Tag: 20th Anniversary

Harlem World: The 20th Anniversary

20 years ago, there was this skinny, fly guy from Harlem. His style was laid back and he always smiled. Growing up in the streets of New York, nobody likes a person whose always smiling because it didn’t reflect the lifestyle of the streets. The streets are rough and nothing to play with but this guy made it okay for rappers to come from that lifestyle, be fresh, dance a little in your music videos, especially if you’re signed to Diddy and the Bad Boy family, and still smile. This guy was close friends with Cam’ron, Damon Dash was his manager until Big L came into the picture but it wasn’t until his sister got him to meet a guy named Cudda Love. Cudda Love was a road manager for The Notorious B.I.G. and in 1996, Cudda took this guy with him to Atlanta to meet Jermaine Dupri and Diddy. After meeting with Diddy, he was signed to Bad Boy. This guy we speaking of here is Mason Betha aka Ma$e. On October 28th, 1997, Ma$e released his debut album “Harlem World.” A hip hop album that only focused on life in Harlem, the streets, partying, having a good time, looking good, and getting with every pretty woman who walks by with a cute face and a fat ass. With only three singles released and an appearance on the remix of 112’s “Only You”, Ma$e quickly became a superstar overnight and took hip hop to its “bling bling” and shiny suit era. True hip hop fans weren’t pleased with the extravagance of things being in hip hop. It’s supposed to strictly be about the hard knock life but Ma$e definitely had his fair share of telling those hood tales too. Who’s to say that hip hop didn’t already get a taste of that bling bling life when LL put out “Walking With a Panther”? The only difference is that LL got flack for it, Ma$e didn’t get the same flack LL got but let’s keep it on topic. That’s a whole ‘nother story. After the success of “Harlem World”, nothing after that was as successful. Mase did appear on other songs and eventually put out more music but nothing had the same magic as “Harlem World.” Mase is one of those guys where people would debate whether or not he’s a legend. He may have not had a long lasting career but his debut is definitely something to still enjoy from start to finish. It’s a classic only from it’s time when hip hop when fully “bling bling.”

The Velvet Rope: The 20th Anniversary

After her 1993 self titled album and a 1995 greatest hits, compilation album, Janet Jackson returns in 1997 with another album. The transition from the “Poetic Justice”, sexy, smooth talking, convincingly enough to draw you in as a man, big braids rocking and ripped high waist jeans, to a much more darker and in your face Janet. An album that touched on deeply personal subjects of depression, anorexia, body dysmorphia, self harm, emotional breakdowns, and even domestic violence, to me it is Janet’s best work to date and my personal favorite of them all. 20 years ago, on October 7th, 1997, Janet Jackson released her sixth album “The Velvet Rope.” With only six singles released between September 1997 and November 1998, Janet had another successful album under her belt. Before the release of the album, Janet renewed her contract with Virgin Records. Other labels were in a bidding war trying to get Janet to join them instead of Virgin, and she renewed her contract with a whopping $80 million, which was the largest recording contract for an artist at that time also making Janet one of the most highest paid artists ever in music history. With production from her husband at the time, Rene Elizondo, Jr. and her longtime collaborators Jimmy Jam and Terry Lewis, “The Velvet Rope” is a masterpiece from beginning to end. There are absolutely NO skips on this joint. At all. The album’s production had a mixture of hip hop, R&B, pop, trip hop, folk, jazz, rock and electronic. To me though, it’s just hip hop and R&B production with guitars and pianos, a little bit of pop but not bubble gum, it’s a dark but amazing album. It’s sitting in your room alone, in the dark, crying all day and you didn’t bathe or eat or slept, you’re ignoring the entire world and you feel like you no longer want to exist, kinda album. One day you’re like “You know what? Fuck this, fuck that, fuck you, fuck everybody!” and the next you’re like “Hopefully, this will be a good day today. I’m alright today. I’m gonna call up my homies to see what’s the move today. Maybe go shopping, visit a friend, something fun.” It’s that kinda album. With so much topics this album has, you can really easily catch the ups and Down of Janet’s life and world on this joint. She’s happy, then she’s angry, then she’s sad and depressed, lonely, this album takes you all over and takes you there. Her vocals are angelic and perfect. The beats hit hard enough to feel it in your chest and to make you nod your head. The lyrical content is real and relatable. It’s timeless music. Timeless Janet. 20 years later, it’s still as amazing as it was back when it first came out. The transition from this album to her later ones got stronger but later on her career did a dangerous decline over an incident that she was a victim of but of course, Janet still comes back with a stride in her walk and a attitude and energy that’s unparalleled.

