Tag: Happy Birthday

Redman Meets Reggie Noble

One of Jersey’s very own. To me, he’s one of hip hop’s most underrated rappers of all time. Very little appreciation for someone with so much energy, flow and bars on the mic, also can be alongside Wu-Tang Clan’s very own Method Man. They call him Redman, Reggie Noble is the birth name. My very first time actually getting familiar with him was the “How High” movie. Very funny and still hip hop with a bangin’ soundtrack that fit the times and the movie. I also got to experience his music because of his 1992 album “Whut? Thee Album.” My first time hearing the album, I instantly fell in love with it’s hardcore sound and heavy bass beats and samples. Kinda reminds me of a Gang Starr album. To come from a place where there are other hip hop heavyweights like Queen Latifah and Naughty By Nature, it’s safe to say that Redman should be getting the same recognition. I personally never hear about a Redman discussion or been in One with other hip hop fans. I personally don’t know too much of his discography but I can definitely discuss how much of a monster he is on the mic. I especially can never get over joints like “Da Rockwilder” with Method Man and “Tonight’s Da Night” and “I’ll Bee Dat.” Those are Redman’s most standout joints to me but the man is can spit and bring that fire like no other. His wild personality and comical ways is what keeps the people’s attention on him. Watching or listening to Redman is literally like Redman meets Reggie Noble.

The Abstract Poetic: The Legacy of Q-Tip

This man’s contribution in hip hop is what makes him the legend that he is today. Started off in a group, went solo, also DJ’s, produces, act and has a pen game and voice that’s easily recognizable when you hear it. Definitely someone whose one of a kind and shares the same zodiac as me. Someone whose a huge influence to me both personally and creatively, he also told me to my face that he liked my style, and I could never forget that. He goes by name Q-Tip aka The Abstract Poetic. The story of Q-Tip begins back in the 70’s when he was a child living in St. Albans, Queens and met his would be close friend, almost brothers and group mate named Malik Taylor aka Phife Dawg. Together these two were peanut butter and jelly, ketchup and mustard, they’re one of hip hop’s greatest duos together on the mic. Fast forward to 1985, Q-Tip gets his name and it represents “on the Queens tip.” At this time, he also had another name as a solo artist named MC Love Child and would occasionally team up with high school friend and DJ, Ali Shaheed Muhammad and together they were a rapper and DJ duo. They made demo tapes along with Phife, he was known as Crush Connection but the group, later on known as the group we all know and love today as A Tribe Called Quest, was fully complete when Jarobi joined and Phife only joined because of Jarobi. They got their name in 1988 when the Jungle Brothers gave them their name. The Jungle Brothers is another legendary hip hop group who also attended the same high school. The guys signed a demo deal with Geffen Records and created a 5 song demo that was later included on their debut album the year. Before their debut album released, Q-Tip appears on 2 songs on the Jungle Brothers debut album called “Black Is Black” and “The Promo.” The group signs with Jive Records and on April 10th, 1990, also Q-Tip’s 20th birthday, “People’s Instinctive Travels and the Paths of Rhythm” was released. The album was a very youthful, friendly and uplifting but dope. Frontman Q-Tip being heard on most of the songs. We didn’t start to see the real lyrical side of the group until 1991’s “The Low End Theory.” This is album is my favorite Tribe album because majority of my favorite songs from the group are on this album, “Midnight Marauders” was the perfect album though. No skips, it was a banger from start to finish. “Beats, Rhymes and Life” had a more laid back vibe and it introduced the sounds of the late great J Dilla. It also introduced is to Q-Tip’s cousin Consequence. Definitely gotta get used to him when listening to that album. “The Love Movement” isn’t an album I’m crazy about but it’s ironic that the word “love” is in it’s title but it was the beginning of the end for the group but they reunited in 2006 and recently released their latest album “We Got It From Here, Thank You 4 Your Service” 5 months ago. It’s an incredible album I heard only twice. I like to wait until the hype slows down a bit to enjoy things. Gotta find the right time to without everybody throwing out their opinions while you’re still getting used to it. Outside of the group, Q-Tip had a dope solo career on his own. He’s appeared on other’s people’s projects to write, produce and collaborate on songs. He created The Ummah, a production team with Ali Shaheed and J Dilla, he acted in Poetic Justice only in the beginning of the movie, and on “Prison Song” along with Fat Joe and Mary J. Blige, he was featured of Janet Jackson’s “Got Til It’s Gone” on her 1997 “The Velvet Rope” album, he produced “One Love” for Nas on his “Illmatic” album, Mobb Deep’s “Give Up the Goods” and the list goes on. Can’t forget to mention his solo music. With singles like “Vivrant Thing”, “Breathe and Stop”, “Gettin’ Up”, “Move”, “Life Is Better”, just to name a few. His solo stuff is nothing like Tribe’s and that to me is make Q-Tip great at what he does. Finding your own identity when it comes to your solo stuff and not it reminding the fans of the group you were in. Same energy and voice but a different vibe completely. Recently, he hosts his own radio show on Apple Music’s Beats 1 station, which is called “Abstract Radio.” His goal with the show is not to keep up with what’s trending but instead find ways to bridge the gaps into one and celebrate good music altogether. With so much that he has accomplished, Q-Tip is easily one of hip hop’s greatest of all time for being part of a group that introduced Jazz sounds samples in hip hop. His incredible creativity and style is timeless and it’ll always be celebrated. They don’t call him The Abstract for nothing.

