Tag: Black history

African Venus

“African Venus” was created by the sculptor Charles Henri Joseph Cordier in bronze in 1851. The sculpture was created as a companion piece to an earlier work created by Charles Cordier entitled “Said Abdullah of the Mayac, Kingdom of the Darfur”. The model was a young African woman by the name of Seïd Enkess who was a former slave in France. Both busts became popular after France abolished slavery in 1848. Charles Cordier himself was sympathetic to the abolitionist movement.

 

Written by Dianne Washington

RODENT THE URBAN SOAP OPERA

Rodent: Episode One; The Introduction of Characters

If you have had the time to watch Rodent the Urban Soap Opera you are familiar with what is going on. If you have not watched it by now I will make you familiar with the plot of the show. Episode one is the introduction of characters. You will meet all of the people featured in that episode and learn a little about their story.

Felix, Niles, and Thornton are long time friends. Actually, they are more like brothers. Thornton and Niles come to rescue Felix from the sidewalk where he is waiting with his black garbage bags after his wife Farrah put him out. Tired of his social media adultery Farrah decides that it is time for her husband of twenty years to go.

Farrah loves Felix with all of her heart. It is evident when she approaches a young lady that he has been making conversation with her husband inside of his social media inbox. Still Felix manages to win his wife back despite the advice of her friends Michelle, Sasha and Krystal.

Then there is Drew. Drew is a father of multiple children. He is the oldest of Pop’s children. He has siblings, a set of twins, that he uses and manipulates to his convenience. Drew is irresponsible with no job. He is constantly soliciting funds from his family to support his children. His brother Khris is a model with a bright future ahead of him. His sister Khris wants to be down with the boys. She goes to hang out with her brother Drew and wakes up in a very compromised situation.

Lola Hammer is Thornton’s wife. She is beautiful, and has no area with playing nice with other women while inviting them into the bed that she shares with her husband. Things go south when she wants to play with one of her husband’s business partners Jose Rodriguez. She is caught rendezvousing with him while her husband is supposed to be out of town on business.

Vanessa is in love with Thornton Hammer. Her obsession with him has become really bad. So bad in fact, that she decides to kidnap him and take him home. She will stop at no length to be with the apple of her eye. Even if it involves felonious capers.

While this is going on seventeen-year-old Porsha is in a new relationship with a recent graduate from her high school named Shane. Ebonie, Porsha’s mom disapproves of the relationship. She and Porsha share a love/hate relationship. Ebonie will go to the extreme to prove to her daughter that Shane is not the man for her. She even goes as far as sleeping with her daughter’s boyfriend to prove her point.

Episode one of Rodent the Urban Soap Opera is filled with nothing but drama. You will ooh and ahh from the beginning until the end. Make sure you use the bathroom and have everything that you need within arm’s reach. You will be stuck and unable to move until the show ends.

Written By: Regina Alston

click the link to watch episode 1 below.

Written By:

Regina Alston

Margot Webb and Harold Norton

From 1933 until 1947 Margot Webb and Harold Norton performed on the Afro-American vaudeville circuits of night clubs and theatres in Harlem, around the Northeast and the Midwest.

Margot Webb She was born Marjorie Smith IN 1910, and grew up in Harlem, was seduced by ballet and other “Europeanist” genres, dropped out of Hunter College, was a headline dancer in the Cotton Club 1933-1939. She danced Waltz, Tango, Bolero with her partner Norton in the dance team of “Norton & Margot” They performed in London, Paris and Germany before WW II.

Later in life, she became a physical education teacher and she may very well still be alive. Brenda Dixon Gottschild found her living in Miami as recently as 2000.

John Legend

John Roger Stephens (born December 28, 1978), known professionally as John Legend, is an American singer, songwriter, musician and actor.

Prior to the release of Legend’s debut album, he collaborated with already established artists. At various points in his career, Legend has sung in Magnetic Man’s “Getting Nowhere,” Kanye West’s “Blame Game,” on Slum Village’s “Selfish,” and Dilated Peoples’ “This Way”. Other collaborative appearances include Jay-Z’s “Encore”, backing vocals on Alicia Keys’ 2003 song “You Don’t Know My Name,” the Kanye West remix of Britney Spears’ “Me Against the Music,” and Fort Minor’s “High Road”. Legend played piano on Lauryn Hill’s “Everything Is Everything”.

For his solo work, he earned a Billboard Hot 100 number-one single with “All of Me” in 2013. He won the Academy Award for Best Original Song in 2015 for writing the song “Glory” from the film Selma. He has also won ten Grammy Awards and a Golden Globe Award. In 2007, Legend received the Hal David Starlight Award from the Songwriters Hall of Fame. In 2017, Legend received a Tony Award for co-producing Jitney for the Broadway stage.

Legend was born on December 28, 1978, in Springfield, Ohio. He is one of four children of Phyllis Elaine (née Lloyd), a seamstress, and Ronald Lamar Stephens, a factory worker and former National Guardsman. Throughout his childhood, Legend was home-schooled on and off by his mother. At the age of four, he performed with his church choir. He began playing the piano at age seven. At the age of 12, Legend attended Springfield North High School, from which he graduated salutatorian of his class four years later. According to Legend, he was offered admission to Harvard University and scholarships to Georgetown University and Morehouse College. He attended the University of Pennsylvania, where he studied English with an emphasis on African-American literature.

While in college, Legend served as president and musical director of a co-ed jazz and pop a cappella group called Counterparts. His lead vocals on the group’s recording of Joan Osborne’s “One of Us” (written by Eric Bazilian of The Hooters) received critical acclaim, landing the song on the track list of the 1998 Best of Collegiate a Cappella compilation CD. Legend was also a member of the prestigious senior societies Sphinx Senior Society and Onyx Senior Honor Society while an undergraduate at Penn. While in college, Legend was introduced to Lauryn Hill by a friend. Hill hired him to play piano on “Everything Is Everything”, a song from her album The Miseducation of Lauryn Hill.

