Paid In Full: The 30th Anniversary

For an album that only has a very little amount of songs, 9 to be exact, it had a huge impact on hip hop culture. This album is an album that many would consider it to be one that is part of the golden age days during the late 1980’s. Both a DJ and a rapper who both come from New York, both join together under Marley Marl, to create a classic hip hop masterpiece that’s well respected and loved 30 years later. On July 7th, 1987, Eric B. And Rakim released their debut album “Paid In Full.” Just like Nas’ “Illmatic”, “Paid In Full” didn’t have a Lot of songs but in that short amount of time the album lasted, it was a classic from start to finish, a classic from day 1. The album was short because it was said that the album was rushed and that both Eric B. and Rakim both were in the studio for only a week recording it. The album became super influential on other MC’s and rappers in the future. It’s hard hitting beats, Rakim’s flow and delivery, the DJ scratches and classic R&B samples that were picked out by Eric B. himself, obviously made the album one of it’s kind. The album’s success got them both a deal with MCA. With 5 singles out of the 9 track album released, every song had everyone’s attention. No matter where, It made people go crazy, still til this day and people know every single word too. Hip hop events aren’t hip hop events without a Eric B. And Rakim song being played. No matter the DJ, the time, the place, it’s always important that their songs from this album was played. It’s hard to get away from it too. It’s still played like it just came out 30 years ago. It’s timeless, still feels like brand new when it comes on and every true hip hop fan MUST own this album. It’s hip hop code. They don’t call Rakim the God MC for nothing. Everybody in this game wants to be king or considers themselves to be kings but what’s a king to a God.

FEELING THE FORCE WITH THE LEGENDARY FORCE M.D.’s

Have you ever had your partner say “Baby Let Me Love U”? Well, there is a group called The Force M.D.’s, which is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, “Tender Love” and “Love is a House”. They are considered major forerunners of the new jack swing. The band was originally named The L.D.s, and then became the Force MCs, but ultimately preferred the name Force M.D.’s, which stood for Musical Diversity. Though the group was not quite always as recognizable as other New York R&B acts when it first started, they were among the first R&B vocal groups to intermix doo-wop-affected singing with and sometimes over hip-hop beats. The group was composed of brothers Stevie D., Antoine “T.C.D.Lundy, and Rodney “Khalil” Lundy, along with their uncle Jessie Lee Daniels. (Later, friends “Trisco” Pearson and Charles “Mercury” Nelson from the Marines Harbor projects in Staten Island, NY joined the group.) They performed at different venues such as BB Kings, and the Eve Ultra lounge until this day their hit songs are still being played on the radio. Three of the group’s members died within five years of each other: Nelson suffered a fatal heart attack in 1995; former collaborator DJ Dr. Rock died suddenly of natural causes in 1996; and in 1998, Antoine Lundy died of Lou Gehrig’s disease. Trisco Pearson died on September 16, 2016, of an undisclosed illness. But that does not stop the group from performing worldwide. The Force M.D.’s are still standing strong after all these years; you can see them at an up coming performance in June at BB Kings in Manhattan. Did I tell there is new music on the way? Check out their new single Don’t Rush now available on iTunes. May the Force be with you.

Written Jewels 78

 

 

Criminal Minded: The 30th Anniversary!

This past week has been an incredible one for hip hop and especially those who are from the Bronx, the birthplace. It makes me proud to be from The Bronx this time around, even though I’m always proud, regardless of the ignorant and asinine comments made about my borough daily. This past week, Swizz Beatz went live to reveal an unreleased joint during a DJ battle with Just Blaze that made the entire hip hop community go bonkers and Remy Ma rips Nicki Minaj apart with her diss track “ShEther.” There was definitely a lot of talk about whose the better MC between the two ladies and of course, non hip hop fans jumping in discussions just to defend Nicki by throwing out information about her sales and income when we all know that traditionally in hip hop, it’s the skills on the mic that matters, not the sales and awards, but it was definitely another interesting The Bronx vs. Queens battle, which reminds me of KRS-One and MC Shan. Now speaking of KRS-One, yesterday was the birthday of the late great DJ Scott LaRock and today, “Criminal Minded” turns 30. On March 3rd, 1987, KRS-One and DJ Scott LaRock aka Boogie Down Productions released “Criminal Minded.” A 10 track album that’s definitely one of the greatest and most influential hip hop albums of all time. I usually critique each song on the album when it comes to celebrating its anniversary but for this one, It’s one powerful album for just 10 songs. In classic hip hop, KRS-One fashion, what The Teacha himself is known for, he delivers with such knowledge and wisdom. Teaching the listeners a thing or two about politics and such. At the same time, the two classic bangers, “South Bronx”, which is my personal theme song, and “The Bridge Is Over” are both responses to the MC Shan battle during that time and it shows how an aggressive KRS-One gets on the mic. Like he says, never battle him cause he’s number one! This album is definitely a top 5 for me personally. Not just because it’s KRS-One but because it’s an album that’s actually a banger from beginning to end and what I consider to be an early blueprint or “the guide to being an MC” for a lot of dope and talented rappers in the game, both old and young. I guess this is my way of paying homage to KRS-One and Scott LaRock but mostly to Scott. Definitely a late great whose time was cut short unfortunately but is still respected and loved today and peace to The Teacha. 30 years, BX we here!

Hot, Cool, & Vicious: The 30th Anniversary

30 years ago on December 8th, 1986, two young, fly, around-the-way girls from Queens, New York who were good friends released their first album called “Hot, Cool & Vicious.” The two good friends were named Salt-N-Pepa. Originally called “Super Nature” on their first single back in 1985 named “The Showstopper”, these two kicked the door down and were proving to the world that they can do it just like the guys can. People recognized them as the “salt and pepper” MC’s, a line that was said in “The Showstopper” and that was the birth of Salt-N-Pepa. The original DJ Spinderella was another girl from Queens named Latoya Henson. Due to several issues behind closed doors with the group and manager Herby “Luv Bug” Azor, she was later replaced with Deidra Roper as she appeared in the video to “Push It.” Now usually, I like to do a track by track analysis when it comes to these album anniversaries but with this one, I’m not. I’m not gonna do that for this one just for the simple fact that the album to me had the same dope vibe the whole way through. It’s a 9-track LP with singles like “Push It” and “Tramp.” “My Mic Sounds Nice” is my personal favorite on the album and I think the title was perfect too. It perfectly describes the ladies’ personalities and the tracks reflect it as well. The entire album gives me attitude with a party vibe that’s not too over the top. I imagine a group of friends walking down the street listening to this album on a boombox and just dancing in the street, hanging out in the front of the building and rapping along to the lyrics with a pair of Pro Keds or Adidas or Pumas, some ripped Levi jeans at the knees for a dope design but also at the back of the heels because they’re worn a lot and a bubble coat with the fur on the hood cause remember it’s December 1986. Salt-N-Pepa and DJ Spinderella left an impact in hip hop that was empowering to women. They had topics about sex and what they thought about men, in a honest way too, not male bashing, there’s a difference. 30 years later, it’s still something that’s timeless and fun, dope and classic. As they said, “Salt-N-Pepa’s here and where in effect….!”