All Hail The Queen: The Legacy of Queen Latifah

One of hip hop’s earliest female MC’s, the homegirl from Newark, New Jersey, the one who came onto the scene in 1988 when she was just a part of the Flavor Unit. She made a demo that ended up in the hands of Fab Five Freddy, who was a host on Yo! MTV Raps, and then was given to an employee at Tommy Boy Records. After that, she recorded her hit “Wrath of My Madness.” She then released her debut album in 1989 with both a voice and a style that’s iconic in hip hop history. She’s fearless, unapologetic, strong, a no nonsense type of person whose well respected and might give a mean jab or two if you don’t come correct. Mostly known for her female empowering songs and teaching how and what it means to be respected as a woman, especially in a male dominated field that she’s in, she’s definitely the Queen, Queen Latifah that is. She came onto the scene in 1989 when she signed to Tommy Boy Records and released her debut album, that year in November, titled “All Hail the Queen.” Of course, this is the album with her signature hit “Ladies First” with another dope female MC who goes by the name Monie Love. Besides how powerful and uplifting the song is, their rhymes had incredible flow and wordplay, it was something that made you have much more deeper love and appreciation for women, black women especially. Her next joint “Nature of a Sista” is the album with one of my favorite Latifah joints, which is “Latifah’s Had It Up 2 Here.” The opening line in the song is what always made me love Latifah as an MC. “Well, It the L-A, the T-I, the F-A-H, you see why…” It’s the first line that comes to my head when I think of her and her music. Her 1993 joint “Black Reign” is what made us 90’s babies appreciate Latifah the most because of the joint “U.N.I.T.Y.” It’s another dope record from the Queen about not disrespecting our women and uniting. “Just Another Day” is a smooth, laid back joint about chillin’, hangin’ around in the hood with your homies. Latifah’s switch up from her first two albums to this one wasn’t such a bad move either. She still kept it real, stayed herself but on this album, it was more dark and appealed more to the streets. Her first three albums to me stood the most. It marked her legacy as an MC. During the 90’s, that’s when she made her mark on the television screen. She was mostly known for her role as Khadijah on “Living Single” and as a roughneck lesbian named Cleo on “Set It Off.” Can’t forget to mention the talk show she had at the end of the 90’s, which most don’t know about. Throughout the 2000’s, Latifah has been in countless movies as a starring role and has been on Broadway and even doing traditional singing style with her music and another talk show that only lasted for three years. Latifah is definitely someone in hip hop who has influenced a lot of women and opened doors for them. Definitely a queen in her own right.

Ladies Love Cool James: The Legacy of LL Cool J

This hip hop legend’s story begins when he was making demos in his grandparents’ basement. The year was 1984 when he got signed to Def Jam. It wasn’t until late 1985 when he released his debut album called “Radio.” This hip hop legend was born James Todd Smith but we all know him as LL Cool J. “Radio” became the label’s first full length album. Singles like “I Can’t Live Without My Radio”, “You’ll Rock” and one of LL’s most infamous joints, “Rock the Bells.” What I personally love about the album is LL’s energy and DJ scratches, especially on the remix to “I Need a Beat.” LL’s second joint had the perfect name for a comeback, “Bigger and Deffer” or simply put “BAD.” On this joint, LL goes harder but also smoother. The adrenaline rush on “I’m Bad” proved LL to be the “baddest” at the time and “I Need Love” showed a more softer, sensitive and vulnerable side of LL but when LL decided to ride that wave of “sensitivity” and being more laid back and softer on 1989’s “Walking With a Panther”, hip hop fans weren’t impressed with LL being so “soft” and they accused him of “selling out” and gone “too Hollywood.” He wasn’t the same LL people were rocking with on the first two albums. Although this album had more hits than the first two, LL had more party joints too. “Jingling Baby” is a classic that gets the hip hop fans moving at a party always. LL returns with 1990’s “Mama Said Knock You Out.” It was a great comeback album from the disappointing persona that he had on the previous album. This album, LL proved to the fans and the people that he was the same and never did change. He proved that he was still the same James and didn’t let his success get to his head and he proved that on “Around the Way Girl.” In the beginning of the music video, LL turns to homeboy and says “I don’t want Ivana, I want Tawana!” The song is a hip hop classic with a catchy soulful hook and chorus. A classic ode to the girls in the hood with the extensions in their hair, bamboo earrings, at least 2 pair, a Fendi bag and a bad attitude. Usually, the only uppity and fancy women are being praised but LL took it there and showed the hood girls love. My personal favorite from the album is “6 Minutes of Pleasure” the Hey Girl Remix. It’s also my all time favorite LL joint and it’s super underrated to me. His next joint “14 Shots to the Dome” is LL’s most underrated joint and it had a more West Coast influenced sound but the singles are still dope. “Pink Cookies In a Plastic Bag Getting Crushed By Buildings” and the Teddy Riley remix to “Stand By Your Man” are my top favorites. 1995’s “Mr. Smith” is the only LL album I own physically. This album to me is the beginning of the more grown up, more mature LL. Besides the dope singles, the album title track is my favorite. 1997’s “Phenomenon” didn’t really do much for me. “4, 3, 2, 1” was the only hot joint I can remember, as well as the album title track. “G.O.A.T.” also had the same effect. “You and Me” and “Imagine That” are dope though. 2002’s “10” I felt like LL was back, the LL I liked. “Luv U Better” is dope but the Amerie track “Paradise” was super dope. It’s another one of my all time favorite LL joints. His last three albums “The DEFinition”, “Todd Smith” and “Exit 13” were all just something to me he just put out. He had nothing to prove anymore as an artist, he’s done it all already. His prime is way behind him now but LL still remains a hip hop legend, both on the mic and fashionably. LL is definitely one of the greats in hip hop. Can’t forget that he’s had a successful acting career as well but I like the artist more personally. More than 30 years later after his days as a 16 year old from Queens, LL is hands down the only hip hop artist of his time to stay consistent with the hits and continued to push it to the next level, on top of the fact that he changed with the times but still remained himself, just like Jay-Z. Always and forever he will be one of the greats of all time.

