Whats Buzzing in the Streets – Page 72

Adam Clayton Powell, Jr.

Adam Clayton Powell, Jr., died on this date in 1972 in Bimini, Bahamas.
Adam Clayton Powell Jr. (November 29, 1908 – April 4, 1972) was a Baptist pastor and an American politician, who represented Harlem, New York City, in the United States House of Representatives (1945–71). He was the first person of African-American descent to be elected from New York to Congress. Oscar Stanton De Priest of Illinois was the first black person to be elected to Congress in the 20th century; Powell was the fourth.
Re-elected for nearly three decades, Powell became a powerful national politician of the Democratic Party, and served as a national spokesman on civil rights and social issues. He also urged United States presidents to support emerging nations in Africa and Asia as they gained independence after colonialism.
In 1961, after 16 years in the House, Powell became chairman of the Education and Labor Committee, the most powerful position held by an African American in Congress. As Chairman, he supported the passage of important social and civil rights legislation under presidents John F. Kennedy and Lyndon B. Johnson. Following allegations of corruption, in 1967 Powell was excluded from his seat by Democratic Representatives-elect of the 90th Congress, but he was re-elected and regained the seat in the 1969 United States Supreme Court ruling in Powell v. McCormack. He lost his seat in 1970 to Charles Rangel and retired from electoral politics.

Written by Dianne Washington

Muddy Waters

McKinley Morganfield (April 4, 1913 – April 30, 1983), better known as Muddy Waters, was an American blues musician who is often cited as the “father of modern Chicago blues”.
Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating local blues artists Son House and Robert Johnson. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time, professional musician. In 1946, he recorded his first records for Columbia Records and then for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess.
In the early 1950s, Muddy Waters and his band—Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elgin Evans on drums and Otis Spann on piano—recorded several blues classics, some with bassist and songwriter Willie Dixon. These songs included “Hoochie Coochie Man”, “I Just Want to Make Love to You” and “I’m Ready”. In 1958, he traveled to England, laying the foundations of the subsequent blues boom there. His performance at the Newport Jazz Festival in 1960 was recorded and released as his first live album, At Newport 1960.
Muddy Waters’ influence was tremendous, not just on blues and rhythm and blues but on rock and roll, hard rock, folk music, jazz, and country music. His use of amplification is often cited as the link between Delta blues and rock and roll.
Muddy Waters’ grandmother, Della Grant, raised him after his mother died shortly after his birth. Grant gave him the nickname “Muddy” at an early age because he loved to play in the muddy water of nearby Deer Creek. “Waters” was added years later, as he began to play harmonica and perform locally in his early teens. The remains of the cabin on Stovall Plantation where Waters lived in his youth are now at the Delta Blues Museum in Clarksdale, Mississippi.
He had his first introduction to music in church: “I used to belong to church. I was a good Baptist, singing in the church. So I got all of my good moaning and trembling going on for me right out of church,” he recalled. By the time, he was 17, he had purchased his first guitar. “I sold the last horse that we had. Made about fifteen dollars for him, gave my grandmother seven dollars and fifty cents, I kept seven-fifty and paid about two-fifty for that guitar. It was a Stella. The people ordered them from Sears-Roebuck in Chicago.” He started playing his songs in joints nearby his hometown, mostly in a plantation owned by Colonel William Howard Stovall.
Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age seventeen was playing the guitar at parties, emulating local blues artists Son House and Robert Johnson. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago with the hope of becoming a full-time professional musician, eventually recording, in 1946, first for Columbia Records and then for Aristocrat Records, a newly formed label run by brothers Leonard and Phil Chess.
In the early 1950s, Muddy and his band, Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elgin Evans on drums and Otis Spann on piano, recorded a series of blues classics, some with bassist/songwriter Willie Dixon, including “Hoochie Coochie Man”, “I Just Want to Make Love to You” and “I’m Ready”. In 1958, Muddy headed to England, helping to lay the foundations of the subsequent blues boom there, and in 1960 performed at the Newport Jazz Festival, recorded and released as his first live album, At Newport 1960.
Muddy’s influence is tremendous, not just on blues and rhythm and blues but on rock and roll, hard rock, folk, jazz, and country; his use of amplification is often cited as the link between Delta blues and rock and roll.
Born in Rolling Fork, Miss., to sharecroppers, Waters began playing harmonica as a teen and picked up guitar after hearing the likes of Charlie Patton, Robert Johnson and Son House. He quickly developed a bottleneck style of his own, recorded first by field folklorist Alan Lomax for the Library of Congress in 1941. With dreams of stardom, Waters moved to Chicago’s South Side in 1943 and played at neighborhood clubs with Blue Smitty and Jimmy Rogers. At the small clubs, his acoustic guitar could not be heard, so he decided to plug it into an amp and “put a little drive in it.”
In 1947 he recorded his first records for Leonard Chess’ Chess Records (then known as Aristocrat) as a sideman for Sunnyland Slim. He recorded his own sides in ’48, which quickly became hot items and catapulted him to stardom. While on Chess throughout the ’50s he recorded songs such as Honey Bee, Got My Mojo Workin’, Rollin’ Stone, and Hoochie Coochie Man with the likes of Willie Dixon, James Cotton, Little Walter Jacobs and Jimmy Rogers. A concert at the 1960 Newport Folk Festival exposed him to a much larger and whiter audience. As a staple on the ’60s Chicago blues scene, he worked with a younger generation, such as Buddy Guy and Matt Murphy, in perpetuating the electric Chicago blues sound.
He worked with rock bands such as the Rolling Stones, and groups such as Canned Heat and Cream covered his songs. An auto accident in 1969 slowed him down a bit, but he still toured around the world and recorded on Columbia Records’ Blue Sky label. If not for the pioneering electric guitar work of Muddy “Mississippi” Waters, Chicago would probably not be known as a blues hub today.
Muddy Waters’ longtime wife, Geneva, died of cancer on March 15, 1973. Gaining custody of some of his children, he moved them into his home, eventually buying a new house in Westmont, Illinois. Years later, Muddy travelled to Florida and met his future wife, 19-year-old Marva Jean Brooks, whom he nicknamed “Sunshine”. Eric Clapton served as best man at their wedding in 1979.
His sons, Larry “Mud” Morganfield and Big Bill Morganfield, are also blues singers and musicians.
Waters died in his sleep from heart failure, at his home in Westmont, Illinois, on April 30, 1983. At his funeral at Restvale Cemetery in Alsip, Illinois, throngs of blues musicians and fans showed up to pay tribute to one of the true originals of the art form. “Muddy was a master of just the right notes,” John P. Hammond told Guitar World magazine. “It was profound guitar playing, deep and simple… more country blues transposed to the electric guitar, the kind of playing that enhanced the lyrics, gave profundity to the words themselves.

