Tag: hip hop

The Life & Times of Shawn Carter

“Shawn Carter was born December 4th….. weighing in at 10lbs. 8 ounces.” Those were the first words that was said on the track “December 4th” but the first time Shawn Carter aka Jay-Z was seen was back in the late 80’s, early 90’s when he and another dope MC named Jaz-O was spitting dope freestyles together. They even did a joints together called “Hawaiian Sophie” and “The Originators.” I do remember seeing the “Hawaiian Sophie” music video for the first time too. It was definitely around 2008 and they played it on VH1 Soul before it was BET Soul. That’s my favorite music channel on T.V. right now but I stopped watching T.V. Anyways, by 1995, Jay released his first joint called “In My Lifetime.” The song wasn’t released on an album or soundtrack but the remix does appear on the 1998 “Streets Is Watching” soundtrack and then there was “I Can Get With That.” That joint was so dope to me. It had this heavy bass beat with a piano sound in the background on the beat that reminds me of the Charlie Brown cartoon. Jay was flowin’ like crazy on that joint. Only true hip hop and Jay-Z fans know about that one. On June 25th, 1996, Jay finally came with “Reasonable Doubt.” A lot of people say it’s his best work til this day. Jay got a crazy huge discography so it’s gonna take a while to go through them all but I got to. I was only 2 when “Reasonable Doubt” dropped but I do remember hearing “Can’t Knock the Hustle” with my boo Mary J. Blige and “Dead Presidents.” That album gives you this movie in your head about the drugs and street life. Can’t forget about “Ain’t No Nigga” with my boo Foxy Brown and “Feelin’ It” but “Regrets” is my favorite on the album. Now the next joint “In My Lifetime, Vol. 1” is my personal favorite Jay-Z album. This was considered the “commercial” Jay. A lot of people hated Jay for going so mainstream so quickly and thought the songs were cheesy but to me, the entire joint from beginning to end is a fuckin’ masterpiece. A couple of songs I could do without but it’s incredible to me. The production especially. The album starts the same way “Reasonable Doubt” does. I love how he used the sample of “A Fly Girl” by Boogie Boys on the joint “I Know What Girls Like” and “(Always Be My) Sunshine” is my favorite on the album along with “Who You Wit II.” That album takes me back to that little boy growing up in the late 90’s early 2000’s. Then Jay takes it back to the streets with “Vol. 2… Hard Knock Life.” Another dope Jay album in a row. That’s 3 albums in 3 years consecutively. The ghetto anthem itself “Hard Knock Life” is a top 5 Jay-Z record, hands down. “Money, Cash, Hoes” is my favorite on the album too. DMX’s part always gets me hyped and it reminds me of my cousin from the South. LOL! “Vol. 3… Life and Times of S. Carter” I didn’t really like this joint. It was boring to me compared to the first three and the singles are the only songs I like. “The Dynasty: Roc La Familia” was okay too. Nothing too crazy. The whole Roc-a-Fella family appeared on this one. “I Just Wanna Love U (Give It 2 Me)” is a top 10 Jay-Z joint to me. Then Jay comes with “The Blueprint.” This album is a top 5 Jay-Z album. His strongest since “Reasonable Doubt.” I personally didn’t consider this album to be that great until later on. “Girls, Girls, Girls” and “Song Cry” are my favorites. “The Best of Both Worlds” with R. Kelly is underrated to me. That was banged from beginning to end. That’s a party album, all the way through. It’s very early 2000’s. R. Kelly’s R&B sex talk and Jay’s good vibes worked together great but no singles were released due to R’s charges at the time. “The Blueprint 2” is hands down my least favorite Jay-Z album. To me it didn’t stand out to me and the singles are the only joints that I like. “Bitches & Sisters” and “All Around the World” are the only joints like besides the singles though. “The Black Album” is my second favorite Jay-Z album. This was supposed to be his last album. I remember him saying that he was retiring after this one but New York without new Jay-Z music then was unheard of. Highly unlikely. “Unfinished Business” was supposed to be the sequel to “The Best of Both Worlds” but it’s another flop to me. “Kingdom Come” is my third favorite Jay album. Another Jay album that a lot of people considered to be his worst but I like this one just as much as “In My Lifetime, Vol. 1.” For some reason, the underrated stuff is the stuff I always seem to like the most. “Beach Chair”, “Do U Wanna Ride” and “The Prelude” are my favorites. “American Gangster” to me is like a sequel to “Reasonable Doubt” just on another level. When I was in high school, “Hello Brooklyn” was on repeat on my MP3 player. I was obsessed with that joint. The beat was something crazy I never heard before. “The Blueprint 3” is the beginning of what I call the “office chair Jay-Z.” His success as a business man stood out more than the music at this point. I didn’t see Jay as that Brooklyn MC anymore, now he’s the one appearing in suits and ties every damn where. I’m not hating or anything, it’s just not the same but this album was dope to me. I do remember these songs coming out at the time it did. My early high school days in the late 2000’s. “Watch the Throne”, I remember people going crazy about it because of Kanye West’s involvement. This album has mainstream written all over it though but it’s another banger and “Magna Carta Holy Grail” was dope too. I enjoyed how different it is compared to the rest of Jay’s stuff. Jay-Z came a long way from those Jaz-O days back in Brooklyn, those “Reasonable Doubt” days but through it all he always put out dope music. I grew up on Jay-Z so that’s why he’s my top 5 favorite along with Biggie. He’s the ultimate hustler who just so happens to know how to rap. The ultimate New York MC.