During this period, he began to hold a number of shows around Philadelphia, eventually expanding his audience base to New York, Boston, Atlanta, and Washington, D.C. He graduated from college in 1999, and thereafter began producing, writing, and recording his own music. He released two albums independently; his self-titled demo (2000) and Live at Jimmy’s Uptown (2001), which he sold at his shows. After graduating from the University of Pennsylvania, Legend began working as a management consultant for the Boston Consulting Group. He subsequently began working on his demo and began sending his work to various record labels.

In 2001, Devo Springsteen introduced Legend to then up-and-coming hip-hop artist Kanye West; Legend was hired to sing during the hooks of West’s music. After signing to West’s label, he chose his stage name from an idea that was given to him by poet J. Ivy, due to what he perceived as an “old-school sound”. J. Ivy stated, “I heard your music and it reminds me of that music from the old school. You sound like one of the legends. As a matter of fact, that’s what I’m going to call you from now on! I’m going to call you John Legend.” After J. Ivy continued to call him by the new moniker “John Legend,” others quickly caught on, including Kanye West. Despite Legend’s reluctance to change his stage name, he eventually announced his new artist name as John Legend.

Legend released his debut album, Get Lifted, on GOOD Music in December 2004. It featured production by Kanye West, Dave Tozer, and will.i.am, and debuted at number 7 on the US Billboard 200, selling 116,000 copies in its first week. It went on to sell 540,300 copies in the United States and was certified gold by the RIAA. An international success, Get Lifted also reached number one of the Norwegian Albums Chart and peaked within the top ten in the Netherlands and Sweden, resulting in worldwide sales of 850,000 copies. Critically acclaimed, it won the 2006 Grammy Award for Best R&B Album, and earned Legend another two nominal awards for Best New Artist and Best Male R&B Vocal Performance. Altogether, the album produced four singles, including debut single “Used to Love U,” which entered the top 30 of the New Zealand and UK Singles Chart, and Grammy Award-winning “Ordinary People” which peaked at 24 on the Billboard Hot 100. John Legend also co-wrote Janet Jackson’s “I Want You”, which was certified platinum and received a nomination for Best Female R&B Vocal Performance at the 47th Annual Grammy Awards.

A highly sought after collaborator, Legend was featured on several records the following years. He appeared on albums by Fort Minor, Sérgio Mendes, Jay Z, Mary J. Blige, The Black Eyed Peas, Stephen Colbert, Rich Boy, MSTRKRFT, Chemistry, and Fergie, among others. Legend also tentatively worked with Michael Jackson on a future album for which he had written one song. In August 2006, Legend appeared in an episode of Sesame Street. He performed a song entitled “It Feels Good When You Sing a Song”, a duet with Hoots the Owl. He also performed during the pregame show of Super Bowl XL in Detroit and the halftime show at the 2006 NBA All-Star Game.

In October 2006, Legend’s second album, Once Again, was released. Legend co-wrote and co-produced the bulk of the album, which saw him reteaming with West and will.i.am but also spawned production from Raphael Saadiq, Craig Street, Sa-Ra, Eric Hudson, Devo Springsteen, Dave Tozer and Avenue. Released to major commercial success, it reached number three on the Billboard 200 and debuted on top of the Top R&B/Hip-Hop Albums chart. It was eventually certified platinum by the RIAA, and reached gold status in Italy, the Netherlands, and the United Kingdom. At the 2007 Grammy Awards ceremony, the song “Heaven” was awarded the Grammy Award for Best Male R&B Vocal Performance, while lead single “Save Room” received a nod in the Best Male Pop Vocal category. Legend won a second Grammy that year for “Family Affair,” a collaboration with Sly & The Family Stone, Joss Stone and Van Hunt, for the former’s Different Strokes by Different Folks album.

In January 2008, Legend sang in a video for Barack Obama, produced by will.i.am called “Yes We Can”. The same year, Legend had a supporting, singing-only role in the 2008 movie Soul Men, where he plays the deceased lead singer of a fictitious soul group that includes Samuel L. Jackson and Bernie Mac. In October, he released his third studio album, Evolver. Speaking about the reasons for calling the album Evolver, he stated: “I think people sometimes come to expect certain things from certain artists. They expect you to kind of stay in the same place you were at when you started out. Whereas I feel I want my career to be defined by the fact that I’m NOT gonna stay in the same place, and that I’m always gonna try new things and experiment. So, as I think this album represents a manifestation of that, I came up with the title ‘Evolver’.” The album was preceded by dance-pop-influenced uptempo single “Green Light” which featured rapper Andre 3000 of OutKast and became his highest-charting single since “Ordinary People”; it was also released for the Grammy Award for Best Rap/Sung Collaboration.

In 2009, Legend performed in The People Speak, a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn’s A People’s History of the United States. Also in 2009, Legend and the Roots teamed up to record a collaborative album, Wake Up!, which was released on September 21, 2010. The first single released from the album was “Wake Up Everybody” featuring singer Melanie Fiona and rapper Common. In February 2011, Legend won three prizes at the 53rd Annual Grammy Music Awards. He was awarded Best R&B Song for “Shine”, while he and the Roots won Grammy Awards for Best R&B Album and Best Traditional R&B Vocal Performance for “Hang On in There”. In March 2011, Legend and the Roots won two NAACP Image Awards – one for Outstanding Album (Wake Up!) and one for Outstanding Duo, Group or Collaboration.

On July 5, 2011, songwriter Anthony Stokes filed a copyright infringement lawsuit against John Legend in United States District Court, in the District of New Jersey, alleging that Legend’s song “Maxine’s Interlude” from his 2006 album Once Again derives from Stokes’ demo “Where Are You Now”. Stokes claimed he gave Legend a demo of the song in 2004 following a concert at the University of North Carolina at Chapel Hill. Legend denied the allegations, telling E! Online, “I never heard of his song until he sued me. I would never steal anyone’s song. We will fight it in court and we will prevail.” However, nearly 60,000 people took a TMZ.com poll that compared the two songs and 65% of voters believed that Legend’s “Maxine’s Interlude” is a rip-off of Stokes’ “Where Are You Now”. A year later, Legend confirmed that he settled the lawsuit with Stokes for an undisclosed amount.

