Tag: legend

Reflections of Hip Hop

When Hip Hop was born I was only 6 years old living in Marlboro projects in Brooklyn New York. As I got older, I would write rhymes and perform at the skating rink. When I was feeling down I could always count on Hip Hop to lift me up. I would go to all the shows and sneak backstage to meet my favorite artists. In Brooklyn, In the 70’s we we’re listening to James Brown, MFSB, Chic, and other soulful artists before Rappers Delight hit the world by storm in 79′. After that it quickly became a “Domino effect“, everybody wanted in. The rest is history. The first Hip Hop song I fell in love with was Planet Rock, I got lost in those drums. I played it over and over and my mom use to scream at me “Iris, turn that sh** down!!!!” I remember like it was yesterday. The first years of Hip Hop were the best years of my life with park jams, skate jams and parties. Hip Hop brought everyone together and formed a bond that can never be broken. After 44 years Hip Hop is still in my blood and always will be. I can go on and on but I’ll leave it as “Long Live Hip Hop!!!!”

 

SUMMERSTAGE 2017: Kid Capri Block Party

Today in Crotona Park, Summerstage returns with another incredible event. The one and only Kid Capri does his thing as he spins and keeps the crowd rocking and gives us a brief history of his past where the idea of “Block Parties” come from and how it all started. Classic hip hop and R&B joints and dope joints only from both the old school and a little bit of what’s current. Can’t forget to mention how beautiful and dope his daughter Vina Love is too. She had a summer hit back a year or two ago when she redid Jay-Z and Mya’s remix of “Best of Me.” She gave the crowd an incredible medley of her music with a line of backup dancers behind her as she struts across the stage singing and pointing, connecting with the audience with such grace. After the event, I was glad to finally meet the man himself. Another dope memory for the books.

What’s The 411?: The 25th Anniversary

25 years ago, the woman we all know and love today was once a girl who was straight from the projects in Yonkers, New York, also known as the Schlobahm Projects. She signed her deal with Uptown Records at the age of 18 when she recorded a demo tape at a shopping mall after her stepfather overheard the tape. Her stepfather heard the tape and handed the tape to another artist named Jeff Redd who was also signed to Uptown Records and the tape landed in the hands of André Harrell who was the CEO of the label. After being blown away and amazed with this young girl’s voice that was full of joy, pain, grit and soul, she was signed. She goes by the name Mary J. Blige aka The Queen of Hip Hop Soul. Mary started on the label as a backup singer for Father MC in the early 1990’s until she got in the studio with a guy who called “Puffy” who we all know today as Sean “Diddy” Combs, one of hip hop’s biggest moguls, and together both Mary and Puffy created something magical that made history in Black music. On July 28th, 1992, Mary released her debut album “What’s The 411?” Before the album was released, her very first single, which was an underground hit at hip hop clubs and events, was on the 1991 soundtrack to the movie “Strictly Business.” That song was the infamous debut single “You Remind Me.” “You Remind Me” was a song with soulful vocals and a Biz Markie sampled beat. Then the music video came with a remixed version that featured Greg Nice of the hip hop duo, Nice & Smooth. The rest of the album has the same kinda energy, hip hop and soul, combining the best of both worlds to create a whole new genre of music that changed the sound of music forever and influencing a whole new roster of artists for future generations. Other singles like “Real Love”, “Reminisce”, “Love No Limit” and radio only singles like “Sweet Thing” and the remix of “My Love” featuring the late great Heavy D in 1994 were all a success which lead up to the album’s success of selling 3 million copies and a remix album released in late 1993 including a new remix of “You Don’t Have to Worry” from the soundtrack to “Who’s The Man?” Mary’s impact on the industry is still very obvious in many ways. Her street style fashion and attitude mixed with a soulful 1970’s style singing was something convincing to the people and it made Mary into a overnight sensation and legend and she wasn’t ready for it. 25 years later, “You Remind Me” and “Real Love” still captures people’s hearts on the dance floor like it did in 1992. Mary is still touring and still putting out music and staying consistent and still sitting high on her throne. She’s far from her days as the 21 year old home girl with the baggy baseball jerseys, backwards caps and kneepads with the boots and is now strutting her stuff as the woman with the strength to keep winning and keep fighting. She is the strength of a woman. Now THAT IS the 411.