My Way: The 20th Anniversary

For an album that’s so short, it’s heavy legacy is what makes it hard to forget. After his 1994 self titled debut album, Usher returns three years later with a sophomore album that’s way more mature and helped sky rocket Usher’s career to another level. On September 16th, 1997, Usher his second album “My Way.” With only three singles released, the album was a commercial success for Usher. The album starts off with a bit of a dancy but R&B joint, which also happens to be the first single off the album, “You Make Me Wanna…” The song is about a girl who says and does all the right things to him that convinces him to want to leave his girlfriend who he is in a relationship with and start something new with her instead. The music video is just as classic. Usher and the other guy dancers with the chairs and different rooms with the shiny metallic outfits and Usher being himself in front of the camera and singing. The next song “Just Like Me” is the one of the only hip hop/R&B track on the album with a guest appearance from Lil’ Kim. The next song “Nice And Slow” is the first slow song on the album and the second single released on the album. A song about slow loving with his love interest and Kimora Lee Simmons plays as the love interest in the video. She gets kidnapped and held in hostage until Usher comes swooping in and saving her. The fourth song, “Slow Jam” features Monica and I personally felt like it should’ve been a single like the other three. “Come Back” is more uptempo hip hop groove kind of song. The album title track itself “My Way” is easily one of the best songs on the album. It’s the final single from the album and the music video is easily a top 5 greatest Usher music video. The whole carnival theme, the dancing, even Tyrese guest stars in the video. The next song “I Will” is my top favorite on the album. It’s no surprise that Teddy Riley did that joint because it has the same style of vocals as the remix to Mary J. Blige’s “My Love.” So smooth but the beat has a heavy bass that thumps when it plays. The next song transitions in at the end with “Bedtime.” Another slow love song. A Babyface joint this time and finally, the album ends with “One Day You’ll Be Mine.” It’s the most slept on song on the album. Don’t hear people really bringing this song up in Usher conversations that much. All in all the album is classic from start to finish. Usher is definitely one of my favorite singers. Never a flat note or a off key moment in a Usher song. Never. Completely flawless and clear, slick, there’s a sort of a shine in Usher’s voice like a squeaky clean wood floor after waxing it. With a waxy clean wood floor, you can definitely slide and glide just like Usher does in his videos listening to him.

Release Some Tension: The 20th Anniversary

After two successful albums, SWV returns right away with a third album that was completely different. Their 1992 debut album “It’s About Time” showcased them as the “around the way” girls with the golden voices bopping their heads and dancing in baggy clothes with long nails from The Bronx and Brooklyn. Their sound was new jack swing and heavy New York hip hop boombap with a combination of their soothing and beautiful voices on a love song with a little bit of rapping and playfulness that represented how strong their bond was as sisters who have finally made it out the hood. Four years later, their 1996 sophomore album “New Beginning” was a more softer side of the group. Way more ballads and left their home girl looks for the more feminine look in high heels and fur coats and then a year later, right after, on August 13th, 1997, the group released their third album “Release Some Tension.” This album was more of a combination of the two previous albums before because there are both hip hop vibes and love ballads at the same time. The only difference is that this album had way more collaborations and features than the other two. All of the guest appearances were hip hop. Diddy, Foxy Brown, Redman, Lil’ Cease, Missy Elliott, Lil’ Kim, E-40 and Snoop Dogg all appeared on the album. All of the singles released were a hit and definitely a banger, the entire album is a masterpiece to me personally. “Can We” originally appears on the soundtrack to the “Booty Call” movie starring Jamie Foxx, Tommy Davidson, Tamala Jones and Vivica Fox. “Someone” features a small rap from Diddy and is sampled from Biggie’s “10 Crack Commandments.” “Lose My Cool” is a very cool song featuring Redman. It’s funny because he sings along towards the end of the song which gave it a more “homey” feel to the track and of course Redman is being himself and could do no wrong and the final single “Rain” balances the album’s singles out with a slow ballad. The music video guest stars Tyrese. Besides the singles, the title track song and “When U Cry” are my top favorites on the album. It’s a classic that’s under appreciated to me. It holds a special place to me when it comes to girl group albums because I grew up on it so I know the album very well. It’s an album I grew up hearing all the time. 20 years later, I still appreciate this album like I did as a kid. Very nostalgic, takes me back to when I was 3. Happy to be here to see this joint turn 20 and to see Coko, Lelee and Taj still doing their thing. They’re a legendary girl group, a top 5 girl group for me personally.

