Whats Buzzing in the Streets – Page 80

Crotona Park Jams: Tools of War 2017

Every year for the past 15 years, a hip hop park jam called “Tools of War” have been happening all throughout the boroughs here in New York. A park jam that’s dedicated to having fun, togetherness, peace and unity and of course celebrates the early days of hip hop culture. Driven with the same energy and compassion as it did back then, Tools of War has an absolute no recording policy, just like back in the day. It’s just you and your memory. No evidence, more about having fun and creating memories without having to capture every moment for social media these days. Always and forever hosted by the legendary Grandmaster Caz of the hip hop group The Cold Crush Brothers and known as hip hop’s very first rapper/DJ. As a Bronx native myself, I’ve been living in the same area for almost the same time that Tools of War has been around but didn’t find out until 2 years ago. Of course, as a heavy hip hop fan, I was absolutely amazed and excited about it when I attended my first Tools of War event. The experience is something I thought I would never get to have but that’s why I’m extremely grateful to grow up in a place where it all started. It reminds me that I am hip hop, even before I knew I was. How dope is it do you get to normally see and meet hip hop heavyweights and legends in your own neighborhood, 2 minutes away from where your apartment building. It’s not everyday someone like me gets that experience. Most people only get that on a lucky day doing downtown shopping and walking around or actually paying money to go to a show but I’ve met most of them right here in my own hood, Crotona Park. Besides Grandmaster Caz, Popmaster Fabel and his wife Christie Z-Pabon, Jazzy Jay, Lord Finesse, Kool DJ Red Alert, Jazzy Joyce, DJ Scratch are just a couple of legends I’ve seen and/or met and then there are guest DJ’s who come out from other parts of town to spin early classic hip hop joints and samples from the 1970’s and 80’s. Sometimes the 90’s, depending on the DJ. Then there are the breakdancers who come around in a large group, the photographers, and of course, the people. We dance, laugh, take pictures, enjoy the music, and have a good time from 4 to 8 in the evening. When Tools of War comes to Crotona Park, they only have it every Thursdays in July. For four hours, it’s a non stop party from back then in the future. To see so many OG’s come together to relive their youthful days puts a smile on my face. There’s a certain level of fun and nostalgia they have, the smiles of their faces, it’s really nice for them to enjoy. It’s because of Tools of War that me and two friends of mine have decided to name ourselves The “Tools of War Brothers” because of our love for the culture. Hip hop brought us together and made us into something that we’ll remember when we’re like the OG’s. The power of hip hop does something to the community that’s amazing and it’s something in the ghetto we all need to forget about our problems in life and remember why we’re still here living and breathing. I’m glad to be an original Bronx Boy of my generation, aka B-Boy. The Bronx keeps creating it!

Panorama Music Festival 2017: A Tribe Called Quest

Yesterday, I was fortunate to have experienced yet another great show. It was the show I’ve been waiting to attend for a while now and I finally got that. For about two years now, I’ve been a heavy A Tribe Called Quest fan and I got the chance to meet them exactly two years ago at a clothing shop downtown. Then, unfortunately, Phife Dawg passed away eight months after I met them and it was very devastating and hard for me, then there was the memorial for Phife a month after that, then there was the street name dedication for Phife and the pop up shop last year in November. Attending all of these things have led up to finally seeing them live on stage, thanks a good friend of mine who had an extra wristband for me to go. I feel dumb now having doubts about going now thinking that the place was too far for me to go but I’m absolutely grateful and thankful to have one of my biggest dreams come true. At the Panorama Music Festival 2017 yesterday, there were people everywhere, food, concession stands, restrooms on wheels, loud music and of course the fans. Fans came out there, including me and my friend, representing with our gear on. A Tribe Called Quest didn’t come out until 7:30 that evening. When they finally came out, the crowd went crazy. It was Q-Tip, Jarobi, Ali Shaheed Muhammad and Consequence. Song after song, classic after classic, these guys were amazing. It was a dream come true for me. I’m still numb and in shock from seeing these guys literally on stage in front of me, I just wish I was closer to the front of the stage but I still had an amazing time. Phife Dawg‘s Face was on the screen the whole time too while his verses came on on the songs. I left that show on a different kinda high I never experienced before. It was something powerful that the guys left in me. Something that may spark a new kinda motivation for me to want to be the one on that stage making and performing dope, timeless music. ATCQ forever! Rest In Peace Phife Dawg!

Lisa Lisa takes the Bronx home!

