Tag: 20 Years

It’s Dark And Hell Is Hot: The 20th Anniversary

As the 90’s were slowly coming to an end, hip hop was in a place where it was shiny, glittery, and downright Hollywood. With it’s shiny suits and dresses, fancy cars and jewelry, big smiles and alcohol, all it took was for one guy from Yonkers to come along and redirect hip hop back to it’s roots in the streets. With his rough exterior and vulnerable lyrics and big attitude, Earl Simmons aka DMX not only brought hip hop back to the streets but he was the first artist in hip hop to release two number 1 albums in the same year. On May 12th, 1998, DMX released his debut album “It’s Dark And Hell Is Hot.” With four singles out, DMX was the new face and voice for the streets, the ghetto, the first to be the voice for vulnerable black men in hip hop since Treach from Naughty By Nature. Giving us stories of pain, abuse, struggle, drugs, violence, and sex, while staying true to his higher faith. Just like his hometown natives, Mary J. Blige and The LOX, he also gives that same gritty, street, raw emotion, pain and truth in his music. “Get At Me Dog”, “Stop Being Greedy”, “Ruff Ryders’ Anthem”, and “How’s It Goin’ Down” featuring Faith Evans were all big hits for Simmons. 20 years later, Simmons is known as one of hip hop’s most treasurable artists. One of those artists that stayed true to hisself an where he comes from, despite the troubles with the law, drugs, and alcohol. With an acting career and also party hits underneath his belt, DMX is a certified legend in this hip hop biz.

Capital Punishment: The 20th Anniversary

If you’re a true Bronx native, you see this man all the time on the classic mural on the corner of 163rd Street and Intervale Avenue across the street from White Castle. On top of the mural is the sentence that sums up this man’s legacy in hip hop and in The Bronx. Known as the first Latin artist to go platinum is a definitive spot in the “GOAT” discussions with the homies in the barbershop but of course the lyrical ability and word play is also a conversation topic as well. Christopher Rios aka Big Pun released his debut album “Capital Punishment” on April 28th, 1998. Pun started off in a underground hip hop group called “Full-A-Clips” with the name Big Moon Dawg and then later on became Big Punisher. After meeting another fellow Bronx native, already known artist named Fat Joe, in 1995, he appeared on the track “Watch Out.” He also appeared on The Beatnut’s “Off The Books”, which was a success. Then comes the debut single “I’m Not a Player” with the O’Jay’s sample which was an underground success and then a remixed version came along, featuring the singer Joe, which became Pun’s debut successful single and took him to another level. On April 28th, 1998, Pun then released his debut album which went #5 on the Billboard charts and then eventually making Pun the first Latin artist to go Platinum. Pun then became a part of the infamous Terror Squad and then he tragically died due to a weight problem. Still one of the greatest to ever touch a mic, Big Pun’s legacy will always remain.

Harlem World: The 20th Anniversary

20 years ago, there was this skinny, fly guy from Harlem. His style was laid back and he always smiled. Growing up in the streets of New York, nobody likes a person whose always smiling because it didn’t reflect the lifestyle of the streets. The streets are rough and nothing to play with but this guy made it okay for rappers to come from that lifestyle, be fresh, dance a little in your music videos, especially if you’re signed to Diddy and the Bad Boy family, and still smile. This guy was close friends with Cam’ron, Damon Dash was his manager until Big L came into the picture but it wasn’t until his sister got him to meet a guy named Cudda Love. Cudda Love was a road manager for The Notorious B.I.G. and in 1996, Cudda took this guy with him to Atlanta to meet Jermaine Dupri and Diddy. After meeting with Diddy, he was signed to Bad Boy. This guy we speaking of here is Mason Betha aka Ma$e. On October 28th, 1997, Ma$e released his debut album “Harlem World.” A hip hop album that only focused on life in Harlem, the streets, partying, having a good time, looking good, and getting with every pretty woman who walks by with a cute face and a fat ass. With only three singles released and an appearance on the remix of 112’s “Only You”, Ma$e quickly became a superstar overnight and took hip hop to its “bling bling” and shiny suit era. True hip hop fans weren’t pleased with the extravagance of things being in hip hop. It’s supposed to strictly be about the hard knock life but Ma$e definitely had his fair share of telling those hood tales too. Who’s to say that hip hop didn’t already get a taste of that bling bling life when LL put out “Walking With a Panther”? The only difference is that LL got flack for it, Ma$e didn’t get the same flack LL got but let’s keep it on topic. That’s a whole ‘nother story. After the success of “Harlem World”, nothing after that was as successful. Mase did appear on other songs and eventually put out more music but nothing had the same magic as “Harlem World.” Mase is one of those guys where people would debate whether or not he’s a legend. He may have not had a long lasting career but his debut is definitely something to still enjoy from start to finish. It’s a classic only from it’s time when hip hop when fully “bling bling.”