Written by Dianne Washington

Maya Angelou

Maya Angelou, born Marguerite Annie Johnson; (April 4, 1928 – May 28, 2014) was an American poet, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and was credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
She became a poet and writer after a series of occupations as a young adult, including fry cook, sex worker, nightclub dancer and performer, cast member of the opera Porgy and Bess, coordinator for the Southern Christian Leadership Conference, and journalist in Egypt and Ghana during the decolonization of Africa. She was an actor, writer, director, and producer of plays, movies, and public television programs. In 1982, she earned the first lifetime Reynolds Professorship of American Studies at Wake Forest University in Winston-Salem, North Carolina. She was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made around 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem “On the Pulse of Morning” (1993) at President Bill Clinton’s inauguration, making her the first poet to make an inaugural recitation since Robert Frost at President John F. Kennedy’s inauguration in 1961.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for black people and women, and her works have been considered a defense of black culture. Her works are widely used in schools and universities worldwide although attempts have been made to ban her books from some U. S. libraries. Angelou’s most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing and expanding the genre. Her books center on themes such as racism, identity, family and travel.
Marguerite Annie Johnson was born in St. Louis, Missouri, on April 4, 1928, the second child of Bailey Johnson, a doorman and navy dietitian, and Vivian (Baxter) Johnson, a nurse and card dealer. Angelou’s older brother, Bailey Jr., nicknamed Marguerite “Maya”, derived from “My” or “Mya Sister”. When Angelou was three and her brother four, their parents’ “calamitous marriage” ended, and their father sent them to Stamps, Arkansas, alone by train, to live with their paternal grandmother, Annie Henderson. In “an astonishing exception” to the harsh economics of African Americans of the time, Angelou’s grandmother prospered financially during the Great Depression and World War II because the general store she owned sold needed basic commodities and because “she made wise and honest investments”.
Four years later, the children’s father “came to Stamps without warning” and returned them to their mother’s care in St. Louis. At the age of eight, while living with her mother, Angelou was sexually abused and raped by her mother’s boyfriend, a man named Freeman. She told her brother, who told the rest of their family. Freeman was found guilty but was jailed for only one day. Four days after his release, he was murdered, probably by Angelou’s uncles. Angelou became mute for almost five years, believing, as she stated, “I thought, my voice killed him; I killed that man, because I told his name. And then I thought I would never speak again, because my voice would kill anyone …” According to Marcia Ann Gillespie and her colleagues, who wrote a biography about Angelou, it was during this period of silence when Angelou developed her extraordinary memory, her love for books and literature, and her ability to listen and observe the world around her.
Shortly after Freeman’s murder, Angelou and her brother were sent back to their grandmother. Angelou credits a teacher and friend of her family, Mrs. Bertha Flowers, with helping her speak again. Flowers introduced her to authors such as Charles Dickens, William Shakespeare, Edgar Allan Poe, Douglas Johnson, and James Weldon Johnson, authors who would affect her life and career, as well as black female artists like Frances Harper, Anne Spencer, and Jessie Fauset.
When Angelou was 14, she and her brother moved in with their mother once again, who had since moved to Oakland, California. During World War II, Angelou attended the California Labor School. Before graduating, she worked as the first black female streetcar conductor in San Francisco. Three weeks after completing school, at the age of 17, she gave birth to her son, Clyde (who later changed his name to Guy Johnson).
Angelou held many jobs, including some in the sex trade, working as a prostitute, table dancer, and madame. Although some have tried to erase this from her past, Angelou was public about it. She said, “I wrote about my experiences because I thought too many people tell young folks, ‘I never did anything wrong. Who, Moi? – never I. I have no skeletons in my closet. In fact, I have no closet.’ They lie like that and then young people find themselves in situations and they think, ‘Damn I must be a pretty bad guy. My mom or dad never did anything wrong.’ They can’t forgive themselves and go on with their lives. So I wrote the book Gather Together in My Name,” about her past as a sex worker.
In 1951, Angelou married Greek electrician, former sailor, and aspiring musician Tosh Angelos, despite the condemnation of interracial relationships at the time and the disapproval of her mother. She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford. Angelou and Ailey formed a dance team, calling themselves “Al and Rita”, and performed modern dance at fraternal black organizations throughout San Francisco, but never became successful. Angelou, her new husband, and her son moved to New York City so she could study African dance with Trinidadian dancer Pearl Primus, but they returned to San Francisco a year later.
After Angelou’s marriage ended in 1954, she danced professionally in clubs around San Francisco, including the nightclub the Purple Onion, where she sang and danced to calypso music. Up to that point she went by the name of “Marguerite Johnson”, or “Rita”, but at the strong suggestion of her managers and supporters at the Purple Onion she changed her professional name to “Maya Angelou” (her nickname and former married surname), a “distinctive name” that set her apart and captured the feel of her calypso dance performances. During 1954 and 1955, Angelou toured Europe with a production of the opera Porgy and Bess. She began her practice of learning the language of every country she visited, and in a few years she gained proficiency in several languages. In 1957, riding on the popularity of calypso, Angelou recorded her first album, Miss Calypso, which was reissued as a CD in 1996. She appeared in an off-Broadway review that inspired the 1957 film Calypso Heat Wave, in which Angelou sang and performed her own compositions.
Angelou met novelist John Oliver Killens in 1959 and, at his urging, moved to New York to concentrate on her writing career. She joined the Harlem Writers Guild, where she met several major African-American authors, including John Henrik Clarke, Rosa Guy, Paule Marshall, and Julian Mayfield, and was published for the first time. In 1960, after meeting civil rights leader Martin Luther King Jr. and hearing him speak, she and Killens organized “the legendary” Cabaret for Freedom to benefit the Southern Christian Leadership Conference (SCLC), and she was named SCLC’s Northern Coordinator. According to scholar Lyman B. Hagen, her contributions to civil rights as a fundraiser and SCLC organizer were successful and “eminently effective”. Angelou also began her pro-Castro and anti-apartheid activism during this time.
In 1961, Angelou performed in Jean Genet’s play The Blacks, along with Abbey Lincoln, Roscoe Lee Brown, James Earl Jones, Louis Gossett, Godfrey Cambridge, and Cicely Tyson. Also in 1961, she met South African freedom fighter Vusumzi Make; they never officially married. She and her son Guy moved with Make to Cairo, where Angelou worked as an associate editor at the weekly English-language newspaper The Arab Observer. In 1962, her relationship with Make ended, and she and Guy moved to Accra, Ghana so he could attend college, but he was seriously injured in an automobile accident. Angelou remained in Accra for his recovery and ended up staying there until 1965. She became an administrator at the University of Ghana, and was active in the African-American expatriate community. She was a feature editor for The African Review, a freelance writer for the Ghanaian Times, wrote and broadcast for Radio Ghana, and worked and performed for Ghana’s National Theatre. She performed in a revival of The Blacks in Geneva and Berlin.
In Accra, she became close friends with Malcolm X during his visit in the early 1960s. Angelou returned to the U.S. in 1965 to help him build a new civil rights organization, the Organization of Afro-American Unity; he was assassinated shortly afterward. Devastated and adrift, she joined her brother in Hawaii, where she resumed her singing career, and then moved back to Los Angeles to focus on her writing career. She worked as a market researcher in Watts and witnessed the riots in the summer of 1965. She acted in and wrote plays, and returned to New York in 1967. She met her lifelong friend Rosa Guy and renewed her friendship with James Baldwin, whom she had met in Paris in the 1950s and called “my brother”, during this time. Her friend Jerry Purcell provided Angelou with a stipend to support her writing.
In 1968, Martin Luther King Jr. asked Angelou to organize a march. She agreed, but “postpones again”, and in what Gillespie calls “a macabre twist of fate”, he was assassinated on her 40th birthday (April 4). Devastated again, she was encouraged out of her depression by her friend James Baldwin. As Gillespie states, “If 1968 was a year of great pain, loss, and sadness, it was also the year when America first witnessed the breadth and depth of Maya Angelou’s spirit and creative genius”. Despite having almost no experience, she wrote, produced, and narrated Blacks, Blues, Black!, a ten-part series of documentaries about the connection between blues music and black Americans’ African heritage, and what Angelou called the “Africanisms still current in the U.S.” for National Educational Television, the precursor of PBS. Also in 1968, inspired at a dinner party she attended with Baldwin, cartoonist Jules Feiffer, and his wife Judy, and challenged by Random House editor Robert Loomis, she wrote her first autobiography, I Know Why the Caged Bird Sings, published in 1969, which brought her international recognition and acclaim.
Angelou’s Georgia, Georgia, produced by a Swedish film company and filmed in Sweden, the first screenplay written by a black woman, was released in 1972. She also wrote the film’s soundtrack, despite having very little additional input in the filming of the movie.Angelou married Welsh carpenter and ex-husband of Germaine Greer, Paul du Feu, in San Francisco in 1973. Over the next ten years, as Gillespie has stated, “She [Angelou] had accomplished more than many artists hope to achieve in a lifetime”. Angelou worked as a composer, writing for singer Roberta Flack, and composing movie scores. She wrote articles, short stories, TV scripts, documentaries, autobiographies, and poetry, produced plays, and was named visiting professor at several colleges and universities. She was “a reluctant actor”, and was nominated for a Tony Award in 1973 for her role in Look Away. As a theater director, in 1988 she undertook a revival of Errol John’s play Moon on a Rainbow Shawl at the Almeida Theatre in London.
