 soundtrack to the movie “Strictly Business.” That song was the infamous debut single “You Remind Me.” “You Remind Me” was a song with soulful vocals and a Biz Markie sampled beat. Then the music video came with a remixed version that featured Greg Nice of the hip hop duo, Nice & Smooth. The rest of the album has the same kinda energy, hip hop and soul, combining the best of both worlds to create a whole new genre of music that changed the sound of music forever and influencing a whole new roster of artists for future generations. Other singles like “Real Love”, “Reminisce”, “Love No Limit” and radio only singles like “Sweet Thing” and the remix of “My Love” featuring the late great Heavy D in 1994 were all a success which lead up to the album’s success of selling 3 million copies and a remix album released in late 1993 including a new remix of “You Don’t Have to Worry” from the soundtrack to “Who’s The Man?” Mary’s impact on the industry is still very obvious in many ways. Her street style fashion and attitude mixed with a soulful 1970’s style singing was something convincing to the people and it made Mary into a overnight sensation and legend and she wasn’t ready for it. 25 years later, “You Remind Me” and “Real Love” still captures people’s hearts on the dance floor like it did in 1992. Mary is still touring and still putting out music and staying consistent and still sitting high on her throne. She’s far from her days as the 21 year old home girl with the baggy baseball jerseys, backwards caps and kneepads with the boots and is now strutting her stuff as the woman with the strength to keep winning and keep fighting. She is the strength of a woman. Now THAT IS the 411.

Everything Is Everything: The Legacy of Lauryn Hill

She was only 18 years old when the world got the chance to see and know this young girl. She appeared on the 1993 movie Sister Act 2: Back In The Habit. Then, when she was in high school, she was approached by Pras Michel, the cousin of Wyclef Jean to join a hip hop group who named themselves The Fugees and released only 2 albums. Then in 1998, she released her debut album, which is considered to be one of hip hop’s most highly respected and classic albums of all time. With her smooth and beautiful singing voice and a hard to ignore, hard hitting, in your face, rap style that caught the people’s attention, Lauryn Hill is definitely someone in the industry who is well respected and loved. With hits like “Killing Me Softly”, “Doo Wop (That Thing)”, “Everything Is Everything”, “The Sweetest Thing”, “To Zion”, or even “Ex-Factor”, Lauryn was not only a hip hop superstar but she also gave us that 1970’s soul and lyrics about love, compassion, life and gave us knowledge, she was also considered to be Neo Soul as well. She had a sound and style that was sort of similar to Erykah Badu’s or D’Angelo. I think I speak for a lot of hip hop fans when I say that it would be dope for Lauryn to drop another album. People Have been speaking about it for years after she left the spotlight after her 2002 MTV Unplugged performance. It was one of MTV’s most memorable moments. Lauryn opened up her heart and said a lot of things that she was feeling while dealing with the industry and what it did to her spiritually and mentally, freeing herself from burden and pain while she spoke her stories and sang her songs. Of course, there’s also another side of Lauryn that was often spoken about. Stories of her showing hours late to her own shows and disappointing fans but still being able to put on a great show, Lauryn still remains one of the greatest to ever do it.

