Whats Buzzing in the Streets – Page 72

George Benson

George Benson (born March 22, 1943) is a ten-time Grammy Award-winning American musician, guitarist and singer-songwriter. He began his professional career at twenty-one, as a jazz guitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt.

A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others. He then launched a successful solo career, alternating between jazz, pop, R&B singing, and scat singing. His album Breezin’ was certified triple-platinum on the Billboard 200 chart in 1976. His concerts were well attended through the 1980s, and he still has a large following. He has received a star on the Hollywood Walk of Fame.

Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania.At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down.[citation needed] At the age of 10, he recorded his first single record, “She Makes Me Mad”, with RCA-Victor in New York, under the name “Little Georgie”.

Benson attended and graduated Schenley High School. As a youth, instead, he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. One of his many early guitar heroes was country-jazz guitarist Hank Garland. At the age of 21, he recorded his first album as leader, The New Boss Guitar, featuring McDuff. Benson’s next recording was It’s Uptown with the George Benson Quartet, including Lonnie Smith on organ and Ronnie Cuber on baritone saxophone. Benson followed it up with The George Benson Cookbook, also with Lonnie Smith and Ronnie Cuber on baritone and drummer Marion Booker. Miles Davis employed Benson in the mid-1960s, featuring his guitar on “Paraphernalia” on his 1968 Columbia release, Miles in the Sky before going to Verve Records.

Benson then signed with Creed Taylor’s jazz label CTI Records, where he recorded several albums, with jazz heavyweights guesting, to some success, mainly in the jazz field. His 1974 release, Bad Benson, climbed to the top spot in the Billboard jazz chart, while the follow-ups, Good King Bad (#51 Pop album) and Benson and Farrell (with Joe Farrell), both reached the jazz top-three sellers. Benson also did a version of The Beatles’s 1969 album Abbey Road called The Other Side of Abbey Road, also released in 1969, and a version of “White Rabbit”, originally written and recorded by San Francisco rock group Great Society, and made famous by Jefferson Airplane. Benson played on numerous sessions for other CTI artists during this time, including Freddie Hubbard and Stanley Turrentine, notably on the latter’s acclaimed album Sugar.

By the mid- to late 1970s, as he recorded for Warner Bros. Records, a whole new audience began to discover Benson. With the 1976 release Breezin’, Benson sang a lead vocal on the track “This Masquerade”, which became a huge pop hit and won a Grammy Award for Record of the Year. (He had sung vocals infrequently on albums earlier in his career, notably his rendition of “Here Comes the Sun” on the Other Side of Abbey Road album.) The rest of the album is instrumental, including his rendition of the 1975 Jose Feliciano composition “Affirmation”. Breezin′ was a significant album in terms of popular music history – the first jazz release to go platinum.

In 1976, Benson toured with soul singer Minnie Riperton, who had been diagnosed with terminal breast cancer earlier that year. Also in 1976, George Benson appeared as a guitarist and backup vocalist on Stevie Wonder’s song “Another Star” from Wonder’s album Songs in the Key of Life. He also recorded the original version of “The Greatest Love of All” for the 1977 Muhammad Ali bio-pic, The Greatest, which was later covered by Whitney Houston as “Greatest Love of All”.During this time Benson recorded with the German conductor Claus Ogerman. The live take of “On Broadway”, recorded a few months later from the 1978 release Weekend in L.A., also won a Grammy. He has worked with Freddie Hubbard on a number of his albums throughout the 1960s, 1970s and 1980s.

The Qwest record label (a subsidiary of Warner Bros., run by Quincy Jones) released Benson’s breakthrough pop album Give Me The Night, produced by Jones. Benson made it into the pop and R&B top ten with the song “Give Me the Night” (written by former Heatwave keyboardist Rod Temperton). More importantly, Quincy Jones encouraged Benson to search his roots for further vocal inspiration, and he re-discovered his love for Nat Cole, Ray Charles and Donny Hathaway in the process, influencing a string of further vocal albums into the 1990s. Despite returning to his jazz and guitar playing most recently, this theme was reflected again much later in Benson’s 2000 release Absolute Benson, featuring a cover of one of Hathaway’s most notable songs, “The Ghetto”. Benson accumulated three other platinum LPs and two gold albums.

