Tag: A Tribe Called Quest

Erykah Badu

Erica Abi Wright (born February 26, 1971), better known by her stage name Erykah Badu is a Grammy Award-winning American singer-songwriter, record producer, activist and actress. Her work includes elements from R&B, hip hop and jazz. She is best known for her role in the rise of the neo soul sub-genre. She is known as the “First Lady of Neo-Soul” or the “Queen of Neo-Soul”.

Early in her career, Badu was recognizable for wearing very large and colorful headwraps. For her musical sensibilities, she has often been compared to jazz great Billie Holiday. She was a core member of the Soulquarians, and is also an actress having appeared in a number of films playing a range of supporting roles in movies such as Blues Brothers 2000, The Cider House Rules and House of D. She also speaks at length in the documentaries Before the Music Dies and “The Black Power Mixtapes”

Erykah Badu was born Erica Abi Wright in Dallas, Texas on February 26, 1971. Her mother raised her, her brother (Jabbada), and her sister (Nayrok) alone after their father, William Wright Jr., deserted the family early in their lives. To provide for her family, the children’s grandmother often helped looking after them while Erykah’s mother, Kolleen Maria Gipson (Wright), performed as an actress in theatrical productions. Influenced by her mother, Erykah had her first taste of show business at the age of 4, singing and dancing with her mother at the Dallas Theatre Centre. Erykah Badu was the owner of Focal point in Dallas, Texas.

By the age of 14, Erykah was free-styling for a local radio station alongside such talent as Roy Hargrove. In her early youth, she decided to change the spelling of her name from Erica to Erykah, as she firmly believed her original name to be her slave name. The term ‘kah’ signifies the inner self. Badu is her favorite jazz scat sound and is also an African name for the 10th born child used for the Akan people in Ghana.

Upon graduating from Booker T. Washington High School for the Performing and Visual Arts, Badu went on to study theater at the historically black college Grambling State University. Concentrating on music full-time, she left the university in 1993 before graduating and took on several minimum wage jobs to support herself. She taught drama and dance to children at the South Dallas Cultural Center. Working and touring with her cousin, Robert “Free” Bradford, she recorded a 19-song demo, Country Cousins, which attracted the attention of Kedar Massenburg, who set Badu up to record a duet with D’Angelo, “Your Precious Love,” and eventually signed her to a record deal with Universal Imperial Records.

After 10 years as a vegetarian, Badu became a vegan in 2006: “Vegan food is soul food in its truest form. Soul food means to feed the soul. And to me, your soul is your intent. If your intent is pure, you are pure.” Badu splits her time between Dallas, Texas and Fort Greene, New York.

In 1995, Badu became involved with rapper André 3000 of OutKast, with whom she had her first child, a son named Seven Sirius Benjamin, on November 18, 1997. Their relationship ended sometime in 1999. Their relationship inspired André 3000 to write the song “Ms. Jackson”.

In 2000, Badu was in a romantic relationship with fellow Soulquarian Common; their relationship ended in 2002. On July 5, 2004, Badu gave birth to a daughter, Puma Sabti Curry; Puma’s father is West Coast rapper The D.O.C., originally from Dallas. On February 1, 2009, Badu gave birth to her third child, a girl named Mars Merkaba Thedford, with her boyfriend of five years, rapper Jay Electronica.

Written by Dianne Washington

Reflections of Hip Hop

When Hip Hop was born I was only 6 years old living in Marlboro projects in Brooklyn New York. As I got older, I would write rhymes and perform at the skating rink. When I was feeling down I could always count on Hip Hop to lift me up. I would go to all the shows and sneak backstage to meet my favorite artists. In Brooklyn, In the 70’s we we’re listening to James Brown, MFSB, Chic, and other soulful artists before Rappers Delight hit the world by storm in 79′. After that it quickly became a “Domino effect“, everybody wanted in. The rest is history. The first Hip Hop song I fell in love with was Planet Rock, I got lost in those drums. I played it over and over and my mom use to scream at me “Iris, turn that sh** down!!!!” I remember like it was yesterday. The first years of Hip Hop were the best years of my life with park jams, skate jams and parties. Hip Hop brought everyone together and formed a bond that can never be broken. After 44 years Hip Hop is still in my blood and always will be. I can go on and on but I’ll leave it as “Long Live Hip Hop!!!!”