Also in 2011, Legend completed a 50-date tour as a guest for British soul band Sade. In the San Diego stop, Legend confirmed that he was working on his next studio album and played a new song called “Dreams”. Later, via his official website, he revealed the official title of the album to be Love in the Future, and debuted part of a new track called “Caught Up”. The album has been executive-produced by Legend himself, along with Kanye West and Dave Tozer – the same team who worked on Legend’s previous albums Get Lifted and Once Again. Legend has stated that his intention for the record was “To make a modern soul album – to flip that classic feel into a modern context.”

Legend was granted an Honorary Doctorate Degree from Howard University at the 144th Commencement Exercises on Saturday, May 12, 2012. Legend was a judge on the ABC music show Duets along with Kelly Clarkson, Jennifer Nettles and Robin Thicke. Legend’s spot was originally for Lionel Richie but he had to leave the show due to a scheduling conflict. Duets debuted on Thursday, May 24, 2012, at 8/7c.

He released his fourth studio album, Love in the Future, on September 3, 2013, debuting number 4 on the Billboard 200, selling 68,000 copies in its first week. The album was nominated for Best R&B album at the 2014 Grammy Awards. Legend’s third single from the album, “All of Me”, became an international chart success, peaking the Billboard Hot 100 for three consecutive weeks and reaching the top of six national charts and the top ten in numerous other countries, becoming one of the best-selling digital singles of all time. It was ranked the third best-selling song in the United States and the United Kingdom during 2014. The song is a ballad dedicated to his wife, Chrissy Teigen, and was performed at the 56th Annual Grammy Awards.

In 2014, Legend paired with the rapper Common to write the song “Glory”, featured in the film Selma, which chronicled the 1965 Selma to Montgomery marches. The song won the Golden Globe Award for Best Original Song as well as the Academy Award for Best Original Song. Legend and Common performed “Glory” at the 87th Academy Awards on February 22, 2015.

Legend was featured on Meghan Trainor’s “Like I’m Gonna Lose You” from her debut studio album, which reached number eight on the Billboard Hot 100. On February 1, 2015, he sang “America the Beautiful” in the opening ceremony of Super Bowl XLIX. He provided guest vocals on Kelly Clarkson’s song “Run Run Run” for her album Piece by Piece. He also co-wrote and provided vocals for French DJ David Guetta’s song “Listen”, as part of the album Listen.

Legend released his new album Darkness and Light, with first single “Love Me Now,” on December 2, 2016 with songs featuring Chance the Rapper and Miguel.

For the 2017 film Beauty and the Beast, Legend and Ariana Grande performed a duet on the title track, a remake of the 1991 original version sung by Celine Dion and Peabo Bryson.

Legend performed a benefit concert in Springfield, Ohio in 2005 in support of a tax levy for the Springfield City School District.

In May 2007, Legend partnered with Tide laundry detergent to raise awareness about the need of families in St. Bernard Parish, (Chalmette, Louisiana), one of the most devastated areas hit by Hurricane Katrina; he spent a day folding laundry at the Tide “clean start” mobile laundromat and visited homes that Tide is helping to rebuild in that community. On July 7, 2007, Legend participated in the Live Earth concert in London, performing “Ordinary People”. After reading Professor Jeffrey Sachs’ book The End of Poverty, Legend started his Show Me Campaign in 2007. In this campaign, Legend called on his fans to help him in his initiative for residents in Bosaso Village, Somalia and non-profit organizations partnered with the campaign. Also in 2007, Legend was the spokesman for GQ magazine’s “Gentlemen’s Fund”, an initiative to raise support and awareness for five cornerstones essential to men: opportunity, health, education, environment, and justice.In October 2007, Legend became involved with a project sponsored by The Gap, a retail clothing store chain in the United States.

In early 2008, he began touring with Alexus Ruffin and Professor Jeff Sachs of Columbia University’s Earth Institute to promote sustainable development as an achievable goal. Legend joined Sachs as a keynote speaker and performer at the inaugural Millennium Campus Conference. Legend then joined the Board of Advisors of the Millennium Campus Network (MCN), and has aided MCN programs through online support and funding fellowships for MCN summer interns through the Show Me Campaign. In 2009, Legend gave AIDS Service Center NYC permission to remix his song “If You’re Out There” to create a music video promoting HIV/AIDS awareness and testing.

On January 22, 2010, he performed “Sometimes I Feel Like a Motherless Child” on the Hope for Haiti Now telethon show. On September 8, 2010, John Legend joined the national board of Teach For America. Legend also sits on the boards of The Education Equality Project, the Harlem Village Academies, and Stand for Children. He serves on the Harlem Village Academies’ National Leadership Board. On September 9, 2010, he performed “Coming Home” on the Colbert Report as a tribute song for the end of combat operations in Iraq, and for the active troops and the veterans of the United States Armed Forces. In 2011, he contributed the track “Love I’ve Never Known” to the Red Hot Organization’s most recent album Red Hot+Rio 2. The album is a follow-up to the 1996 “Red Hot+Rio.” Proceeds from the album sales were donated to raise awareness and money to fight AIDS/HIV and related health and social issues. On March 6, 2012, John Legend was appointed by the World Economic Forum to the Forum of Young Global Leaders. Later that year, Legend stopped by Children’s Hospital Los Angeles for a surprise visit and acoustic performance as a part of Get Well Soon Tour. On June 1, 2013, Legend performed at Gucci’s global concert event in London whose campaign, “Chime For Change”, aims to raise awareness of women’s issues in education, health and justice. At a press conference before his performance, Legend identified himself as a feminist saying, “All men should be feminists. If men care about women’s rights the world will be a better place.”

In 2016, Legend co-signed a letter to the United Nations Secretary-General Ban Ki-Moon calling for a more humane drug policy, along with people such as Richard Branson, Jane Fonda and George Shultz.

Legend donated $500,000 to Springfield City School District to renovate an auditorium, which is named in his honor, within the Springfield Center of Innovation. He performed at the John Legend Theater on October 9, 2016.