Lisa Lisa rips summer stage in the Bronx. ” I Wonder If I Take Home” was the song and the crowd sang as the 80’s pop star brought her talent to St. Mary’s Park located on 450 St Ann’s Ave, Bronx, NY,10454. It became a disco frenzy. The crowd of young and old danced and bobbed their heads reminiscing how music use to be. A fan screamed out, “Thank you God for real music! I love you, Lisa!” Lisa Lisa belted out hit melodies as the crowd sung along. Throughout the park, the audience’s cheers echoed over the singer. Lisa welcomed it as she looked into the crowd while watching the audience – made up of all ages. Chickie Gonzalez of the Bronx was celebrating her 50th birthday with her family and was surprised by the free Lisa Lisa concert. When she heard that Lisa Lisa was performing, she moved her party over to the side where the concert was. She reported that it was the best birthday party she ever had. The park was packed with thousands of people, no one could barely move. Truly an unforgettable night, thanks to Lisa Lisa.

The City Parks Foundation has been giving free concerts and free events for many years. Log on to http://www.cityparksfoundation.org/summerstage/ for a concert near you.
Thanks, Summer Stage!

Written by: Street Line

What’s The 411?: The 25th Anniversary

25 years ago, the woman we all know and love today was once a girl who was straight from the projects in Yonkers, New York, also known as the Schlobahm Projects. She signed her deal with Uptown Records at the age of 18 when she recorded a demo tape at a shopping mall after her stepfather overheard the tape. Her stepfather heard the tape and handed the tape to another artist named Jeff Redd who was also signed to Uptown Records and the tape landed in the hands of André Harrell who was the CEO of the label. After being blown away and amazed with this young girl’s voice that was full of joy, pain, grit and soul, she was signed. She goes by the name Mary J. Blige aka The Queen of Hip Hop Soul. Mary started on the label as a backup singer for Father MC in the early 1990’s until she got in the studio with a guy who called “Puffy” who we all know today as Sean “Diddy” Combs, one of hip hop’s biggest moguls, and together both Mary and Puffy created something magical that made history in Black music. On July 28th, 1992, Mary released her debut album “What’s The 411?” Before the album was released, her very first single, which was an underground hit at hip hop clubs and events, was on the 1991 soundtrack to the movie “Strictly Business.” That song was the infamous debut single “You Remind Me.” “You Remind Me” was a song with soulful vocals and a Biz Markie sampled beat. Then the music video came with a remixed version that featured Greg Nice of the hip hop duo, Nice & Smooth. The rest of the album has the same kinda energy, hip hop and soul, combining the best of both worlds to create a whole new genre of music that changed the sound of music forever and influencing a whole new roster of artists for future generations. Other singles like “Real Love”, “Reminisce”, “Love No Limit” and radio only singles like “Sweet Thing” and the remix of “My Love” featuring the late great Heavy D in 1994 were all a success which lead up to the album’s success of selling 3 million copies and a remix album released in late 1993 including a new remix of “You Don’t Have to Worry” from the soundtrack to “Who’s The Man?” Mary’s impact on the industry is still very obvious in many ways. Her street style fashion and attitude mixed with a soulful 1970’s style singing was something convincing to the people and it made Mary into a overnight sensation and legend and she wasn’t ready for it. 25 years later, “You Remind Me” and “Real Love” still captures people’s hearts on the dance floor like it did in 1992. Mary is still touring and still putting out music and staying consistent and still sitting high on her throne. She’s far from her days as the 21 year old home girl with the baggy baseball jerseys, backwards caps and kneepads with the boots and is now strutting her stuff as the woman with the strength to keep winning and keep fighting. She is the strength of a woman. Now THAT IS the 411.

Lowdown Hudson Music Fest: Common

I’ve gotten another dope experience yesterday, downtown, attending this event called the Lowdown Hudson Music Fest. Yesterday’s lineup was this cool chick named Lion Babe and the legendary Common. Common’s show was exactly what I thought it would be. He has the same exact energy on the stage as he does on his songs. It’s political, it’s deep stuff, it’s showing love and appreciation to the ladies, it’s fun, all at the same time. You can feel where Common is coming from. He’s exactly the “what you see is what you get” type, nothing sugarcoated or fake. I wasn’t able to get anymore clips or videos of him when he really started to dig more and perform some of my personal favorites of him but the show was amazing. There’s nothing like a dope hip hop show but it’s even better when it’s the right place and the right people. Felt like there’s a mixed crowd at this show particularly. There’s the hip hop fans and then there’s the people just there just because it’s a show but the messages in Common’s music was loud and clear to everyone. He’s from the South side of Chicago, he’s definitely one of the realest left in the game for sure.