 

Panorama Music Festival 2017: A Tribe Called Quest

Yesterday, I was fortunate to have experienced yet another great show. It was the show I’ve been waiting to attend for a while now and I finally got that. For about two years now, I’ve been a heavy A Tribe Called Quest fan and I got the chance to meet them exactly two years ago at a clothing shop downtown. Then, unfortunately, Phife Dawg passed away eight months after I met them and it was very devastating and hard for me, then there was the memorial for Phife a month after that, then there was the street name dedication for Phife and the pop up shop last year in November. Attending all of these things have led up to finally seeing them live on stage, thanks a good friend of mine who had an extra wristband for me to go. I feel dumb now having doubts about going now thinking that the place was too far for me to go but I’m absolutely grateful and thankful to have one of my biggest dreams come true. At the Panorama Music Festival 2017 yesterday, there were people everywhere, food, concession stands, restrooms on wheels, loud music and of course the fans. Fans came out there, including me and my friend, representing with our gear on. A Tribe Called Quest didn’t come out until 7:30 that evening. When they finally came out, the crowd went crazy. It was Q-Tip, Jarobi, Ali Shaheed Muhammad and Consequence. Song after song, classic after classic, these guys were amazing. It was a dream come true for me. I’m still numb and in shock from seeing these guys literally on stage in front of me, I just wish I was closer to the front of the stage but I still had an amazing time. Phife Dawg‘s Face was on the screen the whole time too while his verses came on on the songs. I left that show on a different kinda high I never experienced before. It was something powerful that the guys left in me. Something that may spark a new kinda motivation for me to want to be the one on that stage making and performing dope, timeless music. ATCQ forever! Rest In Peace Phife Dawg!