All Hail the Queen: The Legacy of Mary J. Blige

This woman’s music helped raised me. She’s the reason why I love music so much. She made me become a singer. I grew up watching her music videos, sitting in the front of the radio making tapes with all of her greatest hits, listening to her albums from start to finish, trying to get every word right in a verse, and with every song, every emotion, every note, high or flat, she continues to be herself and never gave up or changed who she was or where she comes from. She inspired so many people with her music. She’s not a spectacular singer but it’s that real emotion from her heart and soul that keeps the people in love with her. She’s the pioneer of bringing together both hip hop and R&B music in a way that wasn’t done before. She brought Anita Baker style singing, Big Daddy Kane attitude and the raw hip hop production together with a style that represented the around-the-way girls from the hood who grew up without a father in the home. Almost 25 Years since the release of her debut album, this woman continues to bring the hits. Album after album, music video after music video, she’s untouchable, unstoppable, and they definitely don’t call her the Queen for nothing. Her name is Mary J. Blige aka The Queen of Hip Hop Soul. Mary’s story begins back in Yonkers, 1988. She recorded a demo that was done in a shopping mall in Westchester. She sang Anita Baker’s “Caught Up In a Rapture.” Her stepfather at the time, over heard it and gave it to Jeff Redd. Jeff Redd was an artist on the Uptown Records label himself and he had the joint “You Called and Told Me”, which is one of my favorites. Jeff then gave the tape to Andre Harrell who was the chairman at Uptown. He was impressed with Mary’s voice and said she made the song her own. He then went to go visit Mary at her home in Yonkers. She lived in the Schlobahm Projects aka “Slow Bomb”, where she lived in Building 5 on the third floor. Andre met Mary at her home and heard her sing, she then officially became an official new artist on Uptown. Before her debut album, Mary sang backup for Father MC and even did a song with Christopher Williams and Super Cat. It was her very first single that caught the attention of street DJ’s who played it at block parties and even Kool DJ Red Alert and Kid Capri played it as well. “You Remind Me” was Mary’s very first single but it was an underground hit. Everybody was requesting the song but it was found on the 1991 soundtrack “Strictly Business” for the movie starring Tommy Davidson and Halle Berry. It wasn’t until July 28th, 1992 when Mary finally came out with “What’s the 411?” This album changed the sound of both hip hop and R&B forever. Before 411, hip hop was hip hop, R&B was R&B. Hip Hop had hooks but that was it and R&B was softer and smoother but Mary changed all that. R&B became more rough with hard beats and hip hop just had soulful singing the entire song through. Hits like “Real Love”, “Reminisce”, “Love No Limit”, “My Love” all were released between ’92 and ’93. My personal favorite on the album is “Changes I’ve Been Going Through.” It Was the same formula as “Real Love.” Mary singing over a hip hop beat from the 80’s. Biz Markie’s “Nobody Beats the Biz” and Audio Two’s “Top Billin’.” Then she came with the remix album, which was way more hip hop than the original. I ran that joint to death! I woke up listening to it and went to sleep listening to it. The illest remix joints to me are “You Don’t Have to Worry” and “Love No Limit.” “You Don’t Have to Worry” is my all time favorite Mary J. Blige song and the remix to “Love No Limit” over that Keni Burke sample loop to his joint “Risin’ to the Top” is my all time favorite Mary J. Blige remix. I can’t get over how she captured the b-girl look in the “You Don’t Have to Worry” video either. That video is the perfect video to describe her personality at the time. She was on the top of that stoop in front of a brownstone in Brooklyn with a fresh jersey, baggy jeans and a pair of boots with a baseball cap on backwards but singing so soulfully. I get goosebumps just talking about it. Mary was so original, she brought something to the game that couldn’t be touched. It’s definitely copied but it just doesn’t have the same effect. Mary was herself. Then in late 1994 she came back harder with the “My Life” album and “Be Happy” was the first single released. The video premiered on BET in October, the album released on November 29th, 1994. Now “My Life” was more dark, more intense, more sad, more real, more emotional, more vulnerable. Mary took it all the way there on this one. The album was like a movie that told the story of a battered and hurt woman who fought to get out of a bad relationship, tried to find peace and happiness and doing it in a way that people all over can relate to. “Be Happy” is my top