In 1977, Angelou appeared in a supporting role in the television mini-series Roots. She was given a multitude of awards during this period, including over thirty honorary degrees from colleges and universities from all over the world. In the late 1970s, Angelou met Oprah Winfrey when Winfrey was a TV anchor in Baltimore, Maryland; Angelou would later become Winfrey’s close friend and mentor. In 1981, Angelou and du Feu divorced. She returned to the southern United States in 1981 because she felt she had to come to terms with her past there, and despite having no bachelor’s degree, accepted the lifetime Reynolds Professorship of American Studies at Wake Forest University in Winston-Salem, North Carolina, where she was one of only a few full-time professors. From that point on, she considered herself “a teacher who writes”. Angelou taught a variety of subjects that reflected her interests, including philosophy, ethics, theology, science, theater, and writing. The Winston-Salem Journal reported that even though she made many friends on campus, “she never quite lived down all of the criticism from people who thought she was more of a celebrity than an intellect…[and] an overpaid figurehead”. The last course she taught at Wake Forest was in 2011, but she was planning to teach another course in late 2014. Her final speaking engagement at the university was in late 2013. Beginning in the 1990s, Angelou actively participated in the lecture circuit in a customized tour bus, something she continued into her eighties.
In 1993, Angelou recited her poem “On the Pulse of Morning” at the inauguration of President Bill Clinton, becoming the first poet to make an inaugural recitation since Robert Frost at President John F. Kennedy’s inauguration in 1961. Her recitation resulted in more fame and recognition for her previous works, and broadened her appeal “across racial, economic, and educational boundaries”. The recording of the poem won a Grammy Award. In June 1995, she delivered what Richard Long called her “second ‘public’ poem”, entitled “A Brave and Startling Truth”, which commemorated the 50th anniversary of the United Nations.
Angelou achieved her goal of directing a feature film in 1996, Down in the Delta, which featured actors such as Alfre Woodard and Wesley Snipes. Also in 1996, she collaborated with R&B artists Ashford & Simpson on seven of the eleven tracks of their album Been Found. The album was responsible for three of Angelou’s only Billboard chart appearances. In 2000, she created a successful collection of products for Hallmark, including greeting cards and decorative household items. She responded to critics who charged her with being too commercial by stating that “the enterprise was perfectly in keeping with her role as ‘the people’s poet'”. More than thirty years after Angelou began writing her life story, she completed her sixth autobiography A Song Flung Up to Heaven, in 2002.
Angelou campaigned for the Democratic Party in the 2008 presidential primaries, giving her public support to Senator Hillary Clinton. In the run-up to the January Democratic primary in South Carolina, the Clinton campaign ran ads featuring Angelou’s endorsement. The ads were part of the campaign’s efforts to rally support in the Black community; but Obama won the South Carolina primary, finishing 29 points ahead of Clinton and taking 80% of the Black vote. When Clinton’s campaign ended, Angelou put her support behind Senator Barack Obama, who went on to win the election and become the first African-American president of the United States. She stated, “We are growing up beyond the idiocies of racism and sexism.”
In late 2010, Angelou donated her personal papers and career memorabilia to the Schomburg Center for Research in Black Culture in Harlem. They consisted of over 340 boxes of documents that featured her handwritten notes on yellow legal pads for I Know Why the Caged Bird Sings, a 1982 telegram from Coretta Scott King, fan mail, and personal and professional correspondence from colleagues such as her editor Robert Loomis. In 2011, Angelou served as a consultant for the Martin Luther King, Jr. Memorial in Washington, D.C. She spoke out in opposition to a paraphrase of a quotation by King that appeared on the memorial, saying, “The quote makes Dr. Martin Luther King look like an arrogant twit”, and demanded that it be changed. Eventually, the paraphrase was removed.
In 2013, at the age of 85, Angelou published the seventh autobiography in her series, titled Mom & Me & Mom, that focuses on her relationship with her mother.
Evidence suggests that Angelou was partially descended from the Mende people of West Africa. A 2008 PBS documentary found that Angelou’s maternal great-grandmother Mary Lee, who had been emancipated after the Civil War, became pregnant by her white former owner, John Savin. Savin forced Lee to sign a false statement accusing another man of being the father of her child. After Savin was indicted for forcing Lee to commit perjury, and despite the discovery that Savin was the father, a jury found him not guilty. Lee was sent to the Clinton County poorhouse in Missouri with her daughter, Marguerite Baxter, who became Angelou’s grandmother. Angelou described Lee as “that poor little Black girl, physically and mentally bruised.”
The details of Angelou’s life described in her seven autobiographies and in numerous interviews, speeches, and articles tended to be inconsistent. Critic Mary Jane Lupton has explained that when Angelou spoke about her life, she did so eloquently but informally and “with no time chart in front of her”. For example, she was married at least twice, but never clarified the number of times she had been married, “for fear of sounding frivolous”; according to her autobiographies and to Gillespie, she married Tosh Angelos in 1951 and Paul du Feu in 1974, and began her relationship with Vusumzi Make in 1961, but never formally married him. Angelou had one son Guy, whose birth was described in her first autobiography, one grandson, and two great-grandchildren, and according to Gillespie, a large group of friends and extended family. Angelou’s mother Vivian Baxter died in 1991 and her brother Bailey Johnson, Jr., died in 2000 after a series of strokes; both were important figures in her life and her books. In 1981, the mother of her son Guy’s child disappeared with Angelou’s grandson; it took four years to find him.
In 2009, the gossip website TMZ erroneously reported that Angelou had been hospitalized in Los Angeles when she was alive and well in St. Louis, which resulted in rumors of her death and according to Angelou, concern among her friends and family worldwide. In 2013, Angelou told her friend Oprah Winfrey that she had studied courses offered by the Unity Church, which were spiritually significant to her. She did not earn a university degree, but according to Gillespie it was Angelou’s preference that she be called “Dr. Angelou” by people outside of her family and close friends. She owned two homes in Winston-Salem, North Carolina, and a “lordly brownstone” in Harlem, which was purchased in 2004 and was full of her “growing library” of books she collected throughout her life, artwork collected over the span of many decades, and well-stocked kitchens. Younge reported that in her Harlem home resides several African wall hangings and Angelou’s collection of paintings, including ones of several jazz trumpeters, a watercolor of Rosa Parks, and a Faith Ringgold work entitled “Maya’s Quilt Of Life”.
According to Gillespie, she hosted several celebrations per year at her main residence in Winston-Salem; “her skill in the kitchen is the stuff of legend—from haute cuisine to down-home comfort food”. The Winston-Salem Journal stated, “Securing an invitation to one of Angelou’s Thanksgiving dinners, Christmas tree decorating parties or birthday parties was among the most coveted invitations in town”.[69] The New York Times, describing Angelou’s residence history in New York City, stated that she regularly hosted elaborate New Year’s Day parties. She combined her cooking and writing skills in her 2004 book Hallelujah! The Welcome Table, which featured 73 recipes, many of which she learned from her grandmother and mother, accompanied by 28 vignettes. She followed up with her second cookbook, Great Food, All Day Long: Cook Splendidly, Eat Smart in 2010, which focused on weight loss and portion control.
Beginning with I Know Why the Caged Bird Sings, Angelou used the same “writing ritual” for many years. She would wake early in the morning and check into a hotel room, where the staff was instructed to remove any pictures from the walls. She would write on legal pads while lying on the bed, with only a bottle of sherry, a deck of cards to play solitaire, Roget’s Thesaurus, and the Bible, and would leave by the early afternoon. She would average 10–12 pages of written material a day, which she edited down to three or four pages in the evening. Angelou went through this process to “enchant” herself, and as she said in a 1989 interview with the British Broadcasting Corporation, “relive the agony, the anguish, the Sturm und Drang.” She placed herself back in the time she wrote about, even traumatic experiences like her rape in Caged Bird, in order to “tell the human truth” about her life. Angelou stated that she played cards in order to get to that place of enchantment and in order to access her memories more effectively. She stated, “It may take an hour to get into it, but once I’m in it—ha! It’s so delicious!” She did not find the process cathartic; rather, she found relief in “telling the truth”.
Angelou died on the morning of May 28, 2014. She was found by her nurse. Although Angelou had reportedly been in poor health and had canceled recent scheduled appearances, she was working on another book, an autobiography about her experiences with national and world leaders. During her memorial service at Wake Forest University, her son Guy Johnson stated that despite being in constant pain due to her dancing career and respiratory failure, she wrote four books during the last ten years of her life. He said, “She left this mortal plane with no loss of acuity and no loss in comprehension”.
Tributes to Angelou and condolences were paid by artists, entertainers, and world leaders, including President Bill Clinton, and President Barack Obama, whose sister was named after Angelou. Harold Augenbraum, from the National Book Foundation, said that Angelou’s “legacy is one that all writers and readers across the world can admire and aspire to.” The week after Angelou’s death, I Know Why the Caged Bird Sings rose to #1 on Amazon.com’s bestseller list.
On May 29, 2014, Mount Zion Baptist Church in Winston-Salem, of which Angelou was a member for 30 years, held a public memorial service to honor Angelou. On June 7, a private memorial service was held at Wait Chapel on the campus of Wake Forest University in Winston-Salem. The memorial was shown live on local stations in the Winston-Salem/Triad area and streamed live on the university web site with speeches from her son, Oprah Winfrey, Michelle Obama, and Bill Clinton. On June 15, a memorial was held at Glide Memorial Church in San Francisco, where Angelou was a member for many years. Rev. Cecil Williams, Mayor Ed Lee, and former mayor Willie Brown spoke.
In 2015 a United States Postal Service stamp was issued commemorating Maya Angelou with the Joan Walsh Anglund quote “A bird doesn’t sing because it has an answer, it sings because it has a song”, though the stamp mistakenly attributes the quote to Angelou. The quote is from Anglund’s book of poems A Cup of Sun (1967).