A Dedication to Malik “Phife Dawg” Taylor: My Letter to Phife

Dear Phife,

As I write you this letter, I’ll be as strong as I can. There’s no other way for me to express how much love I have for you and the Tribe. It all started 2 years ago. Now, I grew up on hip hop, and that includes you guys Tribe too. Y’all music was always dope to me but I became an overnight fan 2 years ago. I was at home on my laptop, on Tumblr just scrolling through my dashboard, reblogging stuff for my blog and it was a picture of you guys, including Jarobi that popped up. Black and white, standing side by side. I reblogged the pic of y’all and said to myself how long it’s been since I’ve actually heard y’all music. It was that moment that started everything for me. I immediately started listening to y’all albums all the way through for the first time and something in me sparked up this feeling I never got before. I even heard your joint “Ventilation: Da LP” and loved it too. After hearing y’all albums all the way through, I found myself watching y’all music videos, researching and looking y’all up, watching interviews, saving photos on my laptop and then I saw the documentary. It was the best shit I’ve ever seen but at the same time, it hurt me to see you and Tip beefing like that. That I don’t feel comfortable with seeing or hearing about. Besides the drama y’all two had, I found myself a die hard fan overnight. Everything about you guys was absolutely moving and inspiring to me. As a hip hop fan whose a singer, I wish to have the same elements in y’all music in mine someday. Y’all taught me politics, self righteousness, being proud of who I am, all at the same time, never changing who I was to be something I’m not and that’s why I love Tribe so much. Fast forward to July 18th, 2015. This was the day I finally got to meet you guys. I found out on Instagram maybe a day or two before and I was so amped and hyped to meet you guys. That was the same day my little cousin was having a birthday party but I missed it because I stood on that line waiting to meet y’all. I remember wearing a purple bucket hat, white t-shirt with a purple one underneath, my ripped Levi Jeans and Grape 5 Air Jordans. I didn’t have anything on me but $15 so I couldn’t buy any merchandise, which was a blow to me but when I finally met you guys, I was excited, scared, stuck, frozen, amazed, there was a rush in my stomach and my heart was beating super fast. Q-Tip told me he liked my style, I’ll never forget that, Jarobi was kinda like he didn’t want to be there but he was cool too, then I met you and told you how hilarious you are on Instagram and you said to me “Thanks my man.” I shook Ali Shaheed’s hand and you guys signed my poster. After that, I returned back to the Bronx with this smile on my face. It felt like I just went through an enlightenment. I had a totally different feeling from that day. Now this is the part of the letter that’s gonna be really hard for me dawg but I gotta tell you how it affected me. The day you left us, it was the same day as my cousin’s 23rd birthday and three days before my 22nd. It was around 10 at night. Someone posted a link in one of the hip hop groups I’m in on Facebook saying that you past. I was confused and automatically got angry. I was angry because I remember years ago, someone spread a rumor that you already did and you appeared on an interview like “Here I am!” waving with this smile on your face in a joking way like you always do. I saw the link was from DJ Chuck Chillout’s Twitter account so I hit the hashtag “RIP Phife Dawg” and my heart started racing. I only saw but 30 posts and I just brushed it off because I was sure you were still here. I went to sleep and ended up popping back up around 5 in the morning. When I pop up out of my sleep, something isn’t right. I grabbed my phone and saw that I got a text message from a friend of mine and the text said in these exact words, “Hey Clone, did you