Miss E… So Addictive: The Legacy of Missy Elliott

Hands down, she is one of the greatest to ever do it. The most creative woman in hip hop. Between both her and Busta Rhymes with the most creative, funniest, and wackiest music videos, her ability to do both singing and rapping and is an incredible writer and producer as well. She’s worked with so many artists that the list is endless. They say her ability to create should be a crime, almost like a misdemeanor. The Misdemeanor herself, aka Missy Elliott, the Virginia native that been through it all and still came out on top to be one of hip hop’s most respected in the game. She grew up an only child with an imagination that reflected very well in her personality and art. While she was in high school, she met a guy named Tim Mosley, who we all know today as Timbaland. Their chemistry worked and they became something that was dope, they were a duo, like peanut butter and jelly, ketchup and mustard. They Always hung out to create something. Timbaland was a DJ while Missy sang and rapped and they would feed off of each other to help make each other’s skills stronger. She also became part of an all girl group who named themselves Fayze. They only had one joint out called “The First Move.” After high school, she and her group went to a Jodeci concert dressed as the female version of them, which was Missy’s idea. They performed for DeVante and they were part of his crew called Da Basement under his label called “Swing Mob.” Other members of Da Basement who we all know as well were Magoo, Tweet, Playa and Ginuwine. DeVante changed Missy’s group name to Sista and in 1994 they released an album called “4 All The Sistas Around Da World” with the only hit single “Brand New.” By 1995, Swing Mob was no longer in effect and Missy left it behind. She then returned as just a producer and writer and ended up being featured on Gina Thompson’s 1996 remix of “The Things That You Do.” Missy also did hits for Total, SWV, 702, Nicole Wray, Destiny’s Child, MC Lyte and worked with Aaliyah on her album “One In a Million.” By 1997, Missy finally released her debut album “Supa Dupa Fly.” Her single “The Rain” came with a video that was way ahead of its time. Directed by Hype Williams, Missy’s Videos during that time was something that was never seen or done before by a female in hip hop. Hype Williams is a director, who at the time, was doing music videos that was far more creative and different from the rest. After breaking out for her debut in 1997, Missy continues to keep putting out albums and hits for days. She’s also writing and producing for other artists as well. With more albums under her name like “Da Real World”, “Miss E… So Addictive”, “Under Construction”, “This Is Not a Test!”, and “The Cookbook”, Missy never loses her touch. She continues to keep going and she’s gotten more greater each time. She was honored at VH1’s 2007 Hip Hop Honors and she’s done a lot of philanthropic work and was even a spokesperson for women who were abused by sharing her story of what happened to her as a child. Forever innovative and creative, imaginative and magical, Missy is definitely a legend. She’s so fly and so addictive!

The Legacy of Ice Cube

The man who was once a part of a hip hop group that was ruthless, very honest and to be considered “the world’s most dangerous”, Ice Cube is one cold mutha that brought the heat with his highly conscious music and bold raps of what it’s like to be a Black man here in America. When he left NWA, there was friction between him and the group but with drama comes with great music and Cube definitely brought out some hard bangers. More than a month ago, I finally got the chance to actually listen to his albums from start to finish and I was completely blown away with how dope his music is, not that I wasn’t expecting it to be but, the production, the attitude, the topics, it was all dope. I personally enjoy his music a lot more than NWA’s. Especially his first albums “Amerikkka’s Most Wanted”, “Death Certificate” and “The Predator.” All three albums were a reflection of the Ice Cube that was unapologetically truthful and harsh but he was real. Songs about certain topics that made your mouth drop and laugh like “Yoooo, did he really say that? Did he actually make a song about that?” After the third album, Ice Cube’s music is not exactly the same but he still had some bangers and he was now appearing on the big screen in movies. His character as “Doughboy” in 1991’s “Boyz N The Hood” was the perfect role for him. He was also in “CB4”, “Higher Learning”, and nothing like the classic “Friday” series. Such a classic and hilarious movies. The Ice Cube nowadays is a lot more laid back but don’t sleep on him. He’ll still bite back if he has to and he just recently got a star on the Hollywood Walk of Fame, such a huge accomplishment for the West Coast hip hop legend. Yay Yaaayyyy!