Dr. Martin Luther King Jr.

Thank you for your ultimate sacrifice Dr. King, but after 50 years, we’ve become them, some of us, sadly. And even more selfish and self-centered than ever. You tried though. God Bless and Sleep In Eternal Peace.
Martin Luther King Jr. (January 15, 1929 – April 4, 1968) was an American Baptist minister and activist who became the most visible spokesperson and leader in the civil rights movement from 1954 through 1968. He is best known for his role in the advancement of civil rights by using the tactics of nonviolence and civil disobedience based on his Christian beliefs and inspired by the nonviolent activism of Mahatma Gandhi.
King led the 1955 Montgomery bus boycott and in 1957 became the first president of the Southern Christian Leadership Conference (SCLC). With the SCLC, he led an unsuccessful 1962 struggle against segregation in Albany, Georgia, and helped organize the nonviolent 1963 protests in Birmingham, Alabama. He also helped organize the 1963 March on Washington, where he delivered his famous “I Have a Dream” speech.
On October 14, 1964, King won the Nobel Peace Prize for combating racial inequality through nonviolent resistance. In 1965, he helped organize the Selma to Montgomery marches. The following year, he and the SCLC took the movement north to Chicago to work on segregated housing. In his final years, he expanded his focus to include opposition towards poverty and the Vietnam War. He alienated many of his liberal allies with a 1967 speech titled “Beyond Vietnam”. J. Edgar Hoover considered him a radical and made him an object of the FBI’s COINTELPRO from 1963 on. FBI agents investigated him for possible communist ties, recorded his extramarital liaisons and reported on them to government officials, and on one occasion mailed King a threatening anonymous letter, which he interpreted as an attempt to make him commit suicide.
In 1968, King was planning a national occupation of Washington, D.C., to be called the Poor People’s Campaign, when he was assassinated by James Earl Ray on April 4 in Memphis, Tennessee; riots followed in many U.S. cities. He was posthumously awarded the Presidential Medal of Freedom and the Congressional Gold Medal. Martin Luther King Jr. Day was established as a holiday in numerous cities and states beginning in 1971, and as a U.S. federal holiday in 1986. Hundreds of streets in the U.S. have been renamed in his honor, and a county in Washington State was also rededicated for him. The Martin Luther King Jr. Memorial on the National Mall in Washington, D.C., was dedicated in 2011.
Written by Dianne Washington

Philippe Wynn

Philippé Wynne (aka Philippe Escalante Wynn; né Walker; April 3, 1941 – July 14, 1984) was an American singer. Best known for his role as a lead singer of The Spinners (a role he shared with fellow group members Bobby Smith, and Henry Fambrough). Wynne scored notable hits such as “How Could I Let You Get Away”, “The Rubberband Man”, and “One of a Kind (Love Affair)”. After leaving The Spinners, Wynne never regained the same success, although he featured in hits by other artists such as “(Not Just) Knee Deep” by Funkadelic. Wynne died of a heart attack while performing at a nightclub.
Born in Detroit, Michigan, and raised in Cincinnati, Ohio, Wynne began his musical career as a gospel singer. He soon switched to R&B and attained some measure of success, singing with Bootsy Collins’s Pacemakers in 1968 and with James Brown’s J.B.’s shortly thereafter. Wynne then spent time in Germany as the lead singer of the Afro Kings, a band from Liberia, before he replaced his cousin, G. C. Cameron, as one of the lead vocalists for The Spinners. He sang with the group until 1977, during which they achieved several successful albums and singles.
Wynne then launched a solo career with Alan Thicke as his manager. His first album Starting All Over was released on the Cotillion label in 1977. His fortunes turned upwards again when he joined George Clinton’s Parliament-Funkadelic in 1979. He performed with them on several recordings, and was a featured vocalist on the Funkadelic single “(Not Just) Knee Deep” (a #1 hit on the Billboard R&B chart). While associated with Parliament-Funkadelic, Wynne also appeared on the Bootsy Collins album Sweat Band. Wynne released the solo album Wynne Jammin’ in 1980, and made a guest appearance on the song “Something Inside My Head” by Gene Dunlap, and in the song “Whip It” by the Treacherous Three. Wynne’s final album was the self-titled Philippé Wynne, released by Sugar Hill Records in 1984.
On July 13, 1984, while performing at Ivey’s nightclub in Oakland, California, Wynne suffered a heart attack and died the following morning.
His parents, DeGree Walker and Annie (née Wynn) divorced in November 1947 in Cincinnati. Around 1952, Philippe and his three siblings — Annie Walker, who later became an opera singer, Michael Leon Walker, and Margaret Walker — were placed in the New Orphan Asylum for Colored Children (which closed in 1967), in the Avondale neighborhood of Cincinnati, on Van Buren Street. Their father, DeGree Walker, was granted custody after the divorce, although he worked as a contractor in construction and had to travel. Their mother, Annie, had run off to Detroit with another man.
“ I guess the hardest part to take was being there and knowing that both of your parents were still alive. ”
— Philippè Wynne, 1981
Around 1956 Philippé and his brother, Michael, ran away from the orphanage and headed to Detroit to find their mother. In Detroit the two formed a gospel group called the Walker Singers. This lasted until Philippe adopted his mother’s surname, Wynn (initially without an “e”), and moved on to The Spinners as lead singer.
Wynne married Ava Leflor on February 1, 1973, in Las Vegas. They had two sons, Emmanuel Wynn (1973–2001) and Alvarez Escalante Wynn (1975–1999). Ava was from Compton, California, and the four of them moved back to California sometime after Philippé left The Spinners. After that, Philippe and Ava eventually divorced. Philippé’s younger son, Alvarez, at age 24, was killed in 1999 from a drive-by shooting in Compton. Philippe’s older son, Emmanuel, accidentally drowned the following year while trying to save a man. He was living in Daytona Beach, Florida, at the time. Emmanuel was posthumously given the Carnegie Medal for his heroism.
Written by Dianne Washington

