Sammy” Davis Jr.

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Samuel George “Sammy” Davis Jr. (December 8, 1925 – May 16, 1990) was an American entertainer. Primarily a dancer and singer, he was also an actor of stage and screen, comedian, musician, and impressionist, noted for his impersonations of actors, musicians and other celebrities. At the age of 3, Davis began his career in vaudeville with his father and Will Mastin as the Will Mastin Trio, which toured nationally. After military service, Davis returned to the trio. Davis became an overnight sensation following a nightclub performance at Ciro’s (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, he lost his left eye in a car accident, and several years later, he converted to Judaism.

Davis’s film career began as a child in 1933. In 1960, he appeared in the Rat Pack film Ocean’s 11. After a starring role on Broadway in 1956’s Mr Wonderful, he returned to the stage in 1964’s Golden Boy. In 1966 he had his own TV variety show, titled The Sammy Davis Jr. Show. Davis’s career slowed in the late 1960s, but he had a hit record with “The Candy Man” in 1972 and became a star in Las Vegas, earning him the nickname “Mister Show Business”.

Davis was a victim of racism throughout his life, particularly during the pre-Civil Rights era, and was a large financial supporter of the Civil Rights movement. Davis had a complex relationship with the black community, and drew criticism after physically embracing President Richard Nixon in 1972. One day on a golf course with Jack Benny, he was asked what his handicap was. “Handicap?” he asked. “Talk about handicap. I’m a one-eyed Negro Jew.” This was to become a signature comment, recounted in his autobiography, and in countless articles.

After reuniting with Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before he died of throat cancer in 1990. He died in debt to the Internal Revenue Service, and his estate was the subject of legal battles.

Davis was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Emmy Award for his television performances. He was the recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Samuel George Davis Jr. was born on December 8, 1925, in the Harlem section of Manhattan in New York City, the son of entertainer and stage performer, Sammy Davis Sr., an African-American entertainer, and Elvera Sanchez, an Afro-Cuban tap dancer. During his lifetime, Davis stated that his mother was Puerto Rican and born in San Juan. However, in the 2003 biography In Black and White, author Wil Haygood writes that Davis’s mother was born in New York City to parents of Cuban, Afro-Cuban, and African-American descent, and that Davis claimed he was Puerto Rican because he feared anti-Cuban backlash would hurt his record sales.

Davis’s parents were vaudeville dancers. As an infant, he was reared by his paternal grandmother. When he was 3 years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour.

Davis learned to dance from his father and his “uncle” Will Mastin, who led the dance troupe his father worked for. Davis joined the act as a child and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism. Snubs were explained as jealousy, for instance. When Davis served in the United States Army during World War II, however, he was confronted by strong racial prejudice. He later said: “Overnight the world looked different. It wasn’t one color any more. I could see the protection I’d gotten all my life from my father and Will. I appreciated their loving hope that I’d never need to know about prejudice and hate, but they were wrong. It was as if I’d walked through a swinging door for 18 years, a door which they had always secretly held open.” At age 7 Davis played the title role in the film Rufus Jones for President, in which he sang and danced with Ethel Waters Davis lived for several years in Boston’s South End, and reminisced years later about “hoofing and singing” at Izzy Ort’s Bar & Grille.

During service in World War II, the Army assigned Davis to an integrated entertainment Special Services unit and he found that the spotlight lessened the prejudice. Even prejudiced white men admired and respected his performances. “My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man’s thinking,” he said.

After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949, under the pseudonyms Shorty Muggins and Charlie Green.

On March 23, 1951, the Will Mastin Trio appeared at Ciro’s as the opening act for headliner Janis Paige. They were only to perform for 20 minutes but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped.

He began to achieve success on his own and was singled out for praise by critics, releasing several albums. This led to Davis being hired to sing the title track for the Universal Pictures film Six Bridges to Cross in 1954, and later to his starring role in the Broadway play Mr. Wonderful in 1956.

In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering “the Clan”, but Davis voiced his opposition, saying that it reminded people of the Ku Klux Klan. Sinatra renamed the group “the Summit”, but the media referred to them as the Rat Pack, the name of its earlier incarnation led by Humphrey Bogart and Lauren Bacall. The group made several movies together, including the original version of Ocean’s 11 (1960), Sergeants 3 (1962), and Robin and the 7 Hoods (1964), as well as many joint stage appearances in Las Vegas and elsewhere.