Legend met model Chrissy Teigen in 2007 when she starred in the music video for his song Stereo. After four years of dating, Legend became engaged to her in December 2011. They got married on September 14, 2013, in Como, Italy. The 2013 song “All of Me” was written and is dedicated to her; the music video was reportedly displayed at their wedding. On April 14, 2016, the couple’s first daughter, Luna Simone Stephens, was born through IVF. On November 21, 2017, Legend’s wife announced via Instagram that she’s expecting the couple’s second child.

Cicely Louise Tyson

Cicely Louise Tyson (born December 18, 1924) is an American actress.

She was nominated for the Academy and Golden Globe Awards for Best Actress for her performance as Rebecca Morgan in Sounder (1972). For this role she also won the NSFC Best Actress and NBR Best Actress Awards. She starred in The Autobiography of Miss Jane Pittman (1974), for which she won two Emmy Awards and was nominated for a BAFTA Award. During her career she has been nominated for thirteen Primetime Emmy Awards, winning three.

In 2011, she appeared in the film The Help, for which she received awards for her ensemble work as Constantine from the BFCA and SAG Awards and she has an additional four SAG Award nominations. She starred on Broadway in The Trip to Bountiful as Carrie Watts, for which she won the Tony Award, Outer Critics Award, and Drama Desk Award for Best Actress in a Play. She previously received a Drama Desk Award in 1962 for her Off-Broadway performance in Moon on a Rainbow Shawl.

On November 16, 2016, it was announced that Tyson would be one of 21 new recipients of the Presidential Medal of Freedom, the nation’s highest civilian honor.

During her career she has been nominated for eleven Primetime Emmy Awards, winning three. In 2011, she appeared in the film The Help, for which she received awards for her ensemble work as Constantine from the BFCA and SAG Awards and she has an additional four SAG Award nominations. She starred on Broadway in The Trip to Bountiful as Carrie Watts, for which she won the Tony Award, Outer Critics Award, and Drama Desk Award for Best Actress in a Play. She previously received a Drama Desk Award in 1962 for her Off-Broadway performance in Moon on a Rainbow Shawl.

Tyson was born and raised in Harlem, the daughter of Theodosia, a domestic and William Tyson, who worked as a carpenter, as a painter, and at any other jobs he could find. Her parents were immigrants from Nevis in the West Indies. Her father arrived in New York City at age 21 and was processed at Ellis Island on August 4, 1919.

Tyson was discovered by a photographer for Ebony magazine and became a popular fashion model. Her first acting role was on the NBC series Frontiers of Faith in 1951. Her first film role was in Carib Gold in 1956, but she went on to do more television work, such as the celebrated series East Side/West Side and the soap opera The Guiding Light. In 1961, Tyson appeared in the original cast of French playwright Jean Genet’s The Blacks, the longest running off-Broadway non-musical of the decade, running for 1,408 performances. The original cast also featured James Earl Jones, Roscoe Lee Browne, Louis Gossett, Jr., Godfrey Cambridge, Maya Angelou and Charles Gordone. She appeared with Sammy Davis, Jr. in the film A Man Called Adam (1966) and starred in the film version of Graham Greene’s The Comedians (1967). Tyson had a featured role in The Heart Is a Lonely Hunter (1968), and appeared in a segment of Roots.

In 1972, she was nominated for the Academy Award for Best Actress for her role in the critically acclaimed Sounder. In 1974, she won two Emmy Awards for The Autobiography of Miss Jane Pittman. Other acclaimed television roles included Roots; King, in which she portrayed Coretta Scott King, The Marva Collins Story, When No One Would Listen, and The Oldest Living Confederate Widow Tells All, for which she received her third Emmy Award. In 1982, she was awarded the Women in Film Crystal Award for outstanding women, who through their endurance and the excellence of their work have helped to expand the role of women within the entertainment industry.

In 1991 she appeared in Fried Green Tomatoes as Sipsey. In her 1994–95 television series Sweet Justice, Tyson portrayed a civil rights activist and attorney named Carrie Grace Battle, a character she shaped by reportedly consulting with noted Washington, D.C. civil rights and criminal defense lawyer Dovey Johnson Roundtree. In 2005, Tyson co-starred in Because of Winn-Dixie and Diary of a Mad Black Woman. The same year she was honored at Oprah Winfrey’s Legends Ball. The Cicely Tyson School of Performing and Fine Arts, a magnet school in East Orange, New Jersey, was renamed in her honor. She plays an active part in supporting the school, which serves one of New Jersey’s most underprivileged African-American communities. In 2010, Tyson narrated the “Paul Robeson Award”-winning documentary, Up from the Bottoms: The Search for the American Dream. In 2010, she appeared in Why Did I Get Married Too? In 2011, Tyson appeared in her first music video in Willow Smith’s 21st Century Girl. That same year she played Constantine Jefferson in The Help.

At the 67th Tony Awards on June 9, 2013, Tyson won the Tony Award for Best Actress in a Play for her performance as Miss Carrie Watts in The Trip to Bountiful. She also won the Drama Desk Award for Outstanding Actress in a Play and the Outer Critics Circle Award for Outstanding Actress in a Play for the role.

Tyson has been married once, to legendary jazz trumpeter Miles Davis on November 26, 1981. The ceremony was conducted by Atlanta mayor Andrew Young at the home of actor Bill Cosby. Tyson and Davis divorced in 1988. She is a member of Delta Sigma Theta sorority. On May 17, 2009, she received an honorary degree from Morehouse College, an all-male college. In 2010, she was awarded the Spingarn Medal from the NAACP. On May 21, 2014, she was awarded an honorary Doctorate of Humane Letters from Columbia University.

In 2010, she appeared in Why Did I Get Married Too?, and also narrated the Paul Robeson Award-winning documentary, Up from the Bottoms: The Search for the American Dream. In 2011, Tyson appeared in her first music video in Willow Smith’s 21st Century Girl. That same year she played Constantine Jefferson in the critically acclaimed period drama The Help. At the 67th Tony Awards on June 9, 2013, she won the Tony Award for Best Actress in a Play for her performance as Miss Carrie Watts in The Trip to Bountiful. She also won the Drama Desk Award for Outstanding Actress in a Play and the Outer Critics Circle Award for Outstanding Actress in a Play for the role. In 2013, Tyson had a supporting role in the horror film The Haunting in Connecticut 2: Ghosts of Georgia. Since 2014, Tyson has guest starred in How to Get Away with Murder as Ophelia Harkness, the mother of main character Annalise Keating (Viola Davis), a role for which she has been nominated for a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series in both 2015 and 2017.