The Velvet Rope: The 20th Anniversary

After her 1993 self titled album and a 1995 greatest hits, compilation album, Janet Jackson returns in 1997 with another album. The transition from the “Poetic Justice”, sexy, smooth talking, convincingly enough to draw you in as a man, big braids rocking and ripped high waist jeans, to a much more darker and in your face Janet. An album that touched on deeply personal subjects of depression, anorexia, body dysmorphia, self harm, emotional breakdowns, and even domestic violence, to me it is Janet’s best work to date and my personal favorite of them all. 20 years ago, on October 7th, 1997, Janet Jackson released her sixth album “The Velvet Rope.” With only six singles released between September 1997 and November 1998, Janet had another successful album under her belt. Before the release of the album, Janet renewed her contract with Virgin Records. Other labels were in a bidding war trying to get Janet to join them instead of Virgin, and she renewed her contract with a whopping $80 million, which was the largest recording contract for an artist at that time also making Janet one of the most highest paid artists ever in music history. With production from her husband at the time, Rene Elizondo, Jr. and her longtime collaborators Jimmy Jam and Terry Lewis, “The Velvet Rope” is a masterpiece from beginning to end. There are absolutely NO skips on this joint. At all. The album’s production had a mixture of hip hop, R&B, pop, trip hop, folk, jazz, rock and electronic. To me though, it’s just hip hop and R&B production with guitars and pianos, a little bit of pop but not bubble gum, it’s a dark but amazing album. It’s sitting in your room alone, in the dark, crying all day and you didn’t bathe or eat or slept, you’re ignoring the entire world and you feel like you no longer want to exist, kinda album. One day you’re like “You know what? Fuck this, fuck that, fuck you, fuck everybody!” and the next you’re like “Hopefully, this will be a good day today. I’m alright today. I’m gonna call up my homies to see what’s the move today. Maybe go shopping, visit a friend, something fun.” It’s that kinda album. With so much topics this album has, you can really easily catch the ups and Down of Janet’s life and world on this joint. She’s happy, then she’s angry, then she’s sad and depressed, lonely, this album takes you all over and takes you there. Her vocals are angelic and perfect. The beats hit hard enough to feel it in your chest and to make you nod your head. The lyrical content is real and relatable. It’s timeless music. Timeless Janet. 20 years later, it’s still as amazing as it was back when it first came out. The transition from this album to her later ones got stronger but later on her career did a dangerous decline over an incident that she was a victim of but of course, Janet still comes back with a stride in her walk and a attitude and energy that’s unparalleled.

Release Some Tension: The 20th Anniversary

After two successful albums, SWV returns right away with a third album that was completely different. Their 1992 debut album “It’s About Time” showcased them as the “around the way” girls with the golden voices bopping their heads and dancing in baggy clothes with long nails from The Bronx and Brooklyn. Their sound was new jack swing and heavy New York hip hop boombap with a combination of their soothing and beautiful voices on a love song with a little bit of rapping and playfulness that represented how strong their bond was as sisters who have finally made it out the hood. Four years later, their 1996 sophomore album “New Beginning” was a more softer side of the group. Way more ballads and left their home girl looks for the more feminine look in high heels and fur coats and then a year later, right after, on August 13th, 1997, the group released their third album “Release Some Tension.” This album was more of a combination of the two previous albums before because there are both hip hop vibes and love ballads at the same time. The only difference is that this album had way more collaborations and features than the other two. All of the guest appearances were hip hop. Diddy, Foxy Brown, Redman, Lil’ Cease, Missy Elliott, Lil’ Kim, E-40 and Snoop Dogg all appeared on the album. All of the singles released were a hit and definitely a banger, the entire album is a masterpiece to me personally. “Can We” originally appears on the soundtrack to the “Booty Call” movie starring Jamie Foxx, Tommy Davidson, Tamala Jones and Vivica Fox. “Someone” features a small rap from Diddy and is sampled from Biggie’s “10 Crack Commandments.” “Lose My Cool” is a very cool song featuring Redman. It’s funny because he sings along towards the end of the song which gave it a more “homey” feel to the track and of course Redman is being himself and could do no wrong and the final single “Rain” balances the album’s singles out with a slow ballad. The music video guest stars Tyrese. Besides the singles, the title track song and “When U Cry” are my top favorites on the album. It’s a classic that’s under appreciated to me. It holds a special place to me when it comes to girl group albums because I grew up on it so I know the album very well. It’s an album I grew up hearing all the time. 20 years later, I still appreciate this album like I did as a kid. Very nostalgic, takes me back to when I was 3. Happy to be here to see this joint turn 20 and to see Coko, Lelee and Taj still doing their thing. They’re a legendary girl group, a top 5 girl group for me personally.