The Abstract Poetic: The Legacy of Q-Tip

This man’s contribution in hip hop is what makes him the legend that he is today. Started off in a group, went solo, also DJ’s, produces, act and has a pen game and voice that’s easily recognizable when you hear it. Definitely someone whose one of a kind and shares the same zodiac as me. Someone whose a huge influence to me both personally and creatively, he also told me to my face that he liked my style, and I could never forget that. He goes by name Q-Tip aka The Abstract Poetic. The story of Q-Tip begins back in the 70’s when he was a child living in St. Albans, Queens and met his would be close friend, almost brothers and group mate named Malik Taylor aka Phife Dawg. Together these two were peanut butter and jelly, ketchup and mustard, they’re one of hip hop’s greatest duos together on the mic. Fast forward to 1985, Q-Tip gets his name and it represents “on the Queens tip.” At this time, he also had another name as a solo artist named MC Love Child and would occasionally team up with high school friend and DJ, Ali Shaheed Muhammad and together they were a rapper and DJ duo. They made demo tapes along with Phife, he was known as Crush Connection but the group, later on known as the group we all know and love today as A Tribe Called Quest, was fully complete when Jarobi joined and Phife only joined because of Jarobi. They got their name in 1988 when the Jungle Brothers gave them their name. The Jungle Brothers is another legendary hip hop group who also attended the same high school. The guys signed a demo deal with Geffen Records and created a 5 song demo that was later included on their debut album the year. Before their debut album released, Q-Tip appears on 2 songs on the Jungle Brothers debut album called “Black Is Black” and “The Promo.” The group signs with Jive Records and on April 10th, 1990, also Q-Tip’s 20th birthday, “People’s Instinctive Travels and the Paths of Rhythm” was released. The album was a very youthful, friendly and uplifting but dope. Frontman Q-Tip being heard on most of the songs. We didn’t start to see the real lyrical side of the group until 1991’s “The Low End Theory.” This is album is my favorite Tribe album because majority of my favorite songs from the group are on this album, “Midnight Marauders” was the perfect album though. No skips, it was a banger from start to finish. “Beats, Rhymes and Life” had a more laid back vibe and it introduced the sounds of the late great J Dilla. It also introduced is to Q-Tip’s cousin Consequence. Definitely gotta get used to him when listening to that album. “The Love Movement” isn’t an album I’m crazy about but it’s ironic that the word “love” is in it’s title but it was the beginning of the end for the group but they reunited in 2006 and recently released their latest album “We Got It From Here, Thank You 4 Your Service” 5 months ago. It’s an incredible album I heard only twice. I like to wait until the hype slows down a bit to enjoy things. Gotta find the right time to without everybody throwing out their opinions while you’re still getting used to it. Outside of the group, Q-Tip had a dope solo career on his own. He’s appeared on other’s people’s projects to write, produce and collaborate on songs. He created The Ummah, a production team with Ali Shaheed and J Dilla, he acted in Poetic Justice only in the beginning of the movie, and on “Prison Song” along with Fat Joe and Mary J. Blige, he was featured of Janet Jackson’s “Got Til It’s Gone” on her 1997 “The Velvet Rope” album, he produced “One Love” for Nas on his “Illmatic” album, Mobb Deep’s “Give Up the Goods” and the list goes on. Can’t forget to mention his solo music. With singles like “Vivrant Thing”, “Breathe and Stop”, “Gettin’ Up”, “Move”, “Life Is Better”, just to name a few. His solo stuff is nothing like Tribe’s and that to me is make Q-Tip great at what he does. Finding your own identity when it comes to your solo stuff and not it reminding the fans of the group you were in. Same energy and voice but a different vibe completely. Recently, he hosts his own radio show on Apple Music’s Beats 1 station, which is called “Abstract Radio.” His goal with the show is not to keep up with what’s trending but instead find ways to bridge the gaps into one and celebrate good music altogether. With so much that he has accomplished, Q-Tip is easily one of hip hop’s greatest of all time for being part of a group that introduced Jazz sounds samples in hip hop. His incredible creativity and style is timeless and it’ll always be celebrated. They don’t call him The Abstract for nothing.

Malik “ Phife Dawg” Taylor Street Dedication Ceremony

    • phife22
      Someone in the crowd yells, “Can I Kick It?” The crowd yells back, “yes, you can!!”
      Words cannot describe the energy of the crowd. I overheard one of the Politicians
      say that they have never seen such a large crowd at a street sign dedication
      ceremony. Nothing but love is what Malik “Phife Dawg” Taylor was shown at the street
      dedication ceremony on 192nd  and Linden Blvd where he grew up. Represent, represent is what the remaining members of the Tribe did. Q-Tip and Jarobi spoke to the crowd and took pictures with the fstreet lineans, as they anticipated the unveiling of the new street sign. Hundreds of family members, friends, and fans packed the street as the dee jay played A Tribe Called Quest  music.Celstreet lineebrities on hand included Craig G., Consequence, Busta  Rhymes, Curt Flirt, Hurricane, Cool V, The Disco Twins, Pow  wow, Kangol Kid, Big Jeff, and Mr. Walt (Da BeatMinerz).  Memories of Phife were shared by his mom, Cheryl Boyce-Taylor , Senator Leroy   Comrie, and Peter Rosenburg of Hot 97. Some people laughed, others cried, and we all prayed. The show of support for the family was overwhelming.
      “See, I’m not the one to be taken advantage of, and if you really think about it, I got nothin’ but love.”street line
      “Linden Blvd represent,  represent
       A Tribe Called Quest represent, represent.”street line
       Malik “Phife Dawg” Taylor

      Gone too soon…..Your Legacy Lives on…..Your Impact will last a Lifetime

      Malik “Phife Dawg’’ Taylor may you continue to Sleep In Beats…
    street line     Written  By Venus Mizell