Written by Dianne Washington

Bruce McMarion Wright

Bruce McMarion Wright (born Marion Bruce Wright, December 19, 1917 – March 24, 2005) was an American jurist who served on the New York State Supreme Court. Judge Wright was also the father of Geoffrey D.S. Wright, a New York State Supreme Court Justice, and Keith L.T. Wright, a member of the New York State Assembly.

Wright was born in Baltimore, Maryland, raised in Princeton, New Jersey, and spent the majority of his adult life living in Harlem, New York.

In 1939, Wright was awarded a scholarship to attend Princeton University, but denied admission when he arrived and the university learned that he was black. Wright was denied admission to Notre Dame on the same grounds. He studied at Virginia Union University, and graduated from Lincoln University in 1942.

Wright then served in a U.S. Army segregated medical unit during World War II. He volunteered for combat duty, and was assigned to Company K, 16th Infantry Regiment. After the war, he went AWOL, making his way to Paris, where he was befriended by Senegalese poet Leopold Senghor, who later became his country’s first president.

Wright’s early ambition was to become a poet and was introduced and later became a friend of Langston Hughes. Wright’s first book of poetry, “From the Shaken Tower,” was edited by Hughes and published in 1944. He studied at Fordham University Law School, and obtained his law degree from New York Law School.

New York City Mayor John V. Lindsay appointed Wright as general counsel for the New York City Human Resources Administration in 1967, and named him to the New York City Criminal Court bench in 1970. Judge Wright was soon publicly critical of the judicial system and voiced his belief that race and class all too frequently determined the outcomes of trials. He denounced what he called racism in the criminal justice system, and created a furor by often setting low bail, and sometimes no bail, for poor or minority suspects. In one case, in which bail of $100,000 was requested by the Manhattan District Attorney’s office for Joseph Gruttola, who had been accused of shooting a police officer, he set it at $500. After Gruttola posted bail and was released the same day, another judge revoked it and ordered him rearrested. When Grullota was brought into court the next day, Wright again set bail at $500. (Grutolla was eventually acquitted of attempted murder but convicted of assault and robbery.) In another case involving a man named Seymour Popkin, who had been charged in the beating of another man to death in a fistfight in Times Square, Judge Wright released him on his own recognizance after an assistant district attorney declined to release the name of a potential witness, despite Popkin’s criminal record extending back 20 years. (The charge was eventually reduced to simple assault, and Popkin was acquitted at trial.)

Wright was given the nickname “Turn ‘Em Loose Bruce” by the police officer’s unions in New York City because of his bail practices, and it was repeated often in the New York newspapers.

After continued protests by the police officer’s unions, Wright was transferred to New York City Civil Court in 1974 by David Ross, the city’s administrative judge, who said it was just part of the usual rotations of judges and denied that the move had anything to do with his bail policies. Judge Wright then sued in federal court, seeking reinstatement, but in 1978, as hearings on his long-delayed lawsuit were about to begin, he was transferred back to Criminal Court.

The controversy promptly resumed, with the Transit Police union making their first complaint about Judge Wright a week after he returned to the Criminal Court bench. It peaked in April 1979, when Jerome Singleton was charged with slashing the throat of a white decoy officer, Robert Bilodeau. After bail had initially been set at $10,000 cash by another judge, Judge Wright released Singleton on his own recognizance, saying that he had no previous criminal record, strong family and community ties, and that prosecutors had offered no convincing reason to bar Singleton’s release. (Singleton was eventually found guilty of second-degree assault and acquitted of first-degree assault and attempted murder.)

However, while some criticized Wright, others thought he was fair. Despite his outspoken views and practices, Wright was elected to the New York State Supreme Court in 1979.

Throughout his career, Wright held onto his belief that the judicial system, including bail, was stacked against poor and minority defendants. In a lecture at Columbia University Law School in 1979, he said that a more appropriate name for him would have been “Civil” Wright. He retired on December 31, 1994. Several days before his retirement, he said,

“I have never changed my mind about the Eighth Amendment. To say that I would’ve done things differently means to me I would have been a good boy, kept my mouth shut and availed myself of the benefits of the system. I don’t think I can do that. I don’t think I could ever do that.”

Judge Wright spent 25 years on the bench hearing criminal and civil cases, and had a reputation as a scholarly and provocative jurist who sprinkled his opinions with literary quotations. He was the author of a 1987 book, Black Robes, White Justice, about the role of race in the judicial system, which won a 1991 American Book Award. He later authored an autobiography, “Black Justice In A White World.” Sixty-five years after being denied admission to Princeton because of his race, he was made an honorary member of their Class of 2001.

Judge Wright died in his sleep on March 24, 2005, at his home in Old Saybrook, Connecticut at the age of 87.

Written by Dianne Washington

Maurice White of Earth Wind & Fire

Maurice White (December 19, 1941 – February 4, 2016) was an American singer-songwriter, musician, record producer, arranger, and bandleader. He was the founder of the band Earth, Wind & Fire. He was also the older brother of current Earth, Wind & Fire member Verdine White, and former member Fred White. He served as the band’s main songwriter and record producer, and was co-lead singer along with Philip Bailey.

He won seven Grammys, and was nominated for a total of twenty Grammys. White was inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame as a member of Earth, Wind & Fire, and was also inducted individually into the Songwriters Hall of Fame.

Also known by his nickname “Reece”, he worked with several famous recording artists, including Deniece Williams, the Emotions, Barbra Streisand, and Neil Diamond. White was diagnosed with Parkinson’s disease in the late 1980s, which led him eventually to stop touring with Earth, Wind & Fire in 1994. He retained executive control of the band, and remained active in the music business until his death.