hear about Phife? He died” this was when I knew it was for real. I went to Instagram and immediately, my whole entire feed was flooded with you. I was stuck, confused, hurt, angry, upset, this wasn’t supposed to happen yo. On the morning of March 23rd, I had a dentist appointment that day. Right before I left my house, I finally cried, I finally broke down yo. Me and you just met 8 months before that, you were so cool and down to earth, I felt like a family member was taken from me. I cried for about an hour thinking about you and the rest of Tribe. I was thinking about life, about hip hop and the state that it’s in, all of these things came to my head because you were no longer with us. The entire day, I just remember everything being so slow. Time had stopped but the world kept going. My head was spinning and I was in a slump. That had to be the longest day of my life. 2 days before my birthday which made it even worse. A month later, there was a memorial for you in St. Albans. I skipped classes just to be there for you, I had to be. Right after my math class I left school, hopped on the train at 149th Street-Grand Concourse and was on my way to your hood. It’s a long ass ride to get out there but it was worth it. I met other fans, including my bro Shenron, Ralph McDaniels was out there, I missed the part where they handed out free shirts with your name on it and it was raining and so cold but it was worth it. I don’t think I could’ve been able to handle myself if I didn’t go. The next morning, this dude I went to high school with saw me in the papers honoring you. It made me feel like I was this poster guy for you, for Tribe. It was my name, my picture, your picture underneath it and it said I was honoring YOU. So much love I was receiving from my hip hop peers. I was a proud fan of you dawg, nah fuck that, I AM a proud fan of you. Now, lately, you guys have been on top of the world again and it’s amazing. We Tribe fans always wanted a new album from y’all and y’all did that for us. It was hard but at the same time exciting to hear your voice again. The album is amazing and “We the People” is fucking amazing too. I read about you and Tip being on good terms throughout he making of the album, I knew you guys were. I was hoping you two were. I love y’all brotherhood, we needed y’all back in hip hop again, we needed to see that, to feel that, to know that. Just last week, I went to the pop up shop. I didn’t get the shirt I originally wanted but it was worth it. I just wish the people who worked at the shop wasn’t so selfish to be the ones wearing all the merchandise and tell us fans there’s no more stuff. That pissed me off yo but I’m happy I got something. I’m gonna wear it forever, as well as my custom made t-shirt that my guy Curtis made for me. Yesterday, we finally celebrated the street naming after you. I missed the part where they finally showed the sign but I had to be there once again for you. So much love and good energy was out there for you. I seen your wife too, she’s so strong and beautiful too. I heard about your mom being there too, she’s also so strong and beautiful too. Jarobi was right in front of me but I was too scared to ask for a picture. I froze up. I went back home mad about that but then I remembered the time I met y’all last year. Yo Phife, this letter is to tell you how much I miss you and love you, how much the fans, your family and hip hop misses you. It don’t have to be your birthday, a Tribe Tuesday, a Tribe album anniversary for me to represent, I’m always representing. People remind me everyday how much I put on for hip hop culture and I think about you automatically. When my time comes when I’m in the game best believe you’ll be honored in the best way possible in my own way. I do it everyday but still. Man, Happy Birthday Phife. I love you and miss you again. Rest in beats King. It’s Tribe 4 ever and it’s always you 4 ever! You on point Phife? You always were!