Reflections of Hip Hop

When Hip Hop was born I was only 6 years old living in Marlboro projects in Brooklyn New York. As I got older, I would write rhymes and perform at the skating rink. When I was feeling down I could always count on Hip Hop to lift me up. I would go to all the shows and sneak backstage to meet my favorite artists. In Brooklyn, In the 70’s we we’re listening to James Brown, MFSB, Chic, and other soulful artists before Rappers Delight hit the world by storm in 79′. After that it quickly became a “Domino effect“, everybody wanted in. The rest is history. The first Hip Hop song I fell in love with was Planet Rock, I got lost in those drums. I played it over and over and my mom use to scream at me “Iris, turn that sh** down!!!!” I remember like it was yesterday. The first years of Hip Hop were the best years of my life with park jams, skate jams and parties. Hip Hop brought everyone together and formed a bond that can never be broken. After 44 years Hip Hop is still in my blood and always will be. I can go on and on but I’ll leave it as “Long Live Hip Hop!!!!”

 

Supa Dupa Fly: The 20th Anniversary

Once again, another great classic hip hop album has reached a milestone. It’s like excitement and disbelief at the same time because I was once a kid listening to it when it came out. To give a quick recap, Missy Elliott is one of hip hop’s most creative artists. She got her start in an R&B group called Sista under the management and direction of Jodeci’s own DeVanté Swing but when things started to take a change for the worst, Missy abandoned the group and everything she worked hard for at the time. Fast forward to the summer of 1996. Missy appears on Gina Thompson’s remix of “The Things That You Do” and she also wrote and produced on Aaliyah’s “One In a Million.” Then, a year later, on July 15th, 1997, Missy released her debut album “Supa Dupa Fly.” An album with a sound that was like no other. Timbaland’s production and Missy’s creative, bright and colorful music videos and catchy songs full of R&B vocals and raps made Missy an innovator right out the gate. Her and Busta Rhymes both had music videos that were super cartoonish and creative. Missy brings you, rapping, singing, dancing, and a bunch of other stuff that you’ve never heard and/or seen before and it made you want more. Singles like “The Rain (Supa Dupa Fly)”, “Hit ‘Em Wit Da Hee”, “Beep Me 911” and “Sock It 2 Me” were all on heavy rotation during 1997 and 1998. Other albums cuts like “Best Friends” and the catchy and dope interlude skit “Bite Our Style” were my favorites outside the singles. Missy’s style and look was also something innovative. She brought back the finger waves that was out during the 80’s, with baggy clothes and sneakers. Ski goggles, garbage bags, oversized baseball jerseys, track suit pants and big sunglasses. A combination of looks that came with a person who was very confident in her size and it also proved to women that you can be yourself. Being plus sized was also beautiful, especially in a world where they only celebrate being thin. 20 years later, Missy is still someone who doesn’t get the credit she deserves as a producer but that’s something normal in hip hop, something that shouldn’t be. Women not getting the same or equal recognition as the men. Makes women like Missy shine even brighter and makes her even more legendary for always staying true to herself in a male dominated field. She’s always “Supa Dupa Fly.”