Davis nearly died in an automobile accident on November 19, 1954, in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles. In 1953, he had struck up a friendship with comedian and host Eddie Cantor, who gave him a mezuzah. Instead of putting it by his door, as a traditional blessing, Davis would wear it around his neck as a good luck charm. The only time he forgot it was the night of the accident. The accident occurred at a fork in U.S. Route 66 at Cajon Boulevard and Kendall Drive (34.2072°N 117.3855°W). Davis lost his left eye to the bullet-shaped horn button (a standard feature in 1954 and 1955 Cadillacs) as a result. His friend, actor Jeff Chandler, said he would give one of his own eyes if it would keep Davis from total blindness. Davis wore an eye patch for at least six months following the accident. He was featured with the patch on the cover of his debut album and appeared on What’s My Line? wearing the patch (March 13, 1955). Later, he was fitted for a glass eye, which he wore for the rest of his life.

While in San Bernardino’s Community Hospital, Cantor told him about the similarities between the Jewish and black cultures. Prompted by this conversation, Davis—who was born to a Catholic mother and Protestant father—began studying the history of Jews. He formally converted to Judaism several years later, in 1961. One passage from his readings (from the book A History of The Jews by Abram L. Sachar), describing the endurance of the Jewish people, intrigued him in particular: “The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush.” The accident marked a turning point in Davis’s career, taking him from a well-known entertainer to a national celebrity.

In 1957, Davis was involved with Kim Novak, a young actress under contract to Columbia Pictures. The head of Columbia studio, Harry Cohn, was worried about the negative effect this would have on the studio because of the prevailing taboo against miscegenation. He called his friend, mobster John Roselli, who was asked to tell Davis that he had to stop the affair with Novak. Roselli arranged for Davis to be kidnapped for a few hours to throw a scare into him. His hastily arranged and soon-dissolved (after nine months) marriage to black dancer Loray White in 1958 was an attempt to quiet the controversy. In a 2014 BBC documentary, it was disclosed that Cohn arranged for Davis to be threatened with having his other eye put out or his leg broken if he did not marry a black woman within 48 hours. At his wedding celebration he became so inebriated that his friend, Arthur Silber, put him to bed. Upon checking later, Silber caught him holding a loaded pistol to his head. The marriage to Loray White was never consummated, Davis having offered to pay her $10,000 to enter into a sham marriage.

In 1960, Davis caused controversy again when he married white Swedish-born actress May Britt. Davis received hate mail while starring in the Broadway adaptation of Golden Boy during 1964–1966 (for which he received a Tony Award nomination for Best Actor). At the time Davis appeared in the play, interracial marriages were forbidden by law in 31 states (but were legal in New York), and only in 1967 were those laws ruled unconstitutional by the Supreme Court of the United States. Davis and Britt had one daughter Tracey and adopted two sons. Davis performed almost continuously and spent little time with his wife. They divorced in 1968, after Davis admitted to having had an affair with singer Lola Falana. That year, Davis started dating Altovise Gore, a dancer in Golden Boy. They were married on May 11, 1970, by the Reverend Jesse Jackson. Kathy McKee replaced Altovise in Davis’s nightclub act. They adopted a son, Manny, in 1989. Davis and Altovise remained married until his death in 1990.

Davis was a registered Democrat and supported John F. Kennedy’s 1960 election campaign as well as Robert F. Kennedy’s 1968 campaign.

However, he became a close friend to President Richard Nixon and publicly endorsed him at the 1972 Republican National Convention. Davis also made a USO tour to South Vietnam at Nixon’s request. Previously, Davis had won Nixon’s respect with his participation in the Civil Rights Movement. Nixon invited Davis and his wife, Altovise, to sleep in the White House in 1973, the first time African Americans were invited to do so. The Davises spent the night in the Queens’ Bedroom.

Davis was a long-time donor to the Reverend Jesse Jackson’s Operation PUSH organization. Jackson also performed Davis’s wedding.

In August 1989, doctors found a tumor in Davis’ throat. Davis died in Beverly Hills, California, on May 16, 1990, aged 64, of complications from throat cancer. Earlier, when he was told that surgery (laryngectomy) offered him the best chance of survival, Davis replied he would rather keep his voice than have a part of his throat removed; he subsequently was treated with a combination of chemotherapy and radiation. However, a few weeks prior to his death, his entire larynx was removed during surgery. He was interred in the Forest Lawn Memorial Park in the Garden of Honor, Lot 5774, Space 1 in Glendale, California, next to his father and Will Mastin.

On May 18, 1990, two days after Davis’s death, the neon lights of the Las Vegas Strip were darkened for 10 minutes as a tribute to him. He was survived by his wife, his daughter, his sons, his sister, his mother, his grandmother, and two grandchildren.

Written by Dianne Washington