favorite along with “Mary Jane (All Night Long)” and “You Bring Me Joy.” “All Night Long” had that Mary Jane Girls and Big Daddy Kane combination that brilliantly done. Nobody had a sound like that. Mary does it once again. Throughout ’95 and ’96, Mary Does soundtrack joints like “Not Gon’ Cry”, “Everyday It Rains” and a remake of Aretha Franklin’s “Natural Woman.” She also collaborated with more hip hop artists like Jay-Z and Ghostface Killah on “Can’t Knock the Hustle” and “All That I Got Is You” and we can’t forget the ultimate hood love anthem “You’re All I Need to Get By” with Method Man. Then on April 22nd, 1997, she comes back with “Share My World.” This album is my second favorite after 411 Remix. This album, Mary has a lot more confidence in herself to be a better person. She has a new attitude that was reminded me of Rocky after his workout. Standing on top of a mountain with her hands in the air and being thankful, in her case, it was on the roof of a building with a fur coat at the end of the “Love Is All We Need” music video. “I Can Love You”, “Keep Your Head”, “Round and Round”, “Can’t Get You Off My Mind” and my top favorite “Searching” are the best songs to me. I liked this album better than “My Life.” This album went harder to me and it was still had that New York hip hop vibe that I love so much. 1998 was a more calmer year for Mary, things are different now and then it transitions into 1999 when she released her self titled album on August 17th. When “Mary” came out, I was 5 years old in Virginia for the summer at my auntie’s house. “All That I Can Say” was on heavy rotation on MTV Hits all day. Every time the video came on, I was glued to the screen. It’s one of my favorite Mary videos too. This album is Mary’s most organic album. Meaning that she didn’t do the same formula like she did on the previous three. It’s a more soulful album than it is hip hop. It’s more on the Neo Soul side of town. This is the point in Mary’s career where she at the top and is getting the most promotion ever in her career. “Mary” was heavily promoted and her tour in 2000 was absolutely bananas. The infamous burgundy Farrah Fawcette hairstyle, white pants, white gloves, with a fresh pair of white kicks and a shimmery bra and matching belt. Mary keeps the ghetto fabulous look while strutting across the stage and giving daps to the fans in the audience. August 28th, 2001, Mary comes back with “No More Drama.” I remember my mom buying the bootleg version when this album came out and I also ran this album to death. This is my third favorite Mary J. Blige album. “Steal Away”, “2U”, “In the Meantime” and “Testimony” are my favorites. This album gives me the same vibe vocally as “Share My World” which is why I love this album. Mary re released the album in January 2002 and got rid of some songs to add “He Think I Don’t Know”, “Rainy Dayz” a newer version of “Dance For Me” featuring Common and the remix to “No More Drama” featuring Diddy but this album and era’s vibes continues on 2003’s “Love & Life.” This is the album that Mary fans claim to don’t like but I love the production. It’s Mary’s most hip hop joint since 411. “Love @ 1st Sight” she sang over A Tribe Called Quest’s “Hot Sex” and on “All My Love” she sang over Grand Puba’s “I Like It.” Now, Mary takes the biggest turn around of her career. This is where everything in her career was different for the rest of her career. As much I love Mary, things weren’t the same for me. On December 20th, 2005, Mary released “The Breakthrough.” This is the album that officially stamped Mary as a legend. She was the biggest than she ever was in her career before. Awards, more collaborations, more videos, her legacy continues. Fast forward to today. On January 11th, 2017, we celebrate the queen’s birthday. Fans all over are posting about her and celebrating her legacy. She’s responsible for what we hear on the radio today. A lot of R&B singers are claiming to be hip hop just because their beats are “hard”, it’s a carbon copy but what Mary did back in 1992 was real and that’s why we love her so much. She can sing with so much raw emotion and power and can still strut and drag across the street like she was your homie from the hood and dap your hand at the same time. Today she’s a woman whose overcome so much. She recently been through a divorce with her then husband Martin “Kendu” Isaacs. Mary is now telling the world that’s she been through the “Thick of It” which is her latest single. Her new album “Strength of a Woman” is said to be in stores in February. This will be her 14th or 15th album. Mary’s contribution to both hip hop and R&B has had a tremendous influence and impact on a lot of artists. Can’t wait until her new album drops. We may or may not get another “My Life” or a “Share My World”, either way she’s still just plain ol’ Mary.