Reflections of Hip Hop

When Hip Hop was born I was only 6 years old living in Marlboro projects in Brooklyn New York. As I got older, I would write rhymes and perform at the skating rink. When I was feeling down I could always count on Hip Hop to lift me up. I would go to all the shows and sneak backstage to meet my favorite artists. In Brooklyn, In the 70’s we we’re listening to James Brown, MFSB, Chic, and other soulful artists before Rappers Delight hit the world by storm in 79′. After that it quickly became a “Domino effect“, everybody wanted in. The rest is history. The first Hip Hop song I fell in love with was Planet Rock, I got lost in those drums. I played it over and over and my mom use to scream at me “Iris, turn that sh** down!!!!” I remember like it was yesterday. The first years of Hip Hop were the best years of my life with park jams, skate jams and parties. Hip Hop brought everyone together and formed a bond that can never be broken. After 44 years Hip Hop is still in my blood and always will be. I can go on and on but I’ll leave it as “Long Live Hip Hop!!!!”

 

Supa Dupa Fly: The 20th Anniversary

Once again, another great classic hip hop album has reached a milestone. It’s like excitement and disbelief at the same time because I was once a kid listening to it when it came out. To give a quick recap, Missy Elliott is one of hip hop’s most creative artists. She got her start in an R&B group called Sista under the management and direction of Jodeci’s own DeVanté Swing but when things started to take a change for the worst, Missy abandoned the group and everything she worked hard for at the time. Fast forward to the summer of 1996. Missy appears on Gina Thompson’s remix of “The Things That You Do” and she also wrote and produced on Aaliyah’s “One In a Million.” Then, a year later, on July 15th, 1997, Missy released her debut album “Supa Dupa Fly.” An album with a sound that was like no other. Timbaland’s production and Missy’s creative, bright and colorful music videos and catchy songs full of R&B vocals and raps made Missy an innovator right out the gate. Her and Busta Rhymes both had music videos that were super cartoonish and creative. Missy brings you, rapping, singing, dancing, and a bunch of other stuff that you’ve never heard and/or seen before and it made you want more. Singles like “The Rain (Supa Dupa Fly)”, “Hit ‘Em Wit Da Hee”, “Beep Me 911” and “Sock It 2 Me” were all on heavy rotation during 1997 and 1998. Other albums cuts like “Best Friends” and the catchy and dope interlude skit “Bite Our Style” were my favorites outside the singles. Missy’s style and look was also something innovative. She brought back the finger waves that was out during the 80’s, with baggy clothes and sneakers. Ski goggles, garbage bags, oversized baseball jerseys, track suit pants and big sunglasses. A combination of looks that came with a person who was very confident in her size and it also proved to women that you can be yourself. Being plus sized was also beautiful, especially in a world where they only celebrate being thin. 20 years later, Missy is still someone who doesn’t get the credit she deserves as a producer but that’s something normal in hip hop, something that shouldn’t be. Women not getting the same or equal recognition as the men. Makes women like Missy shine even brighter and makes her even more legendary for always staying true to herself in a male dominated field. She’s always “Supa Dupa Fly.”