In 1985, Benson and guitarist Chet Atkins went on the smooth jazz charts with their collaboration “Sunrise”, one of two songs from the duo released on Atkins’ disc Stay Tuned. In 1992, Benson appeared on Jack McDuff’s Colour Me Blue album, his first appearance on a Concord album. Benson signed with Concord Records in 2005 and toured with Al Jarreau in America, South Africa, Australia and New Zealand to promote their 2006 multiple Grammy-winning album Givin’ It Up.

To commemorate the long-term relationship between Benson and Ibanez and to celebrate 30 years of collaboration on the GB Signature Models, Ibanez created the GB30TH, a very limited-edition model featuring a gold-foil finish inspired by the traditional Japanese Garahaku art form. In 2009, Benson was recognized by the National Endowment of the Arts as a Jazz Master, the nation’s highest honor in jazz. Benson performed at the 49th issue of the Ohrid Summer Festival in Macedonia on July 25, 2009, and his tribute show to Nat King Cole An Unforgettable Tribute to Nat King Cole as part of the Istanbul International Jazz Festival in Turkey on July 27. In the fall of 2009, Benson finished recording a new album entitled Songs and Stories, with Marcus Miller, producer John Burk, and session musicians David Paich and Steve Lukather. As a part of the promotion for his recent Concord Music Group/Monster Music release Songs and Stories, Benson has appeared and/or performed on The Tavis Smiley Show, Jimmy Kimmel Live! and Late Night with Jimmy Fallon.

Benson toured throughout 2010 in North America, Europe and the Pacific Rim, including an appearance at the Singapore Sun Festival. He performed at the Java Jazz Festival March 4–6, 2011. In 2011, Benson released the album Guitar Man—revisiting his 1960s/early-1970s guitar-playing roots with a 12-song collection of covers of both jazz and pop standards overseen by producer John Burk.

In June 2013, Benson released his fourth album for Concord Records, Inspiration: A Tribute to Nat King Cole, which featured Wynton Marsalis, Idina Menzel, Till Brönner, and Judith Hill. In September, he returned to perform at Rock in Rio festival, in Rio de Janeiro, 35 years after his first performance at this festival, which was then the inaugural one.

Benson has been married to Johnnie Lee since 1965. Benson describes his music as focusing more on love and romance, rather than sexuality. He is a member of Jehovah’s Witnesses.

Written by Dianne Washington

McFadden and Whitehead

McFadden and Whitehead were an American songwriting, production, and recording duo, best known for their signature tune “Ain’t No Stoppin’ Us Now”. They wrote and produced some of the most popular R&B hits of the 1970s, and were primarily associated with Gamble and Huff’s Philadelphia International soul music record label.

When they were teenagers, Gene McFadden and John Whitehead formed a group called The Epsilons. The personnel included Allen Beatty, James Knight, and future Blue Notes member Lloyd Parks. They were discovered by Otis Redding and toured with him during the late 1960s until Redding’s death in a plane crash in 1967.

They signed with Stax and had a moderate success in 1970 with “The Echo. The duo later joined Philly International Records, where they wrote several hit songs, the first being “Back Stabbers” in 1972 for The O’Jays. It reached #3 on the Billboard Hot 100 and #1 on Billboard’s Hot Soul Singles chart.

McFadden and Whitehead also wrote songs such as “I’ll Always Love My Momma”, “Bad Luck”, “Wake Up Everybody”, “Where Are All My Friends”, “The More I Get, The More I Want”, and “Cold, Cold World”. The production team also worked with Melba Moore, Freddie Jackson, producer Rahni Song and Gloria Gaynor, Teddy Pendergrass, Harold Melvin & The Blue Notes, Gladys Knight, The Jackson 5, James Brown, Stevie Wonder, Lou Rawls, Archie Bell & the Drells, Jerry Bell and The Intruders.

McFadden and Whitehead formed together as a group officially under the name “McFadden & Whitehead” in 1977. The pinnacle of their success came in 1979 with “Ain’t No Stoppin Us Now,” which went to #1 on the R&B charts, #13 on the pop charts, sold eight million records worldwide and was nominated for a Grammy Award. The duo was featured on The Oprah Winfrey Show, where they sang their most famous song on an episode in which Oprah featured the top hits of the 1970s.

