How Ya Like Me Now?: Happy Birthday Kool Moe Dee! 🎈

It was 1987 when Kool Moe Dee asked “How Ya Like Me Now?” in his braggadocios kinda way that was in your face and showed lots of confidence with a tad bit of cockiness. It was also in 1987 when the cover photo of his album with the same title, had him rocking a fresh all white fit with a Jeep Wrangler behind him and a Kangol hat tucked underneath one of the wheels of the jeep. That Kangol represented the brief beef he had with LL Cool J, who is my all time favorite 80’s rapper and a HUGE inspiration for me when it comes to fashion. Another classic from Moe Dee like “Wild Wild West” is a joint that I grew up on. How crazy is it that a 22 year old like myself was growing up on Kool Moe Dee? LOL! But I did and it was dope! It was even more dope when I actually met Kool Moe Dee four years ago in Harlem on Convent Avenue, as mentioned in the song, which is my stepfather’s neighborhood. Every year in August, on Convent, they throw this big hip hop event called “Da Hill Reunion” where they have basketball games, street dances, people having cookouts in the park, fresh to def in their new gear, kids running up and down the playground and of course, my favorite part is when the DJ is cutting it up on the 1’s and 2’s spinning good music all day. street lineSome recent stuff with a new twist on it and of course some old school too and rappers come to the reunion to perform and show love. Kool Moe Dee and L.A. Sunshine are the main ones who be at the reunions. To those who don’t know about L.A. Sunshine, he was a part of the hip hop group The Treacherous Three along with Moe Dee and DJ Easy Lee. They had joints like “Feel the Heart Beat”, “Action” and another joint they did with Spoonie Gee called “The New Rap Language.” Doug E. Fresh comes to the reunion sometimes too. When I met Moe Dee four years ago, he was extremely cool, like I expected and at that time, I wasn’t rocking a high top fade and a vintage/retro look, I was slowly getting to that point but not until a year after that. I loved going to those reunions growing up but lately it hasn’t been the same for the simple fact that it feels dead and doesn’t have the same exciting energy it used to have also, gentrification. All of these out of town white folk moving into the neighborhood are calling the cops at 8 or 9 o’clock at night when everyone is still rocking and having fun. They call the cops on us to stop the music because we’re “making too much noise.” Maybe I’ll be returning to the reunion this year just to see what’s it like and maybe I’ll run into Kool Moe Dee again, that’ll be dope forreal!

Written by Jay-Doggz

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Hip Hop Film Festival 2016 🏆

I’m still completely amazed and lost for words about the hip hop film festival that took place in Harlem at the National Black Theatre yesterday. So many people were there, so many things I’ve heard and learned and so much has happened to the point where it’s almost a blur and a rush. It felt like I blinked my eyes once and I was there and blink again2016-08-07 17.56.37, I was back at home in the Bronx. It felt like a Cinderella story except a hip hop version where I was home all the time with ambitions and crazy big dreams of doing things for the hip hop community and when I finally got that chance too, I was decked out in the flyest b-boy, 80’s hip hop gear and then BOOM, I’m back home, it never happened. The part about the location sounds like I’m just repeating myself after doing interviews with people yesterday too. LOL! So I get there and automatically fell in love with the place street linebecause of it’s hip hop aura, vibe and spirit. It was almost like being backstage at the years biggest hip hop awards and I was V.I.P. I continue to scope out the place and get used to it more and I was completely scared and nervous but I played it off. The very first person I interviewed was the lovely Ms. Dedra Tate. I don’t really remember everyone’s position there at the film festival because everything happened so fast but she knew it was my first time, she knew I was a little nervous and she made me feel really comfortable. I also interviewed another nice lady whose name I forgot and then Ms. Lisa Cortes, she’s the woman behind movies like “Precious.” She also made me feel comfortable and she even gave me advice about how to interview people. I felt loved, I felt like everyone was planting these seeds in me that would eventually make me as big as them someday. I felt important to be in a space about my true love, HIP HOP. Then there are the panels. The panels are when they discuss all types of projects like movies and documentaries and the people who were involved tell us the people who are there what they’re experiences was like and how did their ideas come about to making these things happen. street linePeople like filmmakers, actors, Ralph McDaniels, Do It All Du from the legendary hip hop group Lords of the Underground, and even Monifah was there as a surprise for one panel. Out of all the people I met, I was mostly excited about Monifah and Ralph McDaniels because I grew on Monifah’s music, especially her first two albums, the classic “Moods… Moments” in 1996 and her sophomore album in 1998, “Mo’hogany.” I just remember my mom playing her songs “You”, “You Don’t Have to Love Me”, and my all time favorite “It’s Alright” but I always bothered my sister with the song “Peaches & Cream” from her underrated 2000 album “Home.” Before I could meet 2016-08-07 17.57.27Ralph McDaniels for the second time, he was already gone. I wasn’t upset about it because I knew for sure I was gonna come across this man again sometime. I almost forgot to mention that I met the lovely MC Debbie D from the “Beat Street” movie, one of my all time favorite movies. After being underneath that freezing cold air conditioner all day, had a good bite to eat at Applebee’s and then went back home. I originally went to meet the legendary Roxanne ShantĂ© but I went home, I was tired. To have an experience like this makes me even more and more appreciative about hip hop and it also made me open my eyes to the fact that hip hop comes in many different forms, not that I didn’t know that already but still. There’s conscious rap, party/happy rap, trap rap, there’s ratchet stuff too and I realize that even though certain types of rap music is not for me, it’s something that others appreciate and we can’t talk down on others for liking what they like. After all, hip hop is about having fun but it’s also a political statement, a Scarface movie and a ratchet thing too.