Ill Na Na: The 20th Anniversary Edition!

On November 19th, 1996, a young, hardcore chick from Brooklyn, who is my all time favorite female MC, released her debut album. 20 years later, the album is still a masterpiece from beginning to end. Banger after banger, hit after hit, there are no misses on this joint right here. Yo, I hate saying “female MC” because their sex shouldn’t be the focus, it’s the skills that matters and this chick right here definitely got the skills on the mic and that’s why she’s my top favorite. When I listen to her, she’s raw, she’s hard, she’s hood wit it, she’s got the balls, the attitude, the style, and sexy all at the same time. Very hard but feminine at the same time. Skin dark like dark chocolate and has a in-your-face style too. The 18 year old was Brooklyn’s own Foxy Brown. 1996 may be the year she released her debut album but it was the year before that when she appeared as a guest on LL Cool J’s remix to the joint “I Shot Ya” and to me she had the best verse. Foxy from the beginning was a beast. She gives me goosebumps when I listen to her. People pin her and Lil’ Kim against each other from the beginning since they both came out probably a week from each other. They may be similar in some ways but Foxy does something to me that Kim doesn’t. Now, “Ill Na Na”, straight banger and I’m not exaggerating. There are absolutely no skips when this joint is on. The album starts off with the “Chicken Coop” intro that’s in true, legendary Trackmasters style. That deep voice that lures you into what’s about to come through your speakers and gives you an introduction of what you’re about to witness, a little history of the team that’s behind Foxy, the label, the year, everything and then finally it’s “Foxy Brownnnnn, the Albummm.” Isaac Hayes makes an appearance at the end of the intro and then there’s the cross fade transition into “(Holy Matrimony) Letter to the Firm.” How ironic because the song samples Isaac Hayes’ “Ike’s Mood, Part 1.” Foxy spits an entire joint dedicated to her The Firm peers, Nas and AZ. Next, it’s “Foxy’s Bells.” Foxy gives you a LL Cool J “Rock the Bells” but on her own twist. She pulled it off in a great way too. Then, we hear the soft sounds of Teddy Riley’s group BLACKstreet on the joint “Get Me Home.” Now I have to clear this up right now. I notice sometimes, here and there, people say it’s “Gotta Get Me Home” when it’s just simply named “Get Me Home”, okay people? A’ight, let’s keep going. This joint was one of the singles off the album. It’s a certified banger and a automatic classic for both Foxy and BLACKstreet. It’s a song to me that never gets old. It’s timeless shit. Chauncey Black was no joke on the vocals and this was around the time when they had new members in the group. Next, “The Promise”, Havoc of Mobb Deep is on this one. This is the Foxy that I love. She brings you that street shit, her stories of being around men who hustle and do street shit and the guy promises her that everything will be straight but in the long run, things will eventually get ugly and of course they do. This part of the album is like a story of a woman whose trapped in a bind. She’s surrounded by these hustlers and she wants to get away. The short interlude “The Set Up”, she wants to leave her man because she believes the relationship isn’t working out but he’s not taking her seriously and then these dudes run up on him who represent for her and protect her by killing him right there on sight. “If I” comes on. It’s a joint that’s the answer to the interlude. She talks about what would happen if she could rewind time back to when life was good. Her life and relationship changes when she starts to blow up and become an artist. Great storytelling. An original purpose in hip hop that I love. “The Chase” is another hard joint about the street life. Running around just trying to survive. “Ill Na Na”, the album title joint, my dude Mef appears on this one. What I love about Mef is that he has a special way of collaborating with people. It’s not just a normal joint featuring Method Man, he actually blends well with other artists by feeling out their vibe and feeding the listeners who he’s vibing with on the track. He’s the perfect collaborator to me. This joint shows love to Foxy about her style and who she is. She almost gives the men a taste of what she likes and what she’s about at the same time giving the ladies some inspiration to be proud of the women they are if they relate to her style and ways. “No One’s” a smooth joint with the smooth sounds of Khadijah Bass. The joint comes from The S.O.S. Band’s “No One’s Gonna Love You.” It works very well over a hip hop track. I honestly don’t think this joint would work with anybody else on the hook and chorus. “Fox Boogie” is hands down my favorite joint on the album just because Kid Capri is on the track. He provides all the flavor and party vibe on the track. This is the joint you put on at parties when everybody come together and have their red cups and everybody is singing along to “Uggggghhhh, na na na naaaaa!” Foxy keeps it strictly Foxy style still. Giving the people who the fuck she is. That cocky rapper joint. Everybody has their cocky tracks and that’s okay. That’s the best part about hip hop: the boldness and rebelliousness. It’s a beautiful thing. The joint transitions into “I’ll Be”, another single released from the album and my boy Jay-Z appears on this one. This is the joint everybody knows when it comes to Foxy Brown. That Rene & Angela sample was genius too. Foxy and Jay have that 90’s Bonnie & Clyde thing going on before he had Beyoncé. The album ends on a continuation of the intro and Isaac Hayes says the last things that he wanted to say before the beat stops. Hands down, this album is my all time favorite when it comes to women in hip hop. Truly a masterpiece. I enjoy it every single time I listen to it. I get this movie in my head of almost a hood version of Romeo & Juliet. I remember posting about this album on it’s 18th and 19th anniversaries too and Foxy showed me love with kisses and heart emojis. She’s truly my heart when it comes to women MC’s. See how I switched it up? But still. I hate the label regardless. It’s safe to end this on a good note. I can finish the movie in my head I have while listening to this album with her video of “Big Bad Mamma” featuring Dru Hill. Stephon Marbury pops up on the sofa across the room from her and goes “Ayo Fox! Why you ain’t at the ball yo!?” It’s the Cinderella story of a hood girl who made it through the shit she been through during “Ill Na Na” and now she’s a survivor. Fox Boogie Brown is definitely bad as hell. Salute to a legend, one of hip hop’s ILLEST women on the M-I-C. Love you Fox! Word, one love.