White was born in Memphis, Tennessee, on December 19, 1941. He grew up in South Memphis, where he lived with his grandmother in the Foote Homes Projects and was a childhood friend of Booker T Jones, with whom he formed a “cookin’ little band” while attending Booker T. Washington High School. He made frequent trips to Chicago to visit his mother, Edna, and stepfather, Verdine Adams, who was a doctor and occasional saxophonist. In his teenage years, he moved to Chicago and studied at the Chicago Conservatory of Music, and played drums in local nightclubs. By the mid-1960s he found work as a session drummer for Chess Records. While at Chess, he played on the records of artists such as Etta James, Ramsey Lewis, Sonny Stitt, Muddy Waters, the Impressions, the Dells, Betty Everett, Sugar Pie DeSanto and Buddy Guy. White also played the drums on Fontella Bass’s “Rescue Me” and Billy Stewart’s “Summertime”. In 1962, along with other studio musicians at Chess, he was a member of the Jazzmen, who later became the Pharaohs.

By 1966, he joined the Ramsey Lewis Trio, replacing Isaac “Red” Holt as the drummer. Holt and bassist Eldee Young left and formed Young-Holt Unlimited with pianist Hysear Don Walker. Young was replaced by Cleveland Eaton. As a member of the Ramsey Lewis Trio, Maurice played on nine of the group’s albums, including Wade in the Water (1966), from which the track “Hold It Right There” won a Grammy Award for Best Rhythm & Blues Group Performance, Vocal or Instrumental in 1966. White featured on other Ramsey Lewis albums including: The Movie Album (1966), Goin’ Latin (1967), Dancing in the Street (1967), Up Pops Ramsey Lewis (1967) and The Piano Player (1969). While in the Trio he was introduced in a Chicago drum store to the African thumb piano or kalimba and on the Trio’s 1969 album Another Voyage’s track “Uhuru” was featured the first recording of White playing the kalimba.

In 1969, White left the Trio and joined his two friends, Wade Flemons and Don Whitehead, to form a songwriting team who wrote songs for commercials in the Chicago area. The three friends got a recording contract with Capitol Records and called themselves the Salty Peppers. They had a moderate hit in the Midwest area with their single “La La Time”, but their second single, “Uh Huh Yeah”, was not as successful. White then moved from Chicago to Los Angeles, and altered the name of the band to Earth, Wind & Fire, the band’s new name reflecting the elements in his astrological chart.

With Maurice as the bandleader and producer of most of the band’s albums, EWF earned legendary status winning six Grammy Awards out of a staggering 14 nominations, a star on the Hollywood Boulevard Walk of Fame, and four American Music Awards. The group’s albums have sold over 90 million copies worldwide. Other honors bestowed upon Maurice as a member of the band included inductions into the Rock and Roll Hall of Fame, the Vocal Group Hall of Fame, The Songwriters Hall of Fame and The NAACP Image Awards Hall of Fame.

White brought the kalimba into mainstream use by incorporating its sound into the music of Earth, Wind & Fire. He was also responsible for expanding the group to include a full horn section – the Earth, Wind & Fire Horns, later known as the Phenix Horns. White began showing signs of the Parkinson’s disease in 1987, and was finally forced to retire from Earth Wind & Fire in 1994. He retained executive control of the band and was still very active in the music business, producing and recording with the band and other artists. Messages of encouragement from celebrities including: Steven Tyler of Aerosmith, Boyz II Men, Smokey Robinson, Isaac Hayes, Michael Jackson, Eric Clapton and Tom Morello of Rage Against the Machine were published for White.

From time to time, after his retirement, he appeared on stage with Earth, Wind & Fire at events such as the 2004 Grammy Awards Tribute to Funk, and alongside Alicia Keys at Clive Davis’s 2004 pre-Grammy awards party where they performed the band’s 1978 hit “September”.

Maurice’s younger brother, Verdine, an original member of Earth, Wind & Fire, still tours with the band as its bassist and a backing vocalist. Additionally, their brother Fred joined the band in 1974, when the band recorded “Devotion”. Maurice was a married father of three and owned two homes in California; one in Carmel Valley, and the other, a four-level condominium in Los Angeles. As recorded in his obituary, his parents, Dr. and Mrs. Verdine Adams, Sr., MD, had a total of ten children, and Maurice White was the oldest. He was affectionately called Reese by many of his brothers and sisters, according to his obituary which was distributed at his Memorial Service held at Agape International Spiritual Center March 22, 2016 in California.

White died in his sleep from the effects of Parkinson’s disease at his home in Los Angeles, California, on the morning of February 4, 2016, at the age of 74. He was survived by his wife, Marilyn White, sons Kahbran and Eden, daughter Hamia (nicknamed MiMi on his obituary) and brothers Verdine and Fred. As written in his obituary, he was the eldest of nine siblings.

Written by Dianne Washington

Esther Phillips

Esther Phillips (born Esther Mae Jones; December 23, 1935 – August 7, 1984) was an American singer, best known for her R&B vocals. She was a versatile singer and also performed pop, country, jazz, blues and soul music.

Born Esther Mae Jones in Galveston, Texas, she began singing in church as a young child. When her parents divorced, she divided her time between her father in Houston and her mother in the Watts area of Los Angeles. She was brought up singing in church and was reluctant to enter a talent contest at a local blues club, but her sister insisted. A mature singer at the age of 14, she won the amateur talent contest in 1949 at the Barrelhouse Club, owned by Johnny Otis. Otis was so impressed that he recorded her for Modern Records and added her to his traveling revue, the California Rhythm and Blues Caravan, billed as Little Esther. She later took the surname Phillips, reportedly inspired by a sign at a gas station.

Billed as Little Esther, she scored her first success when she was teamed with the vocal quartet the Robins (who later evolved into the Coasters) on the hit single “Double Crossin’ Blues.” It topped the R&B charts in early 1950 and paved the way for “Mistrustin’ Blues,” “Misery,” “Cupid Boogie,” and “Deceivin’ Blues.” In 1951, Little Esther and Otis had a falling out, reportedly over money, which led to her departure from his show.