Written by Jay- Dogs

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Beats, Rhymes & Life: The 20th Anniversary Edition!

On this day 20 years ago, my all time favorite hip hop group, A Tribe Called Quest released their fourth album called “Beats, Rhymes, & Life.” I personally feel like this album is more toned down compared to their work before this one and Consequence, Q-Tip’s cousin, is all over the album. When I first sat down and went through the songs, listening to the album, it was a little annoying because I was so used to just Q-Tip and Phife Dawg doing their usual back and forth, yin and yang kinda thing they got going on but after a while it was no problem. Consequence had to grow on me for a while and he’s definitely no slouch on the mic. “Phony Rappers”, the opening track has a beat that’s hard but the instruments behind it makes it sounds so smooth at the same time. This is a joint about phony rappers who are not who they say or pretend to be, “Get a Hold”, the second joint, is another banger that you just put on while you sit in a room with your homies and pass around a spliff and just nod or good for riding out, “Motivators” is an uplifting joint about staying positive and forgetting about the haters, “Jam” is a joint with a name that fits and has some great blues and jazz sounds behind it, “Crew” sounds kinda Neo-Soul-ish. It’s that kinda shit that sounds like a Erykah Badu, a D’Angelo, The Roots, Mos Def or Jill Scott joint. “The Pressure” is my personal favorite joint on the album because of Ali Shaheed’s dope cuts and scratches on the beat that sounds like a perfect ode to the group while cutting and scratching a few of their classic hits. The song also talks about the pressures of being in the music industry. “1nce Again” is my second favorite joint on the album because of the beat and Tammy Lucas’ smooth voice on the chorus. She’s the same girl who sang on her own version of Heavy D’s 1992 classic “Is It Good to You” and it can be heard on the “JUICE” soundtrack to the movie starring Omar Epps and the late great 2Pac. “Mind Power” is a joint that’s okay. It’s not a joint I would put on first but it’s cool, “The Hop” is another Neo-Soul sound influenced joint. It’s also my third favorite joint on the album because of the beat; Hey! I love a dope ass beat to nod at and it’s what keeps me listening. “Keeping It Moving” is another okay joint to me, I’m not that crazy about it so the title fits but let’s keep it moving. “Baby Phife’s Return”, yoooo Phife spits in his regular way, he uses his Trinidadian accent when he gets into the track, very bold and very representative of being the kid from Queens who loves hip hop. You can hear it in his voice. Damn, I miss him so much. Word. “Separate/Together” is a very short track but it’s dope as hell and my fourth favorite. The bridge is extra catchy too. “We got ta do our due, let’s separate together, got ta move on through, let’s separate together….” Then, “What Really Goes On” has a beat that goes “We got dat bump-da bump-da bum bum bump!” The hardest joint on the album. Sounds like Mobb Deep could have been on this joint too. “Word Play” is another smooth smoke a joint kinda joint too. It’s the smoothest joint on the album with a hard bass that kicks in for a second and it sounds almost hypnotizing. The album finishes with “Stressed Out”, a hard joint with the smooth vocals of Faith Evans. This joint wouldn’t be the same without Faith and the remix is even harder with Raphael Saadiq. BANANAS! 20 years later I just wish my boy Phife was here to see this album make 20. This is hip hop that will never get old. Happy 20th to “Beats, Rhymes & Life”, rest in beats to Malik “Phife Dawg” Taylor and thank you Tribe for changing my life. Word. One love.