Supa Dupa Fly: The 20th Anniversary

Once again, another great classic hip hop album has reached a milestone. It’s like excitement and disbelief at the same time because I was once a kid listening to it when it came out. To give a quick recap, Missy Elliott is one of hip hop’s most creative artists. She got her start in an R&B group called Sista under the management and direction of Jodeci’s own DeVanté Swing but when things started to take a change for the worst, Missy abandoned the group and everything she worked hard for at the time. Fast forward to the summer of 1996. Missy appears on Gina Thompson’s remix of “The Things That You Do” and she also wrote and produced on Aaliyah’s “One In a Million.” Then, a year later, on July 15th, 1997, Missy released her debut album “Supa Dupa Fly.” An album with a sound that was like no other. Timbaland’s production and Missy’s creative, bright and colorful music videos and catchy songs full of R&B vocals and raps made Missy an innovator right out the gate. Her and Busta Rhymes both had music videos that were super cartoonish and creative. Missy brings you, rapping, singing, dancing, and a bunch of other stuff that you’ve never heard and/or seen before and it made you want more. Singles like “The Rain (Supa Dupa Fly)”, “Hit ‘Em Wit Da Hee”, “Beep Me 911” and “Sock It 2 Me” were all on heavy rotation during 1997 and 1998. Other albums cuts like “Best Friends” and the catchy and dope interlude skit “Bite Our Style” were my favorites outside the singles. Missy’s style and look was also something innovative. She brought back the finger waves that was out during the 80’s, with baggy clothes and sneakers. Ski goggles, garbage bags, oversized baseball jerseys, track suit pants and big sunglasses. A combination of looks that came with a person who was very confident in her size and it also proved to women that you can be yourself. Being plus sized was also beautiful, especially in a world where they only celebrate being thin. 20 years later, Missy is still someone who doesn’t get the credit she deserves as a producer but that’s something normal in hip hop, something that shouldn’t be. Women not getting the same or equal recognition as the men. Makes women like Missy shine even brighter and makes her even more legendary for always staying true to herself in a male dominated field. She’s always “Supa Dupa Fly.”

The Legacy of Lil’ Kim: The Queen Bee

For someone who is very short with such a huge personality, style and attitude, this woman is definitely someone who will not be forgotten in hip hop. Not only is she hard to miss and hard to not recognize but there is a sweet but sexy woman that has a very hypnotizing kinda thing about her that she had back in her glory days when all the guys were buying her first CD just to see pose half naked on the album photos and flyers. Hence, the name of her debut 1996 album “Hardcore”, she’s raunchy, sexual, unapologetic, materialistic and can kick it with the fellas without hooking up with whoever steps to her with a smile and flirt. This Brooklyn MC by the name Kimberly Jones aka Lil’ Kim. Lil’ Kim got her start in the hip hop group Junior M.A.F.I.A., along with Lil’ Cease and the late great Notorious B.I.G. himself. With a list of hits like “Crush On You”, “The Jumpoff”, “Download”, “No Time”, “I Can Love You” with Mary J. Blige, “Ladies Night”, “Magic Stick”, and the list goes on, Kim has been solidified in the game as someone who was not only a fashion icon but someone who was beast in her own right on the stage. She had the presence and attitude that matched the guys on the stage with her and she took no bullshit from anyone. Despite her little riff with Nicki Minaj, Kim is still doing her thing regardless of what anyone says. She’s a huge part of history, not only with The Notorious B.I.G. and Junior M.A.F.I.A. but also with Diddy and the Bad Boy crew as well. In 2017, a new Lil’ Kim album wouldn’t be really necessary unless she takes it back to how she used to do it. It would be something really refreshing.

Paid In Full: The 30th Anniversary

For an album that only has a very little amount of songs, 9 to be exact, it had a huge impact on hip hop culture. This album is an album that many would consider it to be one that is part of the golden age days during the late 1980’s. Both a DJ and a rapper who both come from New York, both join together under Marley Marl, to create a classic hip hop masterpiece that’s well respected and loved 30 years later. On July 7th, 1987, Eric B. And Rakim released their debut album “Paid In Full.” Just like Nas’ “Illmatic”, “Paid In Full” didn’t have a Lot of songs but in that short amount of time the album lasted, it was a classic from start to finish, a classic from day 1. The album was short because it was said that the album was rushed and that both Eric B. and Rakim both were in the studio for only a week recording it. The album became super influential on other MC’s and rappers in the future. It’s hard hitting beats, Rakim’s flow and delivery, the DJ scratches and classic R&B samples that were picked out by Eric B. himself, obviously made the album one of it’s kind. The album’s success got them both a deal with MCA. With 5 singles out of the 9 track album released, every song had everyone’s attention. No matter where, It made people go crazy, still til this day and people know every single word too. Hip hop events aren’t hip hop events without a Eric B. And Rakim song being played. No matter the DJ, the time, the place, it’s always important that their songs from this album was played. It’s hard to get away from it too. It’s still played like it just came out 30 years ago. It’s timeless, still feels like brand new when it comes on and every true hip hop fan MUST own this album. It’s hip hop code. They don’t call Rakim the God MC for nothing. Everybody in this game wants to be king or considers themselves to be kings but what’s a king to a God.