A Dedication to Malik “Phife Dawg” Taylor: My Letter to Phife

Dear Phife,

As I write you this letter, I’ll be as strong as I can. There’s no other way for me to express how much love I have for you and the Tribe. It all started 2 years ago. Now, I grew up on hip hop, and that includes you guys Tribe too. Y’all music was always dope to me but I became an overnight fan 2 years ago. I was at home on my laptop, on Tumblr just scrolling through my dashboard, reblogging stuff for my blog and it was a picture of you guys, including Jarobi that popped up. Black and white, standing side by side. I reblogged the pic of y’all and said to myself how long it’s been since I’ve actually heard y’all music. It was that moment that started everything for me. I immediately started listening to y’all albums all the way through for the first time and something in me sparked up this feeling I never got before. I even heard your joint “Ventilation: Da LP” and loved it too. After hearing y’all albums all the way through, I found myself watching y’all music videos, researching and looking y’all up, watching interviews, saving photos on my laptop and then I saw the documentary. It was the best shit I’ve ever seen but at the same time, it hurt me to see you and Tip beefing like that. That I don’t feel comfortable with seeing or hearing about. Besides the drama y’all two had, I found myself a die hard fan overnight. Everything about you guys was absolutely moving and inspiring to me. As a hip hop fan whose a singer, I wish to have the same elements in y’all music in mine someday. Y’all taught me politics, self righteousness, being proud of who I am, all at the same time, never changing who I was to be something I’m not and that’s why I love Tribe so much. Fast forward to July 18th, 2015. This was the day I finally got to meet you guys. I found out on Instagram maybe a day or two before and I was so amped and hyped to meet you guys. That was the same day my little cousin was having a birthday party but I missed it because I stood on that line waiting to meet y’all. I remember wearing a purple bucket hat, white t-shirt with a purple one underneath, my ripped Levi Jeans and Grape 5 Air Jordans. I didn’t have anything on me but $15 so I couldn’t buy any merchandise, which was a blow to me but when I finally met you guys, I was excited, scared, stuck, frozen, amazed, there was a rush in my stomach and my heart was beating super fast. Q-Tip told me he liked my style, I’ll never forget that, Jarobi was kinda like he didn’t want to be there but he was cool too, then I met you and told you how hilarious you are on Instagram and you said to me “Thanks my man.” I shook Ali Shaheed’s hand and you guys signed my poster. After that, I returned back to the Bronx with this smile on my face. It felt like I just went through an enlightenment. I had a totally different feeling from that day. Now this is the part of the letter that’s gonna be really hard for me dawg but I gotta tell you how it affected me. The day you left us, it was the same day as my cousin’s 23rd birthday and three days before my 22nd. It was around 10 at night. Someone posted a link in one of the hip hop groups I’m in on Facebook saying that you past. I was confused and automatically got angry. I was angry because I remember years ago, someone spread a rumor that you already did and you appeared on an interview like “Here I am!” waving with this smile on your face in a joking way like you always do. I saw the link was from DJ Chuck Chillout’s Twitter account so I hit the hashtag “RIP Phife Dawg” and my heart started racing. I only saw but 30 posts and I just brushed it off because I was sure you were still here. I went to sleep and ended up popping back up around 5 in the morning. When I pop up out of my sleep, something isn’t right. I grabbed my phone and saw that I got a text message from a friend of mine and the text said in these exact words, “Hey Clone, did you