Can’t Stop, Won’t Stop: The Legacy of Sean “Puffy” Combs

From being Father MC’s backup dancer, to being an intern at Uptown Records back in the late 80’s/early 90’s, to becoming one of the world’s biggest hip hop moguls. Sean “Diddy” Combs, the man behind the greats like Mary J. Blige, Jodeci, The Notorious B.I.G., Faith Evans, 112, Total, and more, the man behind the music that all started in 1994 when the birth of his label Bad Boy Records started. Bad Boy is not only legendary for its roster of artists but it was a part of the East Coast/West Coast beef that took place in the mid-90’s along with Death Row Records. Musically, Diddy is the man and Bad Boy was shit. If you’re a Death Row fan, we might not get along. LOL! Growing up, Bad Boy took over my apartment. There was Biggie, Faith, 112, Shyne, Carl Thomas, The LOX, Mase, the whole crew, non-stop playing on the radio. Now business wise, I’m not a fan of Diddy. It’s just a little suspicious to me that artists come and go. The most we hear from an artist on Bad Boy from the past maybe 10 years is 2 to 3 albums tops, 5 hot singles, 3 or 4 music videos and then we never hear or see anything else after that. Regardless, Diddy is the go to man for the hottest party records of the year. He knows how to get a party started and he’s definitely a successful businessman whose on of hip hop’s biggest moguls with a legacy that never dies. In his words, “Cause we can’t stop, cause we won’t stop. Bad Boy 4 life!”

Haunted Hill 2016 Presents: Cypress Hill & Naughty By Nature

On the night of October 28th, 2016, I had one of the greatest experiences of my life. It was the Naughty By Nature/Cypress Hill Haunted Hill 2016 show downtown at Terminal 5. Last week, DJ Kay Gee himself direct messaged me inviting me to the show for free. I was so hyped and pumped about the show. Fast forward to yesterday. Last night, I got there around 5:30, the show starts at 7 but the show really started around 8 or 9. I spoke to the supervisor about me not buying ticket and instead I was invited for free. I got a wristband, went inside, told the lady behind the glass window that I got a free invite by one of the guys in the show. I hand her my ID and she pulls out an envelope and gives it to me. The envelope had my ticket already inside with another wristband written “VIP” on it. I go upstairs and wait probably another 30 minutes to an hour and then we go to the place where the show was gonna happen. I get there and Naughty by Nature merchandise was set up so I knew they was gonna perform first. Kay Gee walks out, notices me, points me out and gives me a peace sign. Then one of their men came up to me and gives me another wristband but this one was an invitation to actually get on stage right beside them during the show but I decided to stay in the audience because I didn’t want to lose my spot way in the front. I could’ve kissed the stage, that’s how close I was. Then, Kay Gee starts spinning a couple of classic hip hop joints and out comes Vinnie and Treach and we went ballistic in the crowd. They came out on “O.P.P” but I knew they was gonna perform that joint before Kay Gee played it because he played “ABC, 123” by the Jackson 5 and that’s the sample on “O.P.P.” Hit after hit, classic after classic, Naughty was tearing down the house. Treach even threw “You Down Wit O.P.P.” stickers and his sweaty towel and I caught both. I was too fucking hype. LMAO! At the end of their performance, Kay Gee walks up to me and shows me more love and I pointed at him and yelled “Yo, Thanks Kay Gee!” and then Cypress Hill came out. They tore it down too but to be honest, I don’t know too much about their stuff except for the usual joints. I was 100% turned up with Naughty, with Cypress, I was in and out but regardless I enjoyed the show. My boys Todd and Ashanti from school came through too and we us three left together. I left that show with a O.P.P. sticker, Treach’s sweaty towel and NBN skully hat my boy Todd copped for me. I also left wanting to cry so bad, I had the greatest time of my life. For my first hip hop concert, I got more than I expected and that’s what made it all so amazing to me. I still can’t get over all the love I was given by Kay Gee. Feels good to know that I’m being recognized for my love of hip hop culture. Real definitely can spot the real and I can always say that what Kay Gee did for me was more than real. This is definitely another hip hop moment for me I’ll never forget.

