On this day in 1999, Mary J. Blige aka The Queen of Hip Hop Soul, released her fourth self titled album called “Mary.” I remember vividly that summer when the album came out like it was yesterday. I was 5 years old and I spent that entire summer at my auntie’s house in Virginia with my sister and cousins. Whenever we watched TV, my older cousin used to watch music videos all day from MTV Jams. I remember seeing Lauryn Hill’s “Doo Wop (That Thing)”, Ginuwine’s “So Anxious” and Mary J. Blige’s “All That I Can Say” music videos the most. I am a huge Mary J. Blige fan, the same way I’m a ATCQ fan. I have every Mary J. Blige album, music videos downloaded and saved on my flash drive, magazines, books, posters and a VHS tape from back in 2008. I’ve been a fan of Mary since I was 2 years old and even my family can tell the stories about me being a Mary fan as a kid. Those stories amaze me still to this day but anyways, back to this album. “All That I Can Say”, the very first joint on the album and the first single released from this album was a great way to start the album off right. Compared to Mary’s first three albums, this album was more R&B/soul with that Gap Band, Earth, Wind & Fire, Stevie Wonder vibe than the usual hip hop vibe Mary is known for in her sound. To me it’s like her “Share My World” album only more R&B so the evolution in Mary’s career was a perfect one. “All That I Can Say” was written and produced by Lauryn Hill and she even sings background on it too. It’s a very dope song with a “I’m gonna have a good day” kinda vibe and the music video was something different from Mary too. She presents a whole new femininity side of her that wasn’t seen before. The whole time in the video, she’s dreaming of searching for her man by walking down the street vibing in her usual Mary vibe, singing and doing her little nods and rocking, then she’s all over billboards and street lights with these red balls flying around everywhere on Times Square-42nd Street, then she’s in a dress on an escalator going to the sky and then there’s skyscrapers, the sky and she’s walking on cloud 9 literally towards a man whose just standing there and then she wakes up bugged out about the dream and it ends. This video was in heavy rotation on MTV Jams back in 1999. “Sexy” is the second joint on the album featuring The Lox’s very own Jadakiss. This is the only song on the album with a hip hop vibe and the song takes inspiration from Michael Jackson’s 1979 joint “I Can’t Help It”, which is my all time favorite Michael Jackson song from his album “Off the Wall.” The song talks about making love. The third song “Deep Inside” and the second single released from this album, is a joint about Mary wanting acceptance for who she is and not the superstar. It was only right that Elton John appears playing piano on the song because the song samples from his song “Bennie and the Jets.” The music video was dope too. She’s on tour, she walks backstage and sees these “demons” everywhere. Then she’s walking down the street, drops her jacket and appears in an all white outfit with a fur vest. Then the best part is when she busts out into a dance sequence in all red with backup dancers to her underground hit “Sincerity” featuring Nas and DMX. That song can be found on the limited edition of this album. Then she sings the rest of “Deep Inside” and the video ends with “M-J-B” and a walk off. “Beautiful Ones” the fourth song on the album. I absolutely love the vibe of this song. Everything about it to the beat, the chorus and harmonies, that song I can say low key had a hip hop vibe too cause the beat has this bass in it that’s strong if you have the right speakers to listen to that joint. “I’m In Love”, the fifth song on the album and a remake that was originally done by The Gap Band. Mary puts her own raspy and rawness twist to it. If you have the original “Mary” album release, “Time” is the sixth joint but if you have the limited edition, it’s “As” a classic remake with George Michael and originally done by Stevie Wonder. The video is just George and Mary with their thousands of doppelgängers all over the club. “Time” is hands down my favorite joint on the album. To me this is Mary’s most conscious record. She talks about drugs and crime in the black communities all over America and preaches that people should stop the violence and come together but I can’t forget to mention how sick and wicked the beat is. It reminds of me bugs crawling, when you watch a beetle crawl just like in the cartoons, it has this sound effect and that’s what the beat reminds me of. “Memories”, the seventh joint, this is my second favorite on the album. The harmonies match the beat so well. Mary took her vocal stacking to the next level on this album to me and I get goosebumps. “Don’t Waste My Time”, the eighth joint featuring the Queen of Soul. Aretha Franklin. Both Mary and Aretha battle it out on this song about a man whose wasting his woman’s time by being with her knowing that he still has feelings for another woman. “Not Lookin'”, the ninth joint featuring K-Ci Hailey of Jodeci. This is an awkward song because both Mary and K-Ci were together back in the early 90’s during her “What’s the 411?” and “My Life” days. Mary is basically telling him off about his “mack daddy” ways and avoids him trying to woo her and get back with her but she wasn’t having it. LOL! “Your Child”, the tenth joint and the third single. Mary tells a story about a man’s infidelity and having a baby by another woman and the music video was spot on perfect for the song. “No Happy Holidays”, the eleventh joint, Mary talks about being with a man who never spends his holidays with her. She spends the holidays alone while he’s out maybe with family. The twelfth joint, “The Love I Never Had”, Mary talks about having feelings for a man she can’t have. “Give Me You”, the thirteenth joint and final single. This was my favorite when I was younger but “Time” replaced it instead. This song is about Mary wanting her man to give her his all, meaning love and affection and not materialistic things. Michael Jordan appears in the music video and last but not least Mary’s remake of the classic “Let No Man Put Asunder.” What a great way to end the album with a classic 70’s dance track that was originally done by First Choice. To me, this album reflected a more sensitive side of Mary. She got rid of the “homegirl” attitude and hip hop sounds for the big ballads. I would rank this album maybe fifth or sixth on my first to last list of Mary J. Blige albums.
Written by Jay-Doggz