Eddie Murphy

Edward Regan “Eddie” Murphy (born April 3, 1961) is an American comedian, actor, writer, singer, and producer.
Murphy was a regular cast member on Saturday Night Live from 1980 to 1984. He has worked as a stand-up comedian and was ranked #10 on Comedy Central’s list of the 100 Greatest Stand-ups of All Time.
In films, Murphy has received Golden Globe Award nominations for his performances in 48 Hrs., the Beverly Hills Cop series, Trading Places, and The Nutty Professor. In 2007, he won the Golden Globe for Best Supporting Actor and received a nomination for the Academy Award for Best Supporting Actor for his portrayal of soul singer James “Thunder” Early in Dreamgirls.
Murphy’s work as a voice actor in films includes Thurgood Stubbs in The PJs, Donkey in DreamWorks’ Shrek series, and the Chinese dragon Mushu in Disney’s Mulan. In some films, he plays multiple roles in addition to his main character, intended as a tribute to one of his idols Peter Sellers, who played multiple roles in Dr. Strangelove and elsewhere. He has played multiple roles in Coming to America, Wes Craven’s Vampire in Brooklyn, the Nutty Professor films (where he played the title role in two incarnations, plus his character’s father, brother, mother, and grandmother), Bowfinger, The Adventures of Pluto Nash, Norbit, and Meet Dave.
As of 2014, Murphy’s films have grossed over $3.8 billion in the United States and Canada box office and $6.6 billion worldwide. In 2015, his films made him the 6th-highest grossing actor in the United States.
Murphy was awarded the Mark Twain Prize for American Humor by the John F. Kennedy Center for the Performing Arts.
From Brooklyn, NY, Edward Regan Murphy’s father was a police officer who died when young Eddie was three. His mother, Lillian, was a telephone operator. He graduated from Roosevelt Junior-Senior High School in Roosevelt, NY and was voted “Most Popular.” Murphy was writing and performing his own routines at youth centers, local bars, and at the Roosevelt High School auditorium in suburban Long Island by the age of 15. Soon thereafter, Murphy headed to the renowned The Comic Strip. At 19, Murphy landed an audition for the new cast of TV’s Saturday Night Live (SNL) and was signed as a featured player for the 1980-81 seasons.
During his four years on “SNL” Murphy created unforgettable characters such as prison poet Tyrone Green, the grown-up Gumby and TV huckster Velvet Jones. Murphy made his film debut in 48 Hrs co-starring Nick Nolte. Another early movie was Trading Places with former “SNL” star Dan Akroyd. While only 21 years old, Murphy’s made his third film, Beverly Hills Cop in 1984. Then came The Golden Child and Beverly Hills Cop II in 1987. A comedian first and foremost, in 1983 and 1984 his original stand-up material was released on two comedy LPs, Eddie Murphy and Eddie Murphy: Comedian. Eddie Murphy received Grammy nominations as Best Comedy Recording and Best R&B Instrumental Performance for the instrumental version of the hit single Boogie Your Butt. Eddie Murphy Comedian brought Murphy the 1984 Grammy for Best Comedy Album of the Year.
His triumphant return to the comedy stage in a nationwide concert tour resulted in Paramount Pictures’ Raw. Other big screen credits include Coming To America 1988 and Harlem Nights 1989, which marked Murphy’s debut as a director and producer. Another 48 Hrs, Beverly Hills Cop II & III, and Boomerang, The Distinguished Gentleman, and Vampire In Brooklyn followed. The worldwide grosses of these movies totals more than $1 billion for his company, Eddie Murphy Productions, which is based in New York to develop and produce film, television, and concert tour projects.
Murphy’s last three feature films include: Shrek 2001, Dr. Dolittle 2, 2001, and Showtime 2002. In 1988, Murphy received the People’s Choice Award for Best Comedy Actor; “Entertainer of the Year” NAACP Image Award; and The Tree Of Life Award presented at the Black Oscar nominees dinner. He has hosted the Emmy, Grammy, MTV and Academy Award shows. Murphy lends support to a number of humanitarian causes and organizations such as the Martin Luther King, Jr. Center for Non-Violent Social Change in Atlanta, the Memorial Sloan Kettering Cancer Center and the AIDS Foundation.
Murphy has a son, Eric (born circa 1989), with then girlfriend Paulette McNeely, and a son, Christian (born circa 1990) with then girlfriend Tamara Hood.
Murphy began a longtime romantic relationship with Nicole Mitchell after meeting her in 1988 at an NAACP Image Awards show. They lived together for almost two years before getting married at the Grand Ballroom of The Plaza Hotel in New York City on March 18, 1993. Murphy and Mitchell had five children together: Bria, Myles, Shayne, Zola, and Bella. In August 2005, Mitchell filed for divorce, citing “irreconcilable differences”. The divorce was finalized on April 17, 2006.
As of 2008, Murphy resides in Long Island, New York.
Following his divorce from Mitchell, in 2006, Murphy began dating former Spice Girl Melanie Brown, who became pregnant and stated that the child was Murphy’s. When questioned about the pregnancy in December 2006, by RTL Boulevard, Murphy told Dutch reporter Matthijs Kleyn, “I don’t know whose child that is until it comes out and has a blood test. You shouldn’t jump to conclusions, sir”. Brown gave birth to a baby girl, Angel Iris Murphy Brown, on Murphy’s 46th birthday, April 3, 2007.
On June 22, 2007, representatives for Brown announced in People that a DNA test had confirmed that Murphy was the father.[50] Brown had stated in an interview that Murphy has not sought a relationship with Angel, although it was later reported in 2010 that Murphy was getting to know her.
Murphy exchanged marriage vows with film producer Tracey Edmonds, former wife of Kenneth “Babyface” Edmonds, on January 1, 2008, in a private ceremony on an island off Bora Bora. On January 16, 2008, the couple released a statement saying, “After much consideration and discussion, we have jointly decided that we will forgo having a legal ceremony as it is not necessary to define our relationship further,” and called the Bora Bora wedding a “symbolic union”. The two had planned on having a legal ceremony upon their return to the U.S. but did not, and their wedding was never official.
Murphy began dating model Paige Butcher in 2012. Their daughter Izzy was born May 3, 2016.