FEELING THE FORCE WITH THE LEGENDARY FORCE M.D.’s

Have you ever had your partner say “Baby Let Me Love U”? Well, there is a group called The Force M.D.’s, which is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, “Tender Love” and “Love is a House”. They are considered major forerunners of the new jack swing. The band was originally named The L.D.s, and then became the Force MCs, but ultimately preferred the name Force M.D.’s, which stood for Musical Diversity. Though the group was not quite always as recognizable as other New York R&B acts when it first started, they were among the first R&B vocal groups to intermix doo-wop-affected singing with and sometimes over hip-hop beats. The group was composed of brothers Stevie D., Antoine “T.C.D.” Lundy, and Rodney “Khalil” Lundy, along with their uncle Jessie Lee Daniels. (Later, friends “Trisco” Pearson and Charles “Mercury” Nelson from the Marines Harbor projects in Staten Island, NY joined the group.) They performed at different venues such as BB Kings, and the Eve Ultra lounge until this day their hit songs are still being played on the radio. Three of the group’s members died within five years of each other: Nelson suffered a fatal heart attack in 1995; former collaborator DJ Dr. Rock died suddenly of natural causes in 1996; and in 1998, Antoine Lundy died of Lou Gehrig’s disease. Trisco Pearson died on September 16, 2016, of an undisclosed illness. But that does not stop the group from performing worldwide. The Force M.D.’s are still standing strong after all these years; you can see them at an up coming performance in June at BB Kings in Manhattan. Did I tell there is new music on the way? Check out their new single Don’t Rush now available on iTunes. May the Force be with you.

Written Jewels 78

 

 

Baduizm: The 20th Anniversary

Good music makes me happy but classic shit gets me excited, especially when the anniversary of that specific classic arrives. Sometimes I’m prepared and other times I’m reminded the day of and it catches me off guard like “Oh shit! That’s a CLASSIC!” 20 years ago on February 11th, 1997, hip hop and neo soul artist Erykah Badu burst onto the scene with her debut album “Baduizm.” I honestly don’t feel worthy enough to even write about this masterpiece of an album because Erykah is another level with her intellect and word play. It took me years to understand Erykah and other women who are just like her because I’m used to hood girls and there’s nothing wrong with a hood chick but Erykah is the intellectual black woman who represents a totally different type of creativity that’s rare in the hood. She’s the one who burns an incense and sips on tea with an ankh symbol around her neck, which represents life and completeness. Erykah explains fully what it means on her Live album that also came out 20 years ago. Erykah’s sound had a jazz vibe to it but she definitely is hip hop. It’s not that in your face, kinda rough stuff, it’s that soothing but knowledgeable stuff. It’s honest, it’s real, it’s unapologetic, it’s consciousness, it’s celebrating the beauty of being a black woman whose comfortable in her skin and not afraid of what the masses thinks. It’s inspirational and one of the first of it’s kind, along with D’Angelo’s “Brown Sugar” in 1995 and Maxwell’s “Urban Hang Suite” in 1996 with that neo soul sound. I consider Erykah the Queen of Neo Soul but I read that she doesn’t want to be called that. It keeps her in a box. To me, she’ll always be the Queen of neo soul. “Baduizm” means to be “high” off of her. “Izm” is slang for weed. Just add the “Badu” in front of it and we got this masterpiece which is called “Baduizm.” The album starts off with a joint that’s one of my favorites on the album. “Rimshot” has a catchy hook and a dope beat. “I wanna rimshot, heyyyy diggy diggy.” When I’m spinning and I put this album, this joint definitely stays on a loop. “On & On”, which is the first single from the album, is the next joint on the album. This is the first song that comes to my mind when I think of Erykah. It was this song when