Category: Whats Buzzing in the Streets

Fontella Marie Bass (July 3, 1940 – December 26, 2012) was an American R&B and soul singer and songwriter best known for her 1965 hit, “Rescue Me.”Fontella Bass was born in St. Louise, MO, and as the daughter of gospel singer Martha Bass (of the Clara Ward Singers), and the granddaughter of Nevada Carter she was exposed to music at an early age. By the time she was six, she was singing in her church’s choir. Her voice and musical talents were raised in the Black church. As a teenager, Bass was attracted by more secular music. Throughout high school she began singing R&B songs at local contests and fairs, and her uncles would sneak her out to Blues clubs where she would often get up and play with the performers.She was destined for a career in music and the moment finally came: Bass played piano and sang with R&B stars Little Milton and Oliver Sain, and launched her solo career in 1965 with the song “Rescue Me,” a #1 R&B and #4 pop hit.By the end of the 1960s she had moved to Paris with her husband, jazz trumpeter Lester Bowie. During that time, apart from solo albums, she also worked with The Art Ensemble of Chicago (her husband’s jazz group) and with the gospel group From The Root To The Source. Bass returned to St. Louis in 1972 to raise her family.Always sharing her musical gift in local churches, she went on to perform internationally and at Carnegie Hall. Two albums, 1995s Grammy-nominated “No Ways Tired” and 1999s “Speaking in Tongues” showcase the extraordinary talents of Fontella Bass.The next few years found Bass at a number of different labels, but saw no notable successes. After her second album, Free, flopped in 1972, Bass retired from music and concentrated on raising a family (she has four children with Bowie). She returned occasionally, being featured as a background vocalist on several recordings, including those by Bowie. In 1990 she recorded a gospel album with her mother and brother David Peaston, called Promises: A Family Portrait of Faith and undertook a fall tour of the US West Coast, called “Juke Joints and Jubilee”, which featured both traditional gospel and blues performers. During the 1990s she hosted a short-lived Chicago radio talk show, released several gospel records on independent labels; through old friend Hamiet Bluiett, she was invited to perform three tracks on the World Saxophone Quartet album Breath of Life.The original version of “Rescue Me” was utilized in a TV advertising campaign by American Express: Fontella Bass has stated that she was at a low point in her life when on New Year’s Day 1990 she was astonished to hear her own voice singing “Rescue Me” on the American Express television ad. The experience gave Bass the inspiration to set her life in order: it also motivated her to make queries over the commercial use of her recording of “Rescue Me” with the ultimate result a 1993 settlement with American Express and its advertising agency awarding Bass $50,000 plus punitive damages.Like many artists of her time, Bass experienced a revival of interest. She was featured on the PBS Special and accompanying DVD, Soul Celebration. Soul Spectacular recorded live at Heinz Hall in Pittsburgh, PA, November 2001. Her voice can be heard on two tracks on The Cinematic Orchestra’s 2002 album Every Day, and another two tracks on their 2007 album Ma Fleur.Bass received a star on the St. Louis Walk of Fame in the Loop in May 2000. She was the older sister of the R&B singer David Peaston.Her health started failing after a series of strokes beginning in 2005. On December 26, 2012, she died at a St. Louis hospice from complications of a heart attack suffered earlier in the month of December 2012; she was 72.