Written by Dianne Washington

Joan Crawford

When the woman, her longtime housekeeper, Mamacita realized that Joan was dying, she began praying softly, then a bit louder. Joan heard the words, and said, “Dammit, don’t you dare ask God to help me.” She died shortly after that.
Upon hearing of Crawford’s death, Davis allegedly remarked, “You should never say bad things about the dead, you should only say good. Joan Crawford is dead. Good!”
Joan Crawford (born Lucille Fay LeSueur; March 23,1904 – May 10, 1977) was an American film and television actress who began her career as a dancer and stage showgirl. In 1999, the American Film Institute ranked Crawford tenth on its list of the greatest female stars of Classic Hollywood Cinema.
Beginning her career as a dancer in traveling theatrical companies, before debuting as a chorus girl on Broadway, Crawford signed a motion picture contract with Metro-Goldwyn-Mayer in 1925. In the 1930s, Crawford’s fame rivaled, and later outlasted, MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hard-working young women who find romance and success. These stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood’s most prominent movie stars and one of the highest-paid women in the United States, but her films began losing money and, by the end of the 1930s, she was labelled “box office poison”. But her career gradually improved in the early 1940s, and she made a major comeback in 1945 by starring in Mildred Pierce, for which she won the Academy Award for Best Actress. She would go on to receive Best Actress nominations for Possessed (1947) and Sudden Fear (1952). She continued to act in film and television throughout the 1950s and 1960s; she achieved box office success with the highly successful horror film Whatever Happened To Baby Jane? (1962), in which she starred alongside Bette Davis, her long-time rival.
In 1955, Crawford became involved with the Pepsi-Cola Company through her marriage to company Chairman Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors, serving until she was forcibly retired in 1973. After the release of the British horror film Trog in 1970, Crawford retired from the screen. Following a public appearance in 1974, after which unflattering photographs were published, Crawford withdrew from public life and became increasingly reclusive until her death in 1977.
Crawford married four times. Her first three marriages ended in divorce; the last ended with the death of husband Alfred Steele. She adopted five children, one of whom was reclaimed by his birth mother. Crawford’s relationships with her two elder children, Christina and Christopher, were acrimonious. Crawford disinherited the two, and, after Crawford’s death, Christina wrote a well-known “tell-all” memoir titled Mommie Dearest (1978.)
Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford’s elder siblings were sister Daisy LeSueur, who died before Lucille’s birth, and brother Hal LeSueur.
The enmity between Davis and Crawford created one of the most famous celebrity feuds of all time.
Why did they hate each other so much? Well, it’s a long story.
Crawford was already a big star when Davis was making her first appearances in movies. Joan had slept her way to the top, and gone as far as marrying the legendary Douglas Fairbanks Jr. Davis was irritated by the way that the newspapers seemed so obsessed with Crawford’s love life, and she was especially put out the time that the studio had arranged a big publicity stunt for Davis’s new movie Ex-Lady only for Crawford to steal the headlines by announcing on the same day that she and Fairbanks were divorcing.
Bette had been jealous of Crawford’s affair with Clark Gable, on whom she had a crush, but it was Franchot Tone who the two really fell out over. Tone, who was dating Crawford, was Davis’s leading man in Dangerous. Davis fell in love with him, but he married Crawford.
Eventually, Davis became a huge star, overtaking Crawford. By the 1940s both stars were employed by the same studio, Warner Bros., where they had adjoining dressing rooms. Crawford did her best to win Davis over, sending a stream of flowers and gifts next door, but all were returned (with Davis making sneering remarks about “lesbian overtures”). The rivalry and bitchiness soon started to become obvious, and before long it was legendary. They bitched about each other’s appearance, love-lives, upbringing, careers, awards, and even each other’s children.
Joan Crawford wasn’t known for her love of Black people, with the exception of Black men, of course, most notably, Harlem Gigolo Dicke Wells, she invited him often to her home when he was in town.

Written by Dianne Washington

Ashanti: Hip Hop’s Hook Girl

She was once the pretty unknown girl with the angelic voice that you heard singing the hooks on songs by Ja Rule and Fat Joe. She was the underdog who people wondered all the time who she was. She was the pretty girl from around the way who hung out with the thugs and hardest dudes ever. She held her own ground, wrote her own material, became the “hook girl” in the early 2000’s, and even appeared in the music videos with the curvaceous body, smooth brown skin, shiny silky black hair, and a small little sway and beauty in her eyes as she sang the hook in the camera. On April 2nd, 2002, that “hook girl” released her debut album. With a self titled album and three singles, Ashanti took over the game in the early 2000’s. “Foolish”, “Happy” and “Baby” were all on heavy rotation on TV and radio. Ashanti Douglas was the new “it” girl who could blow you away with her charm, beauty, and soothing voice. After 15 years, Ashanti still looks just as amazing and her latest single “Say Less” featuring Ty $ is a banger that fits with the times. Forever she’ll be one of the golden girls of R&B. Hip hop’s “hook girl.”