Erykah said “I was born underwater with 3 dollars and 6 dimes” and it went over a lot of people’s heads. She was basically saying she was born complete. Goes back to the ankh symbol that I mentioned earlier. Then it’s “Appletree.” Erykah says in the beginning of the song that she has some food but not the edible kind, she has some “food for thought.” As the song goes on she talks about picking her friends like she picks her fruit. Being smart and careful about who the people she keeps in her circle. It’s also something that can make a person “complete.” The company you keep can sometimes make you feel complete if they’re the right ones. The ones whose willing to be honest and real about who they are and something they’re not. “Otherside of the Game” is another favorite of mine on this album. Every time I hear the song, I can see the entire music video in my head with her and Andre 3000 in the studio apartment by themselves. Erykah at the time was pregnant with their son Seven. It’s a song and video that’s about being in a complicated relationship but she stays by his side anyways. The next joint is “Sometimes…” but it’s the #9 Mix. A shorter version. I’ll get back to this joint when the full version comes up. LOL! The next joint “Next Lifetime” is hands down, my all time favorite Erykah Badu joint. Everything about the song keeps going back to it every single time. The beat, that bass, the groove of it, it’s a smooth ass song for real. A song about Erykah being in a relationship already, currently, at the moment but low key wanting to be with another man by saying she guesses that she’ll see him in the “next lifetime.” “Afro (Freestyle Skit)”, a very organic and original freestyle about picking an afro and going to enjoy a Wu Tang concert. Definitely one of my favorite skits from any album in the 90’s. “Certainly” is a smooth but jazz influenced joint. When I listen to this joint, I picture myself in a poetry lounge with incense burning and a man on stage playing bass and of course Erykah standing on stage with her cup of tea on the side and she’s sharing knowledge and giving us a little bit of her sassy but funny and cool personality. “4 Leaf Clover”, for those who didn’t know that song is a remake. My mom played this joint to death. I mean all the time. It made me forget that it was from this album for a while. “No Love” to me is the most underrated song on the album. It’s a nice R&B joint with a vibe. Something to play on a beautiful Saturday morning. Ironically, it’s Saturday but it just hit noon as I’m writing this. “Drama” is the only song on the album to me that doesn’t leave an impression like the rest of the album does but it’s not a bad song. It’s actually really dope and I like the hook but it’s not the song I’ll remember first from the album. Now finally, we get to “Sometimes….” This joint was on constant replay and on a loop for hours the first time I heard it. That beat makes you nod and sway and sing along to the song. “Where did the love gooooooo?” Another favorite of mine on the album. Big time. Then Erykah has a “flipped” version of “Certainly.” I definitely prefer this version more. The hip hop in me automatically fell for this version more than the other one that’s earlier in the album and the album ends with a continuation of “Rimshot.” A nice applause for such an amazing album. Definitely one of the albums anniversary I was waiting for and I was reminded two days ago by a friend on Facebook. He was posting about Erykah and how long it took for him to understand her lyrics. He also posted her “Live” album, which will be 20 in November but Erykah is definitely one of music’s greatest of all time for her positive energy and spirit and her being so knowledgeable. I do wish to meet Erykah someday. Such a beautiful woman as well. She’s so different and definitely marches to the sound of her own drum without knocking others for what they do. Something that I recently learned and someone reminded me of that and going through masterpiece reminded me of how inspiring Erykah is in that way too.