Her first hit record was “Double Crossing Blues”, with the Johnny Otis Quintette and the Robins (a vocal group), released in 1950 by Savoy Records, which reached number 1 on the Billboard R&B chart. She made several hit records for Savoy with the Johnny Otis Orchestra, including “Mistrusting Blues” (a duet with Mel Walker) and “Cupid’s Boogie”, both of which also went to number 1 that year. Four more of her records made the Top 10 in the same year: “Misery” (number 9), “Deceivin’ Blues” (number 4), “Wedding Boogie” (number 6), and “Far Away Blues (Xmas Blues)” (number 6). Few female artists performing in any genre had such success in their debut year.

Phillips left Otis and the Savoy label at the end of 1950 and signed with Federal Records. But just as quickly as the hits had started, they stopped. She recorded more than thirty sides for Federal, but only one, “Ring-a-Ding-Doo”, made the charts, reaching number 8 in 1952. Not working with Otis was part of her problem; the other part was her deepening dependence on heroin, to which she was addicted by the middle of the decade. Being in the same room when Johnny Ace shot himself (accidentally) on Christmas Day, 1954, while in-between shows in Houston, presumably did not help matters.

In 1954, she returned to Houston to live with her father and recuperate. Short on money, she worked in small nightclubs around the South, punctuated by periodic hospital stays in Lexington, Kentucky, to treat her addiction. In 1962, Kenny Rogers discovered her singing at a Houston club and helped her get a contract with Lenox Records, owned by his brother Lelan.

In 1954, she returned to Houston to live with her father, having experimented with hard drugs, developing an addiction to heroin. Short on money, Little Esther worked in small nightclubs around the South, punctuated by periodic hospital stays in Lexington, Kentucky, stemming from her addiction.

In 1962, Kenny Rogers got her signed to his brother’s Lenox label, rediscovering her while singing at a Houston club. She re-christened herself Esther Phillips, choosing her last name from a nearby Phillips gas station. Phillips recorded a country-soul rendition of the soon-to-be standard “Release Me,” which was a smash, topping the R&B charts and hitting the Top Ten on both the pop and country charts. Back in the public eye, Phillips recorded a country-soul album of the same name, but Lenox went bankrupt in 1963. Thanks to her recent success, Phillips was able to catch on with R&B giant Atlantic.

Her remake of the Beatles song “And I Love Him” (naturally, with the gender changed) nearly made the R&B Top Ten in 1965 and the Beatles flew her to the U.K. for her first overseas performances. Encouraged, Atlantic pushed her into even jazzier territory for her next album, but none of the resulting singles really caught on and the label dropped her in late 1967.

With her addiction worsening, Phillips checked into a rehab facility; while undergoing treatment, she cut some sides for Roulette in 1969 and upon her release, she moved to Los Angeles and re-signed with Atlantic.

In 1971, she signed with producer Creed Taylor’s Kudu label, a subsidiary of his hugely successful jazz-fusion imprint CTI. Her label debut, “From a Whisper to a Scream,” was released in 1972 to strong sales and highly positive reviews, particularly for her performance of Gil Scott-Heron’s wrenching heroin-addiction tale, “Home Is Where the Hatred Is.” Phillips recorded several more albums for Kudu over the next few years and enjoyed some of the most prolonged popularity of her career, performing in high-profile venues and numerous international jazz festivals.

In 1975, she scored her biggest hit single since “Release Me” with “What a Difference a Day Makes” (Top Ten R&B, Top 20 pop), and the accompanying album of the same name became her biggest seller yet. In 1977, Phillips left Kudu for Mercury, but none matched the commercial success of her Kudu output and after 1981’s “A Good Black Is Hard to Crack,” she found herself without a record deal.

Esther Phillips was perhaps too versatile for her own good; her voice had an idiosyncratic, nasal quality that often earned comparisons to Nina Simone, although she herself counted Dinah Washington as a chief inspiration.

Phillips died at UCLA Medical Center in Carson, California, in 1984, at the age of 48, from liver and kidney failure due to long-term drug abuse. Her funeral services were conducted by Johnny Otis. Originally buried in an unmarked pauper’s grave at Lincoln Memorial Park in Compton, she was reinterred in 1985 in the Morning Light section at Forest Lawn Memorial Park, Hollywood Hills, in Los Angeles. A bronze marker recognizes her career achievements and quotes a Bible passage: “In My Father’s House Are Many Mansions” (John 14:2).

Written by Dianne Washington

Marshall Thompson

Marshall Thompson grew up on Chicago’s South Side. As a child, he played his snare drum on the corner of 47th Street and St. Lawrence Avenue, thus beginning a lifelong love of music.

Growing up, Thompson would try to sneak into the Regal Theater only to be thrown out. He persisted, landing a job in 1960 as the house drummer for the Regal Theater and even performing as backup for Gladys Knight in 1967. In 1960, he and other musicians formed the Chi-Lites. Initially, the group’s name was the Hi-Lites. They soon achieved notoriety with half a dozen singles issued on the local Dakar and Ja-Wes labels. Because their name conflicted with that of another local group, they changed their name, aligning themselves with Chicago.

The group’s greatest fame came during the early 1970s. They were one of the few groups of the period to have not come from Memphis or Philadelphia. They were led by Eugene Record, and scored eleven Top Ten R&B hits from 1969 to 1974.

The group was formed at Hyde Park High School in Chicago in the late 1950s as the Chanteurs (Eugene Record, Robert “Squirrel” Lester, and Clarence Johnson). They later teamed up with Marshall Thompson and Creadel “Red” Jones of the Desideros to form the Hi-lites. Noting that the name Hi-lites was already in use, and wishing to add a tribute to their home town of Chicago, they changed their name to “The Chi-Lites” in 1964. Clarence Johnson left later that year, and their name was subsequently shortened to the Chi-Lites. Eugene Record was the musical group’s primary songwriter and lead singer, though he frequently collaborated with others, including Barbara Acklin.

Their major hits came in 1971 and 1972, “Have You Seen Her” and “Oh Girl”, the latter becoming a #1 single on the Billboard Hot 100 on 27 May 1972. Each sold over one million copies and was awarded a gold disc by the RIAA. Other transatlantic chart hits followed, although their output became more fragmented as the group’s personnel came and went. Bass singer Jones left in 1973, and was replaced in quick succession by Stanley Anderson, Willie Kensey, and then Doc Roberson. Shortly thereafter, Eugene Record left, and David Scott and Danny Johnson entered. More personnel changes ensued, when Johnson was replaced by Vandy Hampton in 1977. The Chi-lites cut some tracks for the Inphasion label in 1979, which appeared on an obscure album for the Excello label.