Miss E… So Addictive: The Legacy of Missy Elliott

Hands down, she is one of the greatest to ever do it. The most creative woman in hip hop. Between both her and Busta Rhymes with the most creative, funniest, and wackiest music videos, her ability to do both singing and rapping and is an incredible writer and producer as well. She’s worked with so many artists that the list is endless. They say her ability to create should be a crime, almost like a misdemeanor. The Misdemeanor herself, aka Missy Elliott, the Virginia native that been through it all and still came out on top to be one of hip hop’s most respected in the game. She grew up an only child with an imagination that reflected very well in her personality and art. While she was in high school, she met a guy named Tim Mosley, who we all know today as Timbaland. Their chemistry worked and they became something that was dope, they were a duo, like peanut butter and jelly, ketchup and mustard. They Always hung out to create something. Timbaland was a DJ while Missy sang and rapped and they would feed off of each other to help make each other’s skills stronger. She also became part of an all girl group who named themselves Fayze. They only had one joint out called “The First Move.” After high school, she and her group went to a Jodeci concert dressed as the female version of them, which was Missy’s idea. They performed for DeVante and they were part of his crew called Da Basement under his label called “Swing Mob.” Other members of Da Basement who we all know as well were Magoo, Tweet, Playa and Ginuwine. DeVante changed Missy’s group name to Sista and in 1994 they released an album called “4 All The Sistas Around Da World” with the only hit single “Brand New.” By 1995, Swing Mob was no longer in effect and Missy left it behind. She then returned as just a producer and writer and ended up being featured on Gina Thompson’s 1996 remix of “The Things That You Do.” Missy also did hits for Total, SWV, 702, Nicole Wray, Destiny’s Child, MC Lyte and worked with Aaliyah on her album “One In a Million.” By 1997, Missy finally released her debut album “Supa Dupa Fly.” Her single “The Rain” came with a video that was way ahead of its time. Directed by Hype Williams, Missy’s Videos during that time was something that was never seen or done before by a female in hip hop. Hype Williams is a director, who at the time, was doing music videos that was far more creative and different from the rest. After breaking out for her debut in 1997, Missy continues to keep putting out albums and hits for days. She’s also writing and producing for other artists as well. With more albums under her name like “Da Real World”, “Miss E… So Addictive”, “Under Construction”, “This Is Not a Test!”, and “The Cookbook”, Missy never loses her touch. She continues to keep going and she’s gotten more greater each time. She was honored at VH1’s 2007 Hip Hop Honors and she’s done a lot of philanthropic work and was even a spokesperson for women who were abused by sharing her story of what happened to her as a child. Forever innovative and creative, imaginative and magical, Missy is definitely a legend. She’s so fly and so addictive!

Don’t Sweat The Technique: The 25th Anniversary

“Don’t Sweat The Technique” is the fourth and final album by both Eric B. & Rakim together. Released on June 23rd, 1992, this album was different from previous Eric B. & Rakim albums because this album was more socially conscious. Topics of poverty, crime, abortion and the wars going on in the world. With only four singles in total, the album was a success and got mostly positive reviews. “What’s On Your Mind?” appeared in the soundtrack of “House Party 2”, “Know The Ledge” appeared on the soundtrack of “Juice”, and “Don’t Sweat The Technique” and “Casualties of War” were both regular singles from the album. Their previous albums were more about the streets and had a much more harder sound and production. There’s only a few on this album with that hard sound. The album can get boring with the strong conscious topics a bit but with songs like “Don’t Sweat The Technique” and “Know The Ledge”, it gives the album a bit of a party vibe without losing its conscious focus and it gives the listeners a bit of what Rakim was doing on his albums before. Overall, the album is dope. The singles are the perfect songs chosen and promoted at the time and it’s a powerful, classic joint and also underrated from the God MC.