hear about Phife? He died” this was when I knew it was for real. I went to Instagram and immediately, my whole entire feed was flooded with you. I was stuck, confused, hurt, angry, upset, this wasn’t supposed to happen yo. On the morning of March 23rd, I had a dentist appointment that day. Right before I left my house, I finally cried, I finally broke down yo. Me and you just met 8 months before that, you were so cool and down to earth, I felt like a family member was taken from me. I cried for about an hour thinking about you and the rest of Tribe. I was thinking about life, about hip hop and the state that it’s in, all of these things came to my head because you were no longer with us. The entire day, I just remember everything being so slow. Time had stopped but the world kept going. My head was spinning and I was in a slump. That had to be the longest day of my life. 2 days before my birthday which made it even worse. A month later, there was a memorial for you in St. Albans. I skipped classes just to be there for you, I had to be. Right after my math class I left school, hopped on the train at 149th Street-Grand Concourse and was on my way to your hood. It’s a long ass ride to get out there but it was worth it. I met other fans, including my bro Shenron, Ralph McDaniels was out there, I missed the part where they handed out free shirts with your name on it and it was raining and so cold but it was worth it. I don’t think I could’ve been able to handle myself if I didn’t go. The next morning, this dude I went to high school with saw me in the papers honoring you. It made me feel like I was this poster guy for you, for Tribe. It was my name, my picture, your picture underneath it and it said I was honoring YOU. So much love I was receiving from my hip hop peers. I was a proud fan of you dawg, nah fuck that, I AM a proud fan of you. Now, lately, you guys have been on top of the world again and it’s amazing. We Tribe fans always wanted a new album from y’all and y’all did that for us. It was hard but at the same time exciting to hear your voice again. The album is amazing and “We the People” is fucking amazing too. I read about you and Tip being on good terms throughout he making of the album, I knew you guys were. I was hoping you two were. I love y’all brotherhood, we needed y’all back in hip hop again, we needed to see that, to feel that, to know that. Just last week, I went to the pop up shop. I didn’t get the shirt I originally wanted but it was worth it. I just wish the people who worked at the shop wasn’t so selfish to be the ones wearing all the merchandise and tell us fans there’s no more stuff. That pissed me off yo but I’m happy I got something. I’m gonna wear it forever, as well as my custom made t-shirt that my guy Curtis made for me. Yesterday, we finally celebrated the street naming after you. I missed the part where they finally showed the sign but I had to be there once again for you. So much love and good energy was out there for you. I seen your wife too, she’s so strong and beautiful too. I heard about your mom being there too, she’s also so strong and beautiful too. Jarobi was right in front of me but I was too scared to ask for a picture. I froze up. I went back home mad about that but then I remembered the time I met y’all last year. Yo Phife, this letter is to tell you how much I miss you and love you, how much the fans, your family and hip hop misses you. It don’t have to be your birthday, a Tribe Tuesday, a Tribe album anniversary for me to represent, I’m always representing. People remind me everyday how much I put on for hip hop culture and I think about you automatically. When my time comes when I’m in the game best believe you’ll be honored in the best way possible in my own way. I do it everyday but still. Man, Happy Birthday Phife. I love you and miss you again. Rest in beats King. It’s Tribe 4 ever and it’s always you 4 ever! You on point Phife? You always were!