The Life & Times of Robert Kelly: The Pied Piper of R&B

This man isn’t exactly hip hop but he does fit into the image and style of hip hop and sometimes the sound too. He’s worked with plenty of hip hop artists throughout his 25 year career and has an incredible discography and collection of hits that’s impossible to go through in just one day. He’s worked with The Notorious B.I.G., Nas, did two albums with Jay-Z, Cam’ron, Noreaga, Cassidy, the list goes on. Despite his troubles and controversy and having this reputation that’s not really a good one for a man his age when it comes to young women, this man is a musical genius nonetheless. His image in the beginning of his career was compared to and they accused him of biting his style from New jack swing/R&B legend Aaron Hall. He’s a Chicago native with a voice that represents the baby making style of music, his writing game is absolutely unstoppable, written for many artists and even did the entire LIFE soundtrack, the movie starring both Martin Lawrence and Eddie Murphy, this man’s talent makes him easily a great of his time and today he’s gained a lot of respect and love and also lost love too but still he shines through his talent. His name is Robert Sylvester Kelly aka R. Kelly, the Pied Piper of R&B. He started out in a group and as the lead too with R&B group Public Announcement. Their 1992 debut album “Born Into the 90’s” was a New jack swing smash that garnered the singles “She’s Got That Vibe”, “Honey Love”, “Slow Dance (Hey Mr. DJ)”, “Dedicated”, and “Hey Love (Can I Have a Word).” To me, the album was a combination of partying and love making. The album wasn’t too much but it was decent enough to put Kelly on the map but it was his standout solo debut 1993/1994 joint “12 Play” that officially put him on the map. The entire album was sexually themed and a bit over the top at some moments. Very shocking when he actually made a song dedicated to the woman’s body in a very specific manner too. This joint was another New jack swing/R&B smash and it had a little bit of hip hop influence when Kelly rapped on a few joints too. The remix to “Summer Bunnies” and “Your Body’s Callin'” introduced the new up and coming new singer named Aaliyah. Aaliyah was Kelly’s protégée. He helped her with her debut album “Age Ain’t Nothing But a Number” which released in May 1994. Aaliyah’s album was more hip hop than Kelly’s. Aaliyah came out in the mid-90’s with that hip hop soul trend that started with Mary J. Blige back in ’92. Aaliyah was just as down as Mary, TLC, Xscape, Usher, Jodeci, Faith Evans, this was a time when hip hop and R&B came together. The sound both represented the streets and gave R&B singers respect and a place in the hip hop community. Since we’re on the subject of hip hop soul, Kelly returned in 1995 with his self titled album, which is my top favorite R. Kelly album. That album was completely different from the first two albums. This album had a more hip hop influence and the songs were much more mature and deeper than the first two. This is the only R. Kelly album that I can play all the way through with no skips. This was the album that began the whole Mr. Biggs legacy, played by the one and only Ronald Isley. Mr. Biggs is a man who trusts Kelly around his women when he’s away on business and Kelly ends up sleeping with his women and then there’s trouble. It’s classic R&B shit. It’s hard to pick my exact favorites because this album is so fucking incredible to me. I’ll just say that “Step In My Room” and “Tempo Slow” are my top two favorites on the album. 1996 and 1997, Kelly releases “I Believe I Can Fly” for the Space Jam soundtrack. That song is Kelly’s greatest song to me. It’s the 90’s kid anthem for inspiration. Kelly appears on Mary’s 1997 “Share My World” album on the track “It’s On.” Then in ’98, he comes with an even stronger banger, a double disc called “R.” This is my second favorite R. Kelly album. This album was on another level. Way more darker topics, the hip hop influence is stronger especially on “We Ride.” A hip hop track featuring Cam’ron, Noreaga, Vegas Cats and Jay-Z. “Home Alone” featuring Keith Murray, “Did You Ever Think” and “Money Makes the World Go Round” featuring Nas are also great examples. I just didn’t understand why “I Believe I Can Fly” was added on the album. It fit but it was released 2 years prior. Kelly keeps the ball rolling, he’s super consistent throughout his career. The new millennium comes and he released “TP-2.com”, the sequel to “12 Play.” This album was definitely a perfect sequel because it’s more relaxed and “lovey dovey” than the previous two albums. Kelly goes back to that original 12 play vibe but on another level. It’s another hit for Kelly. He then enters a new point in his career where he gets into trouble with the scandals and it affects his sales on the “Best of Both Worlds” album with Jay-Z. After all that, he ushers in a new Kelly, a man whose more about being holy and spiritual, he’s all about the people and spreading love. The togetherness he spreads on this next album makes him legendary status. At then end of 2002, Kelly was supposed to release an album that was called “Loveland” but when it got leaked, the album had to be put on the shelf and was never released and in 2003, he came with “Chocolate Factory.” This album was a more happier Kelly, he also talked about marriage and of course “steppin’.” “Step In the Name of Love” is the perfect song to describe the vibe of the album. It puts people on the dance floor at any event, no matter the age. 2004’s “Happy People/U Saved Me” to me was a bit of a reach for Kelly. He takes it too far with the gospel vibes and extra happy songs. It’s my least favorite album from him. I’m not the type to bring up an artists’ personal issues but this album to me reflected someone whose almost hypocritical. He reminded me of that uncle at the family reunion who shows up and makes it awkward because everyone knows about his past and his issues and he’s acting like it never happened and instead being extra happy and over the top throwing God and Jesus in your face when you’re the one who messed up. The songs was cool though but it’s not his strongest work. 2005’s “TP.3-Reloaded” was an okay album too but it was better than the previous joint. It’s the third joint in the “12 Play” series. It doesn’t give me 12 Play vibes though. I get a mixture between “TP2” and “Chocolate Factory.” “Double Up” is where I started to not be interested in Kelly anymore. He still had the hits coming but that spark he used to have is no longer there to me. It seems like he was just putting out anything. He still kept his usual love making vibe there and getting married and stuff but it wasn’t the same. “Untitled”, “Love Letter”, “Write Me Back”, “Black Panties”, and “The Buffet” all give me the same vibe. This man is definitely one of the greats and he’s still going strong no matter what. He’s easily one of the greatest from the 90’s and there’s no one else snatching the crown from him. Forever and always the Pied Piper of R&B.