In 1980, the mid-1960s quartet of Record, Thompson, Jones, and Lester re-formed the Chi-lites. Creadel Jones left for a second time in 1982, and the group would remain a trio. In 1983, the group released the critically acclaimed Bottoms Up album and achieved notable club and R&B chart success with the title track and “Changing For You.” Released on LARC Records, the album was also released in the UK on the R&B label under the distribution wing of PRT. “Changing For You” album version was released in the UK as a 12″ single which became popular in London clubs including Flicks in Dartford and The Goldmine in Canvey Island. “Changing For You” also remained on the Caister Weekender playlist for two years. “Changing For You” and the title track “Bottoms Up” were heavily played and promoted by UK Jazz Funk Soul DJ Robbie Vincent. An edited version of “Changing For You” entered the UK Charts and reached #61. Record left again in 1988, and new lead Frank Reed joined to replace him. Singer Anthony Reynard Watson replaced Reed later that year and the duty of lead vocals would alternate between Reed and Watson over the course of the next decade. (Lester took over singing lead on “Oh Girl”, while Watson led on their other songs).

In 1997, while returning home from a concert in Pennsylvania, the Chi-Lites were involved in a serious car crash which resulted in both Reed and Thompson’s wife Constance being ejected from the vehicle. Constance died from her injuries and Reed had to have a metal plate inserted in his back. “Hold On to Your Dreams” was included on the Help Wanted (Heroes are in Short Supply) album in Constance’s honor. Reed was subsequently replaced once again by Watson until Watson’s permanent departure in 2002.

The group was inducted into the Rhythm and Blues Foundation in 2000 and Record appeared with the group on stage to perform and accept the award. The group was inducted into the Vocal Group Hall of Fame in 2005, and were honored with an induction into the R&B Music Hall of Fame on August 17, 2013 at the Waetejen Auditorium in Cleveland.

Today, as the lone survivor, Marshall Thompson continues the group’s legacy.

Written by Dianne Washington

Mildred “Candi” Thorpe

Mildred “Candi” Thorpe, tap dancer who was a member of the famed duet duo Candi and Pepper, was one of four children (two boys and two girls) born to William Thomas Thorpe, of African American and Native American heritage who migrated to Philadelphia in 1905 in the midst of the Great Migration; and Laura Decker Thorpe, of Pennsylvanian Dutch and African-American heritage. Young Thorpe attended Saint Peter Claver’s Parochial school and Auden Reed Junior High School, dropping out of school when she was in the ninth grade to pursue her dance career. Though she never went to dancing school, she saw performances at the Lincoln Theatre, a black vaudeville theater in Philadelphia, where she learned tap dance steps from such legendary hoofers as Bill Bailey, Derby Wilson, and Charles “Honi” Coles. After learning a step from Coles, he remarked, “I liked the way you did it better.” Around 1935 when she was sixteen, she joined a traveling troupe of eight tap dancers who performed in a carnival and billed as “Tally’s Minstrels”; the troupe performed songs and dances in blackface in a one-hour show held in a tent and part of the larger carnival tent show. In Hopkinsville, Kentucky, the owners deserted the carnival and ran off with the money, leaving Thorpe to return to Philadelphia to work as a solo performer in local nightclubs.

In 1939, while working at the Congo Club, Thorpe met her first dance partner, Jewel “Pepper” Welch; they performed their first engagement at Simm’s Paradise in Philadelphia as the tap dance team “Candi and Pepper.” In short time, their manager, Reiss DuPree, booked them at New York’s Apollo Theater, home to thousands of African-American performers. The Apollo was known for its fierce competitive spirit; an audience had the power to make or break careers. “Candi and Pepper” made their debut at the Apollo in 1941 as the opening act, on the same bill as Fats Waller and his band and comedy singers “Apus and Estrellita.” The master of ceremonies announced them: “Ladies and Gentlemen, we got two girls who are going to dance for you out of Philadelphia. Candi is sweet, Pepper is hot; come on girls show me what you’ve got.” As Thorpe remembered “We tore ‘em up. We tore ‘em up!” They were called back onstage for so many encores they ran out of routines. After their first performance they replaced “Stump and Stumpy” (who regularly closed the show) as the closing act, thereby gaining the highest billing. The Apollo success helped launch the team into an active performing career as they toured the East coast and Mid-West as featured performers with such musical stars as Louis Armstrong, Fats Waller and Erkstine Hawkins.

Candi and Pepper began their act with a jazz song, such as “On the Sunny Side of the Street,” to which they added some dance movement. Then Thorpe performed her rhythm tap dance solo to “I’ve Got Rhythm,” played in stop-time, allowing her to perform her rhythmic breaks without musical accompaniment. An improvisational dancer in the tradition of Baby Laurence, Teddy Hale, and Eddie Brown, she was comfortable expressing herself rhythmically, adding slides, wings, and trenches while dancing. “I’m an innovator,” she explained. “What I think is no particular sound or music that goes with it. I could just go out there and dance without music. It swings. It’s just a mover and a shaker.” “Pepper” Welch followed Thorpe with her expressive style of flash dancing. Tall, and with a beautiful style of moving, Welch added quick turns to her dancing, her jacket flowing around her body. “I played to the audience,” Welch recalled. “I looked to make each person think I was dancing for them.” They closed their act to “One O’Clock Jump,” performing trench steps and straddle splits jumps, in which they touched their toes, and their version of Russian-styled kazotsky kicks.

Thorpe was often complimented by predominantly male African-American tap dancers as being “that girl who could dance her ass off”: in the 1930s and 40s, that was considered the highest compliment a female dancer could receive, as it meant that this dancer’s skills incorporated swinging rhythmic phrases, some elements of surprise (flash, acrobatics, eccentric), and personal style. When the Candi and Pepper team broke apart in the early 1940s, 1944 to be exact. Thorpe remained in Chicago for a few years and thereafter retired from show business.

Written by Dianne Washington