The Evolution of Ciara: The First Lady of Crunk & B

The year was 2004 when she popped up on the scene with her debut single and album with the same name. Petey Pablo provided a verse and Jazze Pha was the man behind the sound. It wasn’t the first time we heard this sound on radio. The first time was Usher’s club banger “Yeah!” featuring Lil’ Jon and Ludacris and was released the same year at the same time but it was this beautiful, young, talented and fresh faced singer on the scene named Ciara who gave us the beautiful sounds of the combination of Crunk and R&B music. Nobody else had pulled off the sound before her and not too many people understand that she pioneered the sound in a dope way and what she brought to the game. When you’re a music fan like myself, it’s easy to point out what’s new, fresh, and dope at the same time and it definitely worked in Ciara’s favor. I can honestly point out that the reason she’s so underrated is because she’s from Atlanta and the South had a lot to prove that they also had something to say, props to Andre 3000. Anyways, when Ciara first came out, I thought she lacked vocal ability and power in her voice. I remember when “Goodies” first came out, the moment I heard it, I wasn’t so fond of Petey Pablo alone and then I couldn’t stand the sound of Ciara’s voice but that song is a reflection of the Atlanta sound and wave at the time. After “Goodies”, there was “1, 2 Step” featuring Missy Elliott, “Oh” featuring Ludacris and my all time favorite Ciara joint “And I.” “And I” was a slow ballad that was the first joint Ciara ever written, that’s what I read a long ago. It wasn’t a hype track like the other singles, it was a slow joint but it was a dope ass joint. Ciara caught my attention full on when she came back with her second joint “Ciara: The Evolution.” This album to me is her best work. She stepped it up a whole lot. She went from being the young Atlanta girl fresh outta high school to being this full on entertainer. She went from the honey brown/blonde hair to jet black. She had the whole futuristic look with the silver and shiny clothes, she was dancing more and stepping out of her comfort zone and showing a more hyper Ciara. Her voice was definitely different too but she sings low like Janet Jackson. This is the Ciara I personally loved. I also remember when her second joint dropped because “Get Up” came out for the “Step Up” movie soundtrack and then there was “Promise”, “Like a Boy” and “Can’t Leave ‘Em Alone” featuring 50 Cent. Ciara had this whole Janet Jackson thing going in this era and it worked. She kept that Janet Jackson vibe up and kept putting out more and more bangers and albums. She’s a dope artist whose very underrated. She’s far from her “Goodies” days and is now a mother to a son named Future, who she named after the Atlanta native rapper, who she formerly had a relationship with. Ciara will go down in history as one of the illest artists of all time. She may not be so appreciated like she should be artistically now but eventually, people will catch on. They should’ve been caught on. She will continue to get more and more dope on this evolution in her career. I’m anxious about what she’s gonna do next.

Unsigned Hype: Poet Deep

Delivery, flow, bars, hunger, ambition, drive, and confidence is something that I definitely look for when I come across dope talent. Sometimes, dope talent comes to me on its own and that’s even better. When I got the opportunity to listen to a guy, whose a dope indie artist named Poet Deep from Baltimore, everything that I look for in talent was definitely heard through this guy. Along with everything this guy has in voice and sound, there’s also self consciousness, there’s aggression, there’s wanting and fighting for a change, a revolution, this is what hip hop is all about. Of course we need our balance of the positive and negatives but there is no balance today. We need more Poet Deep’s if you ask me. This guy is not all about the glitz and glamour, this guy is the real deal. Understand that we need more powerful voices to uplift and empower, more true talent, more positive voices in the game. People only pay attention to mainstream positivity, which isn’t necessarily a bad thing because positive is positive but we need to show more love and support to our unsigned hype as well. Another thing about this guy that’s incredible is his wordplay. The way he uses words in his delivery makes you get lost for a second. You can definitely tell what he’s trying to invoke through his music but the delivery is so dope, you get lost trying to figure out how he delivers; it’s almost like a magic trick. Another plus, he’s keeps your interest. One video, two videos, three videos, non stop dope sounds of Poet Deep. Some deep shit to keep you in tune with him and it almost hypnotizes you to understand what he’s trying to do. Anybody that can start all of these things in me when I listen to them is truly a real artist and I’m definitely a new fan of Poet Deep. You can check him out at iampoetdeep.com and follow this guy on Instagram @iampoetdeep. To not keep up with this guy, to not understand the message, to not feel what he is saying is definitely a dishonor to yourself and him. Fight the power, get into some dope and deep poetry with Poet Deep.