The Evolution of Ciara: The First Lady of Crunk & B

The year was 2004 when she popped up on the scene with her debut single and album with the same name. Petey Pablo provided a verse and Jazze Pha was the man behind the sound. It wasn’t the first time we heard this sound on radio. The first time was Usher’s club banger “Yeah!” featuring Lil’ Jon and Ludacris and was released the same year at the same time but it was this beautiful, young, talented and fresh faced singer on the scene named Ciara who gave us the beautiful sounds of the combination of Crunk and R&B music. Nobody else had pulled off the sound before her and not too many people understand that she pioneered the sound in a dope way and what she brought to the game. When you’re a music fan like myself, it’s easy to point out what’s new, fresh, and dope at the same time and it definitely worked in Ciara’s favor. I can honestly point out that the reason she’s so underrated is because she’s from Atlanta and the South had a lot to prove that they also had something to say, props to Andre 3000. Anyways, when Ciara first came out, I thought she lacked vocal ability and power in her voice. I remember when “Goodies” first came out, the moment I heard it, I wasn’t so fond of Petey Pablo alone and then I couldn’t stand the sound of Ciara’s voice but that song is a reflection of the Atlanta sound and wave at the time. After “Goodies”, there was “1, 2 Step” featuring Missy Elliott, “Oh” featuring Ludacris and my all time favorite Ciara joint “And I.” “And I” was a slow ballad that was the first joint Ciara ever written, that’s what I read a long ago. It wasn’t a hype track like the other singles, it was a slow joint but it was a dope ass joint. Ciara caught my attention full on when she came back with her second joint “Ciara: The Evolution.” This album to me is her best work. She stepped it up a whole lot. She went from being the young Atlanta girl fresh outta high school to being this full on entertainer. She went from the honey brown/blonde hair to jet black. She had the whole futuristic look with the silver and shiny clothes, she was dancing more and stepping out of her comfort zone and showing a more hyper Ciara. Her voice was definitely different too but she sings low like Janet Jackson. This is the Ciara I personally loved. I also remember when her second joint dropped because “Get Up” came out for the “Step Up” movie soundtrack and then there was “Promise”, “Like a Boy” and “Can’t Leave ‘Em Alone” featuring 50 Cent. Ciara had this whole Janet Jackson thing going in this era and it worked. She kept that Janet Jackson vibe up and kept putting out more and more bangers and albums. She’s a dope artist whose very underrated. She’s far from her “Goodies” days and is now a mother to a son named Future, who she named after the Atlanta native rapper, who she formerly had a relationship with. Ciara will go down in history as one of the illest artists of all time. She may not be so appreciated like she should be artistically now but eventually, people will catch on. They should’ve been caught on. She will continue to get more and more dope on this evolution in her career. I’m anxious about what she’s gonna do next.