The Life & Times of Robert Kelly: The Pied Piper of R&B

This man isn’t exactly hip hop but he does fit into the image and style of hip hop and sometimes the sound too. He’s worked with plenty of hip hop artists throughout his 25 year career and has an incredible discography and collection of hits that’s impossible to go through in just one day. He’s worked with The Notorious B.I.G., Nas, did two albums with Jay-Z, Cam’ron, Noreaga, Cassidy, the list goes on. Despite his troubles and controversy and having this reputation that’s not really a good one for a man his age when it comes to young women, this man is a musical genius nonetheless. His image in the beginning of his career was compared to and they accused him of biting his style from New jack swing/R&B legend Aaron Hall. He’s a Chicago native with a voice that represents the baby making style of music, his writing game is absolutely unstoppable, written for many artists and even did the entire LIFE soundtrack, the movie starring both Martin Lawrence and Eddie Murphy, this man’s talent makes him easily a great of his time and today he’s gained a lot of respect and love and also lost love too but still he shines through his talent. His name is Robert Sylvester Kelly aka R. Kelly, the Pied Piper of R&B. He started out in a group and as the lead too with R&B group Public Announcement. Their 1992 debut album “Born Into the 90’s” was a New jack swing smash that garnered the singles “She’s Got That Vibe”, “Honey Love”, “Slow Dance (Hey Mr. DJ)”, “Dedicated”, and “Hey Love (Can I Have a Word).” To me, the album was a combination of partying and love making. The album wasn’t too much but it was decent enough to put Kelly on the map but it was his standout solo debut 1993/1994 joint “12 Play” that officially put him on the map. The entire album was sexually themed and a bit over the top at some moments. Very shocking when he actually made a song dedicated to the woman’s body in a very specific manner too. This joint was another New jack swing/R&B smash and it had a little bit of hip hop influence when Kelly rapped on a few joints too. The remix to “Summer Bunnies” and “Your Body’s Callin'” introduced the new up and coming new singer named Aaliyah. Aaliyah was Kelly’s protégée. He helped her with her debut album “Age Ain’t Nothing But a Number” which released in May 1994. Aaliyah’s album was more hip hop than Kelly’s. Aaliyah came out in the mid-90’s with that hip hop soul trend that started with Mary J. Blige back in ’92. Aaliyah was just as down as Mary, TLC, Xscape, Usher, Jodeci, Faith Evans, this was a time when hip hop and R&B came together. The sound both represented the streets and gave R&B singers respect and a place in the hip hop community. Since we’re on the subject of hip hop soul, Kelly returned in 1995 with his self titled album, which is my top favorite R. Kelly album. That album was completely different from the first two albums. This album had a more hip hop influence and the songs were much more mature and deeper than the first two. This is the only R. Kelly album that I can play all the way through with no skips. This was the album that began the whole Mr. Biggs legacy, played by the one and only Ronald Isley. Mr. Biggs is a man who trusts Kelly around his women when he’s away on business and Kelly ends up sleeping with his women and then there’s trouble. It’s classic R&B shit. It’s hard to pick my exact favorites because this album is so fucking incredible to me. I’ll just say that “Step In My Room” and “Tempo Slow” are my top two favorites on the album. 1996 and 1997, Kelly releases “I Believe I Can Fly” for the Space Jam soundtrack. That song is Kelly’s greatest song to me. It’s the 90’s kid anthem for inspiration. Kelly appears on Mary’s 1997 “Share My World” album on the track “It’s On.” Then in ’98, he comes with an even stronger banger, a double disc called “R.” This is my second favorite R. Kelly album. This album was on another level. Way more darker topics, the hip hop influence is stronger especially on “We Ride.” A hip hop track featuring Cam’ron, Noreaga, Vegas Cats and Jay-Z. “Home Alone” featuring Keith Murray, “Did You Ever Think” and “Money Makes the World Go Round” featuring Nas are also great examples. I just didn’t understand why “I Believe I Can Fly” was added on the album. It fit but it was released 2 years prior. Kelly keeps the ball rolling, he’s super consistent throughout his career. The new millennium comes and he released “TP-2.com”, the sequel to “12 Play.” This album was definitely a perfect sequel because it’s more relaxed and “lovey dovey” than the previous two albums. Kelly goes back to that original 12 play vibe but on another level. It’s another hit for Kelly. He then enters a new point in his career where he gets into trouble with the scandals and it affects his sales on the “Best of Both Worlds” album with Jay-Z. After all that, he ushers in a new Kelly, a man whose more about being holy and spiritual, he’s all about the people and spreading love. The togetherness he spreads on this next album makes him legendary status. At then end of 2002, Kelly was supposed to release an album that was called “Loveland” but when it got leaked, the album had to be put on the shelf and was never released and in 2003, he came with “Chocolate Factory.” This album was a more happier Kelly, he also talked about marriage and of course “steppin’.” “Step In the Name of Love” is the perfect song to describe the vibe of the album. It puts people on the dance floor at any event, no matter the age. 2004’s “Happy People/U Saved Me” to me was a bit of a reach for Kelly. He takes it too far with the gospel vibes and extra happy songs. It’s my least favorite album from him. I’m not the type to bring up an artists’ personal issues but this album to me reflected someone whose almost hypocritical. He reminded me of that uncle at the family reunion who shows up and makes it awkward because everyone knows about his past and his issues and he’s acting like it never happened and instead being extra happy and over the top throwing God and Jesus in your face when you’re the one who messed up. The songs was cool though but it’s not his strongest work. 2005’s “TP.3-Reloaded” was an okay album too but it was better than the previous joint. It’s the third joint in the “12 Play” series. It doesn’t give me 12 Play vibes though. I get a mixture between “TP2” and “Chocolate Factory.” “Double Up” is where I started to not be interested in Kelly anymore. He still had the hits coming but that spark he used to have is no longer there to me. It seems like he was just putting out anything. He still kept his usual love making vibe there and getting married and stuff but it wasn’t the same. “Untitled”, “Love Letter”, “Write Me Back”, “Black Panties”, and “The Buffet” all give me the same vibe. This man is definitely one of the greats and he’s still going strong no matter what. He’s easily one of the greatest from the 90’s and there’s no one else snatching the crown from him. Forever and always the Pied Piper of R&B.