FEELING THE FORCE WITH THE LEGENDARY FORCE M.D.’s

Have you ever had your partner say “Baby Let Me Love U”? Well, there is a group called The Force M.D.’s, which is an American R&B vocal group that was formed in 1981 in Staten Island, New York. Although the group has old school hip hop roots, it is perhaps best known for two tunes that are widely considered 1980s quiet storm classics, “Tender Love” and “Love is a House”. They are considered major forerunners of the new jack swing. The band was originally named The L.D.s, and then became the Force MCs, but ultimately preferred the name Force M.D.’s, which stood for Musical Diversity. Though the group was not quite always as recognizable as other New York R&B acts when it first started, they were among the first R&B vocal groups to intermix doo-wop-affected singing with and sometimes over hip-hop beats. The group was composed of brothers Stevie D., Antoine “T.C.D.” Lundy, and Rodney “Khalil” Lundy, along with their uncle Jessie Lee Daniels. (Later, friends “Trisco” Pearson and Charles “Mercury” Nelson from the Marines Harbor projects in Staten Island, NY joined the group.) They performed at different venues such as BB Kings, and the Eve Ultra lounge until this day their hit songs are still being played on the radio. Three of the group’s members died within five years of each other: Nelson suffered a fatal heart attack in 1995; former collaborator DJ Dr. Rock died suddenly of natural causes in 1996; and in 1998, Antoine Lundy died of Lou Gehrig’s disease. Trisco Pearson died on September 16, 2016, of an undisclosed illness. But that does not stop the group from performing worldwide. The Force M.D.’s are still standing strong after all these years; you can see them at an up coming performance in June at BB Kings in Manhattan. Did I tell there is new music on the way? Check out their new single Don’t Rush now available on iTunes. May the Force be with you.

Written Jewels 78

 

 

Share My World: The 20th Anniversary

“…And the most innovative female singer of our decade…. Many have describe her as the paramount, the most soulful, the most prolific…. Who else is accepted in the streets as well as by their peers?” says the man of the voice that is being played in the beginning of this classic album. Behind the masterminds of Trackmasters’ very own Tone & Poke, Jimmy Jam & Terry Lewis have also put this magic into creating this hip hop/R&B masterpiece that we all know and love today. After the street girl persona on “What’s the 411?” and the personal, heartfelt, dark and depressing but deeply loved and appreciated “My Life”, Mary steps out on her own, away from Diddy to share her world in a totally different and new light that showed a more positive, uplifting and hopeful Mary with an attitude that was still looking forward to more positive things in life. 20 years ago on April 22nd, 1997, Mary J. Blige released her third album, “Share My World.” With an opening statement that best describes Mary’s impact and contribution to music, the intro further goes on with previous hit songs and award show appearances in which she won in her career at the time leading up to a perfect current new moment in her career that starts off with a Mobb Deep sample loop and “I Can Love You” comes in. “I Can Love You” is the second song on the album and the second single released in July 1997. The song features Lil’ Kim and it’s a song about convincing a man how she’s a better lover for him than the current woman he’s with. The music video takes place in a random woods in a abandoned little house and there’s a party going on. In the middle of the party, Mary notices the man she was with hanging out with another woman. She walks away mad in the end. The next song “Love Is All We Need” is the first single released from the album but the third track on the album. An inspirational and uplifting song about loving one another and being in peace with each other. It samples Rick James’ “Moonchild.” It goes both ways though, one as lovers and the other as a people. The song features Nas. There’s a hidden version without Nas but the music video takes place in a downtown office in NY where Mary plays as fashion designer, then as an important woman on the job or an executive and then as models ripping the runway and the video ends with her on the roof of a building rocking a fly fur coat. “Round and Round” is a top 5 joint on this album to me personally. Thanks to DJ Premier, it has the same sample loop as Jay-Z’s “D’evils” on his 1996 debut, “Reasonable Doubt.” The song definitely has that underground NYC hip hop sound with a dark like scary tone like a villain’s theme song but with a heavy bass hip hop beat and Mary’s raw and raspy vocals. It’s in true Mary style. “Share My World” starts with an interlude about appreciating Mary’s beautiful blackness. An interlude that turns into a song about appreciating Mary for who she is as a black woman. Being the man who loves and appreciates her for her natural beauty and features and not for what she’s not. Mary has stated herself that during this album, she wanted to touch on subjects that talked about appreciation for her looks because she was in a relationship with someone who complained she was “dark or light enough” and that she had hair that was either not “straight, long, or nappy enough.” “Seven Days”, the fourth single released from the album and ironically, the seventh joint on the album about a friend who turns into a lover. Guest appearance from George Benson who appears in the music video playing guitar and singing at the end. “It’s On”, which was written, produced, and featured by R. Kelly is a love making song. “Thank You Lord (Interlude)” a lovely short ballad skit that was written by Kelly Price. So soothing and beautiful. “Missing You”, a slow ballad about missing someone’s presence but she’s not “in love” with him. “I’m not in love, it’s just some kinda thing I’m going thru, goin’ thru, goin’ thru and it’s not infatuation, ain’t nothing goin’ on between me and you, me and you, me and you but I dream about it every night baby, wanting you here with me and making love to me….” The first verse says it all. “Everything”, the third single released but the eleventh joint. One of Mary’s signature songs. Samples The Stylistic’s 1971 hit song “You Are Everything” but has a whole new twist to it. The music video takes place in Hawaii where Mary is looking beautiful in different hairstyles and looks and can’t forget to mention the very underrated So So Def Remix featuring Jermaine Dupri and Roc. The remix got inspiration from D-Nice’s “My Name Is D-Nice.” In the beginning, Mary says “I’m Mary J. Blige, I’m, I’m, I’m Mary J. Blige.” The music video was similar except she’s not in Hawaii, it’s just her, JD and Roc dancing all over and a bunch of Mary’s faces are all over the place repeatedly. The hip hop soul queen’s crown sits more comfortably on her head for that one… big time! “Keep Your Head”, another personal favorite of mine off the album. This song has a similar beat to Nas’ remix to “Street Dreams.” It also has that hip hop vibe like “Round and Round” and “I Can Love You.” Another song about staying positive and trying to stay positive. Mary almost goes into storytelling style like Slick Rick about how she tries to be a more positive individual herself. “Can’t Get You Off My Mind” is another dope hip hop song that features The LOX. Mary gave them their first taste of success when she introduced them to Diddy back then. “Get To Know You Better” is my top favorite on the album. This song gives me Neo Soul vibes. I love everything about this song. The bass, the beat, the vocals, it’s easily the best one. Mary goes into her positive spirituality mode again on this joint. “Why do we go thru things unnecessary, why can’t we understand that our love is the key….”, my favorite line in the song. The chorus puts me in a trance and I get lost in the stacking smooth vocals. I love it. “Searching” is my second favorite on the album just for the sick hip hop beat and the clever way Mary basically remade the Roy Ayers song with the same name and she even got into her 1970’s soul singing Ways by scatting the same way Roy’s song sounds. Mary’s ability to bring hip hop and soul together, this song is the perfect example of that, in fact, it’s a top 3 example of Mary’s songs with the perfect combination of hip hop and soul to me. “Our Love”, a beautiful Natalie Cole remake and the album ends with “Not Gon’ Cry”, which was originally on the “Waiting to Exhale” soundtrack back in 1995. “Share My World” is my second favorite Mary J. Blige album because I loved it’s positive attitude, emotional honesty, underground NYC hip hop/Neo soul sound that to me was far more interesting to me than “My Life.” Everything about this album is absolutely perfect and the beginning of a new and improved Mary. 20 years later, Mary is still sitting very high on her throne and has a new album releasing in 6 days. This album is definitely on the list of a lot of people’s top Mary J. Blige albums. Definitely a classic right here. From start to finish. Mary, Mary, Mary…. live ya life girl!