Wu-Tang Forever: The 20th Anniversary

As a hip hop fan and lover, sometimes I feel like it’s impossible to keep up with so many different albums that are out there, whether new or old. Today, June 3rd, 2017, I find out that it’s the 20th anniversary of Wu-Tang Clan’s second album “Wu-Tang Forever.” First thought that came to my head was “Yo! I never really sat down and heard this joint from start to finish. Immediately went to my YouTube app, typed in the name of the album in my search engine and finally gave it a listen. I saw the playlist has 27 songs in total, so I knew this album is a double disc joint. As I’m listening to it, I honestly wasn’t impressed right away. I guess I have to give it a few more listens because to me the production alone, I wasn’t a fan on. The second half of the album is amazing though. How crazy is that? It definitely balances the album out for me. For me, this album gave all 9 members an equal amount of time to have their own personal shine. A few guest appearances, lyrics about consciousness, influence of the teachings of the Five Percenters, and of course in true hip hop fashion, gotta give us stories about the harsh realities of the ghetto. What I love most about the album is that you can feel how closer and stronger the Wu is as a unit, as a group, as brothers, as a family. The title is definitely fitting for this album.

Baduizm: The 20th Anniversary

Good music makes me happy but classic shit gets me excited, especially when the anniversary of that specific classic arrives. Sometimes I’m prepared and other times I’m reminded the day of and it catches me off guard like “Oh shit! That’s a CLASSIC!” 20 years ago on February 11th, 1997, hip hop and neo soul artist Erykah Badu burst onto the scene with her debut album “Baduizm.” I honestly don’t feel worthy enough to even write about this masterpiece of an album because Erykah is another level with her intellect and word play. It took me years to understand Erykah and other women who are just like her because I’m used to hood girls and there’s nothing wrong with a hood chick but Erykah is the intellectual black woman who represents a totally different type of creativity that’s rare in the hood. She’s the one who burns an incense and sips on tea with an ankh symbol around her neck, which represents life and completeness. Erykah explains fully what it means on her Live album that also came out 20 years ago. Erykah’s sound had a jazz vibe to it but she definitely is hip hop. It’s not that in your face, kinda rough stuff, it’s that soothing but knowledgeable stuff. It’s honest, it’s real, it’s unapologetic, it’s consciousness, it’s celebrating the beauty of being a black woman whose comfortable in her skin and not afraid of what the masses thinks. It’s inspirational and one of the first of it’s kind, along with D’Angelo’s “Brown Sugar” in 1995 and Maxwell’s “Urban Hang Suite” in 1996 with that neo soul sound. I consider Erykah the Queen of Neo Soul but I read that she doesn’t want to be called that. It keeps her in a box. To me, she’ll always be the Queen of neo soul. “Baduizm” means to be “high” off of her. “Izm” is slang for weed. Just add the “Badu” in front of it and we got this masterpiece which is called “Baduizm.” The album starts off with a joint that’s one of my favorites on the album. “Rimshot” has a catchy hook and a dope beat. “I wanna rimshot, heyyyy diggy diggy.” When I’m spinning and I put this album, this joint definitely stays on a loop. “On & On”, which is the first single from the album, is the next joint on the album. This is the first song that comes to my mind when I think of Erykah. It was this song when Erykah said “I was born underwater with 3 dollars and 6 dimes” and it went over a lot of people’s heads. She was basically saying she was born complete. Goes back to the ankh symbol that I mentioned