The Definition of X: The Legacy of DMX

The year was 1998 when this Yonkers native exploded on the scene with one catchy but an inviting, in-your-face phrase, “Get At Me Dog.” His raps are the stories about the hard times in life, including drugs and abandonment. He raps with a sorta bark/growl in his voice that makes you think of the biggest, most meanest pit bull with the biggest bark you’ve ever heard. This man goes by Earl Simmons aka Dark Man X or DMX for short. He was a part of the Ruff Ryders clique, a hip hop clique that includes members of a family who came from the Bronx. Ironically, they come from 1520 Sedgwick Avenue, the same place where hip hop all started with the father himself, otherwise known as the infamous DJ Kool
Herc. In Ruff Ryders, there’s a young, dope and fresh producer who goes by the name is Swizz Beatz. Swizz is the guy who provides all of the sound for the Ruff Ryders artists including Eve, The LOX, and Drag-On. DMX is the stand out guy who catches your attention with his raw, rough and rugged voice with a pain that tells a story of a guy who comes from struggle and pain. His pain isn’t the pain you get over overnight, it’s the kind of pain that takes a lot of healing. You gotta go to a place where you’re willing to change and get better. DMX is trying to get from one place to another. There’s no denying the kind of talent that DMX is and the list of hits he put out for almost the past 20 years. “What These Bitches Want”, “What’s My Name?”, “Come Back In One Piece” with the late great Aaliyah, “Where Tha Hood At” and more. X’s legacy continues and he is well loved and respected, despite his troubles and what he’s been through. The man is a hip hop legend. A legend who represented for the streets.

The Life & Times of Shawn Carter

“Shawn Carter was born December 4th….. weighing in at 10lbs. 8 ounces.” Those were the first words that was said on the track “December 4th” but the first time Shawn Carter aka Jay-Z was seen was back in the late 80’s, early 90’s when he and another dope MC named Jaz-O was spitting dope freestyles together. They even did a joints together called “Hawaiian Sophie” and “The Originators.” I do remember seeing the “Hawaiian Sophie” music video for the first time too. It was definitely around 2008 and they played it on VH1 Soul before it was BET Soul. That’s my favorite music channel on T.V. right now but I stopped watching T.V. Anyways, by 1995, Jay released his first joint called “In My Lifetime.” The song wasn’t released on an album or soundtrack but the remix does appear on the 1998 “Streets Is Watching” soundtrack and then there was “I Can Get With That.” That joint was so dope to me. It had this heavy bass beat with a piano sound in the background on the beat that reminds me of the Charlie Brown cartoon. Jay was flowin’ like crazy on that joint. Only true hip hop and Jay-Z fans know about that one. On June 25th, 1996, Jay finally came with “Reasonable Doubt.” A lot of people say it’s his best work til this day. Jay got a crazy huge discography so it’s gonna take a while to go through them all but I got to. I was only 2 when “Reasonable Doubt” dropped but I do remember hearing “Can’t Knock the Hustle” with my boo Mary J. Blige and “Dead Presidents.” That album gives you this movie in your head about the drugs and street life. Can’t forget about “Ain’t No Nigga” with my boo Foxy Brown and “Feelin’ It” but “Regrets” is my favorite on the album. Now the next joint “In My Lifetime, Vol. 1” is my personal favorite Jay-Z album. This was considered the “commercial” Jay. A lot of people hated Jay for going so mainstream so quickly and thought the songs were cheesy but to me, the entire joint from beginning to end is a fuckin’ masterpiece. A couple of songs I could do without but it’s incredible to me. The production especially. The album starts the same way “Reasonable Doubt” does. I love how he used the sample of “A Fly Girl” by Boogie Boys on the joint “I Know What Girls Like” and “(Always Be My) Sunshine” is my favorite on the album along with “Who You Wit II.” That album takes me back to that little boy growing up in the late 90’s early 2000’s. Then Jay takes it back to the streets with “Vol. 2… Hard Knock Life.” Another dope Jay album in a row. That’s 3 albums in 3 years consecutively. The ghetto anthem itself “Hard Knock Life” is a top 5 Jay-Z record, hands down. “Money, Cash, Hoes” is my favorite on the album too. DMX’s part always gets me hyped and it reminds me of my cousin from the South. LOL! “Vol. 3… Life and Times of S. Carter” I didn’t really like this joint. It was boring to me compared to the first three and the singles are the only songs I like. “The Dynasty: Roc La Familia” was okay too. Nothing too crazy. The whole Roc-a-Fella family appeared on this one. “I Just Wanna Love U (Give It 2 Me)” is a top 10 Jay-Z joint to me. Then Jay comes with “The Blueprint.” This album is a top 5 Jay-Z album. His strongest since “Reasonable Doubt.” I personally didn’t consider this album to be that great until later on. “Girls, Girls, Girls” and “Song Cry” are my favorites. “The Best of Both Worlds” with R. Kelly is underrated to me. That was banged from beginning to end. That’s a party album, all the way through. It’s very early 2000’s. R. Kelly’s R&B sex talk and Jay’s good vibes worked together great but no singles were released due to R’s charges at the time. “The Blueprint 2” is hands down my least favorite Jay-Z album. To me it didn’t stand out to me and the singles are the only joints that I like. “Bitches & Sisters” and “All Around the World” are the only joints like besides the singles though. “The Black Album” is my second favorite Jay-Z album. This was supposed to be his last album. I remember him saying that he was retiring after this one but New York without new Jay-Z music then was unheard of. Highly unlikely. “Unfinished Business” was supposed to be the sequel to “The Best of Both Worlds” but it’s another flop to me. “Kingdom Come” is my third favorite Jay album. Another Jay album that a lot of people considered to be his worst but I like this one just as much as “In My Lifetime, Vol. 1.” For some reason, the underrated stuff is the stuff I always seem to like the most. “Beach Chair”, “Do U Wanna Ride” and “The Prelude” are my favorites. “American Gangster” to me is like a sequel to “Reasonable Doubt” just on another level. When I was in high school, “Hello Brooklyn” was on repeat on my MP3 player. I was obsessed with that joint. The beat was something crazy I never heard before. “The Blueprint 3” is the beginning of what I call the “office chair Jay-Z.” His success as a business man stood out more than the music at this point. I didn’t see Jay as that Brooklyn MC anymore, now he’s the one appearing in suits and ties every damn where. I’m not hating or anything, it’s just not the same but this album was dope to me. I do remember these songs coming out at the time it did. My early high school days in the late 2000’s. “Watch the Throne”, I remember people going crazy about it because of Kanye West’s involvement. This album has mainstream written all over it though but it’s another banger and “Magna Carta Holy Grail” was dope too. I enjoyed how different it is compared to the rest of Jay’s stuff. Jay-Z came a long way from those Jaz-O days back in Brooklyn, those “Reasonable Doubt” days but through it all he always put out dope music. I grew up on Jay-Z so that’s why he’s my top 5 favorite along with Biggie. He’s the ultimate hustler who just so happens to know how to rap. The ultimate New York MC.