Keep The Faith: The Legacy of Faith Evans

The story of Faith Evans doesn’t begin when she became an official artist of Bad Boy and it certainly does not begin when she married the late great, Notorious B.I.G. either. The story of this R&B diva begins in New Jersey. She grew up in a Christian environment, which explains that golden voice of hers. She sung with several jazz bands and was encouraged by her mother to do it. While she was in high school, Faith was also involved in pageants, festivals and even contests where she got even more exposure and after graduating in 1991, she attended Fordham University to study marketing but then left a year afterwards when she had her daughter Chyna with her then boyfriend and producer Kiyamma Griffin. Faith then moved to L.A. to be a backup singer for Al B. Sure! and was then finally noticed by Diddy. In 1994, Diddy signed Faith to his up and coming Bad Boy label making her the first female artist on the label. Before Faith’s debut album released a year later, she was contributing backup vocals for Mary J. Blige and Usher. Finally, on August 29th, 1995, Faith released her self titled debut album. This album is a personal top 10 R&B album for me. The entire album is a banger and I grew up on it. Faith’s first joint “You Used To Love Me” was originally for the group Total, another act on the Bad Boy label. That song and “You Don’t Understand” were both about her marriage to Biggie Smalls, who she married on August 4th, 1995. They met a Bad Boy photo shoot. Together they only had one son, who they named after Biggie but they call CJ. The drama in their relationship eventually ended up putting Faith in a feud, one that includes the East Coast/West Coast Beef and even in altercations with other women that Biggie dealt with but all of this ended in a very horrific and tragic ending when Biggie was murdered and passed in March 1997. In memory of Biggie, Faith appeared on the song “I’ll Be Missing You” with 112 and Diddy which won her a Grammy Award for Best Rap Performance by a Duo or Group in 1998. That same year she also appeared on the song “Heartbreak Hotel” with Whitney Houston and Kelly Price and even released her second album “Keep The Faith” in October. The album was a difficult process for her because she was skeptical about the progress in the beginning. By the early 2000’s and on, Faith continues to put out more albums and more bangers. 2001’s “Faithfully”, which is my personal second favorite from her, 2005’s “The First Lady”, a Christmas album the same year as well, 2010’s “Something About Faith”, a compilation album called “R&B Divas” with other R&B legends for the show on TV One, 2014’s “Incomparable” and she recently released a new album with Biggie called “The King And I.” I haven’t heard the album yet but so far I’ve heard mixed reviews. Some positive and some negative. Throughout it all, Faith Evans is definitely an R&B legend and someone who is not just once The Notorious B.I.G.’s wife. Although Faith herself uses that a lot, I thought it was a smart idea to actually put out more work including both her and Big. Her vocal ability and songwriting skills are amazing and she has an incredible body of work under her belt that people today still can sit down and enjoy from start to finish. Faith herself is not a hip hop artist but she’s definitely involved. Her legacy lives on.

Everything Is Everything: The Legacy of Lauryn Hill

She was only 18 years old when the world got the chance to see and know this young girl. She appeared on the 1993 movie Sister Act 2: Back In The Habit. Then, when she was in high school, she was approached by Pras Michel, the cousin of Wyclef Jean to join a hip hop group who named themselves The Fugees and released only 2 albums. Then in 1998, she released her debut album, which is considered to be one of hip hop’s most highly respected and classic albums of all time. With her smooth and beautiful singing voice and a hard to ignore, hard hitting, in your face, rap style that caught the people’s attention, Lauryn Hill is definitely someone in the industry who is well respected and loved. With hits like “Killing Me Softly”, “Doo Wop (That Thing)”, “Everything Is Everything”, “The Sweetest Thing”, “To Zion”, or even “Ex-Factor”, Lauryn was not only a hip hop superstar but she also gave us that 1970’s soul and lyrics about love, compassion, life and gave us knowledge, she was also considered to be Neo Soul as well. She had a sound and style that was sort of similar to Erykah Badu’s or D’Angelo. I think I speak for a lot of hip hop fans when I say that it would be dope for Lauryn to drop another album. People Have been speaking about it for years after she left the spotlight after her 2002 MTV Unplugged performance. It was one of MTV’s most memorable moments. Lauryn opened up her heart and said a lot of things that she was feeling while dealing with the industry and what it did to her spiritually and mentally, freeing herself from burden and pain while she spoke her stories and sang her songs. Of course, there’s also another side of Lauryn that was often spoken about. Stories of her showing hours late to her own shows and disappointing fans but still being able to put on a great show, Lauryn still remains one of the greatest to ever do it.