Miss Thang: Happy Birthday Monica

The year was 1995 when her debut album released. She was a 14 years old, Atlanta native and was a part of the younger artists crew when it came to R&B. It was Aaliyah, Brandy and of course Monica. “Miss Thang” was released in July 1995, and Monica was definitely one of the greatest voices heard at the time. With a string of hits underneath her belt, Monica to me is underrated and doesn’t get the credit she definitely deserves. Hits like “Before You Walk Out of My Life”, “Why I Love You So Much”, “The First Night”, “Just One of Them Days”, “Still Standing”, “Street Symphony”, “Angel of Mine”, and her two very biggest joints to me are “The Boy Is Mine” with Brandy and “So Gone.” Monica to me was always good and I definitely enjoyed her music but she used to be boring to me. She would just sing, she didn’t do anything else but now, today, I can listen to her for a while. Her 2003 album “After the Storm” is my favorite album of her. It was the only album I heard from beginning to end, the only Monica album I own, besides a single CD of “So Gone”, and after hearing her other albums, it was the most dopest one to me; “The Boy Is Mine” would be my second choice. The Monica we all know and see today is married with three beautiful children and she’s still singing her ass off and looks amazing too. I love seeing both hip hop and R&B legends be this person of greatness. We grew up on their music, album after album, banger and banger, and they’re still here with us while we give them all of our love and appreciation. Monica is also seems to be super down to earth and a very cool person. I would love to meet her someday. Salute to a legend. Always and forever will be the legendary Monica aka Miss Thang.

The Legacy of Usher Raymond

When this man’s music is up for discussion, a lot of people seem to think that “My Way” was his first. His first joint was on the “Poetic Justice” soundtrack called “Called Me a Mack.” The next year after that Usher released his first debut album with joints like “Can U Get Wit It”, “The Many Ways” and my all time favorite joint “Think of You.” There is absolutely no better Usher joint than that one, I don’t care what anybody says. That first album of his was extremely underrated. I’ve heard people say it wasn’t a very good album but to me it’s better than his shit after the “Looking 4 Myself” album. He went too pop for me. Besides the singles, “I’ll Make It Right”, “Crazy”, “I’ll Show You Love”, “Whispers”, “You Took My Heart” and “Smile Again” were all bangers too. People need to listen to the first album again. His next joint, 1997’s “My Way” is the Usher everybody started to know, the Usher everybody thinks is his first. LOL! Another banging album from Usher. This is the Usher that inspired me fashionably. He was rocking ski masks, leather outfits, shiny jackets and the infamous “U” chain. That “U” chain is his trademark, it’s like the “S” on Superman’s chest. This is the Usher that got him more recognition as an artist. That “My Way” joint was ill too. The video was more iller. “Bedtime” and “I Will” made me think the girls I had crushes on growing up. This was when we had true male R&B singers. They sung about loving their women. The “Live” album is one of my favorite live albums in music but I wish he performed more songs from his first album. “8701” showed a more mature Usher. This was the “Usher & Chilli” era. Usher was older, much wiser, his material was more serious but it definitely prepared us for his album of all time. That album happened to be 2004’s “Confessions.” Man listen, this album is in my top 10 R&B albums of all time list. This is Usher’s best work til this day. I don’t give a fuck what nobody say. The entire album from beginning to end is a banger. No fucking skips, but replays, rewinds, volume all the way up and singing along to Usher. My favorite joint is “Seduction.” It’s my favorite slow joint from Usher. The chorus and harmonies were smooth as silk but that’s regular Usher style. 4 years later, we got “Here I Stand.” This is the beginning of the “pop” Usher that I personally don’t like but this was definitely a dope album though. “Trading Places” is the best joint along with “Best Thing” featuring Jay-Z. After “Here I Stand”, I never listened to Usher’s entire albums just the singles. The singles are dope, he’s still doing his thing but the spark is gone. Too many club bangers for the younger crowd and not enough grown folk music like he used to deliver. It’s rare to hear that from him now but I’m still a Usher fan. Of all the birthdays in October, I’m always amped about Usher’s because he’s definitely my biggest inspiration as a singer, besides Ricky Bell from New Edition. Usher is the singer I always wanted to be but with a hip hop twist. He’s the ultimate ladies man with almost 25 years under his belt and albums and bangers for days. He’s the Prince of R&B to me. There’s no one like Usher Raymond IV. Yeaaahhhhh man!