Tools of War 2016

street line This years “Tools of War” events that took place in my neighborhood in Crotona    Park were really on another level to me compared to last year’s that I went to. For   those who don’t know what “Tools of War” is, it’s a hip hop park jam event where people from all over New York or the world come to enjoy good music, including classic hip hop, soul music, funk music and even house music, the kinda house music they played at hip hop parties back in the 1970’s and 80’s. A lot of people always come to these events because it gives people a sense of nostalgia and it’s a lot of fun. For me, being at “Tools of War” is like living a world like it’s the 70’s, 80’s again, sometimes the 90’s, depending on the DJ. So many people in the community come together with their chairs, water bottles and drinks and they sit or stand up to dance along to the music, people come through their freshest hip hop gear on like Kangol hats, Adidas, Pumas, Nikes, Reeboks, Clarks, gold rope chains, or anything that’s fashionable in hip hop. Breakdancers from all over New York or the world come through to show off their skills and hype up each other with their fresh gear too. There are camera men everywhere taking pics of the event of everything that’s going on including the people with their fresh gear on and dancing and having a good time and then handing out flyers to help promote themselves, just in case anyone wants to hire them for events. Grandmaster Caz, whose a hip hop legend, MC’s the event, he’s selling hip hop t-shirts, he’s calling out the raffle ticket winners at the end of the event and gives out prizes to the winners while his grandson Cazmere walks around the park handing out prizes and collecting the tickets. Then there’s the very nice and cool Christine Z-Pabon. Christine is the wife of legendary hip hop breakdancer, b-boy and master pop locker, Popmaster Fabel. She walks around the park making sure things are alright, handling business, and I believe she helps to make “Tools of War” happen. I actually spoke to her for the first time yesterday when I ran into my friend Damian and we both had a really cool but short conversation about the state of hip hop culture today, how the community can come together to collaborate to keep our streets and communities a much safer place for the youth and of course “Tools of War.” The best part about “Tools of War” are the hip hop legendary artists and DJ‘s who come by to show love and actually DJ for everyone. It’s the greatest thing in the world to me because I don’t have to pay a penny or travel far to see these kinda things happening; it’s right up the street from my building. Last week and yesterday, it was Kool DJ Red Alert, DJ Scratch, Lord Finesse and I happen to see of course, the father of hip hop himself, DJ Kool Herc and L.A. Sunshine from the legendary hip hop group Treacherous Three, who came by and show love too. Of course I forget about DJ Jazzy Jay and DJ Johnny Juice, they definitely did their thing too. I was very happy when I got my pictures taken with DJ Scratch last week and Lord Finesse yesterday. These men were very cool and I went home at the end feeling very inspired and happy to have meet more hip hop legends. Yesterday, I happen to notice someone else too, this guy was very popular amongst my generation because of the “Get Lite” movement 10 years ago. It was Mr. Voice of Harlem himself. I asked if it was really him and he said that it was, I got my pic with him and then he told me to tag him on Instagram and that’s how my night after “Tools of War” ended. So much can happen in 4 hours in my own neighborhood more than anywhere else to me. I’m just grateful to be able to witness hip hop greatness for the past 2 years like that, even though “Tools of War” been happening for 14 years. Of course they do it all over New York but I only attend the ones in my neighborhood in July every Thursday. I can’t wait for next year….

Written by Jay-Doggz

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Jay-Doggz Doin’ His Thing…

Wassup, if you’re reading this, this is just a funky introduction of how nice I am…. LOL! My name is Jalen Hemphill aka “Jay-Doggz”, I’m 22 years old and I’m a heavy hip hop fan. Hip hop is my entire life and it only make so much sense that I’m from the South Bronx, which is the birthplace of hip hop. I sing, write, dance, DJ, act, I’m also into hip hop fashion and now I’m a new blogger just giving you the scoop of what’s buzzing in the streets. If you wanna get into contact with me just add me on Facebook at Jalen Jay-Doggz Hemphill and follow me on Instagram @HipHopSoul_Jalen.

DJ KEYNOTE SPEAKAZ RISING UP!

Street LineWRITTEN BY JAY DOGGZ