FEELING THE FORCE WITH THE LEGENDARY FORCE M.D.’s

Have you ever had your partner say “Baby Let Me Love U”? Well, there is a group called The Force M.D.’s, which is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, “Tender Love” and “Love is a House”. They are considered major forerunners of the new jack swing. The band was originally named The L.D.s, and then became the Force MCs, but ultimately preferred the name Force M.D.’s, which stood for Musical Diversity. Though the group was not quite always as recognizable as other New York R&B acts when it first started, they were among the first R&B vocal groups to intermix doo-wop-affected singing with and sometimes over hip-hop beats. The group was composed of brothers Stevie D., Antoine “T.C.D.” Lundy, and Rodney “Khalil” Lundy, along with their uncle Jessie Lee Daniels. (Later, friends “Trisco” Pearson and Charles “Mercury” Nelson from the Marines Harbor projects in Staten Island, NY joined the group.) They performed at different venues such as BB Kings, and the Eve Ultra lounge until this day their hit songs are still being played on the radio. Three of the group’s members died within five years of each other: Nelson suffered a fatal heart attack in 1995; former collaborator DJ Dr. Rock died suddenly of natural causes in 1996; and in 1998, Antoine Lundy died of Lou Gehrig’s disease. Trisco Pearson died on September 16, 2016, of an undisclosed illness. But that does not stop the group from performing worldwide. The Force M.D.’s are still standing strong after all these years; you can see them at an up coming performance in June at BB Kings in Manhattan. Did I tell there is new music on the way? Check out their new single Don’t Rush now available on iTunes. May the Force be with you.

Written Jewels 78

 

 

Ladies Love Cool James: The Legacy of LL Cool J

This hip hop legend’s story begins when he was making demos in his grandparents’ basement. The year was 1984 when he got signed to Def Jam. It wasn’t until late 1985 when he released his debut album called “Radio.” This hip hop legend was born James Todd Smith but we all know him as LL Cool J. “Radio” became the label’s first full length album. Singles like “I Can’t Live Without My Radio”, “You’ll Rock” and one of LL’s most infamous joints, “Rock the Bells.” What I personally love about the album is LL’s energy and DJ scratches, especially on the remix to “I Need a Beat.” LL’s second joint had the perfect name for a comeback, “Bigger and Deffer” or simply put “BAD.” On this joint, LL goes harder but also smoother. The adrenaline rush on “I’m Bad” proved LL to be the “baddest” at the time and “I Need Love” showed a more softer, sensitive and vulnerable side of LL but when LL decided to ride that wave of “sensitivity” and being more laid back and softer on 1989’s “Walking With a Panther”, hip hop fans weren’t impressed with LL being so “soft” and they accused him of “selling out” and gone “too Hollywood.” He wasn’t the same LL people were rocking with on the first two albums. Although this album had more hits than the first two, LL had more party joints too. “Jingling Baby” is a classic that gets the hip hop fans moving at a party always. LL returns with 1990’s “Mama Said Knock You Out.” It was a great comeback album from the disappointing persona that he had on the previous album. This album, LL proved to the fans and the people that he was the same and never did change. He proved that he was still the same James and didn’t let his success get to his head and he proved that on “Around the Way Girl.” In the beginning of the music video, LL turns to homeboy and says “I don’t want Ivana, I want Tawana!” The song is a hip hop classic with a catchy soulful hook and chorus. A classic ode to the girls in the hood with the extensions in their hair, bamboo earrings, at least 2 pair, a Fendi bag and a bad attitude. Usually, the only uppity and fancy women are being praised but LL took it there and showed the hood girls love. My personal favorite from the album is “6 Minutes of Pleasure” the Hey Girl Remix. It’s also my all time favorite LL joint and it’s super underrated to me. His next joint “14 Shots to the Dome” is LL’s most underrated joint and it had a more West Coast influenced sound but the singles are still dope. “Pink Cookies In a Plastic Bag Getting Crushed By Buildings” and the Teddy Riley remix to “Stand By Your Man” are my top favorites. 1995’s “Mr. Smith” is the only LL album I own physically. This album to me is the beginning of the more grown up, more mature LL. Besides the dope singles, the album title track is my favorite. 1997’s “Phenomenon” didn’t really do much for me. “4, 3, 2, 1” was the only hot joint I can remember, as well as the album title track. “G.O.A.T.” also had the same effect. “You and Me” and “Imagine That” are dope though. 2002’s “10” I felt like LL was back, the LL I liked. “Luv U Better” is dope but the Amerie track “Paradise” was super dope. It’s another one of my all time favorite LL joints. His last three albums “The DEFinition”, “Todd Smith” and “Exit 13” were all just something to me he just put out. He had nothing to prove anymore as an artist, he’s done it all already. His prime is way behind him now but LL still remains a hip hop legend, both on the mic and fashionably. LL is definitely one of the greats in hip hop. Can’t forget that he’s had a successful acting career as well but I like the artist more personally. More than 30 years later after his days as a 16 year old from Queens, LL is hands down the only hip hop artist of his time to stay consistent with the hits and continued to push it to the next level, on top of the fact that he changed with the times but still remained himself, just like Jay-Z. Always and forever he will be one of the greats of all time.

