Ill Na Na: The 20th Anniversary Edition!
On November 19th, 1996, a young, hardcore chick from Brooklyn, who is my all time favorite female MC, released her debut album. 20 years later, the album is still a masterpiece from beginning to end. Banger after banger, hit after hit, there are no misses on this joint right here. Yo, I hate saying “female MC” because their sex shouldn’t be the focus, it’s the skills that matters and this chick right here definitely got the skills on the mic and that’s why she’s my top favorite. When I listen to her, she’s raw, she’s hard, she’s hood wit it, she’s got the balls, the attitude, the style, and sexy all at the same time. Very hard but feminine at the same time. Skin dark like dark chocolate and has a in-your-face style too. The 18 year old was Brooklyn’s own Foxy Brown. 1996 may be the year she released her debut album but it was the year before that when she appeared as a guest on LL Cool J’s remix to the joint “I Shot Ya” and to me she had the best verse. Foxy from the beginning was a beast. She gives me goosebumps when I listen to her. People pin her and Lil’ Kim against each other from the beginning since they both came out probably a week from each other. They may be similar in some ways but Foxy does something to me that Kim doesn’t. Now, “Ill Na Na”, straight banger and I’m not exaggerating. There are absolutely no skips when this joint is on. The album starts off with the “Chicken Coop” intro that’s in true, legendary Trackmasters style. That deep voice that lures you into what’s about to come through your speakers and gives you an introduction of what you’re about to witness, a little history of the team that’s behind Foxy, the label, the year, everything and then finally it’s “Foxy Brownnnnn, the Albummm.” Isaac Hayes makes an appearance at the end of the intro and then there’s the cross fade transition into “(Holy Matrimony) Letter to the Firm.” How ironic because the song samples Isaac Hayes’ “Ike’s Mood, Part 1.” Foxy spits an entire joint dedicated to her The Firm peers, Nas and AZ. Next, it’s “Foxy’s Bells.” Foxy gives you a LL Cool J “Rock the Bells” but on her own twist. She pulled it off in a great way too. Then, we hear the soft sounds of Teddy Riley’s group BLACKstreet on the joint “Get Me Home.” Now I have to clear this up right now. I notice sometimes, here and there, people say it’s “Gotta Get Me Home” when it’s just simply named “Get Me Home”, okay people? A’ight, let’s keep going. This joint was one of the singles off the album. It’s a certified banger and a automatic classic for both Foxy and BLACKstreet. It’s a song to me that never gets old. It’s timeless shit. Chauncey Black was no joke on the vocals and this was around the time when they had new members in the group. Next, “The Promise”, Havoc of Mobb Deep is on this one. This is the Foxy that I love. She brings you that street shit, her stories of being around men who hustle and do street shit and the guy promises her that everything will be straight but in the long run, things will eventually get ugly and of course they do. This part of the album is like a story of a woman whose trapped in a bind. She’s surrounded by these hustlers and she wants to get away. The short interlude “The Set Up”, she wants to leave her man because she believes the relationship isn’t working out but he’s not taking her seriously and then these dudes run up on him who represent for her and protect her by killing him right there on sight. “If I” comes on. It’s a joint that’s the answer to the interlude. She talks about what would happen if she could rewind time back to when life was good. Her life and relationship changes when she starts to blow up and become an artist. Great storytelling. An original purpose in hip hop that I love. “The Chase” is another hard joint about the street life. Running around just trying to survive. “Ill Na Na”, the album title joint, my dude Mef appears on this one. What I love about Mef is that he has a special way of collaborating with people. It’s not just a normal joint featuring Method Man, he actually blends well with other artists by feeling out their vibe and feeding the listeners who he’s vibing with on the track. He’s the perfect collaborator to me. This joint shows love to Foxy about her style and who she is. She almost gives the men a taste of what she likes and what she’s about at the same time giving the ladies some inspiration to be proud of the women they are if they relate to her style and ways. “No One’s” a smooth joint with the smooth sounds of Khadijah Bass. The joint comes from The S.O.S. Band’s “No One’s Gonna Love You.” It works very well over a hip hop track. I honestly don’t think this joint would work with anybody else on the hook and chorus. “Fox Boogie” is hands down my favorite joint on the album just because Kid Capri is on the track. He provides all the flavor and party vibe on the track. This is the joint you put on at parties when everybody come together and have their red cups and everybody is singing along to “Uggggghhhh, na na na naaaaa!” Foxy keeps it strictly Foxy style still. Giving the people who the fuck she is. That cocky rapper joint. Everybody has their cocky tracks and that’s okay. That’s the best part about hip hop: the boldness and rebelliousness. It’s a beautiful thing. The joint transitions into “I’ll Be”, another single released from the album and my boy Jay-Z appears on this one. This is the joint everybody knows when it comes to Foxy Brown. That Rene & Angela sample was genius too. Foxy and Jay have that 90’s Bonnie & Clyde thing going on before he had Beyoncé. The album ends on a continuation of the intro and Isaac Hayes says the last things that he wanted to say before the beat stops. Hands down, this album is my all time favorite when it comes to women in hip hop. Truly a masterpiece. I enjoy it every single time I listen to it. I get this movie in my head of almost a hood version of Romeo & Juliet. I remember posting about this album on it’s 18th and 19th anniversaries too and Foxy showed me love with kisses and heart emojis. She’s truly my heart when it comes to women MC’s. See how I switched it up? But still. I hate the label regardless. It’s safe to end this on a good note. I can finish the movie in my head I have while listening to this album with her video of “Big Bad Mamma” featuring Dru Hill. Stephon Marbury pops up on the sofa across the room from her and goes “Ayo Fox! Why you ain’t at the ball yo!?” It’s the Cinderella story of a hood girl who made it through the shit she been through during “Ill Na Na” and now she’s a survivor. Fox Boogie Brown is definitely bad as hell. Salute to a legend, one of hip hop’s ILLEST women on the M-I-C. Love you Fox! Word, one love.