Written by Dianne Washington

Paul Williams (July 2, 1939 – August 17, 1973) was an American baritone singer and choreographer. Williams was noted for being one of the founding members and original lead singer of the Motown group The Temptations. Along with David Ruffin, Otis Williams (no relation), and fellow Alabamians Eddie Kendricks and Melvin Franklin, Williams was a member of The Temptations during the “Classic Five” period. Personal problems and failing health forced Williams to retire in 1971. He was found dead two years later as the result of an apparent suicide.Paul Williams was born and raised in the Ensley neighborhood of Birmingham, Alabama. He was the son of Sophia and Rufus Williams, a gospel singer in a gospel music vocal group called the Ensley Jubilee Singers. He met Eddie Kendricks in elementary school; supposedly, the two first encountered each other in a fistfight after Williams dumped a bucket of mop water on Kendricks. Both boys shared a love of singing, and sang in their church choir together. As teenagers, Williams, Kendricks, and Kel Osbourne and Willie Waller performed in a secular singing group known as The Cavaliers, with dreams of making it big in the music industry. In 1957, Williams, Kendricks, and Osbourne left Birmingham to start careers, leaving Waller behind. Now known as The Primes, the trio moved to Cleveland, Ohio, and eventually found a manager in Milton Jenkins, who moved the group to Detroit, Michigan. Although The Primes never recorded, they were successful performers, and even launched a spin-off female group called The Primettes, who later became The Supremes.In 1961, Kell Osbourne moved to California, and the Primes disbanded. Kendricks returned to Alabama, but visited Paul in Detroit shortly after. While on this visit, he and Paul had learned that Otis Williams, head of a rival Detroit act known as The Distants, had two openings in his group’s lineup. Paul Williams and Kendricks joined Otis Williams, Melvin Franklin, and Elbridge Bryant to form The Elgins, who signed to the local Motown label in 1961, after first changing their name to The Temptations.Although the group now had a record deal, Paul Williams and his bandmates endured a long series of failed singles before finally hitting the Billboard Top 20 in 1964 with “The Way You Do the Things You Do.” More hits quickly followed, including “My Girl”, “Ain’t Too Proud To Beg” and “(I Know) I’m Losing You.”Williams sang lead on several of the group’s songs, and served as the main lead singer during the group’s early years. His early leads include, “Your Wonderful Love” (1961), “Slow Down Heart” (1962), “I Want a Love I Can See” (1963), and “Oh, Mother of Mine” (1961) (the group’s first single) and “Farewell My Love” (1963) both shared with Eddie Kendricks. Considered the Temptations’ best dancer, Williams served as the group’s original choreographer, devising routines for his group and The Supremes (most notably their trademark “Stop! In the Name of Love” routine), before Cholly Atkins took over that role for all of Motown’s acts. Williams’ later leads on Temptations songs include, “Just Another Lonely Night” (1965), “No More Water in the Well” (1967), a cover version of “Hey Girl” (1969), and his signature song “Don’t Look Back” (1965).Williams also sang lead with Dennis Edwards, who joined in 1968, on Motown’s first Grammy Award-Winner “Cloud Nine”. One of his best-known lead performances is his stand out live performance of “For Once in My Life,” from the television special TCB, originally broadcast on December 9, 1968 on NBC. The live version of the song “Don’t Look Back” is also frequently cited as one of his standout performances. He also took over the lead vocal for live performances of “My Girl” following David Ruffin’s departure from the group.Williams suffered from sickle-cell anemia, which frequently wreaked havoc on his physical health. In 1965, Williams began an affair with Winnie Brown, hair stylist for The Supremes and a relative of Supremes member Florence Ballard. In love with Brown but still devoted to his wife and children, Williams was also depressed because Cholly Atkins’ presence now made Williams’ former role as choreographer essentially, but not completely, obsolete. Life on the road was starting to take its toll on Williams as well, and he began to drink heavily.In the spring of 1969, Williams and Brown opened a celebrity fashion boutique in downtown Detroit. The business was not as successful as planned, and Williams soon found himself owing more than $80,000 in taxes. His health had deteriorated to the point that he would sometimes be unable to perform, suffering from combinations of exhaustion and pain which he combated with heavy drinking. Each of the other four Temptations did what they could to help Williams, alternating between raiding and draining his alcohol stashes, personal interventions, and keeping oxygen tanks backstage, but Williams’ health, as well as the quality of his performances, continued to decline and he refused to see a doctor.Otis Williams and the other Temptations decided to resort to enlisting an on-hand fill-in for Paul Williams. Richard Street, then-lead singer of fellow Motown act The Monitors and formerly lead singer of The Distants, was hired to travel with The Temptations and sing all of Williams’ parts, save for Williams’ special numbers such as “Don’t Look Back” and “For Once in My Life”, from backstage behind a curtain. When Williams was not well enough to go on, Street took his place onstage. In April 1971, Williams was finally persuaded to go see a doctor. The doctor found a spot on Williams’ liver and advised him to retire from the group altogether. Williams left the group and Street became his permanent replacement. In support of helping Williams get back on his feet, The Temptations continued to pay Williams his same one-fifth share of the group’s earnings, and kept Williams on their payroll as an advisor and choreographer, and Williams continued to help the group with routines and dance moves for the next two years.By early 1973, Williams made his return to Motown’s Hitsville USA recording studios, and began working on solo material. Kendricks, who had quit the Temptations just before Williams left, produced and co-wrote Williams’ first single, “Feel Like Givin’ Up”, which was to have been issued on Motown’s Gordy imprint with “Once You Had a Heart” as its b-side. However, after Williams’ death was ruled a suicide in August 1973, Motown decided to shelve the sides, because the song “Feel Like Givin’ Up” was just too literal to bear and the single was not released.On August 17, 1973, Paul Williams was found dead in an alley in the car having just left the new house of his then-girlfriend after an argument. A gun was found near his body. His death was ruled a suicide by the coroner; Williams had expressed suicidal thoughts to Otis Williams and Melvin Franklin months before his death.Williams’ funeral was held on August 24, with his family and former bandmates in attendance. He was survived by his wife, Mary Agnes Williams, and five children: Sarita, Kenneth, Paula, Mary and Paul, Jr., who later joined a Temptations splinter group, The Temptations Review featuring Dennis Edwards. Williams also had three other children, Paul Williams Lucas, Anthony Johnson, and Derrick Vinyard, with three girlfriends. Williams is buried in Clinton Township, Michigan’s Lincoln Memorial Park.The circumstances surrounding Williams’ death caused the Williams family to suspect that some form of foul play was the actual cause of Williams’ death. According to the coroner, Williams had used his right hand to shoot himself in the left side of his head. In addition, a bottle of alcohol was found near Williams’ left side, as if he had dropped it while being shot. The gun used in the shooting was found to have fired two shots, only one of which had killed Williams.As a member of the Temptations, Paul Williams was posthumously inducted into the Rock and Roll Hall of Fame in 1989 and the Vocal Group Hall of Fame in 1999. Both of his solo recordings were later released by Motown on Temptations-related compilations in the 1980s and 1990s.In 1998, NBC aired The Temptations, a four-hour television miniseries based upon an autobiographical book by Otis Williams. Paul Williams was portrayed by actor Christian Payton.The music video for the Diana Ross song “Missing You” pays tribute to Marvin Gaye, Florence Ballard, and Paul Williams, all former Motown artists who had died.