A Dedication to Malik “Phife Dawg” Taylor: My Letter to Phife

Dear Phife,

As I write you this letter, I’ll be as strong as I can. There’s no other way for me to express how much love I have for you and the Tribe. It all started 2 years ago. Now, I grew up on hip hop, and that includes you guys Tribe too. Y’all music was always dope to me but I became an overnight fan 2 years ago. I was at home on my laptop, on Tumblr just scrolling through my dashboard, reblogging stuff for my blog and it was a picture of you guys, including Jarobi that popped up. Black and white, standing side by side. I reblogged the pic of y’all and said to myself how long it’s been since I’ve actually heard y’all music. It was that moment that started everything for me. I immediately started listening to y’all albums all the way through for the first time and something in me sparked up this feeling I never got before. I even heard your joint “Ventilation: Da LP” and loved it too. After hearing y’all albums all the way through, I found myself watching y’all music videos, researching and looking y’all up, watching interviews, saving photos on my laptop and then I saw the documentary. It was the best shit I’ve ever seen but at the same time, it hurt me to see you and Tip beefing like that. That I don’t feel comfortable with seeing or hearing about. Besides the drama y’all two had, I found myself a die hard fan overnight. Everything about you guys was absolutely moving and inspiring to me. As a hip hop fan whose a singer, I wish to have the same elements in y’all music in mine someday. Y’all taught me politics, self righteousness, being proud of who I am, all at the same time, never changing who I was to be something I’m not and that’s why I love Tribe so much. Fast forward to July 18th, 2015. This was the day I finally got to meet you guys. I found out on Instagram maybe a day or two before and I was so amped and hyped to meet you guys. That was the same day my little cousin was having a birthday party but I missed it because I stood on that line waiting to meet y’all. I remember wearing a purple bucket hat, white t-shirt with a purple one underneath, my ripped Levi Jeans and Grape 5 Air Jordans. I didn’t have anything on me but $15 so I couldn’t buy any merchandise, which was a blow to me but when I finally met you guys, I was excited, scared, stuck, frozen, amazed, there was a rush in my stomach and my heart was beating super fast. Q-Tip told me he liked my style, I’ll never forget that, Jarobi was kinda like he didn’t want to be there but he was cool too, then I met you and told you how hilarious you are on Instagram and you said to me “Thanks my man.” I shook Ali Shaheed’s hand and you guys signed my poster. After that, I returned back to the Bronx with this smile on my face. It felt like I just went through an enlightenment. I had a totally different feeling from that day. Now this is the part of the letter that’s gonna be really hard for me dawg but I gotta tell you how it affected me. The day you left us, it was the same day as my cousin’s 23rd birthday and three days before my 22nd. It was around 10 at night. Someone posted a link in one of the hip hop groups I’m in on Facebook saying that you past. I was confused and automatically got angry. I was angry because I remember years ago, someone spread a rumor that you already did and you appeared on an interview like “Here I am!” waving with this smile on your face in a joking way like you always do. I saw the link was from DJ Chuck Chillout’s Twitter account so I hit the hashtag “RIP Phife Dawg” and my heart started racing. I only saw but 30 posts and I just brushed it off because I was sure you were still here. I went to sleep and ended up popping back up around 5 in the morning. When I pop up out of my sleep, something isn’t right. I grabbed my phone and saw that I got a text message from a friend of mine and the text said in these exact words, “Hey Clone, did you hear about Phife? He died” this was when I knew it was for real. I went to Instagram and immediately, my whole entire feed was flooded with you. I was stuck, confused, hurt, angry, upset, this wasn’t supposed to happen yo. On the morning of March 23rd, I had a dentist appointment that day. Right before I left my house, I finally cried, I finally broke down yo. Me and you just met 8 months before that, you were so cool and down to earth, I felt like a family member was taken from me. I cried for about an hour thinking about you and the rest of Tribe. I was thinking about life, about hip hop and the state that it’s in, all of these things came to my head because you were no longer with us. The entire day, I just remember everything