Other hits co-written by McFadden & Whitehead include:

“Back Stabbers” (the O’Jays)
“Bad Luck” (Harold Melvin & the Blue Notes)
“Wake Up Everybody” (Harold Melvin & the Blue Notes)
“Where Are All My Friends” (Harold Melvin & the Blue Notes)
“I’ll Always Love My Momma” (the Intruders)
“Let’s Groove” (Archie Bell & the Drells)
“The Strength of One Man” (the Jacksons)
“I Got the Love” (McFadden & Whitehead)
“You’re My Somebody to Love” (McFadden & Whitehead)
“I’ve Been Pushed Aside” (McFadden & Whitehead)
“Got to Change” (McFadden & Whitehead)
“Do You Want to Dance?” (McFadden & Whitehead)
“Just Wanna Love You Baby” (McFadden & Whitehead)
“Mr. Music” (McFadden & Whitehead)
“This Is My Song” (McFadden & Whitehead)
“All the Man You Need” (Jerry Bell)

According to the American Top 40 radio program for the week ended August 4, 1979, Casey Kasem reported that McFadden and Whitehead were in Chicago on May 25, 1979 promoting their music and doing various interviews. Because they agreed to do one more music interview at the last minute, they decided to reschedule their flight to Los Angeles to the next day, May 26. They were originally scheduled to fly on American Airlines Flight 191 on May 25, which crashed shortly after take off from O’Hare International Airport killing all 258 passengers plus the crew.

On May 11, 2004, Whitehead was murdered on the street outside of his Philadelphia home studio, while standing aside as a young man made repairs on his SUV. There, he was shot once by one of several unknown gunmen, who then fled. The case remains unsolved. Whitehead was 55 years old.

On January 27, 2006, McFadden died of liver and lung cancer. He was 56.

Written by Dianne Washington

Queen Latifah

Dana Elaine Owens (born March 18, 1970), known professionally by her stage name Queen Latifah, is an American rapper, songwriter, singer, actress, and producer. Born in Newark, New Jersey, she signed with Tommy Boy Records in 1989 and released her debut album All Hail the Queen the same year, featuring the hit single “Ladies First”. Nature of a Sista (1991) was her second and final album with Tommy Boy Records.

Latifah was born in Newark, New Jersey on March 18, 1970, and lived primarily in East Orange, New Jersey. She is the daughter of Rita (née Bray), a teacher at Irvington High School (Latifah’s alma mater), and Lancelot Owens, Sr., a police officer. Owens attended Essex Catholic Girls’ High School in Irvington, but graduated from Irvington High School. Her parents divorced when Latifah was ten. Latifah was raised in the Baptist faith and attended Catholic school in Newark, New Jersey. She found her stage name, Latifah (لطيفة laţīfa), meaning “delicate” and “very kind” in Arabic, in a book of Arabic names when she was eight. Always tall, the 5-foot-10-inch (1.78 m) Latifah was a power forward on her high school basketball team. She performed the number “Home” from the musical The Wiz in a grammar school play.

She started beat boxing for the hip-hop group Ladies Fresh and was an original member of the Flavor Unit, which, at that time, was a crew of MCs grouped around producer DJ King Gemini, who made a demo recording of Queen Latifah’s rap Princess of the Posse. He gave the recording to Fab 5 Freddy, the host of Yo! MTV Raps. The song got the attention of Tommy Boy Music employee Dante Ross, who signed Latifah and in 1988 issued her first single, “Wrath of My Madness”.

Latifah made her mark in hip-hop by rapping about issues of black women. Her songs covered topics including domestic violence, harassment on the streets, and relationship problems. Freddy helped Latifah sign with Tommy Boy Records, which released Latifah’s first album All Hail the Queen in 1989, when she was nineteen. That year, she appeared as Referee on the UK label Music of Life album 1989—The Hustlers Convention (live). She received a Candace Award from the National Coalition of 100 Black Women in 1992. In 1998, co-produced by Ro Smith, now CEO of Def Ro Inc., she released her fourth hip-hop album Order in the Court, which was released by Motown Records. Latifah was also a member of the hip-hop collective Native Tongues.

Latifah starred as Khadijah James on the FOX sitcom Living Single, from 1993 to 1998. Her third album Black Reign (1993), spawned the single “U.N.I.T.Y.”, which won a Grammy Award and was successful on the Billboard Hot 100. She then starred in the lead role of Set It Off (1996) and released her fourth album, Order in the Court, in 1998, with Motown Records. Latifah gained mainstream success and acclaim with her performance in the film Chicago (2002), receiving an Academy Award nomination for Best Supporting Actress.