The Princess of Hip Hop & R&B: The Wonderful World of Ashanti

Before we seen her face, we heard her singing hooks on joints for Big Pun, Fat Joe, and later on, her label mate Ja Rule. Ashanti Douglas has proved herself to be one of R&B’s most greatest artists of her time. She blew up in the early 2000’s for being the girl who was singing on hooks only. Ashanti’s voice is almost similar to Aaliyah’s, she’s got that soft, sweet, sultry Soprano thing going on but her style musically was similar to Mary J. Blige’s, it is Hip hop soul. Ashanti reminds you of that nice girl in the hood who was a hip hop fan but she could sing her ass off. You’ll see her walking down the street in a fresh pair of Air Force Ones, tight jeans, chewing gum, rocking a varsity jacket and big hoop earrings just without the “ratchet”, not calling those kinds girls ratchet though. LOL! She’s the one all the hardcore guys call to sing hooks on their songs and she does it well with the songwriting as well which is why she was nicknamed “The Princess of Hip Hop and R&B.” A lot of artists both male and female have been on the “hip hop soul” movement since “What’s the 411?” but what makes Ashanti a little more different than the rest is her being a fan of hip hop. She’s not just a singer on hip hop tracks, she embraces hip hop in her attitude and her little bop in her videos. I’ve always been a fan of Ashanti since 2002 when she dropped her debut single “Foolish”, singing over The Notorious B.I.G.’s 1995 remix single “One More Chance” and DeBarge’s 1983 single “Stay With Me.” I remember when she first came out like it was yesterday because I was in the second grade, I was 8 years old and “Foolish” was on BET every five minutes and I remember when the video came out with Terrance Howard and it made number 1 on BET’s 106 & Park Top 10 Live list. I do miss those days. The days of a 90’s born-00’s raised kid. Her next joint “Happy”, turned out to be my all time favorite joint by her. The chorus and hook is the best part of the song. The beat is hard with this happy and catchy whistling sound and the chorus and hook has this beautiful harmony that’s very mesmerizing and gets you lost into the sound, that’s an effect I usually get from Brandy. Ashanti’s entire self titled debut was banger from beginning to end and then she released “Chapter II”, my favorite album from her. Another smash album under her belt. She put out “Rock Wit U (Awww Baby)”, “Rain On Me” and “Breakup 2 Makeup” and the remixes were bangers too. The hip hop in Ashanti’s music were mostly on the remixes. She had everyone and their momma on those joints. When “Chapter II” came out in the summer of 2003, I was in Virginia at my auntie’s house singing those songs. My cousins and one of their friends didn’t wanna hear me though but I was feeling that album. LMAO! That was around the same time Beyoncé dropped “Dangerously In Love” and “Baby Boy” was everywhere too; that and “Rock Wit U.” The joint “Feel So Good” was the best one to me because it came from Black Moon’s “I Gotcha Opin (Remix)”, a certified banger. That one should’ve been a hit from the album to me. Her next joint “Concrete Rose” was another banger. Ashanti was no joke in her prime. She kept coming back to back with albums and bangers but this album had a couple of joints I skipped more than the first two. She blew me away with “Don’t Let Them.” That joint came straight from Raekwon’s “Heaven & Hell.” Another banger from that album is “Love Again” but after that she came out with “The Declaration” but her shit wasn’t the same. She went full R&B now, which is cool but that spark she used to give me with her first three was gone because she wasn’t down with Irv Gotti and the Inc. anymore. She still as beautiful as usual but she’s one gem that people don’t appreciate enough to me. She’s no Mary J., no Brandy, no Aaliyah, Monica, Janet Jackson but she was dope in her own right. I’ll always appreciate Ashanti aka The Princess of Hip Hop and R&B.

Lyte As a Rock: Happy Birthday MC Lyte

Lana Michelle Moorer aka MC Lyte is one of hip hop’s greatest MC’s of all time. I hate when people say “female rapper”, so I’m just gonna say “women in hip hop” instead. When it comes to women in hip hop, MC Lyte has definitely been the catalyst and inspiration to other women to come into the game and do it just as well and gain respect for it, especially when hip hop is mostly a male dominated field. MC Lyte along with Queen Latifah, Roxanne Shanté, Sha-Rock (from the group Funky Four Plus One More), Salt-N-Pepa, and Monie Love, just to name a few, are some of hip hop’s earlier women in the game and these ladies definitely held their own. MC Lyte was the first woman in hip hop to actually release a whole album, which was 1988’s “Lyte As a Rock.” After the success of her debut, Lyte kept coming with albums and more hits making her one of hip hop’s most respected woman in the game and a lot of people consider her their first choice when it comes to women in hip hop. Joints like “Cha Cha Cha”, “I Cram 2 Understand U (Sam)”, “Paper Thin”, “Poor Georgie”, “Ice Cream Dream” (from the Mo’ Money soundtrack), “Ruffneck”, “Keep On, Keepin’ On”, “Cold Rock a Party” and more. Lyte is the fly b-girl from Brooklyn with the attitude that caught your attention and kept your attention too. She was hard on the mic and her rhymes were just as tough as the guys on the mic, especially 1993’s “Ruffneck.” She went the hardest on the joint to me. She was describing the hard hood guy hanging on street corners, hustling with a bad attitude with the hardest voice you’ve ever heard Lyte spit. Lyte had bangers, she don’t have too many joints that was wack to me, almost all her shit was dope. She’ll always go down in history as the one of the realest, dead or alive.