Marvin Gaye

Marvin Gaye, born Marvin Pentz Gay Jr.; April 2, 1939 – April 1, 1984) was an American singer, songwriter and record producer. Gaye helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of hits, including “Ain’t That Peculiar”, “How Sweet It Is (To Be Loved By You)” and “I Heard It Through the Grapevine”, and duet recordings with Mary Wells, Kim Weston, Diana Ross and Tammi Terrell, later earning the titles “Prince of Motown” and “Prince of Soul”.
During the 1970s, he recorded the concept albums What’s Going On and Let’s Get It On and became the first artist in Motown (followed by Stevie Wonder) to break away from the reins of their production company.
Gaye’s later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. Following a period in Europe as a tax exile in the early 1980s, Gaye released the 1982 Grammy Award-winning hit “Sexual Healing” and its parent album Midnight Love.
On April 1, 1984, Gaye’s father, Marvin Gay Sr., fatally shot him at their house in the West Adams district of Los Angeles. Since his death, many institutions have posthumously bestowed Gaye with awards and other honors—including the Grammy Lifetime Achievement Award, the Rhythm and Blues Music Hall of Fame, the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.
Marvin Gaye was born Marvin Pentz Gay Jr. on April 2, 1939, at Freedman’s Hospital in Washington, D.C., to church minister Marvin Gay Sr., and domestic worker Alberta Gay (née Cooper). His first home was in a public housing project, the Fairfax Apartments (now demolished) at 1617 1st Street SW in the Southwest Waterfront neighborhood. Although one of the city’s oldest neighborhoods, with many elegant Federal-style homes, Southwest was primarily a vast slum. Most buildings were small, in extensive disrepair, and lacked both electricity and running water. The alleys were full of one- and two-story shacks, and nearly every dwelling was overcrowded. Gaye and his friends nicknamed the area “Simple City”, owing to its being “half-city, half country”.
Gaye was the second eldest of the couple’s four children. He had two sisters, Jeanne and Zeola, and one brother, Frankie Gaye. He also had two half-brothers: Michael Cooper, his mother’s son from a previous relationship, and Antwaun Carey Gay, born as a result of his father’s extramarital affairs.
Gaye started singing in church when he was four years old; his father often accompanied him on piano. Gaye and his family were part of a Pentecostal church known as the House of God. The House of God took its teachings from Hebrew Pentecostalism, advocated strict conduct, and adhered to both the Old and New Testaments. Gaye developed a love of singing at an early age and was encouraged to pursue a professional music career after a performance at a school play at 11 singing Mario Lanza’s “Be My Love”. His home life consisted of “brutal whippings” by his father, who struck him for any shortcoming. The young Gaye described living in his father’s house as similar to “…living with a king, a very peculiar, changeable, cruel, and all powerful king.” He felt that had his mother not consoled him and encouraged his singing, he would have killed himself. His sister later explained that Gaye was beaten often, from age seven well into his teenage years.
Gaye attended Syphax Elementary School and then Randall Junior High School. Gaye began to take singing much more seriously in junior high, and he joined and became a singing star with the Randall Junior High Glee Club.
In 1953 or 1954 the Gays moved into the East Capitol Dwellings public housing project in D.C.’s Capitol View neighborhood Their townhouse apartment (Unit 12, 60th Street NE; now demolished) was Marvin’s home until 1962.
Gaye briefly attended Spingarn High School before transferring to Cardozo High School. At Cardozo, Gaye joined several doo-wop vocal groups, including the Dippers and the D.C. Tones. Gaye’s relationship with his father worsened during his teenage years, as his father would kick him out of the house often. In 1956, 17-year-old Gaye dropped out of high school and enlisted in the United States Air Force as a basic airman. Disappointed in having to perform menial tasks, he faked mental illness and was discharged shortly afterwards. Gaye’s sergeant stated that he refused to follow orders.
Following his return, Gaye and good friend Reese Palmer formed the vocal quartet The Marquees. The group performed in the D.C. area and soon began working with Bo Diddley, who assigned the group to Columbia subsidiary OKeh Records after failing to get the group signed to his own label, Chess. The group’s sole single, “Wyatt Earp” (co-written by Bo Diddley), failed to chart and the group was soon dropped from the label. Gaye began composing music during this period.
Moonglows co-founder Harvey Fuqua later hired The Marquees as employees. Under Fuqua’s direction, the group changed its name to Harvey and the New Moonglows, and relocated to Chicago. The group recorded several sides for Chess in 1959, including the song “Mama Loocie”, which was Gaye’s first lead vocal recording. The group found work as session singers for established acts such as Chuck Berry, singing on the hits “Back in the U.S.A.” and “Almost Grown.”
In 1960, the group disbanded. Gaye relocated to Detroit with Fuqua where he signed with Tri-Phi Records as a session musician, playing drums on several Tri-Phi releases. Gaye performed at Motown president Berry Gordy’s house during the holiday season in 1960. Impressed by the singer, Gordy sought Fuqua on his contract with Gaye. Fuqua agreed to sell part of his interest in his contract with Gaye. Shortly afterwards, Gaye signed with Motown subsidiary Tamla.
When Gaye signed with Tamla, he pursued a career as a performer of jazz music and standards, having no desire to become an R&B performer. Before the release of his first single, Gaye was teased about his surname, with some jokingly asking, “Is Marvin Gay?” Gaye changed his surname by adding an e, in the same way as did Sam Cooke. Author David Ritz wrote that Gaye did this to silence rumors of his sexuality, and to put more distance between Gaye and his father.
Gaye released his first single, “Let Your Conscience Be Your Guide”, in May 1961, with the album The Soulful Moods of Marvin Gaye, following a month later. Gaye’s initial recordings failed commercially and he spent most of 1961 performing session work as a drummer for artists such as The Miracles, The Marvelettes and blues artist Jimmy Reed for $5 (US $40 in 2016 dollars) a week. While Gaye took some advice on performing with his eyes open (having been accused of appearing as though he were sleeping), he refused to attend grooming school courses at the John Roberts Powers School for Social Grace in Detroit because of his unwillingness to comply with its orders, something he later regretted.
In 1962, Gaye found success as co-writer of the Marvelettes hit, “Beechwood 4-5789”. His first solo hit, “Stubborn Kind of Fellow”, was later released that September, reaching No. 8 on the R&B chart and No. 46 on the Billboard Hot 100. Gaye reached the top 40 with the dance song, “Hitch Hike”, peaking at No. 30 on the Hot 100. “Pride and Joy” became Gaye’s first top ten single after its release in 1963.
The three singles and songs from the 1962 sessions were included on Gaye’s second album, That Stubborn Kinda Fellow. Starting in October of the year, Gaye performed as part of the Motortown Revue, a series of concert tours headlined at the north and south eastern coasts of the United States as part of the chitlin’ circuit. A filmed performance of Gaye at the Apollo Theater took place in June 1963. Later that October, Tamla issued the live album, Marvin Gaye Recorded Live on Stage. “Can I Get a Witness” became one of Gaye’s early international hits.
In 1964, Gaye recorded a successful duet album with singer Mary Wells titled Together, which reached No. 42 on the pop album chart. The album’s two-sided single, including “Once Upon a Time” and ‘What’s the Matter With You Baby”, each reach the top 20. Gaye’s next solo hit, “How Sweet It Is (To Be Loved By You)”, which Holland-Dozier-Holland wrote for him, reached No. 6 on the Hot 100 and reached the top 50 in the UK. Gaye started getting television exposure around this time, on shows such as American Bandstand. Also in 1964, he appeared in the concert film, The T.A.M.I. Show. Gaye had two number-one R&B singles in 1965 with the Miracles–composed “I’ll Be Doggone” and “Ain’t That Peculiar”. Both songs became million-sellers. After this, Gaye returned to jazz-derived ballads for a tribute album to the recently-deceased Nat “King” Cole.
After scoring a hit duet, “It Takes Two” with Kim Weston, Gaye began working with Tammi Terrell on a series of duets, mostly composed by Ashford & Simpson, including “Ain’t No Mountain High Enough”, “Your Precious Love”, “Ain’t Nothing Like the Real Thing” and “You’re All I Need to Get By”.
“I Heard It through the Grapevine” was recorded by Gaye in April 1967, several months before Gladys Knight and the Pips recorded it. The song features a Wurlitzer piano, percussion, and horns. Gaye’s recording of it paved the way for what later became “psychedelic soul”.
In October 1967, Terrell collapsed in Gaye’s arms during a performance in Farmville, Virginia. Terrell was subsequently rushed to Farmville’s Southside Community Hospital, where doctors discovered she had a malignant tumor in her brain. The diagnosis ended Terrell’s career as a live performer, though she continued to record music under careful supervision. Despite the presence of hit singles such as “Ain’t Nothing Like the Real Thing” and “You’re All I Need to Get By”, Terrell’s illness caused problems with recording, and led to multiple operations to remove the tumor. Gaye was reportedly devastated by Terrell’s sickness and became disillusioned with the record business.
On October 6, 1968, Gaye sang the national anthem during Game 4 of the 1968 World Series, held at Tiger Stadium, in Detroit, Michigan, and played between the Detroit Tigers and the St. Louis Cardinals.
In late 1968, Gaye’s recording of I Heard It Through the Grapevine became Gaye’s first to reach No. 1 on the Billboard Hot 100. It also reached the top of the charts in other countries, selling over four million copies. However, Gaye felt the success was something he “didn’t deserve” and that he “felt like a puppet – Berry’s puppet, Anna’s puppet….”Gaye followed it up with “Too Busy Thinking About My Baby” and “That’s the Way Love Is”, which reached the top ten on the Billboard Hot 100 in 1969. That year, his album M.P.G. became his first No. 1 R&B album. Gaye produced and co-wrote two hits for The Originals during this period, including “Baby I’m For Real” and “The Bells”.
Tammi Terrell died from brain cancer on March 16, 1970; Gaye attended her funeral and after a period of depression, Gaye sought out a position on a professional football team, the Detroit Lions, where he later befriended Mel Farr and Lem Barney. It was eventually decided that Gaye would not be allowed to try out owing to fears of possible injuries that could have affected his music career.
On June 1, 1970, Gaye returned to Hitsville U.S.A., where he recorded his new composition “What’s Going On”, inspired by an idea from Renaldo “Obie” Benson of the Four Tops after he witnessed an act of police brutality at an anti-war rally in Berkeley. Upon hearing the song, Berry Gordy refused its release due to his feelings of the song being “too political” for radio. Gaye responded by going on strike from recording until the label released the song. Released in 1971, it reached No. 1 on the R&B charts within a month, staying there for five weeks. It also reached the top spot on Cashbox’s pop chart for a week and reached No. 2 on the Hot 100 and the Record World chart, selling over two million copies.