The Low End Theory: The 25th Anniversary

2 months ago, “Beats, Rhymes & Life” turned 20, now here we are on September 24th, 2016, and another classic Tribe album has an anniversary. “The Low End Theory”, my favorite ATCQ album turns 25. Before I get into this album track by track, I spent some time on Phife’s Instagram account and it still hurts that he’s not here. It’s surreal, I think about this man everyday. I just wish he was here to see “Beats, Rhymes & Life” turning 20, 2 months ago and now “The Low End Theory”, turning 25. This album is known for it’s jazzy sounds that influenced a lot of other hip hop artists and albums. “Excursions”, the opening track on the album is a head nodder and Q-Tip rips this joint. The next joint “Buggin’ Out”, is the joint you hear at the end of the “Scenario” music video and this time Phife is who we hear first and then Tip comes in afterwards. It’s the classic yin and yang thing that the fellas do in their music. “Rap Promoter” has a beat that knocks a little bit more harder than the first two joints on the album and bit more bass too. The next joint “Butter” is one of my all time favorite Tribe joints. This song always plays in my head out of all the Tribe joints there are and it’s my favorite song to listen to when I’m on the train just cruising on my way downtown doing what I usually do, shopping or going to visit family in Queens. Haha, how ironic, Queens is the hometown of Tribe, except Ali Shaheed, he’s from Bed-Stuy. Just like hook goes the joint is strictly BUTTER. “Not no Parkay, not no margarine but strictly butter baby!” The next joint “Verses From the Abstract” is a smooth joint from the Abstract himself. It has a cypher kinda style where a couple of guys come together randomly on the sidewalks and just nod their heads to a dope beat like this joint and do their thing. “Show Business” is another favorite joint of mine on this album. It’s a catchy joint about having the guts and courage to deal with dealing with the rap industry, questioning those who are willing and dedicated to do this. “Vibes and Stuff” has the perfect title. It’s just vibes and stuff. Dope smooth beat and a head nod. “The Infamous Date Rape”, a song that touches on the subject of date rape. An important topic should be discussed more so that people understand what does it mean when someone says NO! The next joint “Check the Rhime”, the first single released from this album and of course a classic. I loved how the video had everyone from the neighborhood Kickin’ it with Tribe. By the way, the ATCQ mural on Linden Boulevard is the exact same place where the video for this joint took place 25 years ago. I’m just glad I was there. Word. “Everything Is Fair” is one of those Tribe joints where they obviously use a sample that takes over the entire the song. This joint coulda been an instrumental and it would still work. “Jazz (We’ve Got)”, awwww maannnn! This is my all time favorite Tribe joint. I am obsessed with this joint all the way yo! Everything was perfect about this joint. The beat, the jazzy horns sounds, Tip, Phife, the simple rhythmic hook “We’ve got the jazz, we’ve got the jazz.” My favorite part on this joint is the beginning of Phife’s part when he uses his Trinidadian accent and goes “Competition dem Phifer come sideway, but competition dey mus me come straightway.” I lose it at that part all the time. “Skypager” was cool. The beat is dope but that’s pretty much it. It was more like an interlude or a short skit to me. “What?”…… The perfect title for it. Didn’t like this joint and of course the album ends with “Scenario.” Another classic Tribe joint with the help from Leaders of the New School, Busta Rhymes original rap group. It was Busta, Charlie Brown, Cut Monitor Milo and Dinco D. The video was perfect for the song too. It was just as hype as the song. Another hip hop classic right here, from beginning to end. This album is always up for debate with “Midnight Marauders” amongst hip hop and Tribe fans about which is Tribe’s better album and whose is what favorite. Once again, much love and peace to my man Phife Dawg. Rest in peace King.

Happy Birthday Ali Shaheed Muhammad!

Ali Shaheed Muhammad, 1/4 of A Tribe Called Quest, 1/3 of Lucy Pearl (with Raphael Saadiq of Tony! Toni! Toné! and Dawn of En Vogue), and 1/3 of the production team The Ummah with Q-Tip and the late great J Dilla. Ali Shaheed was always my favorite member of ATCQ because he was very laid back and cool. Nobody knows his business, nobody knows his next moves, I call him “The Mystery Man” cause you don’t even know whether or not he produced one of your favorite joints unless you buy someone’s album and read this credits. Speaking of credits, I just found months ago that he did “Brown Sugar” for D’Angelo back in 1995 for his debut album with the same title. I also remember reading somewhere that D’Angelo is one of Ali’s favorite singers. I had already mentioned in the 20th anniversary edition blog of ATCQ’s fourth album “Beats, Rhymes & Life” that ATCQ is my favorite hip hop group, so today I took a little trip down to Queens on Linden Boulevard and 192nd Street to visit the ATCQ mural. That mural came about because of one of the members of this hip hop group on Facebook I’m apart of called “Hip Hop Discussion Group.” Shoutouts to them for making this happen. It was a long ride out there from The Bronx. LMAO! I wore my custom made ATCQ t-shirt, a pair of plain black shorts and my fresh Air Force Ones sneakers, all white of course. I finally get to the mural and I was immediately blown away but the experience for me coulda been a whole lot better if I had someone to go with me, preferably another Tribe fan, that would’ve been dope. I took pictures, I recorded a video of me walking past the entire wall until I met this man standing nearby watching me named Terrence. He was cool and was nice enough to take a pic of me in front of the mural holding up 2 Tribe vinyls I own. I shook his hand, thanked him and went on my way back Uptown. All day on the train I was listening to Tribe, zoning out, having creative thoughts, getting inspired and thinking about what life would’ve been back in 1990 for me. I was listening to their debut album “People’s Instinctive Travels and the Paths of Rhythm” mostly. I always had this fantasy of hanging out with Tribe, even with Phife. I always considered Q-Tip my older brother, just because me and him share the same zodiac sign, we’re both an Aries. I would get tips from Q-Tip about how the industry is and how to survive it, Ali would show me his techniques on the turntables, Phife would be talking shit and cracking jokes and Jarobi would be cheffin’ up a bomb ass meal. That was my biggest fantasy but don’t tell the guys. Man do I miss Phife though. Cool ass guy he was. Rest In Phife and Happy Birthday Ali Shaheed. ATCQ 4 Ever!!!!