All Hail the Queen: The Legacy of Mary J. Blige

This woman’s music helped raised me. She’s the reason why I love music so much. She made me become a singer. I grew up watching her music videos, sitting in the front of the radio making tapes with all of her greatest hits, listening to her albums from start to finish, trying to get every word right in a verse, and with every song, every emotion, every note, high or flat, she continues to be herself and never gave up or changed who she was or where she comes from. She inspired so many people with her music. She’s not a spectacular singer but it’s that real emotion from her heart and soul that keeps the people in love with her. She’s the pioneer of bringing together both hip hop and R&B music in a way that wasn’t done before. She brought Anita Baker style singing, Big Daddy Kane attitude and the raw hip hop production together with a style that represented the around-the-way girls from the hood who grew up without a father in the home. Almost 25 Years since the release of her debut album, this woman continues to bring the hits. Album after album, music video after music video, she’s untouchable, unstoppable, and they definitely don’t call her the Queen for nothing. Her name is Mary J. Blige aka The Queen of Hip Hop Soul. Mary’s story begins back in Yonkers, 1988. She recorded a demo that was done in a shopping mall in Westchester. She sang Anita Baker’s “Caught Up In a Rapture.” Her stepfather at the time, over heard it and gave it to Jeff Redd. Jeff Redd was an artist on the Uptown Records label himself and he had the joint “You Called and Told Me”, which is one of my favorites. Jeff then gave the tape to Andre Harrell who was the chairman at Uptown. He was impressed with Mary’s voice and said she made the song her own. He then went to go visit Mary at her home in Yonkers. She lived in the Schlobahm Projects aka “Slow Bomb”, where she lived in Building 5 on the third floor. Andre met Mary at her home and heard her sing, she then officially became an official new artist on Uptown. Before her debut album, Mary sang backup for Father MC and even did a song with Christopher Williams and Super Cat. It was her very first single that caught the attention of street DJ’s who played it at block parties and even Kool DJ Red Alert and Kid Capri played it as well. “You Remind Me” was Mary’s very first single but it was an underground hit. Everybody was requesting the song but it was found on the 1991 soundtrack “Strictly Business” for the movie starring Tommy Davidson and Halle Berry. It wasn’t until July 28th, 1992 when Mary finally came out with “What’s the 411?” This album changed the sound of both hip hop and R&B forever. Before 411, hip hop was hip hop, R&B was R&B. Hip Hop had hooks but that was it and R&B was softer and smoother but Mary changed all that. R&B became more rough with hard beats and hip hop just had soulful singing the entire song through. Hits like “Real Love”, “Reminisce”, “Love No Limit”, “My Love” all were released between ’92 and ’93. My personal favorite on the album is “Changes I’ve Been Going Through.” It Was the same formula as “Real Love.” Mary singing over a hip hop beat from the 80’s. Biz Markie’s “Nobody Beats the Biz” and Audio Two’s “Top Billin’.” Then she came with the remix album, which was way more hip hop than the original. I ran that joint to death! I woke up listening to it and went to sleep listening to it. The illest remix joints to me are “You Don’t Have to Worry” and “Love No Limit.” “You Don’t Have to Worry” is my all time favorite Mary J. Blige song and the remix to “Love No Limit” over that Keni Burke sample loop to his joint “Risin’ to the Top” is my all time favorite Mary J. Blige remix. I can’t get over how she captured the b-girl look in the “You Don’t Have to Worry” video either. That video is the perfect video to describe her personality at the time. She was on the top of that stoop in front of a brownstone in Brooklyn with a fresh jersey, baggy jeans and a pair of boots with a baseball cap on backwards but singing so soulfully. I get goosebumps just talking about it. Mary was so original, she brought something to the game that couldn’t be touched. It’s definitely copied but it just doesn’t have the same effect. Mary was herself. Then in late 1994 she came back harder with the “My Life” album and “Be Happy” was the first single released. The video premiered on BET in October, the album released on November 29th, 1994. Now “My Life” was more dark, more intense, more sad, more real, more emotional, more vulnerable. Mary took it all the way there on this one. The album was like a movie that told the story of a battered and hurt woman who fought to get out of a bad relationship, tried to find peace and happiness and doing it in a way that people all over can relate to. “Be Happy” is my