Latifah released her fifth album The Dana Owens Album in 2004. In 2007 and 2009, she released two more studio albums – Trav’lin’ Light and Persona. She created the daytime talk show The Queen Latifah Show, which ran from late 2013 to early 2015 on CBS. She has appeared in a number of films, such as Bringing Down the House (2003), Taxi (2004), Barbershop 2: Back in Business (2005), Beauty Shop (2005), Last Holiday (2006), Hairspray (2007), Joyful Noise (2012), 22 Jump Street (2014) and Girls Trip (2017). Latifah received critical acclaim for her portrayal of blues singer Bessie Smith in the HBO film Bessie (2015), which she co-produced, winning the Primetime Emmy Award for Outstanding Television Movie. Since 2016, she has starred as Carlotta Brown in the musical drama series Star.

After Order in the Court, Latifah shifted primarily to singing soul music and jazz standards, which she had used sparingly in her previous hip-hop-oriented records. In 2004, she released the soul/jazz standards The Dana Owens Album. On July 11, 2007, Latifah sang at the famed Hollywood Bowl in Los Angeles as the headlining act in a live jazz concert. Before a crowd of more than 12,400, she was backed by a 10-piece live orchestra and three backup vocalists, which was billed as the Queen Latifah Orchestra. Latifah performed new arrangements of standards including “California Dreaming”, first made popular by 1960s icons the Mamas & the Papas. Later in 2007, Latifah released an album titled Trav’lin’ Light. Jill Scott, Erykah Badu, Joe Sample, George Duke, Christian McBride, and Stevie Wonder made guest appearances. It was nominated for a Grammy in the “Best Traditional Pop Vocal Album” category.

She has long been considered one of hip-hop’s pioneer feminists. Queen Latifah received a star on the Hollywood Walk of Fame in 2006. Latifah’s work in music, film and television has earned her a Grammy Award, an Emmy Award, a Golden Globe Award, three Screen Actors Guild Awards, two NAACP Image Awards, an Academy Award nomination and sales of over two million records.

Irene Cara

Irene Cara (born Irene Cara Escalera; March 18, 1959) is an American singer, songwriter, and actress. She is best known for her roles as title character Sparkle Williams in the 1976 film Sparkle and Coco Hernandez in the 1980 film Fame, earning her a Golden Globe nomination, and her recording of the song “Fame” became an international hit. Cara won an Academy Award in 1984 in the category of Best Original Song for co-writing “Flashdance… What a Feeling”, which also became an international hit.

Cara was born in The Bronx, New York City, the youngest of five children. Her father, Gaspar Escalera, a factory worker and retired saxophonist, was Afro-Puerto Rican, and her mother, Louise, a cinema usher, was an American of Cuban descent. Cara has two sisters and two brothers.

At the age of three, Irene Cara was one of five finalists for the “Little Miss America” pageant. She began to play the piano by ear, then studied music, acting, and dance seriously, first having dance lessons, aged five. Her performing career started on Spanish-language television, professionally singing and dancing. She made early TV appearances on the Original Amateur Hour (singing in Spanish) and Johnny Carson’s The Tonight Show. In 1971–72, aged 13, she was a regular on PBS’s educational program The Electric Company. As a child, Cara recorded a Latin-market Spanish-language record and an English Christmas album. She also appeared in a major concert tribute to Duke Ellington that also featured Stevie Wonder, Sammy Davis, Jr., and Roberta Flack.

Cara appeared in on-and off-Broadway theatrical shows including the musicals Ain’t Misbehavin’, The Me Nobody Knows (which won an Obie Award), Maggie Flynn opposite Shirley Jones and Jack Cassidy, and Via Galactica with Raúl Juliá.

Cara was the original Daisy Allen on the 1970s daytime serial Love of Life. Next came her role as Angela in romance/thriller Aaron Loves Angela, followed by her portrayal of the title character in Sparkle. Television brought Cara international acclaim for serious dramatic roles in two outstanding mini-series, Roots: The Next Generations and Guyana Tragedy: The Story of Jim Jones.

John Willis’ Screen World, Vol. 28, named her one of twelve “Promising New Actors of 1976”; that same year, a readers’ poll in Right On! magazine named her Top Actress.

Cara graduated from the Professional Children’s School in Manhattan.