The Princess of Hip Hop & R&B: The Wonderful World of Ashanti

Before we seen her face, we heard her singing hooks on joints for Big Pun, Fat Joe, and later on, her label mate Ja Rule. Ashanti Douglas has proved herself to be one of R&B’s most greatest artists of her time. She blew up in the early 2000’s for being the girl who was singing on hooks only. Ashanti’s voice is almost similar to Aaliyah’s, she’s got that soft, sweet, sultry Soprano thing going on but her style musically was similar to Mary J. Blige’s, it is Hip hop soul. Ashanti reminds you of that nice girl in the hood who was a hip hop fan but she could sing her ass off. You’ll see her walking down the street in a fresh pair of Air Force Ones, tight jeans, chewing gum, rocking a varsity jacket and big hoop earrings just without the “ratchet”, not calling those kinds girls ratchet though. LOL! She’s the one all the hardcore guys call to sing hooks on their songs and she does it well with the songwriting as well which is why she was nicknamed “The Princess of Hip Hop and R&B.” A lot of artists both male and female have been on the “hip hop soul” movement since “What’s the 411?” but what makes Ashanti a little more different than the rest is her being a fan of hip hop. She’s not just a singer on hip hop tracks, she embraces hip hop in her attitude and her little bop in her videos. I’ve always been a fan of Ashanti since 2002 when she dropped her debut single “Foolish”, singing over The Notorious B.I.G.’s 1995 remix single “One More Chance” and DeBarge’s 1983 single “Stay With Me.” I remember when she first came out like it was yesterday because I was in the second grade, I was 8 years old and “Foolish” was on BET every five minutes and I remember when the video came out with Terrance Howard and it made number 1 on BET’s 106 & Park Top 10 Live list. I do miss those days. The days of a 90’s born-00’s raised kid. Her next joint “Happy”, turned out to be my all time favorite joint by her. The chorus and hook is the best part of the song. The beat is hard with this happy and catchy whistling sound and the chorus and hook has this beautiful harmony that’s very mesmerizing and gets you lost into the sound, that’s an effect I usually get from Brandy. Ashanti’s entire self titled debut was banger from beginning to end and then she released “Chapter II”, my favorite album from her. Another smash album under her belt. She put out “Rock Wit U (Awww Baby)”, “Rain On Me” and “Breakup 2 Makeup” and the remixes were bangers too. The hip hop in Ashanti’s music were mostly on the remixes. She had everyone and their momma on those joints. When “Chapter II” came out in the summer of 2003, I was in Virginia at my auntie’s house singing those songs. My cousins and one of their friends didn’t wanna hear me though but I was feeling that album. LMAO! That was around the same time Beyoncé dropped “Dangerously In Love” and “Baby Boy” was everywhere too; that and “Rock Wit U.” The joint “Feel So Good” was the best one to me because it came from Black Moon’s “I Gotcha Opin (Remix)”, a certified banger. That one should’ve been a hit from the album to me. Her next joint “Concrete Rose” was another banger. Ashanti was no joke in her prime. She kept coming back to back with albums and bangers but this album had a couple of joints I skipped more than the first two. She blew me away with “Don’t Let Them.” That joint came straight from Raekwon’s “Heaven & Hell.” Another banger from that album is “Love Again” but after that she came out with “The Declaration” but her shit wasn’t the same. She went full R&B now, which is cool but that spark she used to give me with her first three was gone because she wasn’t down with Irv Gotti and the Inc. anymore. She still as beautiful as usual but she’s one gem that people don’t appreciate enough to me. She’s no Mary J., no Brandy, no Aaliyah, Monica, Janet Jackson but she was dope in her own right. I’ll always appreciate Ashanti aka The Princess of Hip Hop and R&B.