The King of New Jack Swing: Happy Birthday Teddy Riley

They call him the King of New Jack Swing. He’s the man behind the legendary hip hop and R&B groups like Guy, Wreckx-N-Effect, and BLACKstreet, he helped provided sounds for Michael Jackson’s 1991 album “Dangerous”, Bobby Brown’s 1988 album “Don’t Be Cruel” and Queen Pen’s 1997 album “My Melody.” He did a lot joints for others artists including MC Hammer, Mary J. Blige, Doug E. Fresh, SWV, Kool Moe Dee and a whole lot more of other hip hop, R&B and new jack swing artists. This man is my all time favorite producer, for he is responsible for a lot of my favorite joints. His name is Teddy Riley. It was 1985 when Teddy produced his first joint to reach the Billboard Top 100 charts, Doug E. Fresh and Slick Rick’s “The Show” and then two years later, the R&B group Guy was born. The group started off with Teddy, Timmy Gatling and Aaron Hall who pioneered the new jack swing style and movement. With only three albums underneath their belt, they had some of the greatest joints between the first two albums. “New Jack Swing” of course, “Teddy’s Jam”, “Groove Me”, “I Like”, “Yearning For Your Love”, and “My Fantasy”, which is a joint not to many can remember unless you play it like “Ohhhh snap! I forgot about this one. This is my shit!” LOL! To those that never understood what exactly was the sound of New Jack Swing, it was basically hip hop production, R&B vocals, pop infused with synthesizers and heavy bass with instrument sounds. It was the early combination of hip hop and R&B until Hip hop soul came along in the early 90’s, thanks to Mary J. Blige and Jodeci. In 1989 Teddy Riley began working with hip hop group Wreckx-N-Effect. Their main two singles were “New Jack Swing”, a song that celebrates the genre and of course partying with a numerous amount of cameo appearances in the music video and in 1992, their next biggest joint, “Rump Shaker.” In the early 90’s, the new jack swing movement and sound was slowly coming to an end. I would say around 1993/1994, the industry was taken over by a new popular sound called “Hip hop sound.” Hip hop soul was more straightforward and more street. It was like church choirs meet the street corner hustlers. This sound was strictly R&B singing over hardcore hip hop production and it is my favorite sound. Teddy didn’t miss a beat and he still put out bangers even with the new sound at the time. He did Michael Jackson’s 1991 album “Dangerous”, he did the remix to Mary J. Blige’s 1994 single “My Love” featuring the late great Heavy D, another artists part of the new jack swing movement, and then came along BLACKstreet, who is one of my all time favorite male groups. Their first two albums, the self titled 1994 album and 1996’s “Another Level”, I ran to death yo. The first joint introduced Chauncey Black and Dave Hollister. Chauncey and Dave had amazing voices but Dave was miles ahead of Chauncey and could hit some of the hardest and coldest notes I’ve ever heard come from an R&B guy. Their definitely influences on me when it comes to singing. The first album was a banger from start to finish. The sound had a west coast vibe but it was a tad bit new jack swing-ish but very, very smooth and R&B on a hip hop tip that makes you nod your head something crazy. Joints like “Baby Be Mine”, “I Like the Way You Work”, “Physical Thing”, “Happy Home”, “Before I Let You Go” man, that shit is a masterpiece. Their second album “Another Level” had the perfect name and it was exactly that but their first joint was more raw and street. “Another Level” had more church vibes but it was still dope. A couple of joints skipped here and there but still a dope body work. This album had the notorious Teddy Riley joint, “No Diggity” featuring Dr. Dre and Queen Pen. Queen Pen is another one of Teddy’s artists. She was incredible on the mic but very underrated. Teddy did her album “My Melody” a year after “Another Level” and “Party Ain’t a Party” took Queen Pen to the top. Her second joint didn’t do so well but she’s still a monster on the mic. BLACKstreet’s third album “Finally”, was an okay album though. I don’t really care too much about it but it was cool. Very R&B all the way and “Girlfriend/Boyfriend” featuring Janet Jackson, Ja Rule and Eve was dope too. I pretty much only celebrate Teddy’s career from 1985 to 1998. That’s when he was in his prime. Album after album, artist after artist, bangers after bangers, Teddy is definitely one of the greatest producers of all time. He’s pretty much the soundtrack and King of my “old soul” life. He provided that sound I love so much and exaggerates it a lot. Those beats of his was perfect to me. His ear is an incredible one and something you never doubt. I always dreamed of someday working with Teddy in the future. Hope I can.