The 1980 hit movie Fame, directed by Alan Parker, catapulted Irene Cara to stardom. Cara was originally cast as a dancer, but when producers David Da Silva and Alan Marshall and screenwriter Christopher Gore heard her voice, they re-wrote the role of Coco Hernandez. As Coco Hernandez, she sang both the title song “Fame” and the film’s other single, “Out Here on My Own.” These songs helped make the film’s soundtrack a chart-topping, multi-platinum album. Further history was made at the Academy Awards that year: it was the first time two songs from the same film were nominated in the same category and both sung by the same artist. Thus, Cara had the opportunity to be one of the few singers to perform more than one song at the Oscar ceremony; “Fame,” written by Michael Gore and Dean Pitchford, won the award that year.

Cara earned Grammy nominations in 1980 for Best New Artist and Best Female Pop Vocal Performance, as well as a Golden Globe nomination for Best Motion Picture Actress in a Musical. Billboard named her Top New Single Artist, while Cashbox Magazine awarded her both Most Promising Female Vocalist and Top Female Vocalist.

Asked by Fame TV series’ producers to reprise her role as Coco Hernandez, she declined so as to focus her attention on her recording career. As a result, Erica Gimpel assumed the role.

Cara was slated to star in her own sitcom, Irene, on NBC in 1981. Even though the pilot aired and received favorable reviews, the network did not pick it up for its fall season. It also starred veteran performers Kaye Ballard and Teddy Wilson, as well as newcomers Julia Duffy and Keenen Ivory Wayans.

In 1983, Cara appeared as herself in the film D.C. Cab, which is a film about a group of cabbies. The movie stars Mr. T. One of the characters, Tyrone played by Charlie Barnett, is an obsessed Cara fan who decorated his Checker Cab as a shrine to her. Her contribution to the film’s soundtrack, “The Dream (Hold on To Your Dream)” played over the closing credits of the film, and proved to be a minor hit, peaking at No. 37 on the Billboard Hot 100 in February 1984.

In 1982, Cara earned the Image Award for Best Actress when she co-starred with Diahann Carroll and Rosalind Cash in the NBC Movie of the Week, Maya Angelou’s Sister, Sister. Cara portrayed Myrlie Evers-Williams in the PBS TV movie about civil rights leader Medgar Evers, For Us the Living: The Medgar Evers Story; and earned an NAACP Image Award Best Actress nomination. She also appeared in 1982’s Killing ’em Softly.

In addition to her music and film work, Cara also continued to perform in live theatre during this period. In the summer of 1980, she briefly played the role of Dorothy in The Wiz on tour, in a role that Stephanie Mills had first portrayed in the original Broadway production. Coincidentally, Cara and Mills had shared the stage together as children in the original 1968 Broadway musical Maggie Flynn, starring Shirley Jones and Jack Cassidy, in which both young girls played Civil War orphans.

In 1983, Cara reached the peak of her music career with the title song for the movie Flashdance: “Flashdance… What A Feeling”, which she co-wrote with Giorgio Moroder and Keith Forsey. Cara penned the lyrics to the song with Keith Forsey while riding in a car in New York heading to the studio to record it; Moroder composed the music.

Cara admitted later that she was initially reluctant to work with Giorgio Moroder because she had no wish to invite further comparisons with another artist who worked with Moroder, Donna Summer. But the collaboration paid off and became a hit in several countries, garnering numerous accolades for Cara. She won the 1983 Academy Award for Best Song (Oscar), 1984 Grammy Award for Best Female Pop Vocal Performance, 1984 Golden Globe Award for Best Original Song, and American Music Awards for Best R&B Female Artist and Best Pop Single of the Year.

“Flashdance…” was re-recorded by Cara twice. The first time was in 1995 as a track in the original soundtrack for the movie “The Full Monty”; the second time was in 2002, as a duet she recorded with Swiss artist DJ BoBo.

In 1984, she was in the comedic thriller City Heat, in which she co-starred opposite Clint Eastwood and Burt Reynolds and sang the standards “Embraceable You” and “Get Happy.” She also co-wrote the theme song “City Heat”, which was sung by the jazz vocalist Joe Williams. In May of that year she scored her final Top 40 hit with “Breakdance” going to #8. The follow up, “You Were Made for Me” reached #78 that summer but then she never charted on the Hot 100 again. In 1985, Cara co-starred with Tatum O’Neal in Certain Fury, an exploitation underachiever about two troubled young women who flee a court hearing and are mistaken for killers. In 1986, Cara appeared in the film Busted Up. She also provided the voice of Snow White in the unofficial sequel to Disney’s Snow White and the Seven Dwarfs, Filmation’s Happily Ever After, in 1993. That same year, she appeared as Mary Magdalene in the record-breaking anniversary tour of Jesus Christ Superstar opposite Ted Neeley, Carl Anderson, and Dennis DeYoung.