Life After Death: The 20th Anniversary

20 years ago, Brooklyn’s very own The Notorious B.I.G. passed away in Los Angeles from a drive by shooting. His passing was definitely a huge loss in hip hop history and then 16 days later, his second album “Life After Death” was released. The album was released on March 25th, 1997. A double disc album that came at the right time after his death. The album touches on topics of enjoying life, success, street crime, and paranoia, with a little bit of Biggie’s comedic touch and funny storytelling while trying to stay positive with hopes of escaping the life he once had while growing up in Brooklyn, trying to survive. It was almost like the Brooklyn MC knew his time was coming. Compared to “Ready to Die”, this album was more of Biggie trying to escape the street life and becoming more of a man whose trying to focus more on the positive things in life while still keeping an eye out for anything lurking, coming his way that made him feel paranoid. To me personally, this album only had a few cuts that I was able to skip past while “Ready to Die” was a masterpiece that was able to be played all the way through without any skips. The album starts off with a skit where Diddy is talking to Biggie and trying to make sure he stays alive. It’s a perfect way to get the album started. Biggie flatlines at the end and then as the album goes on, it seems as though he’s talking to us, telling us stories from another place in life, a life after death. Besides the classic singles released from the album, “Kick In the Door”, “Last Day”, “What’s Beef?”, “I Got a Story to Tell”, “The World Is Filled…” and “My Downfall” are all standout tracks to me. Everything about those tracks from the production, the storytelling and of course the way Biggie delivers with his voice. This isn’t just plain rapping, this is a storyteller’s life and the things that were going on in his head. After all, a tragedy that took the MC’s life and cut it short turns into a celebration because the love of his fans and family keeps his legacy alive. In the words of The LOX, we’ll always love Big Poppa.