earlier. Then it’s “Appletree.” Erykah says in the beginning of the song that she has some food but not the edible kind, she has some “food for thought.” As the song goes on she talks about picking her friends like she picks her fruit. Being smart and careful about who the people she keeps in her circle. It’s also something that can make a person “complete.” The company you keep can sometimes make you feel complete if they’re the right ones. The ones whose willing to be honest and real about who they are and something they’re not. “Otherside of the Game” is another favorite of mine on this album. Every time I hear the song, I can see the entire music video in my head with her and Andre 3000 in the studio apartment by themselves. Erykah at the time was pregnant with their son Seven. It’s a song and video that’s about being in a complicated relationship but she stays by his side anyways. The next joint is “Sometimes…” but it’s the #9 Mix. A shorter version. I’ll get back to this joint when the full version comes up. LOL! The next joint “Next Lifetime” is hands down, my all time favorite Erykah Badu joint. Everything about the song keeps going back to it every single time. The beat, that bass, the groove of it, it’s a smooth ass song for real. A song about Erykah being in a relationship already, currently, at the moment but low key wanting to be with another man by saying she guesses that she’ll see him in the “next lifetime.” “Afro (Freestyle Skit)”, a very organic and original freestyle about picking an afro and going to enjoy a Wu Tang concert. Definitely one of my favorite skits from any album in the 90’s. “Certainly” is a smooth but jazz influenced joint. When I listen to this joint, I picture myself in a poetry lounge with incense burning and a man on stage playing bass and of course Erykah standing on stage with her cup of tea on the side and she’s sharing knowledge and giving us a little bit of her sassy but funny and cool personality. “4 Leaf Clover”, for those who didn’t know that song is a remake. My mom played this joint to death. I mean all the time. It made me forget that it was from this album for a while. “No Love” to me is the most underrated song on the album. It’s a nice R&B joint with a vibe. Something to play on a beautiful Saturday morning. Ironically, it’s Saturday but it just hit noon as I’m writing this. “Drama” is the only song on the album to me that doesn’t leave an impression like the rest of the album does but it’s not a bad song. It’s actually really dope and I like the hook but it’s not the song I’ll remember first from the album. Now finally, we get to “Sometimes….” This joint was on constant replay and on a loop for hours the first time I heard it. That beat makes you nod and sway and sing along to the song. “Where did the love gooooooo?” Another favorite of mine on the album. Big time. Then Erykah has a “flipped” version of “Certainly.” I definitely prefer this version more. The hip hop in me automatically fell for this version more than the other one that’s earlier in the album and the album ends with a continuation of “Rimshot.” A nice applause for such an amazing album. Definitely one of the albums anniversary I was waiting for and I was reminded two days ago by a friend on Facebook. He was posting about Erykah and how long it took for him to understand her lyrics. He also posted her “Live” album, which will be 20 in November but Erykah is definitely one of music’s greatest of all time for her positive energy and spirit and her being so knowledgeable. I do wish to meet Erykah someday. Such a beautiful woman as well. She’s so different and definitely marches to the sound of her own drum without knocking others for what they do. Something that I recently learned and someone reminded me of that and going through masterpiece reminded me of how inspiring Erykah is in that way too.