Along with her career in acting and hit singles, Cara released several albums: Anyone Can See in 1982, What A Feelin’ in 1983, and Carasmatic in 1987, the most successful of these being What A Feelin. In 1985 she collaborated with the Hispanic group Hermanos in the song “Cantaré, cantarás,” in which she sings a solo segment with the Spanish opera singer Plácido Domingo. She also released a compilation of Eurodance singles in the mid to late 1990s entitled Precarious 90’s. Cara recently contributed a dance single, titled “Forever My Love”, to the compilation album titled Gay Happening Vol. 12, in 2006.

Cara has also worked as a backup vocalist for Vicki Sue Robinson, Lou Reed, George Duke, Oleta Adams, and Evelyn “Champagne” King. Cara toured Europe and Asia throughout the 1990s, scoring several modest dance hits on European charts, but no US chart hits. Cara received two prestigious honors for her career in March 2004, with her induction into the Ciboney Cafe’s Hall of Fame and a Lifetime Achievement Award presented at the sixth annual Prestige Awards.

In June 2005, Cara won the third round of the NBC television series Hit Me, Baby, One More Time, performing “Flashdance (What a Feeling)” and covered Anastacia’s song “I’m Outta Love” with her current all-female band, Hot Caramel. At the 2006 AFL Grand Final in Melbourne, Cara performed “Flashdance (What a Feeling)” as an opener to the pre-match entertainment.

As of 2016, Cara divides her residence between New Port Richey, Florida and Santa Fe, New Mexico. She works with her band Hot Caramel, which she formed in 1999. Their album called Irene Cara Presents Hot Caramel was released on April 4, 2011. Cara appeared in season 2 of CMT’s reality show Gone Country,.

Cara married stuntman Conrad Palmisano in Los Angeles in April 1986 and they divorced in 1991.

Written by Dianne Washington

Tammi Terrell

On March 16, 1970, Tammi Terrell died of complications from brain cancer. She was six weeks short of her 25th birthday. Her funeral was held at the Jane Methodist Church in Philadelphia.

At the funeral, Gaye delivered a final eulogy while “You’re All I Need to Get By” was playing. According to Terrell’s fiancé, Dr. Garrett, who knew Gaye, her mother angrily barred everyone at Motown but Gaye from her funeral.

Written by Dianne Washington

Walter Winchell

Walter Winchell (April 7, 1897 – February 20, 1972) was an American newspaper and radio gossip commentator.

Winchell showed a particular talent for finding embarrassing stories about famous people by exploiting his exceptionally wide circle of contacts, and trading gossip, sometimes in return for his silence. His uniquely outspoken style made him both feared and admired, and his column was syndicated worldwide. In the 1930s, he attacked the appeasers of Nazism, and later aligned with Joseph McCarthy in his campaign against communists. He damaged the reputations of Charles Lindbergh and Josephine Baker as well as other individuals who had earned his enmity. However, the McCarthy connection in time made him deeply unfashionable, his talents did not adapt well for television, and his career ended in humiliation.

Written by Dianne Washington

Merlin Santana

Merlin Santana (March 14, 1976 – November 9, 2002) was an American actor. He was best known for his roles as Rudy Huxtable’s admirer Stanley on The Cosby Show, Marcus Dixon on Getting By, Marcus Henry in Under One Roof and as high school student Romeo Santana on The WB sitcom The Steve Harvey Show.

Born in New York City, New York to parents from the Dominican Republic, Santana’s career in show business began with a push from his parents, who wanted to keep him off the tough streets of New York. He began his career at the age of three as an advertising model for a fast food chain. His first screen appearance was as an extra in the Woody Allen film, The Purple Rose of Cairo.

In 1991, Santana landed a recurring role on The Cosby Show as Stanley, the admirer of Rudy Huxtable and the rival of Rudy’s friend Kenny (Deon Richmond). He was then cast as Marcus Dixon in the short-lived sitcom, Getting By, starring Cindy Williams and Telma Hopkins. Deon Richmond was cast as his brother Darren, due to their interaction on The Cosby Show.

In November 1994, Santana appeared on Sister, Sister as Joey, in which he falls in love with Tia and Tamera (Tia and Tamera Mowry) at Rocket Burger.