top favorite along with “Mary Jane (All Night Long)” and “You Bring Me Joy.” “All Night Long” had that Mary Jane Girls and Big Daddy Kane combination that brilliantly done. Nobody had a sound like that. Mary does it once again. Throughout ’95 and ’96, Mary Does soundtrack joints like “Not Gon’ Cry”, “Everyday It Rains” and a remake of Aretha Franklin’s “Natural Woman.” She also collaborated with more hip hop artists like Jay-Z and Ghostface Killah on “Can’t Knock the Hustle” and “All That I Got Is You” and we can’t forget the ultimate hood love anthem “You’re All I Need to Get By” with Method Man. Then on April 22nd, 1997, she comes back with “Share My World.” This album is my second favorite after 411 Remix. This album, Mary has a lot more confidence in herself to be a better person. She has a new attitude that was reminded me of Rocky after his workout. Standing on top of a mountain with her hands in the air and being thankful, in her case, it was on the roof of a building with a fur coat at the end of the “Love Is All We Need” music video. “I Can Love You”, “Keep Your Head”, “Round and Round”, “Can’t Get You Off My Mind” and my top favorite “Searching” are the best songs to me. I liked this album better than “My Life.” This album went harder to me and it was still had that New York hip hop vibe that I love so much. 1998 was a more calmer year for Mary, things are different now and then it transitions into 1999 when she released her self titled album on August 17th. When “Mary” came out, I was 5 years old in Virginia for the summer at my auntie’s house. “All That I Can Say” was on heavy rotation on MTV Hits all day. Every time the video came on, I was glued to the screen. It’s one of my favorite Mary videos too. This album is Mary’s most organic album. Meaning that she didn’t do the same formula like she did on the previous three. It’s a more soulful album than it is hip hop. It’s more on the Neo Soul side of town. This is the point in Mary’s career where she at the top and is getting the most promotion ever in her career. “Mary” was heavily promoted and her tour in 2000 was absolutely bananas. The infamous burgundy Farrah Fawcette hairstyle, white pants, white gloves, with a fresh pair of white kicks and a shimmery bra and matching belt. Mary keeps the ghetto fabulous look while strutting across the stage and giving daps to the fans in the audience. August 28th, 2001, Mary comes back with “No More Drama.” I remember my mom buying the bootleg version when this album came out and I also ran this album to death. This is my third favorite Mary J. Blige album. “Steal Away”, “2U”, “In the Meantime” and “Testimony” are my favorites. This album gives me the same vibe vocally as “Share My World” which is why I love this album. Mary re released the album in January 2002 and got rid of some songs to add “He Think I Don’t Know”, “Rainy Dayz” a newer version of “Dance For Me” featuring Common and the remix to “No More Drama” featuring Diddy but this album and era’s vibes continues on 2003’s “Love & Life.” This is the album that Mary fans claim to don’t like but I love the production. It’s Mary’s most hip hop joint since 411. “Love @ 1st Sight” she sang over A Tribe Called Quest’s “Hot Sex” and on “All My Love” she sang over Grand Puba’s “I Like It.” Now, Mary takes the biggest turn around of her career. This is where everything in her career was different for the rest of her career. As much I love Mary, things weren’t the same for me. On December 20th, 2005, Mary released “The Breakthrough.” This is the album that officially stamped Mary as a legend. She was the biggest than she ever was in her career before. Awards, more collaborations, more videos, her legacy continues. Fast forward to today. On January 11th, 2017, we celebrate the queen’s birthday. Fans all over are posting about her and celebrating her legacy. She’s responsible for what we hear on the radio today. A lot of R&B singers are claiming to be hip hop just because their beats are “hard”, it’s a carbon copy but what Mary did back in 1992 was real and that’s why we love her so much. She can sing with so much raw emotion and power and can still strut and drag across the street like she was your homie from the hood and dap your hand at the same time. Today she’s a woman whose overcome so much. She recently been through a divorce with her then husband Martin “Kendu” Isaacs. Mary is now telling the world that’s she been through the “Thick of It” which is her latest single. Her new album “Strength of a Woman” is said to be in stores in February. This will be her 14th or 15th album. Mary’s contribution to both hip hop and R&B has had a tremendous influence and impact on a lot of artists. Can’t wait until her new album drops. We may or may not get another “My Life” or a “Share My World”, either way she’s still just plain ol’ Mary.