Ill Na Na: The 20th Anniversary Edition!

On November 19th, 1996, a young, hardcore chick from Brooklyn, who is my all time favorite female MC, released her debut album. 20 years later, the album is still a masterpiece from beginning to end. Banger after banger, hit after hit, there are no misses on this joint right here. Yo, I hate saying “female MC” because their sex shouldn’t be the focus, it’s the skills that matters and this chick right here definitely got the skills on the mic and that’s why she’s my top favorite. When I listen to her, she’s raw, she’s hard, she’s hood wit it, she’s got the balls, the attitude, the style, and sexy all at the same time. Very hard but feminine at the same time. Skin dark like dark chocolate and has a in-your-face style too. The 18 year old was Brooklyn’s own Foxy Brown. 1996 may be the year she released her debut album but it was the year before that when she appeared as a guest on LL Cool J’s remix to the joint “I Shot Ya” and to me she had the best verse. Foxy from the beginning was a beast. She gives me goosebumps when I listen to her. People pin her and Lil’ Kim against each other from the beginning since they both came out probably a week from each other. They may be similar in some ways but Foxy does something to me that Kim doesn’t. Now, “Ill Na Na”, straight banger and I’m not exaggerating. There are absolutely no skips when this joint is on. The album starts off with the “Chicken Coop” intro that’s in true, legendary Trackmasters style. That deep voice that lures you into what’s about to come through your speakers and gives you an introduction of what you’re about to witness, a little history of the team that’s behind Foxy, the label, the year, everything and then finally it’s “Foxy Brownnnnn, the Albummm.” Isaac Hayes makes an appearance at the end of the intro and then there’s the cross fade transition into “(Holy Matrimony) Letter to the Firm.” How ironic because the song samples Isaac Hayes’ “Ike’s Mood, Part 1.” Foxy spits an entire joint dedicated to her The Firm peers, Nas and AZ. Next, it’s “Foxy’s Bells.” Foxy gives you a LL Cool J “Rock the Bells” but on her own twist. She pulled it off in a great way too. Then, we hear the soft sounds of Teddy Riley’s group BLACKstreet on the joint “Get Me Home.” Now I have to clear this up right now. I notice sometimes, here and there, people say it’s “Gotta Get Me Home” when it’s just simply named “Get Me Home”, okay people? A’ight, let’s keep going. This joint was one of the singles off the album. It’s a certified banger and a automatic classic for both Foxy and BLACKstreet. It’s a song to me that never gets old. It’s timeless shit. Chauncey Black was no joke on the vocals and this was around the time when they had new members in the group. Next, “The Promise”, Havoc of Mobb Deep is on this one. This is the Foxy that I love. She brings you that street shit, her stories of being around men who hustle and do street shit and the guy promises her that everything will be straight but in the long run, things will eventually get ugly and of course they do. This part of the album is like a story of a woman whose trapped in a bind. She’s surrounded by these hustlers and she wants to get away. The short interlude “The Set Up”, she wants to leave her man because she believes the relationship isn’t working out but he’s not taking her seriously and then these dudes run up on him who represent for her and protect her by killing him right there on sight. “If I” comes on. It’s a joint that’s the answer to the interlude. She talks about what would happen if she could rewind time back to when life was good. Her life and relationship changes when she starts to blow up and become an artist. Great storytelling. An original purpose in hip hop that I love. “The Chase” is another hard joint about the street life. Running around just trying to survive. “Ill Na Na”, the album title joint, my dude Mef appears on this one. What I love about Mef is that he has a special way of collaborating with people. It’s not just a normal joint featuring Method Man, he actually blends well with other artists by feeling out their vibe and feeding the listeners who he’s vibing with on the track. He’s the perfect collaborator to me. This joint shows love to Foxy about her style and who she is. She almost gives the men a taste of what she likes and what she’s about at the same time giving the ladies some inspiration to be proud of the women they are if they relate to her style and ways. “No One’s” a smooth joint with the smooth sounds of Khadijah Bass. The joint comes from The S.O.S. Band’s “No One’s Gonna Love You.” It works very well over a hip hop track. I honestly don’t think this joint would work with anybody else on the hook and chorus. “Fox Boogie” is hands down my favorite joint on the album just because Kid Capri is on the track. He provides all the flavor and party vibe on the track. This is the joint you put on at parties when everybody come together and have their red cups and everybody is singing along to “Uggggghhhh, na na na naaaaa!” Foxy keeps it strictly Foxy style still. Giving the people who the fuck she is. That cocky rapper joint. Everybody has their cocky tracks and that’s okay. That’s the best part about hip hop: the boldness and rebelliousness. It’s a beautiful thing. The joint transitions into “I’ll Be”, another single released from the album and my boy Jay-Z appears on this one. This is the joint everybody knows when it comes to Foxy Brown. That Rene & Angela sample was genius too. Foxy and Jay have that 90’s Bonnie & Clyde thing going on before he had Beyoncé. The album ends on a continuation of the intro and Isaac Hayes says the last things that he wanted to say before the beat stops. Hands down, this album is my all time favorite when it comes to women in hip hop. Truly a masterpiece. I enjoy it every single time I listen to it. I get this movie in my head of almost a hood version of Romeo & Juliet. I remember posting about this album on it’s 18th and 19th anniversaries too and Foxy showed me love with kisses and heart emojis. She’s truly my heart when it comes to women MC’s. See how I switched it up? But still. I hate the label regardless. It’s safe to end this on a good note. I can finish the movie in my head I have while listening to this album with her video of “Big Bad Mamma” featuring Dru Hill. Stephon Marbury pops up on the sofa across the room from her and goes “Ayo Fox! Why you ain’t at the ball yo!?” It’s the Cinderella story of a hood girl who made it through the shit she been through during “Ill Na Na” and now she’s a survivor. Fox Boogie Brown is definitely bad as hell. Salute to a legend, one of hip hop’s ILLEST women on the M-I-C. Love you Fox! Word, one love.