In 1995, Santana was cast as Marcus Henry in the short-lived CBS family drama Under One Roof, co-starring with James Earl Jones, Joe Morton and Vanessa Bell Calloway. Between 1996 and 1999, he played the role of Ohagi on Moesha.

In 1996, he landed the role of Romeo Santana on The Steve Harvey Show. In 2001, he played the role of Jermaine in the movie Flossin. In 2002, he appeared in the VH1 TV movie, Play’d: A Hip Hop Story with Toni Braxton. That same year, Santana had a role in the Eddie Murphy comedy Showtime. His last television acting role was on the UPN series, Half & Half; his last film role was a 2003 comedy film, The Blues with Deon Richmond. Merlin has 3 unreleased albums.

On November 9, 2002, Santana was shot in the head and killed as he and his best friend, former child actor Brandon Quintin Adams were in a car leaving another man’s home in the Crenshaw District of Los Angeles. Damien Andre Gates fired the shot that entered through the trunk of the vehicle that Santana was in. The bullet penetrated the right-front passenger headrest and entered directly into Santana’s head, killing him instantly. Damien was later convicted of the first-degree murder of Santana and the attempted murder of Adams and was sentenced to three consecutive life sentences plus 70 years in prison. Brandon Douglas Bynes received a 23-year sentence after pleading guilty to voluntary manslaughter and assault with a deadly weapon, even though none of the shots fired from his revolver ever entered the vehicle. An officer involved in the case testified that Monique King, reportedly Gates’s girlfriend and aged 15 at the time of Santana’s death, falsely claimed that Santana tried to rape her, which prompted Gates and Bynes to attack the car. King was found guilty of second-degree murder and attempted

He acquitted King on two lesser charges.King received ten years in juvenile custody. Santana was 26 years old at the time of his death. He was buried on November 18, 2002, at Saint Raymond’s Cemetery in The Bronx, New York

Written by Dianne Washington

Craig Mack

Only three days after the anniversary of the loss of one of hip hop’s notorious MC’s, we lose another one. The Mack that we all know was a part of Diddy’s Bad Boy label and had created one of hip hop’s most classic joints ever in history. The Mack was first introduced back in 1988 when he was known as MC EZ. Then fast forward to 1993, when we all heard him appear on the remix of Mary J. Blige’s soundtrack joint “You Don’t Have To Worry.” A year later, in the fall of 1994, his debut album “Project: Funk Da World” was released as well as his debut solo classic hit “Flava In Ya Ear.” Along with a remix that’s even more hard hitting than the original with appearances by The Notorious B.I.G., LL Cool J, Busta Rhymes, and Rampage. “Get Down” was the second single to follow the success of “Flava In Ya Ear.” Three years later, Mack released his second album “Operation: Get Down” but it didn’t do as well as his debut. To this day, “Flava In Ya Ear” is a definitive hip hop CLASSIC. There’s no way that song will not be played at a hip hop show, club, party, or even a park jam. Thank you for your robotic, futuristic, George Jetson energy and for kickin’ mad flava in our ears. Rest in peace. 🙏🏾

The Savoy Ballroom in Harlem

This photo was taken on September 4, 1940 outside the Savoy Ballroom.

On this date in 1926, the Savoy Ballroom opened in Harlem, New York. Called the “Home of Happy Feet,” it was Harlem’s first and greatest Swig Era dance palace.

It was opened by Moe Gale (Moses Galewski), Charles Galewski, and Harlem real-estate businessman Charles Buchanan, who functioned as the ballroom’s manager. The Savoy was billed as the world’s most beautiful ballroom; it occupied the second floor of a building that extended along the whole block between 140th and 141st streets, and featured a large dance floor (200 feet by 50 feet), two bandstands, and a retractable stage. Except on special occasions, the ballroom engaged two bands, which played alternate sets, and this policy led to it’s becoming a famous venue for battles of bands.

It swiftly became the most popular dance venue in Harlem, and many of the jazz dance crazes of the 1920s and 1930s originated there. The ballroom was the center for the development of lindyhopping. Dancers such as Leon James, Leroy Jones, Shirley “Snowball” Jordan and couples George “Shorty” Snowden and “Big Bea” and Sketch Jones with “Little Bea” created perfect patterns on the floor such as the “Itch” and the “Big Apple.” During its thirty-two year existence, the Savoy represented a remarkably successful example of an interracial cultural meeting place, and embodiment of wide scale acceptance of Black urban culture by whites in the 1930’s and 1940’s.