After giving an ultimatum to record a full album to win creative control from Motown, Gaye spent ten days recording the What’s Going On album that March. Motown issued the album that May after Gaye remixed portions of the album in Hollywood. The album became Gaye’s first million-selling album launching two more top ten singles, “Mercy Mercy Me (The Ecology)” and “Inner City Blues”. One of Motown’s first autonomous works, its theme and segue flow brought the concept album format to rhythm and blues. An AllMusic writer later cited it as “…the most important and passionate record to come out of soul music, delivered by one of its finest voices.” For the album, Gaye received two Grammy Award nominations and several NAACP Image Awards. The album also topped Rolling Stone’s year-end list as its album of the year. Billboard magazine named Gaye Trendsetter of the Year following the album’s success.
In 1971, Gaye signed a new deal with Motown worth $1 million (US $5,913,722 in 2016 dollars), making it the most lucrative deal by a black recording artist at the time. Gaye first responded to the new contract with the soundtrack and subsequent score, Trouble Man, released in late 1972.
“Let’s Get It On” was written by Gaye and producer Ed Townsend, originally as a gospel song, and later as a protest song before eventually turning into a funk-oriented love anthem. It became Gaye’s second number-one hit in 1973.
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In 1973, Gaye released the Let’s Get It On album. Its title track became Gaye’s second No. 1 single on the Hot 100. The album subsequently stayed on the charts for two years and sold over three million copies. The album was later hailed as “a record unparalleled in its sheer sensuality and carnal energy.” Other singles from the album included “Come Get to This”, which recalled Gaye’s early Motown soul sound of the previous decade, while the suggestive “You Sure Love to Ball” reached modest success but received tepid promotion due to the song’s sexually explicit content.
Marvin’s final duet project, Diana & Marvin, with Diana Ross, garnered international success despite contrasting artistic styles. Much of the material was crafted especially for the duo by Ashford and Simpson. Responding to demand from fans and Motown, Gaye started his first tour in four years at the Oakland–Alameda County Coliseum on January 4, 1974. The performance received critical acclaim and resulted in the release of the live album, Marvin Gaye Live! and its single, a live version of Distant Lover, an album track from Let’s Get It On.
The tour helped to increase Gaye’s reputation as a live performer. For a time, he was earning $10,000 a night (US $48,563 in 2016 dollars) for performances. Gaye toured throughout 1974 and 1975. A renewed contract with Motown allowed Gaye to build his own custom-made recording studio.
In October 1975, Gaye gave a performance at a UNESCO benefit concert at New York’s Radio City Music Hall to support UNESCO’s African literacy drive, resulting in him being commended at the United Nations by then-Ambassador to Ghana Shirley Temple Black and Kurt Waldheim. Gaye’s next studio album, I Want You, followed in 1976 with the title track becoming a No. 1 R&B hit. That summer, Gaye embarked on his first European tour in a decade, starting off in England. In early 1977, Gaye released the live album, Live at the London Palladium, which sold over two million copies thanks to the success of its studio song, “Got to Give It Up”, which became a No. 1 hit.
In December 1978, Gaye released Here, My Dear, inspired by the fallout of his first marriage to Anna Gordy. Recorded as an intent for Gaye to remit a portion of its royalties to her to receive alimony payments, it performed poorly on the charts. During that period, Gaye developed a serious dependence and addiction to cocaine and was dealing with several financial issues with the IRS. These issues led him to move to Maui, Hawaii, where he struggled to record a disco album. In 1980, Gaye went on a European tour. By the time the tour stopped, the singer relocated to London when he feared imprisonment for failure to pay back taxes, which had now reached upwards of $4.5 million (US $13,080,170 in 2016 dollars).
Gaye then reworked Love Man from its original disco concept to another personal album invoking religion and the possible end time from a chapter in the Book of Revelation. Titling the album In Our Lifetime?, Gaye worked on the album for much of 1980 in London studios such as Air and Odyssey Studios.
In the fall of that year, someone stole a master tape of a rough draft of the album from one of Gaye’s traveling musicians, Frank Blair, taking the master tape to Motown’s Hollywood headquarters. Motown remixed the album and released it on January 15, 1981. When Gaye learned of its release, he accused Motown of editing and remixing the album without his consent, allowing the release of an unfinished production (Far Cry), altering the album art of his request and removing the album title’s question mark, muting its irony. He also accused the label of rush-releasing the album, comparing his unfinished album to an unfinished Picasso painting. Gaye then vowed not to record any more music for Motown.
On February 14, 1981, under the advice of music promoter Freddy Cousaert, Gaye relocated to Cousaert’s apartment in Ostend, Belgium. While there, Gaye shied away from heavy drug use and began exercising and attending a local Ostend church, regaining personal confidence Following several months of recovery, Gaye sought a comeback onstage, starting the short-lived Heavy Love Affair tour in England and Ostend in June–July 1981. Gaye’s personal attorney Curtis Shaw would later describe Gaye’s Ostend period as “the best thing that ever happened to Marvin”. When word got around that Gaye was planning a musical comeback and an exit from Motown, CBS Urban president Larkin Arnold eventually was able to convince Gaye to sign with CBS. On March 23, 1982, Motown and CBS Records negotiated Gaye’s release from Motown. The details of the contract were not revealed due to a possible negative effect on the singer’s settlement to creditors from the IRS.
Assigned to CBS’ Columbia subsidiary, Gaye worked on his first post-Motown album titled Midnight Love. The first single, “Sexual Healing” which was written and recorded in Ostend in his apartment, was released on September 30, 1982, and became Gaye’s biggest career hit, spending a record ten weeks at No. 1 on the Hot Black Singles chart, becoming the biggest R&B hit of the 1980s according to Billboard stats. The success later translated to the Billboard Hot 100 chart in January 1983 where it peaked at No. 3, while the record reached international success, reaching the top spot in New Zealand and Canada and reaching the top ten on the United Kingdom’s OCC singles chart, later selling over two million copies in the U.S. alone, becoming Gaye’s most successful single to date. The video for the song was shot at Ostend’s Casino-Kursaal.
Sexual Healing won Gaye his first two Grammy Awards including Best Male R&B Vocal Performance, in February 1983, and also won Gaye an American Music Award in the R&B-soul category. People magazine called it “America’s hottest musical turn-on since Olivia Newton-John demanded we get Physical.” Midnight Love was released to stores a day after the single’s release, and was equally successful, peaking at the top ten of the Billboard 200 and becoming Gaye’s eighth No. 1 album on the Top Black Albums chart, eventually selling over six million copies worldwide, three million alone in the U.S.
“ I don’t make records for pleasure. I did when I was a younger artist, but I don’t today. I record so that I can feed people what they need, what they feel. Hopefully, I record so that I can help someone overcome a bad time. ”
NME – December 1982
On February 13, 1983, Gaye sang “The Star-Spangled Banner” at the NBA All-Star Game at The Forum in Inglewood, California—accompanied by Gordon Banks, who played the studio tape from the stands. The following month, Gaye performed at the Motown 25: Yesterday, Today, Forever special. This and a May appearance on Soul Train (his third appearance on the show) became Gaye’s final television performances. Gaye embarked on his final concert tour, titled the Sexual Healing Tour, on April 18, 1983, in San Diego. The tour ended on August 14, 1983 at the Pacific Amphitheater in Costa Mesa, California but was plagued by cocaine-triggered paranoia and illness. Following the concert’s end, he retreated to his parents’ house in Los Angeles. In early 1984, Midnight Love was nominated for a Grammy in the Best Male R&B Vocal Performance category, his 12th and final nomination.
At around 12:38 p.m. (PST) on April 1, 1984, while Gaye was in his bedroom, his father Marvin Gay Sr. shot Gaye in the heart and then in his left shoulder, the latter shot taken at point-blank range. Minutes earlier, the two men had been involved in a physical altercation when Gaye intervened in a fight between his parents. The first shot proved to be fatal. Gaye was pronounced dead at 1:01 p.m. (PST) after his body arrived at California Hospital Medical Center.
After Gaye’s funeral, his body was cremated at Forest Lawn Memorial Park at the Hollywood Hills; his ashes were later scattered into the Pacific Ocean. Initially charged with first-degree murder, Gay Sr.’s charges dropped to voluntary manslaughter following a diagnosis of a brain tumor and Gaye’s autopsy revealing the singer had drugs in his system. Marvin Gay Sr. was later sentenced to a suspended six-year sentence and probation. He died at a nursing home in 1998.
Gaye was the father of three children, Marvin III, Nona, and Frankie, and the grandfather of three boys, Marvin IV, Nolan, and Dylan. At the time of his death, he was survived by his three children, parents, and five siblings.
Written by Dianne Washington

Clyde Frazier

Walter “Clyde” Frazier (born March 29, 1945) is an American former basketball player in the National Basketball Association. As their floor general, he led the New York Knicks to the franchise’s only two championships (1970 and 1973), and was inducted into the Naismith Memorial Basketball Hall of Fame in 1987. Upon his retirement from basketball, Frazier went into broadcasting; he is currently a color commentator for telecasts of Knicks games on the MSG Network. He lives in Harlem with his long-term partner, Patricia James, and they also have a home in St. Croix. He is the father of a son referred to both as Walt Jr. and, later, Walt III. Frazier is a member of the fraternity Alpha Phi Alpha.

The eldest of nine children, Frazier attended Atlanta’s David Tobias Howard High School. He quarterbacked the football team and played catcher on the baseball team. He learned basketball on a rutted and dirt playground, the only facility available at his all-black school in the racially segregated South of the 1950s. After Howard, Frazier attended Southern Illinois University. Although he was offered other scholarships for his football skills, Frazier accepted a basketball offer from Southern Illinois University.

Written by Dianne Washington