being so slow. Time had stopped but the world kept going. My head was spinning and I was in a slump. That had to be the longest day of my life. 2 days before my birthday which made it even worse. A month later, there was a memorial for you in St. Albans. I skipped classes just to be there for you, I had to be. Right after my math class I left school, hopped on the train at 149th Street-Grand Concourse and was on my way to your hood. It’s a long ass ride to get out there but it was worth it. I met other fans, including my bro Shenron, Ralph McDaniels was out there, I missed the part where they handed out free shirts with your name on it and it was raining and so cold but it was worth it. I don’t think I could’ve been able to handle myself if I didn’t go. The next morning, this dude I went to high school with saw me in the papers honoring you. It made me feel like I was this poster guy for you, for Tribe. It was my name, my picture, your picture underneath it and it said I was honoring YOU. So much love I was receiving from my hip hop peers. I was a proud fan of you dawg, nah fuck that, I AM a proud fan of you. Now, lately, you guys have been on top of the world again and it’s amazing. We Tribe fans always wanted a new album from y’all and y’all did that for us. It was hard but at the same time exciting to hear your voice again. The album is amazing and “We the People” is fucking amazing too. I read about you and Tip being on good terms throughout he making of the album, I knew you guys were. I was hoping you two were. I love y’all brotherhood, we needed y’all back in hip hop again, we needed to see that, to feel that, to know that. Just last week, I went to the pop up shop. I didn’t get the shirt I originally wanted but it was worth it. I just wish the people who worked at the shop wasn’t so selfish to be the ones wearing all the merchandise and tell us fans there’s no more stuff. That pissed me off yo but I’m happy I got something. I’m gonna wear it forever, as well as my custom made t-shirt that my guy Curtis made for me. Yesterday, we finally celebrated the street naming after you. I missed the part where they finally showed the sign but I had to be there once again for you. So much love and good energy was out there for you. I seen your wife too, she’s so strong and beautiful too. I heard about your mom being there too, she’s also so strong and beautiful too. Jarobi was right in front of me but I was too scared to ask for a picture. I froze up. I went back home mad about that but then I remembered the time I met y’all last year. Yo Phife, this letter is to tell you how much I miss you and love you, how much the fans, your family and hip hop misses you. It don’t have to be your birthday, a Tribe Tuesday, a Tribe album anniversary for me to represent, I’m always representing. People remind me everyday how much I put on for hip hop culture and I think about you automatically. When my time comes when I’m in the game best believe you’ll be honored in the best way possible in my own way. I do it everyday but still. Man, Happy Birthday Phife. I love you and miss you again. Rest in beats King. It’s Tribe 4 ever and it’s always you 4 ever! You on point Phife? You always were!

Can’t Stop, Won’t Stop: The Legacy of Sean “Puffy” Combs

From being Father MC’s backup dancer, to being an intern at Uptown Records back in the late 80’s/early 90’s, to becoming one of the world’s biggest hip hop moguls. Sean “Diddy” Combs, the man behind the greats like Mary J. Blige, Jodeci, The Notorious B.I.G., Faith Evans, 112, Total, and more, the man behind the music that all started in 1994 when the birth of his label Bad Boy Records started. Bad Boy is not only legendary for its roster of artists but it was a part of the East Coast/West Coast beef that took place in the mid-90’s along with Death Row Records. Musically, Diddy is the man and Bad Boy was shit. If you’re a Death Row fan, we might not get along. LOL! Growing up, Bad Boy took over my apartment. There was Biggie, Faith, 112, Shyne, Carl Thomas, The LOX, Mase, the whole crew, non-stop playing on the radio. Now business wise, I’m not a fan of Diddy. It’s just a little suspicious to me that artists come and go. The most we hear from an artist on Bad Boy from the past maybe 10 years is 2 to 3 albums tops, 5 hot singles, 3 or 4 music videos and then we never hear or see anything else after that. Regardless, Diddy is the go to man for the hottest party records of the year. He knows how to get a party started and he’s definitely a successful businessman whose on of hip hop’s biggest moguls with a legacy that never dies. In his words, “Cause we can’t stop, cause we won’t stop. Bad Boy 4 life!”