The Savoy enjoyed a long and glittering career that lasted well into the 1950s, before a decline in its fortunes set in. The Savoy was torn down in 1958 to make way for a housing project.

Written by Dianne Washington

Hi I’m Buckwheat

William Thomas Jr. (March 12, 1931 – October 10, 1980), known as Billie Thomas, was an American child actor best remembered for portraying the character of Buckwheat in the Our Gang (Little Rascals) short films from 1934 until the series’ end in 1944. He was a native of Los Angeles, California.

William “Billie” Thomas, Jr. was a native of Los Angeles, California. In 1934 his mother brought him to audition at the Hal Roach Studios, he worked in the series until the series’ end in 1944. Billie Thomas first appeared in the 1934 Our Gang shorts For Pete’s Sake!, The First Round-Up, and Washee Ironee as a background player. The “Buckwheat” character was a female at this time, portrayed by Our Gang kid Matthew “Stymie” Beard’s younger sister Carlena in For Pete’s Sake!, and by Willie Mae Taylor in three other episodes. Thomas began appearing as “Buckwheat” with 1935’s Mama’s Little Pirate.

Despite Thomas being a male, the Buckwheat character remained a female dressed as a Topsy-esque image of the African American “pickaninny” stereotype with bowed pigtails, a large hand-me-down sweater and oversized boots. After Stymie’s departure from the series later in 1935, the Buckwheat character slowly morphed into a boy, first referred to definitively as a “he” in 1936’s The Pinch Singer. This is similar to the initial handling of another African American Our Gang member, Allen “Farina” Hoskins, who worked in the series during the silent and early sound eras.

Thomas always defended the stereotype critique of his work in the series, pointing out that Buckwheat and the rest of the black Our Gang kids were treated as equals to the white kids in the series. Despite the change in the Buckwheat character’s gender, Billie Thomas’s genderless costuming was not changed until his appearance as a runaway slave in the 1936 Our Gang feature film General Spanky. This new costuming overalls, striped shirt, oversized shoes, and a large unkempt Afro—was retained for the series proper from late 1936’s Pay as You Exit on. Thomas remained in Our Gang for ten years, appearing in all but one of the episodes made from Washee Ironee in 1934 through the series’ end in 1944. During the first half of his Our Gang tenure, Thomas’ Buckwheat character was often paired with Eugene “Porky” Lee as a tag-along team of “little kids” rallying against (and often outsmarting) the “big kids,” George “Spanky” McFarland and Carl “Alfalfa” Switzer. Thomas had a speech impediment as a young child, as did Lee, who became Thomas’ friend both on the set and off. The “Buckwheat” and “Porky” characters both became known for their collective garbled dialogue, in particular their catchphrase, “O-tay!” originally uttered by Porky, but soon shared by both characters.

Thomas remained in Our Gang when the series changed production from Hal Roach Studios to Metro-Goldwyn-Mayer in 1938 and was the only Our Gang cast member to appear in all 52 MGM Our Gang shorts. Thomas was also the only holdover from the Hal Roach era to remain in the series until its end in 1944. By 1940, Thomas had grown out of his speech impediment, and with Lee having been replaced by Robert Blake; Thomas’s Buckwheat character was written as an archetypal black youth. He was twelve years old when the final Our Gang film, Dancing Romeo, was completed in November 1943.

After Our Gang was discontinued, Thomas enlisted in the US Army in 1954, and was released from active military service in 1956 decorated with a National Defense Service Medal and a Good Conduct Medal. After returning to civilian life, Thomas though offered many film and stage roles, he had no desire to return to Hollywood as an actor. However, Thomas still enjoyed the film industry at large, and became a successful film lab technician with the Technicolor Corporation. He took his experience in film work and learned the trade of film editing and cutting.

In 1980, the Second International Convention of The Sons of the Desert took place at the Los Angeles Hilton Hotel, with more than 500 fans in attendance. Several days were spent touring famous Hollywood attractions, and then the highlight of the gathering took place in the hotel ballroom. Among those honored were fellow Our Gangers Spanky MacFarland, Dorothy DeBorba, Tommy Bond and Joe Cobb. When Thomas was brought out, he received a spontaneous standing ovation, and was moved to tears.

William “Billie” Thomas, Jr. died of a heart attack in his Los Angeles apartment on October 10, 1980. Coincidentally, exactly 46 years to the day after his mother brought him to audition at the Hal Roach Studios. He is interred at Inglewood Park Cemetery in Inglewood, California.

Written by Dianne Washington