William Henry “Bill” Duke, Jr. (born February 26, 1943) is an American actor and film director. Known for his physically imposing frame, Duke’s work frequently dwells within the action and crime drama genres but also appears in comedy. He often plays characters related to law enforcement.
Duke was born in Poughkeepsie, New York, the son of Ethel Louise (née Douglas) and William Henry Duke Sr. He attended Franklin D. Roosevelt High School in Hyde Park and later received his first instruction in the performing arts and in creative writing at Dutchess Community College in Poughkeepsie. After graduation from Dutchess he went on to Boston University for further instruction in drama and for his B.A. After studying at New York University’s Tisch School of Arts and the AFI Conservatory, he appeared on Broadway in the 1971 Melvin Van Peebles musical Ain’t Supposed to Die a Natural Death. He directed episodes of several noteworthy 1980s television series, including Hill Street Blues and Miami Vice.
Duke became a familiar face on screen in Commando and Predator, Action Jackson, Payback and X-Men: The Last Stand. Other Duke films include Car Wash (1976) and American Gigolo (1980). Returning to the director’s chair, Duke began directing feature-length films in the 1990s with A Rage in Harlem and Deep Cover. He also directed The Cemetery Club and Sister Act 2. Duke continues to act and direct for both the small and silver screens. More recently, Duke directed a segment of HBO’s highly-praised trilogy “America’s Dream,” entitled “The Boy Who Painted Christ Black,” for which he won Cable ACE and NAACP Image Awards for Best Director, and the pilot for the series “New York Undercover.”
As a writer, Duke and Danny Glover created a book of photo essays, Black Light: The African-American Hero. He also directed “A Town Hall Meeting: Creating A Sense of Community” for the Los Angeles-based Artists Against Homelessness. Duke is also a mentor for young African-Americans aspiring for the performance arts.
Duke continues to act and direct for both the small and silver screens. He is also a mentor for young African Americans aspiring to work in the performance arts.
Duke teamed with screenwriter Bayard Johnson to co-produce Cover, a 2007 film which explores the HIV epidemic.