Written by Dianne Washington

Marla Gibbs (born Margaret Theresa Bradley; June 14, 1931) is an American actress, comedian, singer, writer and producer, whose career spans five decades.

Gibbs is known for her role as Louise and George Jefferson’s maid, Florence Johnston, in the long-running CBS sitcom, The Jeffersons (1975–85), for which she received five nominations for Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series. She also starred in the show’s spin-off Checking In (1981), and for her leading role as Mary Jenkins in the NBC sitcom, 227 (1985–90), which she also co-produced and sang on the theme song. Gibbs has won a total of seven NAACP Image Awards.

In later years, Gibbs played supporting roles in films The Meteor Man (1993), Lost & Found (1999), The Visit (2000), The Brothers (2001), and Madea’s Witness Protection (2012).

The younger of a sister, Marla Gibbs was born Margaret Theresa Bradley on June 14, 1931, in Chicago, Illinois to Ophelia Birdie (née Kemp) and Douglas Bradley. She attended Wendell Phillips Academy High School in the Bronzeville neighborhood on Chicago’s south side graduating in 1949. Shortly after high school, Gibbs moved to Detroit, Michigan where she attended Peters Business School. She worked as a reservations agent for United Airlines before relocating with her children from Detroit to Los Angeles.

Gibbs got her first acting job in the early 1970s, in the blaxploitation films Sweet Jesus, Preacher Man and Black Belt Jones. In 1975 she was cast as Florence Johnston, the family’s maid, in the CBS comedy series The Jeffersons. For her performance on the series, Gibbs was nominated for an Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series five times, and once for a Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film. In 1981 she starred in the short-lived spin-off of The Jeffersons, titled Checking In.

Gibbs responded in a 2015 interview on Broadway Showbiz, when asked if she’d based any of her characters on real-life people: “Yes, Florence was like my aunt and grandmother so I lived it.

Written by Dianne Washington

Keenen Ivory Wayans, Sr. (born June 8, 1958) is an American actor, comedian, filmmaker, and a member of the Wayans Family of entertainers. He first came to prominence as the host and co-creator of the 1990–1994 Fox sketch comedy series In Living Color. He has produced, directed and/or written a large number of films, starting with Hollywood Shuffle, which he co-wrote, in 1987. A majority of these films have included him and one or more of his brothers and sisters in the cast. One of these films, Scary Movie (2000), which Wayans directed, was the highest-grossing movie ever directed by an African American until it was surpassed by Tim Story’s Fantastic Four in 2005. From 1997 to 1998, he hosted the talk show The Keenen Ivory Wayans Show. Most recently, he was a judge for the eighth season of Last Comic Standing.

Wayans was born in New York City, son of Howell Stouten Wayans, a supermarket manager, and his wife Elvira Alethia (Green), a homemaker and social worker. His father was a devout Jehovah’s Witness. He grew up in Manhattan’s Fulton housing projects. Wayans attended Tuskegee University on an engineering scholarship. He entertained his friends at college with made-up stories about life in New York. One semester before graduation, he dropped out of school to focus on comedy.

During his first set performing at The Improv in New York, Wayans met Robert Townsend, who helped him learn about the comedy business. Wayans moved to Los Angeles in 1980, where he worked as an actor. He had a regular role as a soldier on a television series named “For Love and Honor”.

Townsend wrote, directed, and starred in the movie Hollywood Shuffle; Wayans was co-star and co-writer. The movie’s success allowed him to raise the money to make I’m Gonna Git You Sucka.

Fox Broadcasting Company approached Wayans to offer him his own show. Wayans wanted to produce a variety show, similar to Saturday Night Live, with a cast of people of color that took chances with its content. Fox gave Wayans a lot of freedom with the show, although Fox executives were a bit concerned about the show’s content prior to its television debut.

Written Dianne Washington