Beats, Rhymes & Life: The 20th Anniversary Edition!

On this day 20 years ago, my all time favorite hip hop group, A Tribe Called Quest released their fourth album called “Beats, Rhymes, & Life.” I personally feel like this album is more toned down compared to their work before this one and Consequence, Q-Tip’s cousin, is all over the album. When I first sat down and went through the songs, listening to the album, it was a little annoying because I was so used to just Q-Tip and Phife Dawg doing their usual back and forth, yin and yang kinda thing they got going on but after a while it was no problem. Consequence had to grow on me for a while and he’s definitely no slouch on the mic. “Phony Rappers”, the opening track has a beat that’s hard but the instruments behind it makes it sounds so smooth at the same time. This is a joint about phony rappers who are not who they say or pretend to be, “Get a Hold”, the second joint, is another banger that you just put on while you sit in a room with your homies and pass around a spliff and just nod or good for riding out, “Motivators” is an uplifting joint about staying positive and forgetting about the haters, “Jam” is a joint with a name that fits and has some great blues and jazz sounds behind it, “Crew” sounds kinda Neo-Soul-ish. It’s that kinda shit that sounds like a Erykah Badu, a D’Angelo, The Roots, Mos Def or Jill Scott joint. “The Pressure” is my personal favorite joint on the album because of Ali Shaheed’s dope cuts and scratches on the beat that sounds like a perfect ode to the group while cutting and scratching a few of their classic hits. The song also talks about the pressures of being in the music industry. “1nce Again” is my second favorite joint on the album because of the beat and Tammy Lucas’ smooth voice on the chorus. She’s the same girl who sang on her own version of Heavy D’s 1992 classic “Is It Good to You” and it can be heard on the “JUICE” soundtrack to the movie starring Omar Epps and the late great 2Pac. “Mind Power” is a joint that’s okay. It’s not a joint I would put on first but it’s cool, “The Hop” is another Neo-Soul sound influenced joint. It’s also my third favorite joint on the album because of the beat; Hey! I love a dope ass beat to nod at and it’s what keeps me listening. “Keeping It Moving” is another okay joint to me, I’m not that crazy about it so the title fits but let’s keep it moving. “Baby Phife’s Return”, yoooo Phife spits in his regular way, he uses his Trinidadian accent when he gets into the track, very bold and very representative of being the kid from Queens who loves hip hop. You can hear it in his voice. Damn, I miss him so much. Word. “Separate/Together” is a very short track but it’s dope as hell and my fourth favorite. The bridge is extra catchy too. “We got ta do our due, let’s separate together, got ta move on through, let’s separate together….” Then, “What Really Goes On” has a beat that goes “We got dat bump-da bump-da bum bum bump!” The hardest joint on the album. Sounds like Mobb Deep could have been on this joint too. “Word Play” is another smooth smoke a joint kinda joint too. It’s the smoothest joint on the album with a hard bass that kicks in for a second and it sounds almost hypnotizing. The album finishes with “Stressed Out”, a hard joint with the smooth vocals of Faith Evans. This joint wouldn’t be the same without Faith and the remix is even harder with Raphael Saadiq. BANANAS! 20 years later I just wish my boy Phife was here to see this album make 20. This is hip hop that will never get old. Happy 20th to “Beats, Rhymes & Life”, rest in beats to Malik “Phife Dawg” Taylor and thank you Tribe for changing my life. Word. One love.